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buey\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17229/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":240,"lastUpdate":"2026-07-01T00:13:54.187Z","textCase":"lower","currency":"EUR","id":17229},{"startPrice":650,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17305/012/012.jpg"],"artist":{"es":"dumas 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español, probablemente escuela catalana c. 1900."},"available":false,"description":{"es":"óleo sobre lienzo. el santo aparece de perfil, en actitud de orar, ante la aparición o visión de la sagrada forma en la cruz. pintura de calidad en el tratamiento del rostro y en la simulación de elementos arquitectónicos, en dorado. una leyenda en castellano identifica al retratado: \"san francisco de borja.\". realza la pintura su marco original en madera tallada, con dorado fino, en estilo neogótico, con algunas faltas en la zona inferior (5 hojarascas). el lienzo presenta pequeños desperfectos en su fondo oscuro que no afectan a la figura del santo."},"lotNumber":"20","title":{"es":"san francisco de borja en oración"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17206/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2400,"lastUpdate":"2026-07-01T00:13:54.191Z","textCase":"lower","currency":"EUR","id":17206},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17258/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17258/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17258/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17258/004/004.jpg"],"artist":{"es":"moritz michael daffinger (viena, 1790-1849)"},"available":false,"description":{"es":"gouache y témpera sobre marfil. firmado en el ángulo inferior derecho, de abajo hacia arriba: \u201cdaffinger.\u201d. \n su relación con el arte de la pintura tiene su origen en la actividad de su padre, johann daffinger, pintor en la manufactura imperial de porcelana de la capital austríaca, donde moritz entró como aprendiz a la edad de 11 años. \n su ingreso para estudiar en la academia de viena bajo la tutela de los maestros hubert maurer y heinrich friedrich füger le llevó en 1804 a ser galardonado con el primer premio en la disciplina de dibujo. 1812 fue el año en el que pasó a ser pintor de la citada manufactura imperial de porcelana, una actividad que con el tiempo, derivo en su dedicación por la pintura de miniaturas. \n la influencia recibida en su estilo, y que diferentes historiadores del arte apuntan por parte del maestro francés jean- baptiste isabey (1767-1855), miniaturista de maría antonieta (1755-1793) y protegido de napoleón bonaparte (1769-1821), procede de su selección junto a otros pintores, tras su asistencia al congreso de viena (1814-1815). \n la protección recibida por el príncipe klemens von metternich (1773-1859), ministro de asuntos exteriores de austria y enemigo de bonaparte, le convirtió en uno de los pintores selectos tanto de la familia imperial austríaca como de alta aristocracia de aquel país. el gusto por la pintura de melanie, tercera esposa del príncipe, le señaló como conservador de la colección de pinturas de ella, con quien debió de mantener un indudable contacto artístico. \n esta miniatura presenta, firmada en el lateral derecho \u201cdaffinger\u201d, el retrato de una mujer joven por identificar. su peinado corresponde con la moda femenina vienesa de la década de 1830, si lo comparamos con el tocado que porta la archiduquesa sofía de austria (1805-1872) en el retrato que de ella realizó joseph karl stieler (1781-1858) en 1832. nuestra retratada presenta cierta candidez y porte elegante, con una sencilla indumentaria, fino pendiente y cadena alrededor de su cuello. podría tratarse de alguna mujer descendiente del príncipe metternich, con tres matrimonios y numerosas hijas, más otra ilegítima reconocida. \n el museo nacional del prado conserva una pintura adquirida en 1980 donde se retrata a francisco josé i, emperador de austria, una miniatura sin firmar que se atribuye a daffinger (mnp, núm. cat. o000707). \n la pintura que presentamos porta su marco liso en marfil."},"lotNumber":"21","title":{"es":"retrato de mujer"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17258/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T00:13:51.223Z","textCase":"lower","currency":"EUR","id":17258},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17260/012/012.jpg"],"artist":{"es":"josé 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penitente"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17268/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2400,"lastUpdate":"2026-07-01T00:13:51.230Z","textCase":"lower","currency":"EUR","id":17268},{"startPrice":150,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17214/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17214/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17214/003/003.jpg"],"artist":{"es":"charles verlat (anvers 1824-1890)"},"soldDate":"2022-05-18","available":false,"description":{"es":"firmado en el ángulo superior derecho \u201cverlat\u201d; a su lado, sello en lacre rojizo en referencia a la escuela de bellas artes de amberes (bélgica): \u201c\u2026 va \u2026 beaux art(s) \u2026 \u201d; c. 1844. grafito, tintas parda y negra sobre 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hombre"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17213/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":150,"soldPrice":180,"lastUpdate":"2026-07-01T00:13:51.233Z","textCase":"lower","currency":"EUR","id":17213},{"startPrice":240,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17212/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17212/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17212/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17212/008/008.jpg"],"artist":{"es":"ricard opisso sala (tarragona 1882 - barcelona 1966)"},"available":false,"description":{"es":"lápiz grafito sobre papel. firmado en el ángulo inferior izquierdo: \"opisso\"."},"lotNumber":"27","title":{"es":"estudio para tres perros"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17212/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":240,"lastUpdate":"2026-07-01T00:13:51.234Z","textCase":"lower","currency":"EUR","id":17212},{"startPrice":340,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17211/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17211/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17211/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17211/004/004.jpg"],"artist":{"es":"eduardo rosales (madrid, 1836-1873)"},"available":false,"description":{"es":"sanguina sobre papel. firmado con sello de pensionado, en el ángulo inferior derecho: \"e. rosales\". con marco moderno en madera dorada, paspartú y cristal. \n procedencia: galería alfama, madrid (calle 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en buenos aires hacia 1927. firmado hacia el ángulo inferior derecho: \u201ce reqvena / escalada\u201d. tinta negra sobre papel. procedencia: madrid, galería margarita de dios; madrid, colección particular."},"lotNumber":"29","title":{"es":"niña en un 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rodríguez"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17223/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:13:51.238Z","textCase":"lower","currency":"EUR","id":17223},{"startPrice":110,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17224/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17224/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17224/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17224/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17224/010/010.jpg"],"artist":{"es":"gaspar besares-soraire (la banda, santiago del estero, 1900 - buenos aires, 1984)"},"available":false,"description":{"es":"dibujo original con destino a la revista argentina \n caras y caretas , publicado en buenos aires hacia 1924. firmado en el ángulo inferior derecho. tintas parda y negra sobre papel. medidas 240 x 180 mm (dibujo); 310 x 240 mm (soporte)."},"lotNumber":"31","title":{"es":"el refrigerio"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17224/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":110,"lastUpdate":"2026-07-01T00:13:53.121Z","textCase":"lower","currency":"EUR","id":17224},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17264/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17264/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17264/003/003.jpg"],"artist":{"es":"anónimo valenciano hacia 1930"},"available":false,"description":{"es":"óleo sobre tabla. marco dorado y tallado de época, con pequeña falta en el ángulo inferior derecho. \n inscripción a lápiz en el reverso: \"sr. pastor / (c. pascual y genis - 12) / 96 927 (...)\"."},"lotNumber":"32","title":{"es":"escena de interior"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17264/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:13:53.124Z","textCase":"lower","currency":"EUR","id":17264},{"startPrice":150,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17263/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17263/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17263/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17263/004/004.jpg"],"artist":{"es":"enrique azcárate (siglo xx)"},"available":false,"description":{"es":"óleo sobre tabla con marco de madera dorado."},"lotNumber":"33","title":{"es":"paisaje"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17263/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":150,"lastUpdate":"2026-07-01T00:13:53.125Z","textCase":"lower","currency":"EUR","id":17263},{"startPrice":100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17217/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17217/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17217/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17217/004/004.jpg"],"artist":{"es":"josé manuel rodríguez arnáez (haro, la rioja 1944 - madrid 2014)"},"available":false,"description":{"es":"técnica mixta sobre papel. firmado en el ángulo inferior derecho \"arnaez / 31-x-81\". adherido sobre paspartú con marco metálico negro de la época de la obra. procedencia: madrid, galería alfama."},"lotNumber":"34","title":{"es":"virgen de la vega"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17217/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":100,"lastUpdate":"2026-07-01T00:13:53.127Z","textCase":"lower","currency":"EUR","id":17217},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17248/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17248/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17248/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17248/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17248/005/005.jpg"],"artist":{"es":"arturo peyrot filippini (roma 1908 - madrid 1993)"},"available":false,"description":{"es":"técnica mixta sobre papel. medidas; 22 x 16 cm (soporte) 32 x 26 cm (marco). firmado abajo, hacia el centro: \"peyrot\"."},"lotNumber":"35","title":{"es":"paisaje urbano"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17248/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:13:53.128Z","textCase":"lower","currency":"EUR","id":17248},{"startPrice":260,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17249/011/011.jpg"],"artist":{"es":"pedro mozos martínez (herrera de valdecañas, palencia 1915 - palma de mallorca 1982)"},"available":false,"description":{"es":"gouache sobre tres papeles. tres obras, formando un triptico, enmarcadas bajo cristal con marco tonalidad madera. medidas: 42,5 x 55 cm (marco) 26 x 16,7 cm (papel central) 24,4 x 9,3 cm (papel izquierdo) 24 x 8,5 cm (papel derecho). firmado, fechado y titulado en la obra central, abajo a la izquierda: \"mozos 49 / brujas ovejas\". procedencia: madrid, galería alfama (calle serrano 7). con numeración y otros datos manuscritos en su reverso."},"lotNumber":"36","title":{"es":"brujas ovejas"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17249/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":260,"lastUpdate":"2026-07-01T00:13:53.130Z","textCase":"lower","currency":"EUR","id":17249},{"startPrice":50,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17231/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17231/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17231/003/003.jpg"],"artist":{"es":"anónimo español, hacia 1850-1860"},"available":false,"description":{"es":"estampa litográfica. isabel ii de españa (madrid 1830, parís 1904) fue reina de españa entre 1833 y 1868 gracias a la derogación de la llamada \n ley sálica a través de la pragmática sanción de 1830. fue hija de los reyes fernando vii y de su cuarta esposa, maría cristina de borbón-dos sicilias, y madre del rey alfonso xii. en esta estampa la reina aparece engalanada con tiara, en pie, junto a su corona y cetro real. estampa sin firma ni leyenda."},"lotNumber":"37","title":{"es":"isabel ii, reina de españa"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17231/view","tags":["esart_graphicworksetchinglithography","esart","esart_all"],"directSalePrice":50,"lastUpdate":"2026-07-01T00:13:53.131Z","textCase":"lower","currency":"EUR","id":17231},{"startPrice":240,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17232/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17232/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17232/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17232/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17232/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17232/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17232/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17232/008/008.jpg"],"artist":{"es":"joaquín díez (documentado entre 1856 y 1882), pintor; c. manigaud, grabador."},"available":false,"description":{"es":"luisa maría teresa carlota isabel de orleáns (palermo 1812 - ostende 1850), fue princesa de francia por ascenso de su padre en 1830 al trono de francia, y reina consorte de los belgas por su matrimonio con el rey leopoldo i de bélgica. fue hija del matrimonio entre luis felipe i de francia y maría amelia de borbón-dos sicilias. por línea paterna fue nieta de luis felipe, duque de orleáns y por línea materna, nieta de fernando i, rey de las dos sicilias. ostentó el título de princesa de francia cuando su padre en 1830 se convirtió en rey de francia. por razones diplomáticas contrajo matrimonio en 1832 con leopoldo i, rey de bélgica. de los cuatro hijos nacidos de este matrimonio, destacan el futuro leopoldo ii, que sucederá a su padre en el trono y maría carlota (1840-1927), emperatriz de méxico, esposa de maximiliano i de méxico. \n \n \n \n la reina de los belgas aparece de pie, en una estancia que pudiera ser su despacho. posa su mano derecha sobre una carta manuscrita firmada por ella, junto a una escribanía y una palmatoria. la estampa sigue el modelo del dibujo a pintura realizado por joaquín díez (documentado entre 1856 y 1882), pintor romántico español especialista en paisajes y asuntos costumbristas que en 1872 fue nombrado académico en la real academia de bellas artes de sevilla. \n \n \n tanto el peinado como la indumentaria de la reina belga, con un vestido rico en encaje, debemos relacionarlo con el destacado retrato que de cuerpo entero pintó en 1841 el maestro alemán franz xaver winterhalter (1805-1873). estampa, 1851. en el centro, arriba \u201cinstitut des beaux-arts\u201d; en el centro, abajo \u201clouise d\u2019orleans / reine des belges\u201d; firmado en plancha, en el ángulo inferior izquierdo \u201cj. diez delt; abajo \u201cgravée par c manigaud\u201d; hacia la derecha \u201cbruxelles 1851. 24e publication\u201d; en el ángulo inferior derecho, sello en seco \u201cinstitut / des / beaux arts / de / bruxelles\u201d; abajo, en el centro \u201cimprimée par chardon jeune 8 fils, 3, rue rheine paris\u201d."},"lotNumber":"38","title":{"es":"luisa de orleáns, reina de bélgica (1812-1850)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17232/view","tags":["esart_graphicworksetchinglithography","esart","esart_all"],"directSalePrice":240,"lastUpdate":"2026-07-01T00:13:53.133Z","textCase":"lower","currency":"EUR","id":17232},{"startPrice":50,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17233/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17233/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17233/003/003.jpg"],"artist":{"es":"adriaan de lelie (tilburg 1755- amsterdam 1820), pintor; lambert antoine claessens (amberes 1763, rueil-malmaison 1816), grabador"},"available":false,"description":{"es":"hendrik constantijn cras (4 enero 1739, leiden \u2013 5 abril 1820, amsterdam) fue un destacado jurista con estudios de derecho en leiden. su formación le permitió durante más de cuatro décadas dedicarse a la enseñanza en diferentes campos jurídicos en el athenaeum illustre de amsterdam. publicó diferentes trabajos sobre principios de igualdad y libertad. en 1798 se convirtió en miembro de la comisión encargada en la redacción de leyes de su país. estampa, hacia 1800. firmado en plancha, bajo el óvalo: \u201ca. de lelie, pinxt., l. a. claessens sculpt.\u201d; abajo, en el centro: \u201ch. c. le amsterdam by c. s. roos\u201d."},"lotNumber":"39","title":{"es":"retrato de hendrik constantijn cras (1739-1820)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17233/view","tags":["esart_graphicworksetchinglithography","esart","esart_all"],"directSalePrice":50,"lastUpdate":"2026-07-01T00:13:53.135Z","textCase":"lower","currency":"EUR","id":17233},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17234/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17234/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17234/003/003.jpg"],"artist":{"es":"adriaan de lelie (tilburg 1755- amsterdam 1820), pintor; reinier vinkeles (amsterdam 1741-1816 ), grabador; cornelis sebille roos (1754-1820), marchante de arte"},"available":false,"description":{"es":"jean henri van swinden (la haya, 8 de junio de 1746 \u2013 amsterdam, 9 de marzo de 1823) fue un destacado matemático y físico holandés de padres franceses. tras formarse en sus estudios en la universidad de leiden entre 1763-1766, allí se doctoró en filosofía con su tesis \"el poder natural de la atracción\". ese mismo año pasó a ser profesor de física y filosofía en la universidad de franeker. obtuvo en 1776 un premio de la académie royale des sciences junto a charles-augustin de coulomb, gracias a sus investigaciones sobre el campo magnético de la tierra. años más tarde, en 1785, se trasladó a amsterdam donde fue profesor del \n athenaeum illustre . su labor en ayuda del servicio postal fue fundamental, al proponer su sistema en la numeración de viviendas. otros trabajos suyos contribuyeron en la introducción del sistema métrico en los países bajos. fudamentales para los avances en sus terrenos de investigación fueron sus conferencias impartidas en la sociedad \n felix meritis , templo para la difusión de los nuevos postulados de la ilustración. a partir de 1971, el prestigioso laboratorio del servicio de calibración lleva su nombre, \n van swinden laboratorium (vsl) . \n \n \n \n la estampa muestra el retrato de van swinden con una postura de su cabeza semejante a su presencia en la pintura \n la inauguración del edificio felix meritis el 31 de octubre de 1788 , obra pintada por adriaan de lelie (tilburg 1755- amsterdam 1820). estampa, hacia 1788. firmado en plancha, bajo el óvalo: \u201ca. d. lelie, pinx, reinr.vinkeles. sculp.\u201d; abajo, en el centro: \u201cj. h. van swinden. / c.s. roos, excudit amstelodami.\u201d. medidas 177 x 134 mm (papel); 277 x 202 mm (soporte)."},"lotNumber":"40","title":{"es":"retrato de jean henri van swinden (1746-1823)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17234/view","tags":["esart_graphicworksetchinglithography","esart","esart_all"],"directSalePrice":80,"lastUpdate":"2026-07-01T00:13:53.136Z","textCase":"lower","currency":"EUR","id":17234},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17259/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17259/002/002.jpg"],"artist":{"es":"anónimo español del siglo xvi"},"available":false,"description":{"es":"óleo sobre tabla."},"lotNumber":"41","title":{"es":"san pedro apóstol."},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17259/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:13:55.011Z","textCase":"lower","currency":"EUR","id":17259},{"startPrice":2600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17285/013/013.jpg"],"artist":{"en":"anonymous castilian 16th century","es":"anónimo castellano del siglo xvi"},"available":false,"description":{"en":"carved, polychrome and gilded wood. \n \n \n \n measurements: 230 x 25 cm; 173 x 26cm; 207 x 26 cm. \n \n \n this set of three ornamental panels must have formed part of the same decoration applied as a unit to a certain architectural unit that is unknown today. the first of them, measuring 230 x 25 cm, shows the profile effigy of a male character, wearing a civil hat, circumscribed within a plant border, which in turn is supported by a pair of fantastic birds facing each other. this central motif is accompanied by three elements that appear on both sides of said border, being a flower with five petals, a figurehead and a vase. the second and third panels show decoration from the 16th century, derived from italian candelieri-based motifs, together with elements that represent the so-called cornucopia and fingered and ringed palmettes (measures 173 x 26 cm and 207 x 26 cm, respectively). the reverses of the pieces preserve the traces left by the carpenters of the 16th century when they used their gouges to work these pieces. due to the typology and the elements that are represented by carving, painting and gilding, we think that they are panels possibly made in castile (spain) between the years 1500-1550 of the 16th century.","es":"madera tallada, policromada y dorada. \n medidas: 230 x 25 cm; 173 x 26 cm; 207 x 26 cm. \n este conjunto de tres paneles ornamentales debieron de formar parte de una misma decoración aplicada como unidad a cierta unidad arquitectónica hoy desconocida. el primero de ellos, de medidas 230 x 25 cm, muestra la efigie en perfil de un personaje masculino, tocado con sombrero civil, circunscrito dentro de una orla vegetal, que a su vez sostienen una pareja de aves fantásticos afrontados entre sí. este motivo central se encuentra acompañado por tres elementos que aparecen a ambos lados de dicha orla, siendo una flor de cinco pétalos, un mascarón y un jarrón. el segundo y tercer panel muestra decoración del siglo xvi, derivada de motivos italianos a base de candelieri , junto a elementos que representan el denominado cuerno de la abundancia y palmetas digitadas y anilladas (medidas 173 x 26 cm y 207 x 26 cm respectivamente). los reversos de las piezas conserva las huellas dejadas por los carpinteros del siglo xvi al utilizar sus gubias para trabajar estas piezas. por la tipología y los elementos que aparecen representados mediante talla, pintura y dorado, pensamos que son paneles realizados posiblemente en castilla (españa) entre los años 1500-1550 del siglo xvi."},"lotNumber":"42","title":{"en":"3 decorative panels with exaltation of civil character","es":"3 paneles decorativos con exaltación de personaje civil"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17285/view","tags":["esart_decorative","esart_ancientsculpture","esart","esart_all"],"directSalePrice":2600,"lastUpdate":"2026-07-01T00:13:55.013Z","textCase":"lower","currency":"EUR","id":17285},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17202/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17202/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17202/003/003.jpg"],"artist":{"es":"anónimo hispano colonial del siglo xix"},"available":false,"description":{"es":"madera tallada pintada de negro con incrustaciones de placas de madreperla representando imágenes de la virgen maría junto a seis religiosos franciscanos. mínimas faltas. medida: 31,4 x 22 cm. medida interior: 15,3 x 11 cm."},"lotNumber":"43","title":{"es":"marco hispano colonial en madera"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17202/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:13:55.015Z","textCase":"lower","currency":"EUR","id":17202},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17287/011/011.jpg"],"artist":{"es":"anónimo hispano colonial, siglo xviii"},"available":false,"description":{"es":"arqueta realizada en cuero repujado con clavazones en bronce. estructura en madera. con llave y cerradura en funcionamiento. trabajo hispano colonial del siglo xviii. medidas: 20 x 43.5 x 25 cm."},"lotNumber":"44","title":{"es":"arqueta hispano colonial siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17287/view","tags":["esart_decorative","esfurniture_chests","esart","esfurniture_all","esfurniture","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T00:13:55.016Z","textCase":"lower","currency":"EUR","id":17287},{"startPrice":260,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17295/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17295/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17295/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17295/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17295/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17295/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17295/007/007.jpg"],"available":false,"description":{"es":"espada de la orden \n improved order of red men , la organización fraternal más antigua de estados unidos. ejemplar de hacia 1900. \n \n \n \n decorada guarnición en metal plateado. la cruz de gavilanes está formada por una corona de plumas, flechas, arco, hacha de guerra y otros motivos, incluye las iniciales \"ur-rm\" (uniform rank \u2013 red men). pomo conformando un águila sobre casco. vaina de hierro, sus abrazaderas caladas muestran un águila voladora y dos hachas cruzadas. hoja con grabados decorativos en su primera mitad. nombre del propietario en un costado \"martin cline\". marca del fabricante en el recazo \"the henderson ames co \u2013 kalamazoo \u2013 michigan\". muy buena conservación. algunos picados y manchas en la vaina. hoja en excelente estado. longitud total 96,5 cm., hoja 78,5 cm., anchura base hoja 16 mm."},"lotNumber":"45","title":{"es":"espada de la orden \u201cimproved order of red men\u201d, estados unidos, hacia 1900."},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17295/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":260,"lastUpdate":"2026-07-01T00:13:55.017Z","textCase":"lower","currency":"EUR","id":17295},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17209/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17209/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17209/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17209/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17209/005/005.jpg"],"artist":{"en":"nelson cook (malta, saratoga county, new york 1808 \u2013 saratoga springs, new york, 1892)","es":"nelson cook (malta, saratoga county, new york 1808 \u2013 saratoga springs, new york, 1892)"},"available":false,"description":{"en":"oil on canvas. \n measures: 77 x 62 cm (canvas). \n signature and date (back): \u201cpainted by nelson cook.- / rome, n.y, 1880\u201d. \n nelson cook was an american painter specialized in portrait painting. his works are kept in different american museums, institutions, and private collections, such as the metropolitan museum of art (james merrill cook and his wife anna cady cook, 1840), union college collection (thomas jefferson marvin, c. 1839), shelburne museum of vermont (little dandy, 1840), historical society of saratoga springs (reuben hyde walworth, 1840), sheffield historical society (rev. james bradford, 1847), genesee country village and museum, ny (millard powers fillmore, an american sportsman, c. 1850) or canton museum of art, oh (mrs. naramore, 1855), among others. \n \n the son of a cabinetmaker, his parents, joseph cook and mary ann tolman settled in malta around 1800, coming from wallingford, the original place of the family. during his youth, nelson cook helped his older brother in the furniture-making business, and that one provided some financial support to the painter to-be. in the 1830s, the painter settled in canada, where he presented his first portraits in a group exhibition celebrated in toronto in 1834, together with some painters of the canadian school, such as paul kane y james hamilton. in october 1837, having claimed in an autograph letter from said canadian city to have health problems, he settled with his family in different towns in new york state like rochester and buffalo. back in saratoga in the late 1850s, he joins the innovative school for women temple grove seminary as an art teacherse. \n \n \n his health problems continued while he lived in rome (ny, 10 liberty street), where he resided from 1875 to 1887. it was during his stay in this town when he painted this female portrait, as witnessed by the signature, the insciption and the date on the back of the canvas: \u201cpainted by nelson cook. rome, n.y, 1880\u201d. the portrayed woman, georgeanna m. vogell kingsley (13 june 1837, utica, ny \u2013 15 june 1919, rome, ny), reverend henry vogell\u2019s daughter, married the prominent doctor willey josiah pascal kingsley (9 july 1924, frankfort, ny \u2013 26 january 1912) on 4 december 1860. vogell, settled as a surgeon in rome in 1856, specialized in fight against cancer and founded an oncology hospital in the town three years later. his important professional career led him to hold the following positions in the town: vice president of the central new york institution for deaf mutes (1875-1895), president of roma iron works and the rome brass and copper company, vice president of rome cemetery association y the jervis literary association and mayor of the town of rome (1895-1899). georgeanna, who outlived his husband by deseven years, lies next him in rome cemetery (oneida county, ny, sect. h, grave #3). \n \n \n from the pictorial point of view, the portrayed woman poses with half a bust in front of the viewer; she is sitting on a wooden armchair or small sofa with dark green upholstery. her hairstyle shows a headdress with chained pieces, which ties his short hair. on the neck she wears a jewel from which a gold chain hangs on her chest, a proof of her well-off family standing. \n \n \n on the canvas, cook showed both mrs. kingsley\u2019s personality and psychology, whom undoubtedly met and no doubt he knew and had dealings with. the light complexion of her face stands out from the background; the artist placed his model in an interior with a neutral background for greater pictorial enhancement. there is a green knotted drapery curtain to match the furniture upholstery, in front of a diffuse fragment of wall or door. \n \n \n this painting must have matched with the portrait nelson cook made of doctor j.p. kingsley, georgeanna\u2019s husband, in 1879, an original painting today missing. the canvas we present here has been recently restored. its state of conservation is very good.","es":"oleo sobre lienzo. \n medidas: 77 x 62 cm (lienzo). \n firmado y fechado en el reverso del lienzo: \u201cpainted by nelson cook.- / rome, n.y, 1880\u201d. \n nelson cook fue pintor estadounidense especializado en pintura de retrato. esta obra debió de formar pareja con el retrato que cook realizó en 1879 del dr. willey j.p. kingsley, marido de georgeanna, pintura hoy en paradero desconocido. el lienzo que ahora presentamos ha sido restaurado recientemente con óptimo estado de conservación. otras obras de este artista se encuentran localizadas en diferentes museos, instituciones y colecciones privadas norteamericanas, como the metropolitan museum of art (james merrill cook y su esposa anna cady cook, 1840), union college collection (thomas jefferson marvin, c. 1839), shelburne museum of vermont (little dandy, 1840), historical society of saratoga springs (reuben hyde walworth, 1840), sheffield historical society (rev. james bradford, 1847), genesee country village and museum, ny (millard powers fillmore, an american sportsman, c. 1850) o canton museum of art, oh (mrs. naramore, 1855), entre otros. una vez domiciliado cook en rome (new york, 10 liberty street), vivió allí entre 1875 y 1887. durante su estancia en esta ciudad debe corresponder la pintura de este retrato de mujer, ya que así lo atestigua la firma, inscripción y fecha que aparece en el reverso del lienzo; \u201cpainted by nelson cook. rome, n.y, 1880\u201d. la retratada georgeanna m. vogell kingsley (13 de junio de 1837, utica, new york \u2013 15 de junio de 1919, rome, new york), hija del reverendo henry vogell, contrajo matrimonio el 4 de diciembre de 1860 con el destacado médico dr. willey josiah pascal kingsley (9 de julio de 1924, frankfort, new york \u2013 26 de enero de 1912). una vez establecido en 1856 como cirujano en rome, se especializó en la lucha contra el cáncer al fundar allí, tres años después, un hospital oncológico. su importante trayectoria profesional le llevó a ostentar en dicha ciudad los siguientes cargos: vicepresidente en the central new york institution for deaf mutes (1875-1895), presidente de roma iron works y the rome brass and copper company, vicepresidente de rome cemetery association y the jervis literary association y alcalde de la ciudad de rome (1895-1899). georgeanna, quien sobrevivió siete años al dr. kingsley, descansa junto a su marido en el cementerio de rome (oneida county, new york, sect. h, grave #3)."},"lotNumber":"46","title":{"en":"portrait of georgeanna m. v. kingsley","es":"retrato de georgeanna m. v. kingsley"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17209/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T00:13:55.019Z","textCase":"lower","currency":"EUR","id":17209},{"startPrice":900,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17296/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17296/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17296/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17296/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17296/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17296/006/006.jpg"],"soldDate":"2022-05-21","available":false,"description":{"es":"realizada en cuero repujado. muy bien conservada. presenta rotura en faldón y guardapiernas izquierdo."},"lotNumber":"47","title":{"es":"antigua silla western texas, usa, hacia 1900"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17296/view","directSalePrice":900,"soldPrice":900,"lastUpdate":"2022-05-21T20:16:01.039Z","textCase":"lower","currency":"EUR","id":17296},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17297/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17297/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17297/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17297/004/004.jpg"],"available":false,"description":{"es":"hacha de bronce con orificio para fumar tabaco. las pipas-tomahawk eran poderosos símbolos: un extremo era la pipa de la paz; el otro, el hacha de la guerra. mango de madera posterior. longitud total: 50 cm."},"lotNumber":"48","title":{"es":"pipa-tomahawk ritual. usa, finales siglo xix."},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17297/view","tags":["escollectibles_tobaccianalighters","escollectibles_all","escollectibles"],"directSalePrice":400,"lastUpdate":"2026-07-01T00:13:55.021Z","textCase":"lower","currency":"EUR","id":17297},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17265/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17265/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17265/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17265/004/004.jpg"],"artist":{"es":"anónimo francés o italiano, c. 1800"},"available":false,"description":{"es":"lápiz y sanguina sobre papel. en el reverso se aprecian dos sellos con marcos azules, pegados sobre el papel; uno de ellos presenta un aspa a tinta negra; el otro, \u201c12\u201d escrito a lápiz, con letra de hacia 1900. \n composición para un boceto o pintura sin identificar. varios grupos de personajes se situan en un jardin junto a elementos arquitectónicos decorativos, bajo un frondoso bosque como telón de fondo. en el centro de la composición y en último término, se vislumbra la fachada de un palacio. uso de lápiz para encajar las arquitecturas y ciertas partes del bosque. papel sin filigrana. \n procedencia: colección marqués de casa torres, madrid."},"lotNumber":"49","title":{"es":"escenas galantes en jardín palaciego"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17265/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T00:13:55.022Z","textCase":"lower","currency":"EUR","id":17265},{"startPrice":460,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17266/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17266/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17266/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17266/004/004.jpg"],"artist":{"es":"velasco (siglo xix)"},"available":false,"description":{"es":"escuela sevillana, c. 1850-1880. tinta y aguada pardas sobre papel. \n firmado abajo a la derecha \u201c= velasco =\u201c. \n tres hombres vestidos con indumentarias masculinas de la segunda mitad del siglo xix aparecen dibujados de medio cuerpo. mientras dos de ellos fuman, el tercero sostiene sobre su hombro un arma de fuego. \n \n \n \n parece que el dibujante, apellidado velasco y sin identificar, convoca en su composición a los tres personajes sin establecer diálogo entre ellos. pudiera ser que la finalidad del artista fuera mostrar distintos tipos populares de una determinada región española, quizá andalucía, pues la variedad de sombreros que se muestran en el dibujo puede corresponder a diferentes cargos entre ellos."},"lotNumber":"50","title":{"es":"tres bandoleros"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17266/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":460,"lastUpdate":"2026-07-01T00:13:55.024Z","textCase":"lower","currency":"EUR","id":17266},{"startPrice":3900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17289/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17289/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17289/005/005.jpg"],"available":false,"description":{"es":"escuela española del siglo xvii. óleo sobre cobre. con marco de madera tallado y dorado."},"lotNumber":"51","title":{"es":"san josé con el niño jesús"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17289/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":3900,"lastUpdate":"2026-07-01T00:13:52.740Z","textCase":"lower","currency":"EUR","id":17289},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17304/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17304/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17304/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17304/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17304/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17304/007/007.jpg"],"artist":{"es":"anónimo madrileño del siglo xvii"},"available":false,"description":{"es":"óleo sobre lienzo. 66 x 53 cm. \n procedencia: estados unidos de américa, colección particular. \n \n bodegón de flores en formato rectangular vertical. la pintura muestra una peana circular sobre la cual se presenta una vaso esférico de aspecto broncíneo donde en su lado visible se observa dos figuras de niños o puttis junto a elementos vegetales, decoración toda figurada en altorrelieve. dicho vaso recibe una variedad floral compuesta por tulipanes, claveles, rosas, narcisos y orquídeas, entre otras especies, arropada por un fondo vegetal verdoso. esta pintura debió de ser concebida y realizada en el entorno madrileño del tiempo de los reyes felipe iv y carlos ii, posiblemente pintada en la segunda mitad de ese siglo xvii. en aquellos años, los máximos representantes del género de pintura de flores en madrid fueron juan de arellano (1614-1676), bartolomé perez de la dehesa (h. 1634-1698), gabriel de la corte (1648-1694) y francisco pérez sierra (h. 1627-1709). pensamos que esta obra pudiera estar realizada por bartolomé pérez o por gabriel de la corte , una vez estudiadas y contrastadas al natural pinturas seguras de estos dos maestros, en comparación con la que aquí presentamos. creemos que puede existir en esta obra elementos compositivos y efectos de calidad pictórica que proceden o se simultanean de representaciones tanto de uno como de otro maestro, comparables con ésta. así, floreros seguros de ambos artistas que se conservan en el museo nacional del prado de madrid, presentan dichas similitudes. la variedad de flores pintadas en este lienzo tienen relación con otras que aparecen en ciertos bodegones de este tipo, presentes en pinturas de aquellos tres maestros, cuyo estudio comparativo sería extenso para esta publicación. pero sí queremos centrar la atención sobre el vaso pintado que sostiene las flores, donde se representan dos niños, pintados a modo de grisalla dorada, cuyo objeto además de decorativo, consiste en enlazar y unificar de manera visual la copa con el conjunto de plantas. la presencia además de pequeños frutos y hojarascas junto a los niños refuerza esta idea de unidad. en especial, gabriel de la corte tuvo la continuidad a lo largo de su trayectoria artística de representar en sus bodegones de flores recipientes con niños pintados en una gama cromática ocre. si comparamos los que aparecen en la obra que estudiamos - aquí con mayor detalles en sus luces y sombras - con dos de los seis lienzos que conserva el museo nacional del prado, descubrimos la similitud tanto de estilo pictórico como del ajuste en el modelo de uno de los niños, el que aparece en vertical encaramado hacia los tallos florales. este niño debe de ser comparado con los representados en las obras del prado del citado maestro, florero (cat. p001054, 62 x 84 cm) y florero (cat. p004093, 63 x 83 cm), ambos procedentes del convento de san felipe el real de madrid, en la madrileña puerta del sol. también bartolomé pérez pintó este tipo de recipientes para sus flores, como el caso de las dos tablas también en el museo nacional del prado, procedentes del antiguo real alcázar de madrid, y que ejecutó sobre 1690 con destino a lo que podríamos denomimar real cama de su majestad conocida como camón dorado de carlos ii, artefacto hoy perdido destinado a cobijar el lecho del rey. en este caso, una de estas pinturas por fortuna conservadas (florero, cat. p006397, 54 x 44 cm), muestra un único niño comparable con el otro que aparece en nuestra obra, ahora en posición horizontal, con rostro y posición relacionables entre ambos. la obra tiene una atribución de mediados del siglo xx que señala a gabriel de la corte como su posible autor, una afirmación a la que habrá que incluir la posibilidad de ejecución de su contemporáneo bartolomé pérez de la dehesa."},"lotNumber":"52","title":{"es":"bodegón de flores, hacia 1650-1700"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17304/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T00:13:52.742Z","textCase":"lower","currency":"EUR","id":17304},{"startPrice":3900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17290/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17290/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17290/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17290/005/005.jpg"],"artist":{"es":"josé lópez enguídanos (valencia 1751 - madrid 1812)"},"available":false,"description":{"es":"óleo sobre lienzo. con marco del siglo xix de media caña dorada. lienzo forrado."},"lotNumber":"53","title":{"es":"bodegón de sandías"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/21987/lot/17290/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":3900,"lastUpdate":"2026-07-01T00:13:52.744Z","textCase":"lower","currency":"EUR","id":17290},{"startPrice":6500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17284/014/014.jpg"],"artist":{"en":"marcantonio franceschini (bologna 1648-1729)","es":"marcantonio franceschini (bolonia 1648-1729)"},"available":false,"description":{"en":"c. 1706 \n \n inscribed, recto: in black pencil with 19th-20th century handwriting, under the foot of saturno: \u201cdel franceschini\u201d; bottom right: \u201c15 (?)\u201d. \n \n \n inscribed, verso: pen in black ink, in 18th-century handwriting: \u201cfranceschino ʓ 250 n 55 (?)\u201d. \n \n \n this drawing, in our opinion original by marcantonio franceschini (bologna 1648-1729), must be one of the preparatory sketches destined for the final painting for the ceiling of the garden gallery of the liechtenstein palace, vienna (austria). \n \n \n the prince of the house of liechtenstein, johann adam andreas (1657-1712), was the patron of much of the works of art treasured there in what was his family palace. a taste for italian baroque painting and especially bolognese area, pointed to franceschini as one of the main artists to decorate part of the ceilings in that architecture, along with other painters such as the italian quadraturist master andrea pozzo (1642-1709) . \n \n \n franceschini will create a beautiful set made up of three fresco decorations in the aforementioned garden gallery, with the following subjects: \n apollo and juno in the heavens in the company of ceres, flora and bacchus together with the personifications of rain and dew , as a motif central; \n jupiter and mercury with saturn bound , to their left; and lastly, \n mars with venus and cupid in the presence of diana , to his right. \n \n \n the spanish branch of the lineage of the prince of liechtenstein has its reason for being in the fact that johann adam andreas was the son of the great-granddaughter of doña margarita folch de cardona y requensens (1534/1549 - 1603), who married adam de dietrichstein in 1555, and held the prestigious position of dame to empress maria of austria (1528-1603), daughter of emperor charles i (1500-1558). \n \n \n the drawing shows the scene that is part of the \n jupiter and mercury with saturn bound . indeed, saturn appears seated on a cloud with his hands tied behind his back, next to the angel who carries the rod with two snakes or caduceus, the main attribute of the god mercury, another prominent character in the final composition. the design shows two more compositional elements, a foot next to the aforementioned angel that corresponds to mercury, and some toes of another foot located on the head of saturn, those of the left foot of one of the three angels that surround another cloud, detail of the angle upper left of the wall painting. \n \n \n this sketch that concerns us here is a detailed study of saturn, only one preserved to date, since its compartmentalization with respect to the general subject shows that franceschini must have raised the characters represented (jupiter, mercury, saturn, on the one hand, and mars, venus and diana, on the other) as individualized issues, this drawing being an example of this. \n \n \n the museo nacional del prado preserves what could be the definitive drawing for its mural painting, as this model is found in a grid and with recesses in its four corners, as the ceiling of the austrian palace will show. \n \n \n the specific elements of the detail with saturn that make up the vienna painting correspond to those of the present drawing with minimal variations, which is why it is an initial idea and not a copy of part of the ceiling. \n \n \n franceschini's intervention as a painter in the liechtenstein palace has been studied by professor dwight c. miller, who also investigated both the preparatory drawings for the paintings of that place, as well as the interesting manuscript correspondence between prince johann adam andreas and the italian artist , regarding this specific pictorial intervention. according to these letters, written between november 19, 1706 and january 18, 1707, this drawing can in principle be dated between those years. \n \n \n its reverse presents sketches of several angels in flight together with clouds or oval shapes, of different pictorial qualities, which deserve to be studied to support or reject their authorship with respect to the bolognese artist. if they are originals of his, they could perhaps be related to other works outside of this particular ceiling. \n \n \n \n \n \n \n \n this drawing has been granted and in force its corresponding export license by ministerio de cultura of spain.","es":"c. 1706 \n \n inscrito, recto: a lápiz negro con letra de los siglos xix-xx, bajo el pie de saturno: \u201cdel franceschini\u201d; abajo, hacia la derecha : \u201c15 (?)\u201d. \n \n \n inscrito, verso: a pluma con tinta negra, con letra del siglo xviii: \u201cfranceschino ʓ 250 n 55 (?)\u201d. \n \n \n este dibujo, en nuestra opinión original de marcantonio franceschini (bolonia 1648-1729), debe ser uno de los diseños preparatorios con destino a la pintura definitiva para techo de la galería del jardín del palacio liechtenstein, viena (austria). \n \n \n el príncipe de la casa de liechtenstein, johann adam andreas (1657-1712), fue el mecenas de gran parte de las obras de arte allí atesoradas en el que fuera palacio familiar suyo. un gusto por la pintura barroca italiana y en especial la de ámbito boloñés, señaló a franceschini como uno de los artistas principales en decorar parte de los techos en aquella arquitectura, junto a otros pintores como el maestro quadraturista italiano andrea pozzo (1642-1709). \n \n \n franceschini realizará un bello conjunto formado por tres decoraciones al fresco en la mencionada galería del jardín, con los siguientes asuntos: \n apolo y juno en los cielos en compañía de ceres, flora y baco junto a las personificaciones de la lluvia y el rocío , como motivo central; \n júpiter y mercurio con saturno maniatado , a su izquierda; y por último, \n marte con venus y cupido en presencia de diana , a su derecha. \n \n \n la rama española del linaje del príncipe de liechtenstein tiene su razón de ser en que johann adam andreas fue hijo de la bisnieta de doña margarita folch de cardona y requensens (1534/1549 - 1603), quien contrajo matrimonio en 1555 con adam de dietrichstein, y ocupó el prestigioso cargo de dama de la emperatriz maría de austria (1528-1603), hija del emperador carlos i (1500-1558). \n \n \n el dibujo muestra la escena que forma parte del asunto \n júpiter y mercurio con saturno maniatado . efectivamente, saturno aparece sentado sobre una nube con sus manos atadas tras su espalda, próximo al ángel que porta la vara con dos culebras o caduceo, atributo principal del dios mercurio, otro destacado personaje de la composición definitiva. el diseño muestra dos elementos compositivos más, un pie junto al citado ángel que corresponde a mercurio, y algunos dedos de otro pie situados sobre la cabeza de saturno, los del pie izquierdo de uno de los tres ángeles que rodean otra nube, pormenor del ángulo superior izquierdo de la pintura mural. \n \n \n este boceto que aquí nos ocupa es un estudio en detalle de saturno, único conservado hasta el momento, pues su compartimentación respecto del asunto general demuestra que franceschini debió de plantear los personajes representados (júpiter, mercurio, saturno, por un lado, y marte, venus y diana, por otro) como asuntos individualizados, siendo este dibujo, muestra de ello. \n \n \n el museo nacional del prado conserva lo que pudiera ser dibujo definitivo para su pintura mural, al encontrarse ese modelo cuadriculado y con rebajes en sus cuatro ángulos, como mostrará el techo del palacio austríaco. \n \n \n los elementos específicos del detalle con saturno que conforman la pintura de viena presentan correspondencia con los mismos del presente dibujo con mínimas variantes, razón por la cual se trata de idea inicial y no de una copia de parte del techo. \n \n \n la intervención de franceschini como pintor en el palacio liechtenstein ha sido estudiada por el profesor dwight c. miller, quien además investigó tanto los dibujos preparatorios para las pinturas de dicho lugar, como la interesante correspondencia manuscrita entre el príncipe johann adam andreas y el artista italiano, a propósito de esta específica intervención pictórica. según dichas cartas, escritas entre el 19 de noviembre de 1706 y el 18 de enero de 1707, este dibujo puede datarse en principio entre dichos años. \n \n \n su reverso presenta bosquejos de varios ángeles en vuelo junto a nubes o formas ovaladas, de distintas calidades pictóricas, que merecen ser estudiados para respaldar o rechazar su autoría respecto del artista boloñés. de ser originales suyos, podrían quizá relacionarse con otros trabajos fuera de este techo en concreto. \n \n \n \n \n \n \n \n este dibujo tiene concedido y en vigor su correspondiente permiso de exportación por el ministerio de cultura de españa."},"lotNumber":"54","title":{"en":"study for saturn next to mercury","es":"estudio para saturno junto a 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