{"lots":[{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17602/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17602/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17602/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17602/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17602/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17602/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17602/013/013.jpg"],"artist":{"en":"justo gonzález bravo (badajoz 1944)","es":"justo gonzález bravo (badajoz 1944)"},"available":false,"description":{"en":"mixed media on paper. with original passe-partout, glass and frame. \n \n \n \n signed and dated in the upper right corner, in ink: \"gonzalez bravo / 89\". \n \n \n provenance: \n \n \n madrid, alfama gallery (serrano 7). \n \n \n madrid, private collection. \n \n \n madrid, ansorena subastas, 6/4/2022, lot 614. \n \n \n madrid, private collection.","es":"técnica mixta sobre papel. con paspartú, cristal y marco originales. \n firmado y fechado en el ángulo superior derecho, a tinta: \"gonzalez bravo / 89\". \n procedencia: \n madrid, galería alfama (serrano 7). \n madrid, colección particular. \n madrid, ansorena subastas, 6/4/2022, lote 614. \n madrid, colección particular."},"lotNumber":"1","title":{"en":"composition (1989)","es":"composición (1989)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17602/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":550,"lastUpdate":"2026-07-01T00:15:32.639Z","textCase":"lower","currency":"EUR","id":17602},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17585/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17585/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17585/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17585/014/014.jpg"],"artist":{"en":"albert gleizes (paris 1881 - aviñón 1953)","es":"albert gleizes (paris 1881 - aviñón 1953)"},"available":false,"description":{"en":"watercolor and gouache on paper. \n \n \n \n signed and dated 1907. \n \n \n \n \n \n \n \n madame anne varichon confirms the authenticity of the work and can issue a certificate at the buyer's request.","es":"acuarela y gouache sobre papel. \n \n firmado y fechado en 1907. \n \n madame anne varichón confirma la autenticidad de la obra, pudiendo emitir certificado a petición del comprador."},"lotNumber":"2","title":{"en":"untitled (1907)","es":"sin título (1907)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17585/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":6500,"lastUpdate":"2026-07-01T00:15:32.641Z","textCase":"lower","currency":"EUR","id":17585},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17603/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17603/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17603/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17603/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17603/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17603/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17603/007/007.jpg"],"artist":{"en":"anonymous 19th century french","es":"anónimo francés del siglo xix"},"available":false,"description":{"en":"french work called cartel d'applique, louis xvi period c. 1800. \n \n \n \n gilded bronze. it presents as decoration a krater at the top, plant motifs and a female mask at the bottom. \n \n \n white enamel dial with roman numerals covered by its original crystal. also original paris type movement in perfect working order, checked and overhauled by a professional watchmaker. with pendulum and key.","es":"trabajo francés denominado cartel d'applique , época louis xvi c. 1800. \n bronce dorado. presenta como decoración una crátera en su remate, motivos vegetales y un mascarón femenino en su parte inferior. \n \n esfera en esmalte blanco con numeración romana cubierta por su cristal original. maquinaría igualmente original de las denominadas tipo paris en perfecto estado de funcionamiento, revisada y puesta a punto por relojero profesional. con péndulo y llave."},"lotNumber":"3","title":{"en":"cartel clock or cartel d'applique","es":"reloj cartel o cartel d'applique"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17603/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":2500,"lastUpdate":"2026-07-01T00:15:32.642Z","textCase":"lower","currency":"EUR","id":17603},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17587/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17587/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17587/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17587/004/004.jpg"],"artist":{"en":"moritz michael daffinger (viena, 1790-1849)","es":"moritz michael daffinger (viena, 1790-1849)"},"available":false,"description":{"en":"gouache and tempera. signed in the lower right corner, from bottom to top: \"daffinger\". \n \n \n \n moritz michael daffinger's (vienna, 1790-1849) relationship with the art of painting has its origins in the activity of his father, johann daffinger, a painter at the imperial porcelain manufactory in the austrian capital, where his son moritz entered as an apprentice at the age of 11. \n \n \n his admission to study at the vienna academy under the tutelage of masters hubert maurer and heinrich friedrich füger led him in 1804 to be awarded first prize in the discipline of drawing. 1812 was the year in which he became a painter for the imperial porcelain manufactory, an activity that eventually led to his dedication to painting miniatures. \n \n \n the influence received in his style, and that different art historians point out from the french master jean-baptiste isabey (1767-1855), miniaturist of marie antoinette (1755-1793) and protégé of napoleon bonaparte (1769-1821), comes from his selection along with other painters, after his attendance to the congress of vienna (1814-1815). \n \n \n the protection he received from prince \n klemens von metternich (1773-1859), austrian foreign minister and bonaparte's enemy, made him one of the select painters of both the austrian imperial family and the high aristocracy of that country. his taste for the paintings of melanie, the prince's third wife, made him the curator of her collection of paintings, with whom he must have maintained an undoubted artistic contact. \n \n \n this miniature presents, signed on the right side \"daffinger\", the portrait of a young woman to be identified. her hairstyle corresponds to the viennese female fashion of the 1830s, if we compare it with the headdress worn by the archduchess sophie of austria (1805-1872) in the portrait of her painted by joseph karl stieler (1781-1858) in 1832. our portrait shows a certain candor and elegant bearing, with simple clothing, a fine earring and a chain around her neck. she could be a descendant of prince metternich, with three marriages and numerous daughters, plus another recognized illegitimate. \n \n \n the museo nacional del prado in madrid has a painting acquired in 1980 of franz joseph i, emperor of austria, an unsigned miniature attributed to daffinger (mnp, cat. no. o000707).","es":"gouache y témpera. firmado en el ángulo inferior derecho, de abajo hacia arriba: \u201cdaffinger.\u201d. \n la relación de moritz michael daffinger (viena, 1790-1849) con el arte de la pintura tiene su origen en la actividad de su padre, johann daffinger, pintor en la manufactura imperial de porcelana de la capital austríaca, donde su hijo moritz entró como aprendiz a la edad de 11 años. \n \n \n su ingreso para estudiar en la academia de viena bajo la tutela de los maestros hubert maurer y heinrich friedrich füger le llevó en 1804 a ser galardonado con el primer premio en la disciplina de dibujo. 1812 fue el año en el que pasó a ser pintor de la citada manufactura imperial de porcelana, una actividad que con el tiempo, derivó en su dedicación por la pintura de miniaturas. \n \n \n \n la influencia recibida en su estilo, y que diferentes historiadores del arte apuntan por parte del maestro francés jean- baptiste isabey (1767-1855), miniaturista de maría antonieta (1755-1793) y protegido de napoleón bonaparte (1769-1821), procede de su selección junto a otros pintores, tras su asistencia al congreso de viena (1814-1815). \n \n \n \n \n \n \n \n la protección recibida por el príncipe \n klemens von metternich (1773-1859), ministro de asuntos exteriores de austria y enemigo de bonaparte, le convirtió en uno de los pintores selectos tanto de la familia imperial austríaca como de la alta aristocracia de aquel país. el gusto por la pintura de melanie, tercera esposa del príncipe, le señaló como conservador de la colección de pinturas de ella, con quien debió de mantener un indudable contacto artístico. \n \n \n \n \n \n esta miniatura presenta, firmada en el lateral derecho \u201cdaffinger\u201d, el retrato de una mujer joven por identificar. su peinado corresponde con la moda femenina vienesa de la década de 1830, si lo comparamos con el tocado que porta la archiduquesa sofía de austria (1805-1872) en el retrato que de ella realizó joseph karl stieler (1781-1858) en 1832. nuestra retratada presenta cierta candidez y porte elegante, con una sencilla indumentaria, fino pendiente y cadena alrededor de su cuello. podría tratarse de alguna mujer descendiente del príncipe metternich, con tres matrimonios y numerosas hijas, más otra ilegítima reconocida. \n \n \n \n \n \n el museo nacional del prado en madrid conserva una pintura adquirida en 1980 donde se retrata a francisco josé i, emperador de austria, una miniatura sin firmar que se atribuye a daffinger (mnp, núm. cat. o000707)."},"lotNumber":"4","title":{"en":"portrait of a woman","es":"retrato de mujer"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17587/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T00:15:32.644Z","textCase":"lower","currency":"EUR","id":17587},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17583/012/012.jpg"],"artist":{"en":"henri chapu (le mée sur seine 1833 - paris 1891)","es":"henri chapu (le mée sur seine 1833 - paris 1891)"},"available":false,"description":{"en":"bronze sculpture received on support plate of pink veined marble, french work circa 1901. signed on the right side: \"h. chapu\". \n \n \n \n \n \n \n \n the subject represented here, a woman in classical greco-roman costume, has its origin in the sculpture la pensée created by the sculptor henri michel antoine chapu for the tomb now preserved in the parisian cemetery of père lachaise of the german writer marie d'agoult (1805-1876), who signed her writings under the pseudonym daniel stern. \n \n \n the model of this creation was presented at the paris universal exposition of 1878 where its relevance was such that it was commented and reproduced in the publication of the time le monde illustré (n.º 1.115, 10 août 1878, pp. 86 and 89; dézamy, adrien: \"la pensée\". par chapu; see image). \n \n \n the composition created by chapu was used for other sculptural works, such as the one we are dealing with here, where the honoree is on this occasion the french politician georges trouillot (1851-1916), minister of the colonies and minister of commerce, industry, post and telegraphs. the base of the sculpture presents a commemorative plaque which reads: \"to georges trouillot / rapporteur de la loi sur les associations / ses collegues / janvier - juin - 1901\". \n \n \n perfect state of preservation. \n \n \n overall dimensions: 72.5 x 46 x 17 cm. \n \n \n bronze measures: 60.8 x 37.4 x 14.8 cm.","es":"escultura en bronce recibida sobre placa soporte de mármol rosa veteado, trabajo francés de hacia 1901. firmada en el lateral derecho: \"h. chapu\". \n \n \n \n \n \n \n \n \n \n el asunto aquí representado, una mujer con indumentaria clásica grecorromana, tiene su origen en la escultura \n la pensée realizada por el escultor henri michel antoine chapu con destino a la tumba hoy conservada en el camposanto parisino de \n père lachaise de la escritora alemana marie d'agoult (1805-1876), quien firmó sus escritos bajo el pseudónimo \n daniel stern . \n \n \n \n \n \n el modelo de esta creación se presentó en la exposición universal de parís de 1878 donde fue tal su relevancia, que fue comentada y reproducida en la publicación de la época \n le monde illustré (n.º 1.115, 10 août 1878, pp. 86 y 89; dézamy, adrien: \n \"la pensée\". par chapu ; ver imagen). \n \n \n \n \n \n \n \n la composición creada por chapu fue utilizado para otros trabajos escultóricos, como el que aquí nos ocupa, donde el homenajeado es en esta ocasión el político francés georges trouillot (1851-1916), ministro de las colonias y ministro de comercio, industria, correos y telégrafos. la base de la escultura presenta una placa conmemorativa donde se lee: \"a georges trouillot / rapporteur de la loi sur les associations / ses collegues / janvier - juin - 1901\". \n \n \n \n \n \n \n \n perfecto estado de conservación. \n \n \n medidas totales: 72.5 x 46 x 17 cm. \n \n \n medidas del bronce: 60.8 x 37.4 x 14.8 cm."},"lotNumber":"5","title":{"en":"sculpture tribute to the politician georges trouillot (ca. 1901)","es":"escultura homenaje al político georges trouillot (h. 1901)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17583/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2800,"lastUpdate":"2026-07-01T00:15:32.646Z","textCase":"lower","currency":"EUR","id":17583},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17604/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17604/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17604/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17604/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17604/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17604/006/006.jpg"],"artist":{"en":"anonymous european c. 1900","es":"anónimo europeo c. 1900"},"available":false,"description":{"en":"classicist sculpture in marble or metamorphic limestone in white and pinkish tones. \n \n \n \n european school around 1900. it represents the bust of a greco-roman man with toga as clothing, girded on his right shoulder by a circular fibula decorated with the mask of a lion. the head of the portrayed is carved all around. it has a polished granite stone pedestal, xx century. \n \n \n measures: 131 (total height); 93 x 88 x 39 cm (bust); 38 x 30 x 30 x 30 cm (pedestal).","es":"escultura clasicista en mármol o piedra caliza metamórfica de tonalidades blanca y rosácea. \n escuela europea de hacia 1900. representa el busto de un hombre grecorromano con toga como indumentaria, ceñida en su hombro derecho por una fíbula circular decorada con el mascarón de un león. la cabeza del retratado se encuentra tallada en todo su contorno. presenta peana en piedra de granito pulido, siglo xx. \n \n medidas: 131 (altura total); 93 x 88 x 39 cm (busto); 38 x 30 x 30 cm (peana)."},"lotNumber":"6","title":{"en":"classicist sculpture","es":"escultura clasicista"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17604/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T00:15:32.647Z","textCase":"lower","currency":"EUR","id":17604},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17578/014/014.jpg"],"artist":{"en":"krieger ameublement","es":"krieger ameublement"},"available":false,"description":{"en":"furniture in two bodies designed and made by the prestigious french house krieger, decorative reference in the main european and middle eastern mansions of high purchasing power. \n \n \n \n \n \n \n \n krieger's headquarters were located at 74, rue du faubourg saint-antoine, with a branch at 27, rue du 4 septembre. other prominent branches throughout europe were in nice, lille (france), bucharest (romania), cairo, alexandria (egypt, sharia kasr-el-nil) or buenos aires (argentina). \n \n \n signed with stamped seal on the back (see image). fine cabinet work made of cedar wood (interior of drawers) and ebony (details on the front). it presents small lack of antique in some of the finials. \n \n \n measurements of the upper body: 197 x 78.5 x 45 cm. \n \n \n measurements of the lower body: 86 x 85 x 53 cm. \n \n \n total measurements: 283 (height) x 85 (width) x 53 (depth) cm.","es":"mueble en dos cuerpos ideado y realizado por la prestigiosa casa francesa krieger , referente decorativo en las principales mansiones europeas y de medio oriente de alto poder adquisitivo. \n \n la sede central de krieger se ubicó en 74, rue du faubourg saint-antoine, con sucursal en 27, rue du 4 septembre. otras destacadas sucursales repartidas por europa se encontraron en niza, lille (francia), bucarest (rumanía) , el cairo, alejandría (egipto, sharia kasr-el-nil) o buenos aires (argentina). \n \n \n \n \n \n firmado con sello estampillado en el reverso (ver imagen). fino trabajo de ebanistería realizado en maderas de cedro (interior de cajonería) y ébano (detalles al frente). presenta pequeñas falta de antiguo en algunos remates. \n \n \n \n \n \n \n \n medidas del cuerpo superior: 197 x 78.5 x 45 cm \n \n \n medidas del cuerpo inferior: 86 x 85 x 53 cm. \n \n \n medidas totales: 283 (alto) x 85 (ancho) x 53 (fondo) cm."},"lotNumber":"7","title":{"en":"recliner furniture, signed krieger, late xix century","es":"mueble reclinatorio, firmado krieger, fin siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17578/view","tags":["esfurniture_cupboardscabinets","esfurniture_all","esfurniture"],"directSalePrice":1900,"lastUpdate":"2026-07-01T00:15:32.648Z","textCase":"lower","currency":"EUR","id":17578},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17595/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17595/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17595/003/003.jpg"],"artist":{"en":"french anonyms from the last quarter of the 19th century","es":"anónimos franceses del último cuarto del siglo xix"},"available":false,"description":{"en":"pair of two bronze plaques in high relief. each of them represents a woman with allegorical sense. \n \n \n \n measures: 68,5 x 36 cm (each one).","es":"pareja de dos placas en altorrelieve realizadas en bronce. cada una de ellas representa a una mujer con sentido alegórico. \n medidas: 68,5 x 36 cm (cada una)."},"lotNumber":"8","title":{"en":"female allegories i and ii","es":"alegorías femeninas i y ii"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17595/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":600,"lastUpdate":"2026-07-01T00:15:32.650Z","textCase":"lower","currency":"EUR","id":17595},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17584/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17584/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17584/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17584/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17584/009/009.jpg"],"artist":{"en":"anonymous european c. 1870","es":"anónimo europeo c. 1870"},"available":false,"description":{"en":"bust of the musician ludwig van beethoven (1770-1827). made in bronze, without artist's signature or foundry marks. especially considering the state of its patina, we consider that it is an original work datable to the late nineteenth century, perhaps c. 1870, the year of the first centenary of his birth. the foot of the sculpture has two original holes in order to anchor the bust on a base or decorative set, perhaps in allusion to an allegorical group on music or to the composer and performer himself. \n \n \n \n \n \n \n \n beethoven is portrayed in frontal position, without clothing or clothes on his torso, where the anonymous artist of this compositionj must have had the objective of capturing the psychological profile of such an outstanding character. \n \n \n measurements: 57 cm (height).","es":"busto del músico ludwig van beethoven (1770-1827). realizado en bronce, sin firma de artista ni marcas de fundidor. atendiendo en especial al estado de su pátina, consideramos que es obra original datable a finales del siglo xix, quizá c. 1870, año del 1er centenario de su nacimiento. el pie de la escultura presenta dos orificios originales con el fin de anclar el busto sobre una base o conjunto decorativo, quizá en alusión a un grupo alegórico sobre la música o al propio compositor e intérprete. \n \n \n \n beethoven es retratado en posición frontal, sin indumentaria ni vestimenta sobre su torso, donde el artista anónimo de esta composiciónj debió de tener como objetivo la captación del perfil psicológico de tan destacado personaje. \n \n \n \n \n \n medidas: 57 cm (altura)."},"lotNumber":"9","title":{"en":"ludwig van beethoven","es":"ludwig van beethoven"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17584/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T00:15:32.651Z","textCase":"lower","currency":"EUR","id":17584},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17605/010/010.jpg"],"artist":{"en":"coulaux & cie klingenthal","es":"coulaux & cie klingenthal"},"available":false,"description":{"en":"pair of dueling swords. france, 2nd half of xix century. \n \n beautiful steel cups completely engraved. knobs also decorated. wooden handles covered with sandpaper leather. straight blades, of triangular section with vaceos to the tip, engraved in its first third and marked in its start \" coulaux & cie klingenthal\". \n \n \n very good preservation. engravings on one of the leaves with some wear. \n \n \n total length 105 cm, leaves 85.5 cm.","es":"pareja de espadas de duelo. francia, 2ª mitad siglo xix. \n \n bellas tazas de acero completamente grabadas. pomos asimismo decorados. puños de madera forrados mediante piel de lija. hojas rectas, de sección triangular con vaceos hasta la punta, grabados en su primer tercio y marcadas en su arranque \u201c \n coulaux & cie klingenthal \u201d. \n \n \n \n \n \n muy buena conservación. grabados de una de las hojas con cierto desgaste. \n \n \n longitud total 105 cm, hojas 85,5 cm."},"lotNumber":"10","title":{"en":"pair of dueling swords. france, 2nd half of xix century","es":"pareja de espadas de duelo. francia, 2ª mitad siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17605/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":1400,"lastUpdate":"2026-07-01T00:15:32.653Z","textCase":"lower","currency":"EUR","id":17605},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17606/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17606/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17606/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17606/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17606/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17606/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17606/007/007.jpg"],"artist":{"en":"solingen","es":"solingen"},"available":false,"description":{"en":"officer's girding sword. france, first quarter of xix century. \n \n harness with beautiful classical decorations in high relief. knob forming a warrior. the goddess athena is depicted on the front of the pommel. mother-of-pearl handles. straight blade, decorated in its first third by means of bluing and engravings in gold. \n \n \n signed \"solingen\" on the mustache. good preservation. restored rear handle. stains and slight pitting on the blade. total length 96,5 cm., blade 84 cm.","es":"espada de ceñir para oficial. francia, primer cuarto siglo xix. \n \n guarnición con bellas decoraciones clásicas en altorrelieve. pomo conformando un guerrero. la diosa atenea aparece representada en el frontal del puño. cachas de nácar. hoja recta, decorada en su primer tercio mediante pavonado y grabados en oro. \n \n \n \n \n \n firmada \u201c \n solingen \u201d en la bigotera. buena conservación. cacha posterior restaurada. manchas y leves picados en la hoja. longitud total 96,5 cm., hoja 84 cm."},"lotNumber":"11","title":{"en":"officer's girding sword. france, first quarter of xix century","es":"espada de ceñir para oficial. francia, primer cuarto siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17606/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":700,"lastUpdate":"2026-07-01T00:15:32.446Z","textCase":"lower","currency":"EUR","id":17606},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17580/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17580/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17580/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17580/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17580/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17580/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17580/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17580/008/008.jpg"],"artist":{"en":"anonymous spanish 16th century","es":"anónimo español del siglo xvi"},"available":false,"description":{"en":"pair of columns made of carved, gilded and polychrome wood. civil or ecclesiastical origin. measures: 118 x 24.5 cm (each).","es":"pareja de columnas realizadas en madera tallada, dorada y policromada. origen civil o eclesiástico. medidas: 118 x 24.5 cm (cada una)."},"lotNumber":"12","title":{"en":"pair of columns, xvi century","es":"pareja de columnas, siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17580/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T00:15:32.448Z","textCase":"lower","currency":"EUR","id":17580},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17589/010/010.jpg"],"artist":{"en":"circle of anton raphael mengs (1728-1779)","es":"círculo de antón rafael mengs (1728-1779)"},"soldDate":"2022-12-01","available":false,"description":{"en":"oil on canvas. 109 x 89 cm. smooth frame of the nineteenth century in gilded wood. \n \n \n \n \n \n \n \n the subject represented mary magdalene penitent is a variant or version of the various originals that anton rafael mengs must have painted of the saint from 1760 (museo nacional del prado, ref. p002205, 110 x 89 cm; patrimonio nacional, palacio real de aranjuez, inv. 10079189, 110'5 x 88'5 cm; roma, accademia di san luca, inv. 169, 115 x 92'5 cm). \n \n \n on the original stretcher of the work, in 18th century handwriting, there is an inscription possibly of authorship of the work, along with a rubric, which reads: \"soy de bonifacia gil\" (i am from bonifacia gil). it is a work worthy of in-depth study. \n \n \n provenance: \n \n \n spain, carrillo de albornoz family.","es":"óleo sobre lienzo. 109 x 89 cm. marco liso del siglo xix en madera dorada. \n \n el asunto representado maría magdalena penitente es variante o versión de los distintos originales que anton rafael mengs debió de pintar de la santa a partir de 1760 (museo nacional del prado, ref.ª p002205, 110 x 89 cm; patrimonio nacional, palacio real de aranjuez, inv. 10079189, 110´5 x 88´5 cm; roma, accademia di san luca, inv. 169, 115 x 92´5 cm). \n \n en el bastidor original de la obra reza, con letra del siglo xviii, una inscripción posiblemente de autoría de la obra, junto a una rúbrica, donde se lee: \"soy de bonifacia gil\". es obra merecedora de estudio en profundidad. \n \n procedencia: \n españa, familia carrillo de albornoz."},"lotNumber":"13","title":{"en":"mary magdalene, penitent","es":"maría magdalena, penitente"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17589/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2500,"soldPrice":2500,"lastUpdate":"2026-07-01T00:15:32.450Z","textCase":"lower","currency":"EUR","id":17589},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/018/018.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17608/019/019.jpg"],"artist":{"en":"attributed to ramón bayeu subías (1744-1793)","es":"atribuido a ramón bayeu subías (1744-1793)"},"available":false,"description":{"en":"oil on canvas. size: 37 x 78 cm (support); 49 x 90 cm (frame). \n \n \n \n \n \n \n \n in 1784 the painter francisco bayeu y subías (1734-1795) directed the royal commission to conceive and carry out the sketches and cartons in painting that recreate costumbrist matters located in the town of madrid and its surroundings. the purpose was to weave the corresponding large tapestries that would decorate, as they do today, different rooms in royal palaces in madrid. the magnitude of the commission obliged francisco to rely on a team of collaborating artists, among whom was the painter and his brother ramón bayeu subías (1744-1793). \n \n \n the number and variety of the subjects to be composed and executed established a work team where the new compositional proposals would circulate fluently. the painting that concerns us here shows a thought to undertake one of the main subjects of this series, the bridge over the canal of the manzanares river, a tapestry destined for the so-called prince of asturias room located in the palace of el pardo (madrid, see image 16: © archivo moreno, 03330_c). at present, the dining room of the monastery of san lorenzo el real de el escorial (madrid) holds the great tapestry where this subject is shown together with others of this series in the same textile (see image 17: © archivo moreno, vn-22738). \n \n \n the final sketch was signed by francisco bayeu (madrid, © museo nacional del prado, cat. p000605) whose similarity with the painting to be auctioned is direct (see image 18). the more correct technique in the drawing with impasto in the oils of francisco's definitive canvas, contrasts with the undone mode, and sometimes certain imperfections in the stroke that, in our opinion, point to ramón as the possible author of this thought, who also made the subsequent definitive cardboard. the measurements between the two small paintings differ, 36 x 95 cm in the sketch signed by francisco, as opposed to 37 x 78 cm in the one exhibited here, a difference in the widths forced by the dimensions for his later cardboard and tapestry. without losing the definitive subject, that bridge that existed over the madrid canal, the different variations both in the detailed elements that make up both works and in the colors used (horses, postures, guitars...), we believe that they are signs that we are faced with different proposals for the same purpose, made by both brothers working as a team. \n \n \n this unpublished canvas, never previously published or exhibited in exhibition or trade, must respond to a chronology strictly prior to 1784, date considered until today to date the sketch of francisco bayeu. \n \n \n \n \n \n \n \n reference bibliography: \n \n \n catálogo 1990 \n \n \n catálogo de las pinturas. museo municipal de madrid. madrid, museo municipal, 1990, pp. 111-112. \n \n \n madrid 1992 \n \n \n madrid pintado. la imagen de madrid a través de la pintura. dirección científica a cargo de alfonso e. pérez sánchez; varios autores. madrid, museo municipal, de octubre-1992 a enero-1993, pp. 127-129. \n \n \n martínez ibáñez 1988 \n \n \n martínez ibáñez, m.ª antonia: pintura madrileña de antonio carnicero. en \"anales del instituto de estudios madrileños\", t. xxv, madrid, 1988, p. 69, fig. 3. \n \n \n matilla tascón 1960 \n \n \n matilla tascón, antonio: documentos del archivo del ministerio de hacienda, relativos a pintores de cámara y de las fábricas de tapices y porcelana. siglo xviii. en \"revista de archivos, bibliotecas y museos\", madrid, enero-junio de 1960, t. lxviii-1, pp. 199, 222 (doc. 77) y 224 (doc. 85). \n \n \n morales 1979 \n \n \n morales y marín, josé luis: los bayeu. caja de ahorros de zaragoza, aragón y rioja. zaragoza, 1979, p. 74, n.º 66 y p. 196, doc. n.º 33. \n \n \n sambricio 1955 \n \n \n sambricio, valentín de: francisco bayeu. csic. madrid, 1955, p. 39, n.º 34, lám. 34.","es":"óleo sobre lienzo. medidas: 37 x 78 cm (soporte); 49 x 90 cm (marco). \n \n en 1784 el pintor francisco bayeu y subías (1734-1795) dirigió el encargo real para concebir y realizar los bocetos y cartones en pintura que recrean asuntos costumbristas ubicados en la villa de madrid y su entorno. la finalidad fue tejer sus correspondientes tapices de grandes dimensiones que decorarían, como en la actualidad lo hacen, distintas estancias en palacios reales madrileños. la magnitud del encargo obligó a francisco a contar con un equipo de artistas colaboradores, entre los que se encontraba el también pintor y hermano suyo ramón bayeu subías (1744-1793). \n \n el número y variedad en los asuntos a componer y realizar estableció un equipo de trabajo donde las nuevas propuestas compositivas circularían con fluidez. la pintura que aquí nos ocupa muestra un pensamiento para acometer uno de los asuntos principales de esta serie, el puente sobre el canal del río manzanares, un tapiz con destino para el denominado cuarto del príncipe de asturias ubicado en el palacio de el pardo (madrid, véase imagen 16: © archivo moreno, 03330_c). en la actualidad el comedor del monasterio de san lorenzo el real de el escorial (madrid) custodia el gran tapiz donde este asunto se muestra de manera conjunta con otros de esta serie en un mismo textil (véase imagen 17: © archivo moreno, vn-22738). \n el boceto definitivo lo firmó francisco bayeu (madrid, © museo nacional del prado, cat. p000605) cuya similitud con la pintura a subastar es directa (véase imagen 18). la técnica más correcta en el dibujo con empaste en los óleos del lienzo definitivo de francisco, contrasta con el modo deshecho, y en ocasiones ciertas imperfecciones en el trazo que, en nuestra opinión, apuntan a ramón como posible autor de dicho pensamiento, quien además realizó el consiguiente cartón definitivo. las medidas entre ambas pequeñas pinturas difieren, 36 x 95 cm en el boceto firmado de francisco, frente a 37 x 78 cm del aquí expuesto, una diferencia en los anchos obligada según las dimensiones para su cartón y tapiz posteriores. sin perder el asunto definitivo, aquel puente que existió sobre el canal madrileño, las diversas variaciones tanto en los elementos pormenorizados que componen ambas obras como en los colores empleados (caballos, posturas, guitarras...), creemos que son signos de encontrarnos ante distintas propuestas para un mismo fin, realizadas por ambos hermanos ante un trabajo en equipo. \n \n este lienzo inédito, nunca anteriormente publicado ni expuesto en exposición ni comercio, debe de responder a una cronología estrictamente anterior a 1784, fecha hasta hoy considerada para datar el boceto de francisco bayeu. \n \n bibliografía de referencia: \n catálogo 1990 \n catálogo de las pinturas. museo municipal de madrid. madrid, museo municipal, 1990, pp. 111-112. \n \n \n madrid 1992 \n madrid pintado. la imagen de madrid a través de la pintura. dirección científica a cargo de alfonso e. pérez sánchez; varios autores. madrid, museo municipal, de octubre-1992 a enero-1993, pp. 127-129. \n \n \n martínez ibáñez 1988 \n martínez ibáñez, m.ª antonia: pintura madrileña de antonio carnicero. en \"anales del instituto de estudios madrileños\", t. xxv, madrid, 1988, p. 69, fig. 3. \n \n \n matilla tascón 1960 \n matilla tascón, antonio: documentos del archivo del ministerio de hacienda, relativos a pintores de cámara y de las fábricas de tapices y porcelana. siglo xviii. en \"revista de archivos, bibliotecas y museos\", madrid, enero-junio de 1960, t. lxviii-1, pp. 199, 222 (doc. 77) y 224 (doc. 85). \n \n \n morales 1979 \n morales y marín, josé luis: los bayeu. caja de ahorros de zaragoza, aragón y rioja. zaragoza, 1979, p. 74, n.º 66 y p. 196, doc. n.º 33. \n \n \n sambricio 1955 \n sambricio, valentín de: francisco bayeu. csic. madrid, 1955, p. 39, n.º 34, lám. 34."},"lotNumber":"14","title":{"en":"bridge over the manzanares river canal (madrid)","es":"puente sobre el canal del río manzanares (madrid)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17608/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":15000,"lastUpdate":"2026-07-01T00:15:32.451Z","textCase":"lower","currency":"EUR","id":17608},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17609/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17609/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17609/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17609/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17609/005/005.jpg"],"artist":{"en":"pedro ruiz gonzález (c. 1638/42 - 1706)","es":"pedro ruiz gonzález (h. 1638/42 - 1706)"},"available":false,"description":{"en":"oil on canvas. 175 x 125,5 cm. \n \n \n \n signed and dated lower left: \"r.euiz. / gonzalez. / f.º 1685.\" with frame in carved and gilded wood from the 19th century. \n \n \n \n \n \n \n \n provenance: \n \n \n first, unknown; madrid, private collection; madrid, alcalá subastas 2000, p. 39, lot 58; private collection. \n \n \n \n \n \n \n \n exhibitions: \n \n \n pedro ruiz gonzález (h. 1638/1642 - 1706). pintor barroco madrileño. madrid, conde duque cultural center. curator: fernando lópez sánchez. scientific adviser: alfonso e. pérez sánchez. from june 5 to july 22, 2007. juan de villanueva hall. area of government of the arts. madrid city hall, pp. 40-41, 98 and 139-140, cat. xi. \n \n \n \n \n \n \n \n the image of mary appears in this painting according to the description of st. john the apostle \"clothed with the sun and with the moon under her feet and on her head a crown of twelve stars\" (apocalypse 12, 1). ruiz gonzalez incorporates around her a dozen figures between angels and cherubs arranged in groups of two and three components that accompany the virgin. the angels below carry a simplification of marian symbols: three on the left, with the roses of jericho (ecclesiasticus 24:18), the spotless mirror (wisdom 7:26) and the lilies of sharon (song of songs 2:1); two on the right, one offers an attribute to mary while holding the palm tree of kadesh (ecclesiasticus 24:18) and the other treads on the dragon (revelation 12:3-4) who with the apple of original sin in his mouth signifies the definitive victory of the virgin over this evil. \n \n \n \n \n \n \n \n the painting is signed and dated 1685, the year of the death of juan carreño de miranda, the painter's second master. the model of the virgin is related to the immaculate conception painted by juan antonio de frias y escalante in 1663, his first master, now in the museum of fine arts in budapest. from this model seems to be inspired by the spatial and anatomical situation of the virgin, along with the movement and folds of her clothing. from escalante, he derives the position of the evil one in the lower right corner of the canvas, which appears in the budapest work as well as in the present one. he also adopts from his master, with compositional variants, the figure of the angel that appears in profile in the opposite lower corner and holds the mirror. \n \n \n \n \n \n \n \n this painting was part of the exhibition commemorating the third centenary of the artist's death, which was scientifically advised and presented by alfonso e. pérez sánchez and curated by f. lópez sánchez.","es":"óleo sobre lienzo. 175 x 125,5 cm. \n firmado y fechado abajo hacia la izquierda: \"r.euiz. / gonzalez. / f.º 1685.\" con marco en madera tallada y dorada del siglo xix. \n \n procedencia: \n primera, desconocida; madrid, colección particular; madrid, alcalá subastas 2000, p. 39, lote 58; colección particular. \n \n \n exposiciones: \n \n pedro ruiz gonzález (h. 1638/1642 - 1706). pintor barroco madrileño . madrid, centro cultural conde duque. comisario: fernando lópez sánchez. asesor científico: alfonso e. pérez sánchez. del 5 de junio al 22 de julio de 2007. sala juan de villanueva . área de gobierno de las artes. ayuntamiento de madrid, pp. 40-41, 98 y 139-140, cat. xi. \n \n la imagen de maría aparece en esta pintura según la descripción del apóstol san juan \u201crevestida del sol y con la luna bajo sus pies y en su cabeza una corona de doce estrellas\u201d (apocalipsis 12, 1). ruiz gonzález incorpora en torno a ella una docena de figuras entre ángeles y querubines dispuestos en grupos de dos y tres componentes que acompañan a la virgen. los ángeles situados abajo portan una simplificación de símbolos marianos: tres a la izquierda, con las rosas de jericó (eclesiástico 24, 18), el espejo sin mancha (sabiduría 7, 26) y los lirios de sarón (cantar de los cantares 2, 1); dos a la derecha, uno ofrece un atributo a maría mientras sostiene la palmera de cades (eclesiástico 24, 18) y el otro pisa al dragón (apocalipsis 12, 3-4) que con la manzana del pecado original en su boca significa la definitiva victoria de la virgen sobre este mal. \n \n \n la pintura está firmada y fechada en 1685, año del fallecimiento de juan carreño de miranda, segundo maestro del pintor. el modelo de la virgen se relaciona con la inmaculada concepción pintada por juan antonio de frías y escalante en 1663, su primer maestro, actualmente en el museo de bellas artes de budapest. de este modelo parece inspirarse en la situación espacial y anatómica de la virgen, junto con el movimiento y pliegues de su indumentaria. de escalante, deriva la posición del maligno en el ángulo inferior derecho del lienzo, que así aparece tanto en la obra de budapest como en la que nos ocupa. también adopta de su maestro, con variantes compositivas, la figura del ángel que aparece de perfil en el ángulo inferior opuesto y que sostiene el espejo. \n \n \n esta pintura formó parte de la exposición que conmemoró el iii centenario del fallecimiento del artista que contó con la asesoría científica y presentación de alfonso e. pérez sánchez y el comisariado de f. lópez sánchez."},"lotNumber":"15","title":{"en":"immaculate conception","es":"inmaculada concepción"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17609/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":60000,"lastUpdate":"2026-07-01T00:15:32.454Z","textCase":"lower","currency":"EUR","id":17609},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17610/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17610/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17610/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17610/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17610/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17610/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17610/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17610/012/012.jpg"],"artist":{"en":"anonymous madrilenian from the first third of the xvii century","es":"anónimo madrileño del primer tercio del siglo xvii"},"available":false,"description":{"en":"the subjects of these two paintings are louis xiii (fontainebleau 1601 - saint-germain-en-laye 1643), king of france and navarre, and his wife anne-marie maurice of austria and austria-styria (valladolid 1601 - paris 1666), queen consort of those kingdoms. \n \n \n \n \n \n \n \n \n \n louis xiii married in 1615 with anne of austria, until then infanta of spain and portugal, daughter of the king of spain philip iii, fruit of the marriage agreement signed in fontainebleau in 1611, with the purpose of agreeing the future marriage between philip, then prince of asturias and future king philip iv, with his first wife isabella of bourbon (1602-1644). \n \n \n \n \n \n \n \n these two paintings must respond to a relevant institutional commission of the time, a chronological space between the year of the marriage 1615 and 1643, death of the french monarch. \n \n \n \n \n \n \n \n both kings appear with hunting clothes, with their muzzleloading weapons and accompanied by their hounds, reason why the portrait of the queen appears in the detailed study that the outstanding specialist in ancient weapons xavier sala i aragó made of the weapon that the queen carries (catalunya i les armes de prestigi. armes de foc 1550-1850. ed. by the author, december 2014; p. 235 and reprod). \n \n \n \n \n \n \n \n the authorship of the two paintings is found among madrid painters related to the court between 1615-1643, as we commented, continuers of juan pantoja de la cruz (c. 1553-1608) and his circle, as in the case of bartolomé gonzález (c. 1564-c.1628), rodrigo de villandrando (c. 1588-1622), felipe diricksen (1590-1679) or pedro antonio vidal (1570-?) among others. \n \n \n \n \n \n \n \n measurements of each painting: 204 x 105 cm (canvas); 214 x 115 x 5 cm (frame).","es":"estas dos pinturas que forman pareja tienen como asuntos a luis xiii (fontainebleau 1601 - saint-germain-en-laye 1643), rey de francia y navarra, y a su esposa ana maría mauricia de austria y austria-estiria (valladolid 1601 - parís 1666), reina consorte de aquellos reinos. \n \n luis xiii contrajo matrimonio en 1615 con ana de austria, hasta entonces infanta de españa y portugal, hija del rey de españa felipe iii, fruto del acuerdo matrimonial firmado en fontainebleau en 1611, con la finalidad de pactar el futuro enlace entre felipe, entonces príncipe de asturias y futuro rey felipe iv, con su primera esposa isabel de borbón (1602-1644). \n \n estas dos pinturas deben de responden a un relevante encargo institucional de la época, un espacio cronológico entre el año del enlace 1615 y 1643, fallecimiento del monarca francés. \n \n ambos reyes aparecen con indumentaria de caza, con sus armas de avancarga y acompañados por sus lebreles, motivo por el cual el retrato de la reina aparece recogido en el pormenorizado estudio que el destacado especialista en armas antiguas xavier sala i aragó realizó del arma que porta la reina (catalunya i les armes de prestigi. armes de foc 1550-1850. ed. del autor, diciembre 2014; pág. 235 y reprod). \n \n la autoría de las dos pinturas se encuentra entre pintores madrileños relacionados con la corte entre 1615-1643, como comentamos, continuadores de juan pantoja de la cruz (c. 1553-1608) y su círculo, como el caso de bartolomé gonzález (c. 1564-c.1628), rodrigo de villandrando (c. 1588-1622), felipe diricksen (1590-1679) o pedro antonio vidal (1570-?) entre otros. \n \n medidas de cada pintura: 204 x 105 cm (lienzo); 214 x 115 x 5 cm (marco)."},"lotNumber":"16","title":{"en":"louis xiii and anne of austria, kings of france","es":"luis xiii y ana de austria, reyes de francia"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17610/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":60000,"lastUpdate":"2026-07-01T00:15:32.455Z","textCase":"lower","currency":"EUR","id":17610},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17593/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17593/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17593/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17593/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17593/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17593/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17593/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17593/008/008.jpg"],"artist":{"en":"anonymous dutch 18th century","es":"anónimo holandés del siglo xviii"},"available":false,"description":{"en":"oil on canvas. \n \n \n \n anonymous dutch of the xviii century. presents illegible firm (see last image). remains of text in french printed on paper adhered to its stretcher, possibly from 19th century auction.","es":"óleo sobre lienzo. \n anónimo holandés del siglo xviii. presenta firme ilegible (ver última imagen). restos de texto en francés impreso sobre papel adherido a su bastidor, posiblemente de subasta del siglo xix."},"lotNumber":"17","title":{"en":"dutch landscape","es":"paisaje holandés"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17593/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2900,"lastUpdate":"2026-07-01T00:15:32.457Z","textCase":"lower","currency":"EUR","id":17593},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17590/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17590/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17590/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17590/004/004.jpg"],"artist":{"en":"eduardo rosales (madrid, 1836-1873)","es":"eduardo rosales (madrid, 1836-1873)"},"soldDate":"2023-02-14","available":false,"description":{"en":"red chalk on paper. signed with pensioner's stamp, lower right corner: \"e. rosales\". with modern frame in gilded wood, passe-partout and glass. \n \n provenance: alfama gallery, madrid (serrano street 7). \n \n \n specific bibliography: published and reproduced in \n eduardo rosales (1836-1873) dibujos. catálogo razonado. fundación marcelino botín, 2007; volume ii, p. 568, plate 676.","es":"sanguina sobre papel. firmado con sello de pensionado, en el ángulo inferior derecho: \"e. rosales\". con marco moderno en madera dorada, paspartú y cristal. \n \n \n \n procedencia: galería alfama, madrid (calle serrano 7). \n \n \n bibliografía específica: publicado y reproducido en \n eduardo rosales (1836-1873) dibujos. catálogo razonado . fundación marcelino botín, 2007; tomo ii, p. 568, lám. 676"},"lotNumber":"18","title":{"en":"two studies for the same hand, c. 1859","es":"dos estudios para una misma mano, c. 1859"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17590/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":340,"soldPrice":450,"lastUpdate":"2026-07-01T00:15:32.459Z","textCase":"lower","currency":"EUR","id":17590},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17586/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17586/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17586/003/003.jpg"],"artist":{"en":"agustín redondela (madrid 1922-2015)","es":"agustín redondela (madrid 1922-2015)"},"available":false,"description":{"en":"watercolor on paper. signed and dated in the lower right corner: \"redondela / 76\". with modern wood and glass frame.","es":"acuarela sobre papel. firmado y fechado en el ángulo inferior derecho: \"redondela / 76\". con marco moderno de madera y cristal."},"lotNumber":"19","title":{"en":"landscape with church (1976)","es":"paisaje con iglesia (1976)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17586/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:15:32.460Z","textCase":"lower","currency":"EUR","id":17586},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17612/012/012.jpg"],"artist":{"en":"josé benlliure gil (cañamelar, valencia 1855 - valencia 1937)","es":"josé benlliure gil (cañamelar, valencia 1855 - valencia 1937)"},"available":false,"description":{"en":"oil on panel. modern gilded frame. \n \n \n \n signed in the lower right corner: \"j. benlliure\".","es":"óleo sobre tabla. marco moderno dorado. \n firmado en el ángulo inferior derecho: \"j. benlliure\"."},"lotNumber":"20","title":{"en":"costumbrist scene","es":"escena costumbrista"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17612/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T00:15:32.462Z","textCase":"lower","currency":"EUR","id":17612},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17600/010/010.jpg"],"artist":{"en":"alejo vera blasco estaca (viñuelas, guadalajara 1834 \u2013 madrid, 1923)","es":"alejo vera blasco estaca (viñuelas, guadalajara 1834 \u2013 madrid, 1923)"},"soldDate":"2023-02-14","available":false,"description":{"en":"oil on canvas, ca. 1878-1881. \n \n \n \n \n \n \n \n \n \n signed in the lower right corner: \"vera - pompeii\". \n \n \n \n \n \n \n \n the work we present here must have been part of a series of small format compositions understood as studies, made in situ in the italian city of pompeii, among its outstanding urban and architectural remains. this canvas has a greater significance when we understand its connection with different companion works of this one, all originals by alejo vera, made in that pompeian environment. other works such as interior of a pompeian house (private collection) or the three small sketches on specific aspects of architectural details (private collections), must have been part, along with this roman house in pompeii, of an incessant search by the painter to project his own understanding and pictorial criteria in the representation of classical architecture. in fact, the first of these paintings shows the same roman house that we present here, studied from another point of view, which demonstrates vera's specific interest in this particular pompeian villa. the relevance of this painting roman house in pompeii, painted and signed by alejo vera, lies in the fact that it should be considered one of the possible precedents of certain compositional aspects for paintings of greater commitment that his disciple \n juan luna novicio (1857-1899) would make. we know that vera enjoyed a pension from the spanish academy in rome from 1878 to 1881 and that it was in 1878 when, thanks to his proposal and his hand, luna accompanied him on the long-awaited study and training trip to italy for all european artists. according to ramón hernández nieves, in one of the last biographies on alejo vera, he writes about the master that \"with the help of the banker miranda he went to italy and was impressed by the archaeological remains of the country, especially the city of pompeii, which served him as frequent inspiration for his painting\". an example of that context is reflected in the painting we present here, specifically, the treatment of its small staircase with a marble appearance. the pictorial quality of its three steps can be understood as a precedent of the same detail or subject matter that appears in luna's larger compositions. in fact, the canvas roman ladies, which the filipino painter signed and made in 1882, practically after the possible chronology of this roman house in pompeii de vera (around 1878-1881), shows without a doubt the possible dependence between compositional aspects in both works. at the same time, the treatment and pictorial texture of the ochre wall in this painting of vera, connects from the chromatic point of view with the tonalities chosen by luna for his proposed painting. for all these reasons, this work must have been a painting known and perhaps appreciated by juan luna.","es":"óleo sobre lienzo, hacia 1878-1881. \n \n firmado en el ángulo inferior derecho: \" vera - pompeya.\". \n \n la obra que aquí presentamos debió de formar parte de una serie de composiciones de pequeño formato entendidas como estudios, realizadas in situ en la propia ciudad italiana de pompeya, entre sus destacados vestigios urbanísticos y de arquitecturas. este lienzo tiene mayor significado al comprender su vinculación con diferentes obras compañeras de ésta, todas originales de alejo vera, realizadas en dicho ambiente pompeyano. otras obras como interior de una casa pompeyana (colección particular) o los tres pequeños apuntes sobre aspectos concretos de detalles arquitectónicos (colecciones particulares), debieron de formar parte, junto a ésta casa romana en pompeya , de una incesante búsqueda por parte del pintor en proyectar su propio entendimiento y criterio pictórico en la representación de la arquitectura clásica. de hecho, la primera de estas pinturas, muestra la misma casa romana que aquí presentamos, estudiada desde otro punto de vista, lo que demuestra el interés específico de vera por esta villa pompeyana en concreto. la relevancia de esta pintura casa romana en pompeya , pintada y firmada por alejo vera, radica en que debe de considerarse uno de los posibles precedentes de ciertos aspectos compositivos para pinturas de mayor empeño que realizará su discípulo juan luna novicio (1857-1899). sabemos que vera gozó de una pensión por parte de la academia de españa en roma desde el año 1878 hasta 1881 y que en aquel 1878 fue cuando, gracias a su propuesta y de su mano, luna le acompañó al tan ansiado viaje de estudios y formación en italia para todo artista europeo. según ramón hernández nieves, en una de las últimas biografías sobre alejo vera, escribe sobre el maestro que \u201ccon la ayuda del banquero miranda se trasladó a italia y quedó impresionado por los restos arqueológicos del país, especialmente de la ciudad de pompeya, que le sirvieron de frecuente inspiración para su pintura\u201d. un ejemplo de aquel contexto queda reflejado en la pintura que aquí presentamos, en concreto, el tratamiento de su pequeña escalinata con aspecto marmóreo. la calidad pictórica que presenta sus tres escalones puede entenderse como precedente del mismo pormenor o asunto aparecido en mayores composiciones de luna. de hecho el lienzo damas romanas , que el pintor filipino firmó y fecho en 1882, prácticamente después a la posible cronología de esta casa romana en pompeya de vera (hacia 1878-1881), muestra sin lugar a dudas la posible dependencia entre aspectos compositivos en ambas obras. a la vez, el tratamiento y textura pictórica de la pared ocre en esta pintura de vera, entronca desde el punto de vista cromático con las tonalidades elegidas por luna para su pintura propuesta. por todo ello, ésta obra tuvo que ser pintura conocida y quizás apreciada por juan luna."},"lotNumber":"21","title":{"en":"roman house in pompeii","es":"casa romana en pompeya"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17600/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2800,"soldPrice":3500,"lastUpdate":"2026-07-01T00:15:33.777Z","textCase":"lower","currency":"EUR","id":17600},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17613/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17613/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17613/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17613/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17613/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17613/010/010.jpg"],"artist":{"en":"juan luna novicio (1857-1899)","es":"juan luna novicio (1857-1899)"},"available":false,"description":{"en":"oil on canvas. \n measures: 36\u20195 x 23\u20195 cm (canvas); 47\u20195 x 34\u20195 cm (frame). \n \n \n with traces of signature, date and dedication: \n \u201c retrato de lorenzo guerrero / \n --------- mi querido pro- / \n [fe]sor y maestro con mi / \n [r]espeto y cariño. / \n \n \n luna. \n \n roma 880. \u201d \n \n on the back, stamp on paper: \"\"alcaldia mayor / de / jaruco\". \n handwritten with ink: \"nº 7\". \n \n \n provenance: \n first, lorenzo guerrero's collection, h. 1880; \n unknown property between 1904 and 1990; \n madrid, fernando durán auctions; \n private collection. \n \n bibliography: \n fernando durán subastas de arte; extraordinaria subasta de primavera . días 14 y 15 de marzo de 1990. 6,30 tarde; lote 197 (see last image). \n \n the identification of the sitter is made possible thanks to the inscription, which by the hand of luna himself, appears in the upper right corner of the work. the character in question, d. lorenzo guerrero y leogardo, is none other than the famous filipino painter and poet born in the suburb of ermita (manila) in 1835 and died in 1904. he was a disciple of the spanish painters cortina and valdés, and assistant and associate of the director of the academy of drawing and painting of manila, lorenzo rocha de ycaza, for the years of 1857 and 1858, when he was still the first outstanding student in said academy. with an intensely religious spirit, he devoted himself to mystical painting, although other matters were by no means foreign to him. \n when the santa teresa contest was held in the capital of manila, his painting la transverberación was awarded the gold medal. as a landscape artist he was excellent and his very typical paintings, el baguío and el incendio, have been highly praised by all criticism. among his numerous disciples is the award-winning filipino painter juan luna y novicio , for this reason, the only one in charge of immortalizing guerrero in this work. he wrote numerous poetic compositions and was also the first to instruct his son fernando in the rules of castilian poetic art and he owes him his first inspirations. \n \n \n the painting undoubtedly represents the moment in which lorenzo guerrero is rewarded by the spanish government with the medal of civil merit on december 24, 1880, thanks to his services to the homeland. this relevant award was only given by the government of spain to important and outstanding personalities. the canvas was painted, according to its date of 1880, just at the time of receiving said award. according to universal history itself, guerrero was instructed to change his philippine suit for a european suit, the one luna painted on this canvas, in order to display said decoration and receive it according to the protocol of the time, to which the distinguished master he replied: \u201cyou can put it on the front of this poor but honest shirt. if i am required to wear an american, i will be forced to refuse the distinction.\u201d it seems, as the painting shows us, that guerrero chose to entrust his most direct disciple to immortalize this outstanding moment in his life, albeit wearing his brand-new spanish-style uniform and without the remarkable decoration. \n \n \n the work represents a valuable document that testifies to the close relationship between the first teacher, lorenzo guerrero, and the then first outstanding disciple, juan luna. let us remember that guerrero, recognizing in the philippines the natural talent of young luna, was his first tutor and the person in charge of persuading juan's parents to send their son to spain and from there to the rest of europe, for his training in the academies. and painting exhibitions. the talent of the young painter is evident here, since the work is signed and dated at only 23 years of age. \n in honor of lorenzo guerrero, his filipino countrymen wanted to honor his memory by dedicating to him the street formerly called marina street in the suburb of la ermita (manila).","es":"oleo sobre lienzo. \n medidas: 36\u20195 x 23\u20195 cm (lienzo); 47\u20195 x 34\u20195 cm (marco). \n \n \n con restos de firma, fecha y dedicatoria: \n \n \n \u201c \n retrato de lorenzo guerrero / \n \n \n --------- mi querido pro- / \n \n \n [fe]sor y maestro con mi / \n \n \n [r]espeto y cariño. / \n \n \n \n \n \n luna. \n \n \n \n \n \n \n \n roma 880 .\u201d \n \n \n \n \n \n en el reverso, sello en papel: \"alcaldia mayor / de / jaruco\". \n \n \n escrito a mano con tinta: \"nº 7\". \n \n \n \n \n \n \n \n \n \n procedencia: \n \n \n primera, colección de lorenzo guerrero, h. 1880; \n \n \n propiedad desconocida entre 1904 y 1990; \n \n \n madrid, fernando durán subastas; \n \n \n colección particular. \n \n \n \n \n \n \n \n bibliografía: \n \n \n fernando durán subastas de arte; extraordinaria subasta de primavera. días 14 y 15 de marzo de 1990. 6,30 tarde; lote 197 (ver última imagen). \n \n \n \n \n \n \n \n la identificación del retratado se hace posible gracias a la inscripción, que de mano del propio luna, aparece en el ángulo superior derecho de la obra. el personaje en cuestión, d. lorenzo guerrero y leogardo, no es otro que el famoso pintor y poeta filipino nacido en el arrabal de la ermita (manila) en 1835 y muerto en 1904. fue discípulo de los pintores españoles cortina y valdés, y ayudante y asociado del director de la academia de dibujo y pintura de manila, lorenzo rocha de ycaza, por los años de 1857 y 1858, cuando aún era el primer alumno aventajado en dicha academia. de espíritu intensamente religioso se dedicó a la pintura mística, aunque no le eran en modo alguno extraños los demás asuntos. cuando el certamen de santa teresa llevado a cabo en la capital de manila, su cuadro de la transverberación fue premiado con la medalla de oro. dotado para la pintura de paisaje, obras típicamente suyas como el baguío o el incendio, han sido muy elogiadas por críticos de arte. entre sus numerosos discípulos se cuenta el laureado pintor filipino \n juan luna y novicio , por este motivo, el único artista encargado en inmortalizar a guerrero en el lienzo que aquí nos ocupa. el retratado escribió numerosas composiciones poéticas y fue también el primero que instruyó a su hijo fernando en las reglas del arte poética castellana y a él le debe éste sus primeras inspiraciones. \n \n \n \n \n \n \n \n la pintura representa sin lugar a dudas el momento en el que lorenzo guerrero es recompensado por el gobierno español con la \n medalla del mérito civil el 24 de diciembre de 1880, gracias a sus servicios prestados a la patria. esta relevante condecoración sólo era entregada por el gobierno de españa a importantes y destacadas personalidades. el lienzo fue pintado, según muestra su fecha en 1880, el mismo año en recibir dicha distinción. según es conocido en su propia historia, se le sugirió a guerrero que cambiase su indumentaria filipina por un traje europeo, acorde con el momento, el que luna pintó en este lienzo, para así ostentar dicha condecoración y recibirla según el protocolo de la época, a lo que el insigne maestro replicó: \u201c \n pueden ponérmela en la pechera de esta camisa pobre, pero honrada. si se me exige que vaya de americana, me veré precisado a rechazar la distinción. \u201d parece ser, según nos muestra la pintura, que guerrero optó por encomendar a su más directo discípulo que inmortalizara este destacado momento de su vida, eso sí, vistiendo su flamante uniforme a la española pero sin la tan notable condecoración española. \n \n \n \n \n \n \n \n la obra representa un valioso documento que testifica la estrecha relación entre primer maestro, lorenzo guerrero, y el entonces primer discípulo aventajado, juan luna. recordemos que guerrero, reconociendo en filipinas el talento natural del joven luna, fue su primer tutor y la persona encargada de persuadir a los padres de juan para enviar a su hijo a españa y de allí al resto de europa, con el fin de su aprendizaje en las academias y exposiciones de arte y de pintura. el talento del joven pintor queda aquí patente, pues la obra la firma y fecha con tan sólo 23 años de edad. la pintura presenta muy buen estado de conservación a pesar de presentar cierta dificultad en leer tanto la dedicatoria de luna como su fecha y firma, datos fundamentales junto a su calidad pictórica. \n \n \n en honor a lorenzo guerrero, sus paisanos filipinos honraron su memoria dedicándole la calle antes llamada de la marina en el arrabal de la ermita (manila)."},"lotNumber":"22","title":{"en":"portrait of lorenzo guerrero y leogardo","es":"retrato de lorenzo guerrero y leogardo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17613/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":30000,"lastUpdate":"2026-07-01T00:15:33.779Z","textCase":"lower","currency":"EUR","id":17613},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17598/011/011.jpg"],"artist":{"es":"louis boname (nacido en 1846)"},"available":false,"description":{"en":"signed and inscribed: \"hors concours / l.s boname / selencourt.... / france / exon uelle 1900\" (machine); \"c. velly\" (painting). circa 1889-1900. box in painted porcelain. machine in iron and steel. measures: 54,5 x 37,3 x 19 cm. \n \n \n \n \n \n \n \n \n \n louis xv style clock. box made of blue porcelain with decoration of child angels carrying floral motifs. painting signed by c. velly. work made by the master watchmaker louis boname for the universal exhibition of paris in 1900. machine signed \"hors concours / l.s boname / selencourt... / france / exon uelle 1900.\" \n \n \n \n \n \n \n \n louis boname was a master watchmaker born in selencourt (france) on june 2, 1846. he held the positions of member of the chamber of commerce of besançon and knight of honor of the french legion. this watch was one of his productions for the 1900 paris universal exposition. \n \n \n \n \n \n \n \n reference bibliography: kjellberg, pierre: encyclopédie de la pendule française du moyen age au xxe siècle. paris, les éditions de l'amateur, 1997, p. 459, plate b.","es":"firmado e inscrito: \"hors concours / l.s boname / selencourt... / france / exon uelle 1900\" (máquina); \u201cc. velly\u201d (pintura). hacia 1889-1900. caja en porcelana pintada. máquina en hierro y acero. medidas: 54,5 x 37,3 x 19 cm. \n \n reloj de estilo luis xv. caja realizada en porcelana azul con decoración de ángeles niños portando motivos florales. pintura firmada por c. velly . obra realizada por el maestro relojero louis boname para la exposición universal de parís de 1900. máquina firmada \"hors concours / l.s boname / selencourt... / france / exon uelle 1900\". \n \n \n \n \n \n louis boname fue maestro relojero nacido en selencourt (francia) el 2 de junio de 1846. ostentó los cargos de miembro de la cámara de comercio de besançon y caballero de honor de la legión francesa. este reloj fue una de sus producciones para la exposición universal de parís de 1900. \n \n \n \n \n \n bibliografía de referencia: kjellberg, pierre: encyclopédie de la pendule française du moyen age au xxe siècle. parís, les éditions de l\u2019amateur, 1997, p. 459, lám. b."},"lotNumber":"23","title":{"en":"table clock in painted porcelain","es":"reloj de sobremesa en porcelana pintada"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17598/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":3000,"lastUpdate":"2026-07-01T00:15:33.781Z","textCase":"lower","currency":"EUR","id":17598},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17614/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17614/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17614/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17614/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17614/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17614/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17614/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17614/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17614/009/009.jpg"],"available":false,"description":{"en":"case in gilded bronze. machine in iron, steel and crystal; porcelain dial with painted roman numerals. french school of the late eighteenth century. \n \n \n \n measures: 40 x 34 x 14,5 cm. \n \n \n \n \n \n \n \n clock made in france at the end of the xviii century, and among the great variety of motifs that decorated these time measuring machines, this one shows the hellenic deity artemis, goddess of wild animals, protector of virginity, resolute before births and illnesses of women, among other qualities. from her situations with other gods, we believe that this representation of artemis corresponds to the stage of her youth, narrated by the scholar callimachus (310 bc-240 bc). b.c. ), due to the appearance of elements that relate the goddess to that period: thus, the presence of the bow that holds her left arm in company of an arrow at the feet of the deer, refer to the time of her childhood when on the island of lipara (messina, italy) she obtained these weapons to be a hunter; or when she visited pan, demigod of the forests, shepherds and flocks, a situation present in the clock both in the eight-reed syringe or musical flute of pan that appears next to the feet of artemis, and in the dog of the high relief that represents the dogs that he gave her. the appearance of the large deer, slain over the clockwork and the moment in which artemis bends her deer, central detail of the low frieze, represent her capture of deer to become draught animals for her chariot. \n \n \n \n \n \n \n \n machinery in perfect working order after cleaning and adjustment of its components by a professional master watchmaker. with pendulum and key. \n \n \n \n \n \n \n \n reference bibliography: \n \n \n kjellberg, pierre: encyclopédie de la pendule française du moyen age au xxe siècle. paris, les éditions de l'amateur, 1997, p. 335, plate g.","es":"caja en bronce dorado. máquina en hierro, acero y cristal; esfera en porcelana con numeración romana pintada. escuela francesa de finales del siglo xviii. \n medidas: 40 x 34 x 14,5 cm. \n \n reloj realizado en francia a finales del siglo xviii, y entre la gran variedad de motivos que decoraron estas máquinas de medir el tiempo, ésta que nos ocupa muestra a la deidad helena artemisa , diosa de animales salvajes, protectora de la virginidad, resolutiva ante nacimientos y enfermedades de mujeres, entre otras cualidades. de sus situaciones acaecidas junto a otros dioses, creemos que esta representación de artemisa corresponde a la etapa de su juventud, narrada por el erudito calímaco (310 a.c.-240 a.c.), debido a la aparición de elementos que relacionan a la diosa con dicho periodo: así, la presencia del arco que sostiene su brazo izquierdo en compañía de una flecha a los pies del ciervo, hacen referencia al tiempo de su niñez cuando en la isla de lipara (mesina, italia) obtuvo estas armas para ser cazadora; o cuando visitó a pan, semidios de los bosques, pastores y rebaños, situación presente en el reloj tanto en la siringa de ocho cañas o flauta musical de pan que aparece junto a los pies de artemisa, como en el perro del altorrelieve que representa los canes que él le regaló. la aparición del gran ciervo abatido sobre la maquina del reloj y el instante en que artemisa doblega a su ciervo, detalle central del friso bajo, representan su captura de ciervos con el fin de convertirse en animales de tiro para su carro. \n \n maquinaria en perfecto estado de funcionamiento tras la limpieza y ajuste de sus componentes por un maestro relojero profesional. con péndulo y llave. \n \n bibliografía de referencia: \n kjellberg, pierre: encyclopédie de la pendule française du moyen age au xxe siècle. parís, les éditions de l\u2019amateur, 1997, p. 335, lám. g."},"lotNumber":"24","title":{"en":"clock with the goddess artemis","es":"reloj con la diosa artemisa"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17614/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":3500,"lastUpdate":"2026-07-01T00:15:33.782Z","textCase":"lower","currency":"EUR","id":17614},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17615/011/011.jpg"],"artist":{"en":"lepaute","es":"lepaute"},"available":false,"description":{"en":"crystal, gilded bronze and metal. with pendulum and key. \n \n \n \n needs a little cleaning. \n \n \n measures: 57 x 27,7 x 16,5 cm.","es":"cristal, bronce dorado y metal. con su péndulo y llave. \n precisa pequeña limpieza. \n medidas: 57 x 27,7 x 16,5 cm."},"lotNumber":"25","title":{"en":"lepaute mantel clock","es":"reloj de chimenea lepaute"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17615/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":8000,"lastUpdate":"2026-07-01T00:15:33.783Z","textCase":"lower","currency":"EUR","id":17615},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17575/017/017.jpg"],"artist":{"en":"spanish and italian anonymous c. 1600-1650","es":"anónimos español e italiano c. 1600-1650"},"available":false,"description":{"en":"set consisting of two strips of antique lace: the first, needle lace strip called punto in aria, second quarter of the 17th century (c. 1625/1650), made in italy or spain (larger piece); the second, needle lace strip called punto de venecia al relieve, mid-17th century (c. 1650), made in italy or spain (smaller pieces, in the center). \n \n \n \n \n \n \n \n \n \n provenance: \n \n \n collection of gladys irene freeman, countess of effingham, united kingdom. \n \n \n \n \n \n \n \n these two laces come from the collection of mrs. gladys irene freeman, made countess of effingham on august 12, 1952. she was the second wife of mowbray henry gordon howard, 6th earl of effingham (1905 - 1996). the two pieces appear antique basted on a maroon textile that acts as a support, where two cartouches and a label inform of the provenance and nineteenth-century cataloging of the set: \n \n \n \"nº 703. old tape lace with needle / made fillings. italian, possibly l. 17n. c. / priests alb flounce, / made to resemble \"point plat\": previously / in irene countess of effingham's collection\" (1st cartouche, referring to the large piece). \n \n \n \"tape lace. possibly spanish, no. 651\" (2nd cartouche, in reference to the small piece). \n \n \n \"no. 703 tape lace / probably / italian / l 17º c\" (hanging label). the first two texts, written in pen with black ink, fitted between horizontal lines in black pencil; the label text, more modern, in black ballpoint pen. \n \n \n \n \n \n \n \n measures: 88 x 55.5 (red support); central strip 74 x 7.5 cm; 224 x 23.5 cm. good preservation. \n \n \n \n \n \n \n \n an outstanding piece of lace, from this same collection of the said countess, was auctioned at kerry taylor auctions (auction 27 february 2017, lot 406, estimate £500-900, hammer price £1. 200 pounds; see last photograph of this lot): \" an exceptional figurative panel of gros point de venise, late 17th century, with design of a lion, deer and other creatures within giant flowering plants, with a variety of patterned fillings and picots to the lion's mane, 12 by 40cm for a similar panel probably from the same flounce see 'the margaret simeon collection', phillips, 9.9.1992 lot 192. provenance: the countess of effingham collection\".","es":"conjunto formado por dos tiras de encaje antiguo: la primera, tira de encaje a la aguja llamado punto in aria , segundo cuarto del siglo xvii (c. 1625/1650), realizado en italia o españa (pieza más grande); la segunda, tira de encaje a la aguja llamado punto de venecia al relieve , mitad del siglo xvii (c. 1650), realizado en italia o españa (piezas más pequeña, en el centro). \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n procedencia: \n \n \n colección de gladys irene freeman, \n condesa de effingham , reino unido. \n \n \n \n \n \n \n \n estos dos encajes proceden de la colección de doña gladys irene freeman, nombrada condesa de effingham el 12 de agosto de 1952. fue la segunda esposa de mowbray henry gordon howard, vi conde de effingham (1905 \u2013 1996). las dos piezas aparecen hilvanadas de antiguo sobre un textil granate que actúa como soporte, donde dos cartelas y una etiqueta informan de la procedencia y catalogación decimonónica del conjunto: \n \n \n \"nº 703. old tape lace with needle / made fillings. italian, possibly l. 17n. c. / priests alb flounce, / made to resemble \"point plat\": previously / in irene countess of effingham's collection\" (1ª cartela, en referencia a la pieza grande). \n \n \n \"tape lace. possibly spanish, nº 651\" (2ª cartela, en referencia a la pieza pequeña). \n \n \n \"nº 703 tape lace / probably / italian / l 17º c\" (etiqueta colgada). los dos primeros textos, escritos a pluma con tinta negra, encajados entre líneas horizontales a lápiz negro; el texto de la etiqueta, más moderno, a bolígrafo negro. \n \n \n \n \n \n \n \n medidas: 88 x 55,5 (soporte rojo); tira central 74 x 7,5 cm; 224 x 23,5 cm. buena conservación. \n \n \n \n \n \n \n \n una destacada pieza de encaje, procedente de esta misma colección de dicha condesa, se subastó en \n kerry taylor auctions (subasta del 27 de febrero de 2017, lote 406, estimación 500-900 libras esterlinas, precio de remate 1.200 libras; ver última fotografía de este lote): \" \n an exceptional figurative panel of gros point de venise, late 17th century, with design of a lion, deer and other creatures within giant flowering plants, with a variety of patterned fillings and picots to the lion's mane, 12 by 40cm for a similar panel probably from the same flounce see 'the margaret simeon collection', phillips, 9.9.1992 lot 192. provenance: the countess of effingham collection \"."},"lotNumber":"26","title":{"en":"punto in aria lace, c. 1625/1650 italy and punto de venecia lace, c. 1650 spain. countess of effingham's collection","es":"encaje punto in aria, c. 1625/1650 italia y encaje punto de venecia, c. 1650 españa. countess of effingham's collection"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17575/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T00:15:33.785Z","textCase":"lower","currency":"EUR","id":17575},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17616/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17616/002/002.jpg"],"artist":{"en":"anonymous spanish or flemish 17th century","es":"anónimo español o flamenco del siglo xvii"},"available":false,"description":{"en":"oil on metal; 7.8 x 5.8 cm. possible traces of dating on the obverse. on the back, inscription that could identify the sitter: \" paul rache.... (?) von weg.... (?)\". \n \n \n \n \n \n \n \n \n \n miniature painted on metal showing, on the obverse, a gentleman with beard and moustache, dressed in black, hat and gloves and a wide beanie around his neck. the hilt of a sword and a gold ring on a finger of the left hand can be clearly seen. to the right of the face there are two dates, partially erased. \n \n \n on the back, a name appears in cursive script written in black (paul, followed perhaps by rachez, then the word von and behind it a surname). the heraldic shield below the text has an exterior decoration of black and white feathers on one side, red and dark on the other; it is stamped with a helmet in front, composed of a helmet or morion, closed visor and smooth barbera, and is topped by a crown and five feathers. the shield, quartered in cross with central escutcheon, has in the right canton of the chief and in the sinister one of the point some lions rampant in gold on black and in the right one of the point some elements in silver on red, next to a human figure with an element in the hand in the escutcheon. the coat of arms may have been painted during the 18th century. \n \n \n \n \n \n \n \n the black attire was a common element of spanish fashion throughout europe imposed by the court of philip ii: it was a symbol of elegance in burgundy during the 15th century, the monarch establishing this color as \"the color\" of the spanish catholic court (puritans and calvinists also made it their own, using it with wool and linen). philip iv would link himself with this costly dye in order to link himself with his grandfather. \n \n \n \n \n \n \n \n the lechuguilla was the most common collar in spanish fashion during the second half of the sixteenth century in europe and during part of the first quarter of the seventeenth century (in 1623, reigning philip iv, a royal pragmatic prohibiting these collars is enacted with the intention of reducing spending on clothing, since the higher the rank of the individual, the greater and more delicate was this garment). however, it coexisted with the golilla for a while longer, and it is known that the lechuguilla was a common piece in flanders. \n \n \n the gola encañonada is an element of male clothing, similar to the ruff, which is represented in countless portraits such as the portrait of a gentleman (c. 1618-1623) by juan bautista maíno (museo nacional del prado). \n \n \n \n \n \n \n \n the girded sword could be a british model, specifically one of the so-called gilled swords, a type that curiously was only produced in that country between 1635/40-1660, approximately, which, if true, would delay the chronology of this miniature. \n \n \n \n \n \n \n \n as for the wide-brimmed hat, common in the 17th century, it would be similar to the one that appears in the portrait of philip iv (c. 1631-1632) by diego velázquez (national gallery of london). \n \n \n \n \n \n \n \n if the clothing painted in this work would be the usual attire for an upper-class man during the reign of philip iii, the miniature may have been made at a later date.","es":"óleo sobre metal; 7.8 x 5.8 cm. posibles restos de datación en el anverso. en el reverso, inscripción que pudiera identificar al retratado: \" paul rache... (?) von weg... (?) \". \n \n miniatura pintada sobre metal que muestra, por su anverso, un caballero con barba y bigote, vestido de negro, sombrero y guantes y una gola encañonada ancha al cuello. se puede apreciar con claridad tanto la empuñadura de una espada, como un anillo de oro en un dedo de la mano izquierda. hacia la derecha del rostro aparecen dos fechas, parcialmente borradas. \n al reverso, aparece un nombre con letra cursiva escrito en negro ( paul , seguido quizá de rachez , a continuación la palabra von y detrás un apellido). es escudo heráldico situado debajo del texto presenta una decoración exterior de plumones blancos y negros a un lado, rojos y oscuros al otro; está timbrado con un yelmo de frente, compuesto por casco o morrión, visera cerrada y barbera lisa, y está rematado por corona y cinco plumas. el escudo, cuartelado en cruz con escusón central, tiene en el cantón diestro del jefe y en el siniestro de la punta unos leones rampantes en dorado sobre negro y en el diestro de la punta unos elementos en plata sobre rojo, junto a una figura humana con un elemento en la mano en el escusón. escudo quizá pintado durante el siglo xviii. \n \n el atuendo negro fue un elemento habitual de la moda española en toda europa impuesta por la corte de felipe ii: fue símbolo de elegancia en la de borgoña durante el siglo xv, estableciendo el monarca este color como \u201cel color\u201d de la corte católica española (también haciéndolo suyo puritanos y calvinistas, empleándolo con lana y lino). felipe iv se vincularía con este costoso tinte para así entroncarse con su abuelo. \n \n \n la lechuguilla fue el cuello más habitual en la moda española durante la segunda mitad del siglo xvi en europa y durante parte del primer cuarto del siglo xvii (en 1623, reinando felipe iv, se promulga una real pragmática prohibiendo estos cuellos con la intención de reducir el gasto en indumentaria, dado que a más rango el individuo, mayor y más delicada era esta prenda). no obstante, convivió junto con la golilla durante un tiempo más, y es conocido que la lechuguilla fue pieza habitual en flandes. \n \n \n la gola encañonada es un elemento de la vestimenta masculina, similar a la gorguera, que aparece representada en innumerables retratos como el retrato de caballero (c. 1618-1623) por juan bautista maíno (museo nacional del prado). \n \n la espada que ciñe pudiera ser un modelo británico, concretamente de las denominadas de branquias , una tipología que curiosamente sólo se produjo en aquella tierra entre 1635/40-1660, aproximadamente, lo que, de ser veraz, retrasaría la cronología de esta miniatura. \n \n en cuanto al sombrero de ala ancha, habitual en el siglo xvii, sería similar al que aparece retrato de felipe iv (c. 1631-1632) por diego velázquez (national gallery de londres). \n \n \n si la vestimenta pintada en esta obra sería la habitual en un hombre de clase alta durante el reinado de felipe iii, la miniatura puede haberse realizado en fecha posterior."},"lotNumber":"27","title":{"en":"portrait of a gentleman","es":"retrato de caballero"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17616/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":600,"lastUpdate":"2026-07-01T00:15:33.786Z","textCase":"lower","currency":"EUR","id":17616},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17579/012/012.jpg"],"artist":{"en":"milanese anonymous (italy) c. 1700","es":"anónimo milanés (italia) c. 1700"},"available":false,"description":{"en":"antique lace of the typology called erudite from milan (italy). decoration based on scrolls. it has a round mesh background. a thin band surrounds the whole work. piece in the shape of a half moon. good preservation. size: ø 76 cm. \n \n \n \n \n \n \n \n reference bibliography gonzález mena, m.ª ángeles: catálogo de encajes. valencia de don juan institute. madrid, 1976, pp. 132 and 516, fig. 33.","es":"encaje antiguo de la tipología denominada erudito de milán (italia). decoración a base de roleos. presenta fondo de mallas redondas. una fina banda rodea toda el trabajo. pieza en forma de media luna. buena conservación. medida: ø 76 cm. \n \n \n \n \n \n \n \n \n \n bibliografía de referencia gonzález mena, m.ª ángeles: catálogo de encajes. instituto valencia de don juan. madrid, 1976, pp. 132 y 516, fig. 33."},"lotNumber":"28","title":{"en":"antique milan lace (italy) c. 1700","es":"encaje antiguo de milán (italia) c. 1700"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17579/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":400,"lastUpdate":"2026-07-01T00:15:33.788Z","textCase":"lower","currency":"EUR","id":17579},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17617/018/018.png"],"artist":{"en":"cornelis dusart (1660-1704)","es":"cornelis dusart (1660-1704)"},"available":false,"description":{"en":"oil on canvas. size: 48,8 x 57,2 cm. \n \n \n \n \n \n \n \n \n \n painting of great quality that we consider within the production of the master. it develops an interior scene with the common theme in this type of compositions of characters drinking, fighting or enjoying their moment. \n \n \n \n \n \n \n \n the specific types and models are within the common works of the artist. we must highlight, thus, one of the main characters in this painting, the woman leaning on the floor struggling with a man on her back and next to a girl, which could be related to the drawing of a head in profile attributed to the master that preserves the rijksmuseum in amsterdam (© rijksmuseum; buste van een vrouw, naar rechts in profiel, cornelis dusart (mogelijk), naar cornelis dusart, 1670 - 1750, ref. rp-t-1898-a-3666; see the last two images).","es":"óleo sobre lienzo. medidas: 48,8 x 57,2 cm. \n \n pintura de gran calidad que consideramos dentro de la producción del maestro. desarrolla una escena de interior con el asunto común en este tipo de composiciones de personajes bebiendo, peleando o disfrutando de su momento. \n \n los tipos y modelos específicos están dentro de las obras comunes del artista. debemos destacar, de este modo, uno de los personajes principales en esta pintura, la mujer apoyada en el suelo que forcejea con un hombre de espaldas y junto a una niña, que podría tener relación con el dibujo de una cabeza de perfil atribuído al maestro que conserva el rijksmuseum de amsterdam (© rijksmuseum; buste van een vrouw, naar rechts in profiel, cornelis dusart (mogelijk), naar cornelis dusart, 1670 - 1750 , ref. rp-t-1898-a-3666; ver las últimas dos imágenes)."},"lotNumber":"29","title":{"en":"indoor scene with characters","es":"escena de interior con personajes"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17617/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":40000,"lastUpdate":"2026-07-01T00:15:33.789Z","textCase":"lower","currency":"EUR","id":17617},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17618/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17618/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17618/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17618/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17618/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17618/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17618/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17618/008/008.jpg"],"artist":{"es":"círculo de bartolomé pérez de la dehesa (h. 1634-1698)"},"available":false,"description":{"en":"oil on canvas. vertical octagonal format. with frame in carved and gilded wood. size: 77,8 x 77,8 cm (canvas); 110 x 88 x 3,5 cm (frame). \n \n \n \n \n \n \n \n \n \n provenance: \n \n \n mallorca. collection of the moix house. \n \n \n private collection. \n \n \n \n \n \n \n \n the painting appears published and reproduced with direct authorship to the painter bartolomé pérez de la dehesa (ca. 1634-1698) together with another vase of the same format and practically similar measures also collected in the same publication. \n \n \n \n \n \n \n \n specific bibliography: \n \n \n pinturas españolas. siglos xvi-xvii cuadros de colecciones españolas. sala parés, ed. edimar. barcelona, mcmlxvi, pp. 50-51, plate xxiv.","es":"óleo sobre lienzo. formato octogonal vertical. con marco en madera tallada y dorada. medidas: 99,5 x 77,8 cm (lienzo); 110 x 88 x 3,5 cm (marco). \n \n procedencia: \n mallorca. colección de la casa moix. \n colección particular. \n \n la pintura aparece publicada y reproducida con autoría directa al pintor bartolomé pérez de la dehesa (h. 1634-1698) junto a otro florero del mismo formato y medidas prácticamente similares también recogido en la misma publicación. \n \n bibliografía específica: \n pinturas españolas. siglos xvi-xvii cuadros de colecciones españolas . sala parés, ed. edimar. barcelona, mcmlxvi, pp. 50-51, lám. xxiv."},"lotNumber":"30","title":{"en":"vase","es":"florero"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17618/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":8000,"lastUpdate":"2026-07-01T00:15:33.791Z","textCase":"lower","currency":"EUR","id":17618},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17619/016/016.jpg"],"artist":{"en":"madrilenian anonymous c. 1650-1700","es":"anónimos madrileños c. 1650-1700"},"available":false,"description":{"en":"oil on canvas. measurements: 66 x 53 cm and 67 x 55 cm. \n \n \n \n \n \n \n \n \n \n provenance: united states of america, private collection. \n \n \n \n \n \n \n \n pair of still lifes of flowers in vertical rectangular format. the first painting shows a circular base on which a spherical glass of bronze aspect is presented where in its visible side two figures of children or putti are observed next to vegetable elements, decoration all figured in high relief. this vase receives a floral variety composed of tulips, carnations, roses, daffodils and orchids, among other species, surrounded by a greenish vegetal background. \n \n \n \n \n \n \n \n these paintings must have been conceived and executed in the madrid environment of the time of kings philip iv and charles ii, possibly painted in the second half of the seventeenth century. in those years, the maximum representatives of the genre of flower painting in madrid were juan de arellano (1614-1676), bartolomé perez de la dehesa (ca. 1634-1698), gabriel de la corte (1648-1694) and francisco pérez sierra (ca. 1627-1709). we think that these works could have been made by bartolomé pérez or by gabriel de la corte, once we have studied and contrasted safe natural paintings of these two masters, in comparison with the ones we present here. \n \n \n \n \n \n \n \n we believe that there may be compositional elements and effects of pictorial quality that come from or are simultaneous with representations of both masters, comparable to this one. thus, safe vases of both artists that are preserved in the museo nacional del prado in madrid, present such similarities. the variety of flowers painted in the first canvas are related to others that appear in certain still lifes of this type, present in paintings of those three masters, whose comparative study would be extensive for this publication. but we do want to focus our attention on the painted cup that holds the flowers, where two children are represented, painted in the form of golden grisaille, whose purpose, besides being decorative, is to visually link and unify the cup with the group of plants. the presence of small fruits and leaves next to the children reinforces this idea of unity. in particular, gabriel de la corte had the continuity throughout his artistic career of representing in his still lifes of flowers containers with children painted in an ochre chromatic range. if we compare those that appear in the work we are studying - here with greater detail in their lights and shadows - with two of the six canvases preserved in the museo nacional del prado, we discover the similarity both in pictorial style and in the adjustment in the model of one of the children, the one that appears vertically perched on the floral stems. this child should be compared with those represented in the prado works of the aforementioned master, florero (cat. p001054, 62 x 84 cm) and florero (cat. p004093, 63 x 83 cm), both from the convent of san felipe el real de madrid, in madrid's puerta del sol. bartolomé pérez also painted this type of containers for his flowers, as in the case of the two tables also in the museo nacional del prado, from the old real alcázar of madrid, which he painted around 1690 for what we could call the royal bed of his majesty, known as the golden bed of charles ii, an artifact now lost that was intended to cover the king's bed. in this case, one of these paintings, fortunately preserved (florero, cat. p006397, 54 x 44 cm), shows a single child comparable to the other that appears in our work, now in a horizontal position, with a face and position that can be related to each other. the work has a mid-twentieth century attribution that points to gabriel de la corte as its possible author, a statement to which we must include the possibility of execution by his contemporary bartolomé pérez de la dehesa.","es":"óleos sobre lienzos. medidas: 66 x 53 cm y 67 x 55 cm. \n \n procedencia: estados unidos de américa, colección particular. \n \n \n pareja de bodegones de flores en formato rectangular vertical. la primera pintura muestra una peana circular sobre la cual se presenta una vaso esférico de aspecto broncíneo donde en su lado visible se observa dos figuras de niños o puttis junto a elementos vegetales, decoración toda figurada en altorrelieve. dicho vaso recibe una variedad floral compuesta por tulipanes, claveles, rosas, narcisos y orquídeas, entre otras especies, arropada por un fondo vegetal verdoso. \n \n estas pinturas debieron de ser concebidas y realizadas en el entorno madrileño del tiempo de los reyes felipe iv y carlos ii, posiblemente pintadas en la segunda mitad de ese siglo xvii. en aquellos años, los máximos representantes del género de pintura de flores en madrid fueron juan de arellano (1614-1676), bartolomé perez de la dehesa (h. 1634-1698), gabriel de la corte (1648-1694) y francisco pérez sierra (h. 1627-1709). pensamos que estas obras pudieras estar realizadas por bartolomé pérez o por gabriel de la corte, una vez estudiadas y contrastadas al natural pinturas seguras de estos dos maestros, en comparación con las que aquí presentamos. \n \n creemos que puede existir elementos compositivos y efectos de calidad pictórica que proceden o se simultanean de representaciones tanto de uno como de otro maestro, comparables con ésta. así, floreros seguros de ambos artistas que se conservan en el museo nacional del prado de madrid, presentan dichas similitudes. la variedad de flores pintadas en el primer lienzo tienen relación con otras que aparecen en ciertos bodegones de este tipo, presentes en pinturas de aquellos tres maestros, cuyo estudio comparativo sería extenso para esta publicación. pero sí queremos centrar la atención sobre el vaso pintado que sostiene las flores, donde se representan dos niños, pintados a modo de grisalla dorada, cuyo objeto además de decorativo, consiste en enlazar y unificar de manera visual la copa con el conjunto de plantas. la presencia además de pequeños frutos y hojarascas junto a los niños refuerza esta idea de unidad. en especial, gabriel de la corte tuvo la continuidad a lo largo de su trayectoria artística de representar en sus bodegones de flores recipientes con niños pintados en una gama cromática ocre. si comparamos los que aparecen en la obra que estudiamos - aquí con mayor detalles en sus luces y sombras - con dos de los seis lienzos que conserva el museo nacional del prado, descubrimos la similitud tanto de estilo pictórico como del ajuste en el modelo de uno de los niños, el que aparece en vertical encaramado hacia los tallos florales. este niño debe de ser comparado con los representados en las obras del prado del citado maestro, florero (cat. p001054, 62 x 84 cm) y florero (cat. p004093, 63 x 83 cm), ambos procedentes del convento de san felipe el real de madrid, en la madrileña puerta del sol. también bartolomé pérez pintó este tipo de recipientes para sus flores, como el caso de las dos tablas también en el museo nacional del prado, procedentes del antiguo real alcázar de madrid, y que ejecutó sobre 1690 con destino a lo que podríamos denomimar real cama de su majestad conocida como camón dorado de carlos ii, artefacto hoy perdido destinado a cobijar el lecho del rey. en este caso, una de estas pinturas por fortuna conservadas (florero, cat. p006397, 54 x 44 cm), muestra un único niño comparable con el otro que aparece en nuestra obra, ahora en posición horizontal, con rostro y posición relacionables entre ambos. la obra tiene una atribución de mediados del siglo xx que señala a gabriel de la corte como su posible autor, una afirmación a la que habrá que incluir la posibilidad de ejecución de su contemporáneo bartolomé pérez de la dehesa."},"lotNumber":"31","title":{"en":"pair of vases","es":"pareja de floreros"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17619/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":15000,"lastUpdate":"2026-07-01T00:15:31.559Z","textCase":"lower","currency":"EUR","id":17619},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17594/014/014.jpg"],"artist":{"en":"marcantonio franceschini (bologna 1648-1729)","es":"marcantonio franceschini (bolonia 1648-1729)"},"available":false,"description":{"en":"pen and ink over paper; c. 1706 \n \n inscribed, recto: in black pencil with 19th-20th century handwriting, under the foot of saturno: \u201cdel franceschini\u201d; bottom right: \u201c15 (?)\u201d. \n \n \n inscribed, verso: pen in black ink, in 18th-century handwriting: \u201cfranceschino ʓ 250 n 55 (?)\u201d. \n \n \n this drawing, in our opinion original by marcantonio franceschini (bologna 1648-1729), must be one of the preparatory sketches destined for the final painting for the ceiling of the garden gallery of the liechtenstein palace, vienna (austria). \n \n \n the prince of the house of liechtenstein, johann adam andreas (1657-1712), was the patron of much of the works of art treasured there in what was his family palace. a taste for italian baroque painting and especially bolognese area, pointed to franceschini as one of the main artists to decorate part of the ceilings in that architecture, along with other painters such as the italian quadraturist master andrea pozzo (1642-1709) . \n \n \n franceschini will create a beautiful set made up of three fresco decorations in the aforementioned garden gallery, with the following subjects: \n apollo and juno in the heavens in the company of ceres, flora and bacchus together with the personifications of rain and dew , as a motif central; \n jupiter and mercury with saturn bound , to their left; and lastly, \n mars with venus and cupid in the presence of diana , to his right. \n \n \n the spanish branch of the lineage of the prince of liechtenstein has its reason for being in the fact that johann adam andreas was the son of the great-granddaughter of doña margarita folch de cardona y requensens (1534/1549 - 1603), who married adam de dietrichstein in 1555, and held the prestigious position of dame to empress maria of austria (1528-1603), daughter of emperor charles i (1500-1558). \n \n \n the drawing shows the scene that is part of the \n jupiter and mercury with saturn bound . indeed, saturn appears seated on a cloud with his hands tied behind his back, next to the angel who carries the rod with two snakes or caduceus, the main attribute of the god mercury, another prominent character in the final composition. the design shows two more compositional elements, a foot next to the aforementioned angel that corresponds to mercury, and some toes of another foot located on the head of saturn, those of the left foot of one of the three angels that surround another cloud, detail of the angle upper left of the wall painting. \n \n \n this sketch that concerns us here is a detailed study of saturn, only one preserved to date, since its compartmentalization with respect to the general subject shows that franceschini must have raised the characters represented (jupiter, mercury, saturn, on the one hand, and mars, venus and diana, on the other) as individualized issues, this drawing being an example of this. \n \n \n the museo nacional del prado preserves what could be the definitive drawing for its mural painting, as this model is found in a grid and with recesses in its four corners, as the ceiling of the austrian palace will show. \n \n \n the specific elements of the detail with saturn that make up the vienna painting correspond to those of the present drawing with minimal variations, which is why it is an initial idea and not a copy of part of the ceiling. \n \n \n franceschini's intervention as a painter in the liechtenstein palace has been studied by professor dwight c. miller, who also investigated both the preparatory drawings for the paintings of that place, as well as the interesting manuscript correspondence between prince johann adam andreas and the italian artist , regarding this specific pictorial intervention. according to these letters, written between november 19, 1706 and january 18, 1707, this drawing can in principle be dated between those years. \n \n \n its reverse presents sketches of several angels in flight together with clouds or oval shapes, of different pictorial qualities, which deserve to be studied to support or reject their authorship with respect to the bolognese artist. if they are originals of his, they could perhaps be related to other works outside of this particular ceiling. \n \n \n \n \n \n \n \n this drawing has been granted and in force its corresponding export license by ministerio de cultura of spain.","es":"lápiz y tinta sobre papel; c. 1706 \n \n inscrito, recto: a lápiz negro con letra de los siglos xix-xx, bajo el pie de saturno: \u201cdel franceschini\u201d; abajo, hacia la derecha : \u201c15 (?)\u201d. \n \n \n inscrito, verso: a pluma con tinta negra, con letra del siglo xviii: \u201cfranceschino ʓ 250 n 55 (?)\u201d. \n \n \n este dibujo, en nuestra opinión original de marcantonio franceschini (bolonia 1648-1729), debe ser uno de los diseños preparatorios con destino a la pintura definitiva para techo de la galería del jardín del palacio liechtenstein, viena (austria). \n \n \n el príncipe de la casa de liechtenstein, johann adam andreas (1657-1712), fue el mecenas de gran parte de las obras de arte allí atesoradas en el que fuera palacio familiar suyo. un gusto por la pintura barroca italiana y en especial la de ámbito boloñés, señaló a franceschini como uno de los artistas principales en decorar parte de los techos en aquella arquitectura, junto a otros pintores como el maestro quadraturista italiano andrea pozzo (1642-1709). \n \n \n franceschini realizará un bello conjunto formado por tres decoraciones al fresco en la mencionada galería del jardín, con los siguientes asuntos: \n apolo y juno en los cielos en compañía de ceres, flora y baco junto a las personificaciones de la lluvia y el rocío , como motivo central; \n júpiter y mercurio con saturno maniatado , a su izquierda; y por último, \n marte con venus y cupido en presencia de diana , a su derecha. \n \n \n la rama española del linaje del príncipe de liechtenstein tiene su razón de ser en que johann adam andreas fue hijo de la bisnieta de doña margarita folch de cardona y requensens (1534/1549 - 1603), quien contrajo matrimonio en 1555 con adam de dietrichstein, y ocupó el prestigioso cargo de dama de la emperatriz maría de austria (1528-1603), hija del emperador carlos i (1500-1558). \n \n \n el dibujo muestra la escena que forma parte del asunto \n júpiter y mercurio con saturno maniatado . efectivamente, saturno aparece sentado sobre una nube con sus manos atadas tras su espalda, próximo al ángel que porta la vara con dos culebras o caduceo, atributo principal del dios mercurio, otro destacado personaje de la composición definitiva. el diseño muestra dos elementos compositivos más, un pie junto al citado ángel que corresponde a mercurio, y algunos dedos de otro pie situados sobre la cabeza de saturno, los del pie izquierdo de uno de los tres ángeles que rodean otra nube, pormenor del ángulo superior izquierdo de la pintura mural. \n \n \n este boceto que aquí nos ocupa es un estudio en detalle de saturno, único conservado hasta el momento, pues su compartimentación respecto del asunto general demuestra que franceschini debió de plantear los personajes representados (júpiter, mercurio, saturno, por un lado, y marte, venus y diana, por otro) como asuntos individualizados, siendo este dibujo, muestra de ello. \n \n \n el museo nacional del prado conserva lo que pudiera ser dibujo definitivo para su pintura mural, al encontrarse ese modelo cuadriculado y con rebajes en sus cuatro ángulos, como mostrará el techo del palacio austríaco. \n \n \n los elementos específicos del detalle con saturno que conforman la pintura de viena presentan correspondencia con los mismos del presente dibujo con mínimas variantes, razón por la cual se trata de idea inicial y no de una copia de parte del techo. \n \n \n la intervención de franceschini como pintor en el palacio liechtenstein ha sido estudiada por el profesor dwight c. miller, quien además investigó tanto los dibujos preparatorios para las pinturas de dicho lugar, como la interesante correspondencia manuscrita entre el príncipe johann adam andreas y el artista italiano, a propósito de esta específica intervención pictórica. según dichas cartas, escritas entre el 19 de noviembre de 1706 y el 18 de enero de 1707, este dibujo puede datarse en principio entre dichos años. \n \n \n su reverso presenta bosquejos de varios ángeles en vuelo junto a nubes o formas ovaladas, de distintas calidades pictóricas, que merecen ser estudiados para respaldar o rechazar su autoría respecto del artista boloñés. de ser originales suyos, podrían quizá relacionarse con otros trabajos fuera de este techo en concreto. \n \n \n \n \n \n \n \n este dibujo tiene concedido y en vigor su correspondiente permiso de exportación por el ministerio de cultura de españa."},"lotNumber":"32","title":{"en":"study for saturn next to mercury","es":"estudio para saturno junto a mercurio"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17594/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":6500,"lastUpdate":"2026-07-01T00:15:31.562Z","textCase":"lower","currency":"EUR","id":17594},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17622/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17622/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17622/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17622/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17622/005/005.jpg"],"artist":{"en":"francisco de zurbarán (1598-1664)","es":"francisco de zurbarán (1598-1664)"},"available":false,"description":{"en":"oil on canvas. \n \n \n \n size: 34,6 x 26 cm. \n \n \n professor alfonso e. pérez sánchez verbally confirmed the authorship of this painting to francisco de zurbarán. with certificate of juan antonio gaya nuño. unpublished painting never exhibited. \n \n \n \n \n \n \n \n provenance: \n \n \n private collection. \n \n \n \n \n \n \n \n this painting is the original sketch of the large version of the san antón abad (also called san antonio abad, 202 x 110 cm) from the collection of the marqués de casa torres, which was auctioned at fernando durán subastas de arte: madrid, 16/12/2009, lot 86, catalog page 55, starting price 600.000 \u20ac.","es":"óleo sobre lienzo. \n medidas: 34,6 x 26 cm. \n el profesor alfonso e. pérez sánchez confirmó de manera verbal la autoría de esta pintura a francisco de zurbarán. con certificado de juan antonio gaya nuño. pintura inédita nunca expuesta. \n \n procedencia: \n colección particular. \n \n esta pintura es el boceto original de la versión en gran tamaño del san antón abad (también llamado san antonio abad , 202 x 110 cm) de la colección del marqués de casa torres, la cual saió a subasta en fernando durán subastas de arte: madrid, 16/12/2009, lote 86, pág. de catálogo 55, precio de salida 600.000 \u20ac."},"lotNumber":"33","title":{"en":"saint anton abbot","es":"san antón abad"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17622/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":50000,"lastUpdate":"2026-07-01T00:15:31.563Z","textCase":"lower","currency":"EUR","id":17622},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17591/016/016.jpg"],"artist":{"en":"anonymous castilian 16th century","es":"anónimo castellano del siglo xvi"},"available":false,"description":{"en":"carved, polychrome and gilded wood. \n \n measurements: 230 x 25 cm; 173 x 26cm; 207 x 26 cm. \n \n \n this set of three ornamental panels must have formed part of the same decoration applied as a unit to a certain architectural unit that is unknown today. the first of them, measuring 230 x 25 cm, shows the profile effigy of a male character, wearing a civil hat, circumscribed within a plant border, which in turn is supported by a pair of fantastic birds facing each other. this central motif is accompanied by three elements that appear on both sides of said border, being a flower with five petals, a figurehead and a vase. the second and third panels show decoration from the 16th century, derived from italian candelieri-based motifs, together with elements that represent the so-called cornucopia and fingered and ringed palmettes (measures 173 x 26 cm and 207 x 26 cm, respectively). the reverses of the pieces preserve the traces left by the carpenters of the 16th century when they used their gouges to work these pieces. due to the typology and the elements that are represented by carving, painting and gilding, we think that they are panels possibly made in castile (spain) between the years 1500-1550 of the 16th century.","es":"madera tallada, policromada y dorada. \n \n \n \n medidas: 230 x 25 cm; 173 x 26 cm; 207 x 26 cm. \n \n \n este conjunto de tres paneles ornamentales debieron de formar parte de una misma decoración aplicada como unidad a cierta unidad arquitectónica hoy desconocida. el primero de ellos, de medidas 230 x 25 cm, muestra la efigie en perfil de un personaje masculino, tocado con sombrero civil, circunscrito dentro de una orla vegetal, que a su vez sostienen una pareja de aves fantásticos afrontados entre sí. este motivo central se encuentra acompañado por tres elementos que aparecen a ambos lados de dicha orla, siendo una flor de cinco pétalos, un mascarón y un jarrón. el segundo y tercer panel muestra decoración del siglo xvi, derivada de motivos italianos a base de candelieri, junto a elementos que representan el denominado cuerno de la abundancia y palmetas digitadas y anilladas (medidas 173 x 26 cm y 207 x 26 cm respectivamente). los reversos de las piezas conserva las huellas dejadas por los carpinteros del siglo xvi al utilizar sus gubias para trabajar estas piezas. por la tipología y los elementos que aparecen representados mediante talla, pintura y dorado, pensamos que son paneles realizados posiblemente en castilla (españa) entre los años 1500-1550 del siglo xvi."},"lotNumber":"34","title":{"en":"3 decorative panels with exaltation of civil character","es":"3 paneles decorativos con exaltación de personaje civil"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17591/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":2600,"lastUpdate":"2026-07-01T00:15:31.565Z","textCase":"lower","currency":"EUR","id":17591},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17623/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17623/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17623/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17623/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17623/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17623/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17623/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17623/008/008.jpg"],"artist":{"en":"circle of juan martínez montañés (1568-1649)","es":"círculo de juan martínez montañés (1568-1649)"},"available":false,"description":{"en":"carved wood, polychrome and gilded. with its period frame, c. 1600. \n \n \n \n the patron saint of the city of tours (france) appears at the moment of parting his cloak in order to give it to a poor person in need. \n \n \n \n \n \n \n \n it is likely that this sculpture comes from some unlocated spanish altarpiece body or street. \n \n \n \n \n \n \n \n provenance: \n \n \n first, unknown. \n \n \n sotheby parke bernet los angeles: auction october 25 through 28, 1976 (sale 197), lot 60. this sculpture is reproduced in black and white in its cataloging card, in color on full page and on the front and back of the catalog (see last image). \n \n \n madrid, commerce. \n \n \n madrid, private collection.","es":"madera tallada, policromada y dorada. con su marco de época, c. 1600. \n el santo patrón de la ciudad de tours (francia) aparece en el momento de partir su capa con el fin de entregársela a un pobre necesitado. \n \n es probable que esta escultura proceda de algún cuerpo o calle de retablo español no localizado. \n \n procedencia: \n primera, desconocida. \n sotheby parke bernet los angeles : auction october 25 through 28, 1976 (sale 197), lote 60. esta escultura aparece reproducida en blanco y negro en su ficha de catalogación, a color en página completa y en la portada y reverso del catálogo (ver última imagen). \n madrid, comercio. \n madrid, colección particular."},"lotNumber":"35","title":{"en":"saint martin of tours","es":"san martín de tours"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17623/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":150000,"lastUpdate":"2026-07-01T00:15:31.567Z","textCase":"lower","currency":"EUR","id":17623},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17597/012/012.jpg"],"artist":{"en":"anonymous spanish, probably catalan school c. 1900.","es":"anónimo español, probablemente escuela catalana c. 1900."},"available":false,"description":{"en":"oil on canvas. the saint appears in profile, in an attitude of prayer, before the apparition or vision of the sacred form on the cross. quality painting in the treatment of the face and in the simulation of architectural elements, in gold. a legend in spanish identifies the portrayed: \"san francisco de borja\". the painting is enhanced by its original frame in carved wood, with fine gilding, in neo-gothic style, with some flaws in the lower area (5 leaves). the canvas has small flaws in its dark background that do not affect the figure of the saint.","es":"óleo sobre lienzo. el santo aparece de perfil, en actitud de orar, ante la aparición o visión de la sagrada forma en la cruz. pintura de calidad en el tratamiento del rostro y en la simulación de elementos arquitectónicos, en dorado. una leyenda en castellano identifica al retratado: \"san francisco de borja.\". realza la pintura su marco original en madera tallada, con dorado fino, en estilo neogótico, con algunas faltas en la zona inferior (5 hojarascas). el lienzo presenta pequeños desperfectos en su fondo oscuro que no afectan a la figura del santo."},"lotNumber":"36","title":{"en":"st. francis borgia in prayer","es":"san francisco de borja en oración"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17597/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2400,"lastUpdate":"2026-07-01T00:15:31.568Z","textCase":"lower","currency":"EUR","id":17597},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/023/023.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/018/018.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/019/019.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/020/020.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/021/021.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17582/022/022.jpg"],"artist":{"es":"bernard rouget (poitiers 1914 - niza 1988)"},"available":false,"description":{"en":"complete photographic collection composed of 20 black and white photographs, silver bromide gelatin vintage prints, originals by the prestigious french photographer bernard rouget (poitiers 1914 - nice 1988), accompanied by explanatory text printed in french language and album as a book folder. \n \n \n \n \n \n \n \n \n \n each photograph presents on its reverse side a blue print of the photographer's original stamp, as a signature and guarantee of original work, which reads on each one \" - photo - / bernard / rouget\", together with a handwritten numbering in black ink where each image is identified. the numbering leads the reader to its explanatory and numbered text in the aforementioned printed text. curiously, the author did not number photograph number 13, in which only the stamp appears. \n \n \n \n \n \n \n \n the album features a business card of \"mr. and mrs. john patrick prior\". on the back, written in dark ink, it reads: \"to don & eadie: / whose companion - / ships, has made of / maroc for us a / happy place / peg & jack\". \n \n \n \n \n \n \n \n measures: 25.5 x 19.5 x 1.5 cm (album); 24.2 x 18.2 cm (each photographic paper); 24 x 18 cm (paper with texts). \n \n \n \n \n \n \n \n provenance: \n \n \n john patrick prior, usa.","es":"colección fotográfica completa compuesta por 20 fotografías en blanco y negro, tirada de gelatino bromuro de plata de época, originales del prestigioso fotógrafo francés bernard rouget (poitiers 1914 - niza 1988), acompañadas de texto explicativo impreso en lengua francesa y álbum a modo de carpeta libro. \n \n \n \n \n \n \n \n \n \n cada fotografía presenta en su reverso impresión en color azul del sello original del fotógrafo, a modo de firma y garantía de obra original, donde se lee en cada una \" - photo - / bernard / rouget\", unida a una númeración escrita a mano a tinta negra donde se identifica cada imagen. la numeración lleva al lector a su texto explicativo y numerado en el citado texto impreso. curiosamente el autor no numeró la fotografía número 13, en la cual sólo aparece el sello. \n \n \n \n \n \n \n \n el álbum presenta una tarjeta de visita de \"mr. and mrs. john patrick prior\". en su reverso, escrito a tinta oscura, se lee: \"to don & eadie: / whose companion - / ships, has made of / maroc for us a / happy place / peg & jack\". \n \n \n \n \n \n \n \n medidas: 25.5 x 19.5 x 1.5 cm (álbum); 24.2 x 18.2 cm (cada papel fotográfico); 24 x 18 cm (papel con textos). \n \n \n \n \n \n \n \n procedencia: \n \n \n john patrick prior, usa."},"lotNumber":"37","title":{"en":"twenty images of bernard rouget. photographic face of morocco","es":"vingt images de bernard rouget. visage photographique du maroc"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17582/view","tags":["esart_photography","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T00:15:31.570Z","textCase":"lower","currency":"EUR","id":17582},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17596/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17596/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17596/003/003.jpg"],"artist":{"en":"anonymous european from the 17th-18th centuries","es":"anónimo europeo de los siglos xvii-xviii"},"available":false,"description":{"en":"painting on metal. with smooth wooden frame. \n \n \n \n measurements: 9.6 x 7.3 (support); 17.4 x 15 cm (frame)","es":"pintura sobre metal. con marco liso de época en madera. \n medidas: 9.6 x 7.3 (soporte); 17.4 x 15 cm (marco)"},"lotNumber":"38","title":{"en":"st. jerome.","es":"san jerónimo."},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17596/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T00:15:31.571Z","textCase":"lower","currency":"EUR","id":17596},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17581/011/011.jpg"],"artist":{"en":"anonymous spanish colonial, xviii century","es":"anónimo hispano colonial, siglo xviii"},"available":false,"description":{"en":"chest made of embossed leather with bronze studs. wooden structure. with key and working lock. hispanic colonial work of the xviii century. measures: 20 x 43.5 x 25 cm.","es":"arqueta realizada en cuero repujado con clavazones en bronce. estructura en madera. con llave y cerradura en funcionamiento. trabajo hispano colonial del siglo xviii. medidas: 20 x 43.5 x 25 cm."},"lotNumber":"39","title":{"en":"hispano colonial chest xviii century","es":"arqueta hispano colonial siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17581/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T00:15:31.573Z","textCase":"lower","currency":"EUR","id":17581},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17624/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17624/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17624/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17624/004/004.jpg"],"artist":{"en":"anonymous oriental 19th century","es":"anónimo oriental del siglo xix"},"available":false,"description":{"en":"dromedary saddle for bodies destined for the middle east, 19th century. \n \n \n \n solid wooden structure covered in decorated brass, with five firmly joined elements. very good preservation. total length: 135 cm.","es":"silla de montar de dromedario para cuerpos destinados a oriente medio, siglo xix. \n sólida estructura de madera cubierta en latón decorado, de cinco elementos firmemente unidos. muy buena conservación. longitud total: 135 cm."},"lotNumber":"40","title":{"en":"dromedary chair, 19th century","es":"silla para dromedario, siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17624/view","tags":["esinternational_middleeastern","esinternational","esinternational_all"],"directSalePrice":1300,"lastUpdate":"2026-07-01T00:15:31.574Z","textCase":"lower","currency":"EUR","id":17624},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17576/013/013.jpg"],"artist":{"en":"anonymous 19th century turkish","es":"anónimo turco del siglo xix"},"soldDate":"2023-02-14","available":false,"description":{"en":"set formed by a pair of textile pieces, in quadrangular format, made by hand with different materials in its fabric. it is possibly ottoman work, from the area of present-day turkey, around 1870/1900. these are two fragments with threaded edges, which must have been part of a larger ensemble, two works worthy of detailed study. \n \n measurements of each textile: 70 x 84 cm (approximately).","es":"conjunto formado por una pareja de piezas textiles, en formato cuadrangular, realizado a mano con diferentes materiales en su tejido. posiblemente se trate de trabajo otomano, ámbito de la actual turquia, sobre 1870/1900. se trata de dos fragmentos con bordes hilachudos, que debieron de formar parte de un conjunto mayor, dos obras merecedoras de estudio pormenorizado. \n \n \n \n \n \n \n \n medidas de cada textil: 70 x 84 cm (aproximadamente)."},"lotNumber":"41","title":{"en":"pair of textiles, turkey (?) c. 1870/1900","es":"pareja de textiles, turquía (?) c. 1870/1900"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17576/view","tags":["esinternational_middleeastern","esinternational","esinternational_all"],"directSalePrice":600,"soldPrice":800,"lastUpdate":"2026-07-01T00:15:27.435Z","textCase":"lower","currency":"EUR","id":17576},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17577/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17577/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17577/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17577/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17577/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17577/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17577/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17577/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17577/009/009.jpg"],"artist":{"en":"anonymous c. 1960/1970","es":"anónimo c. 1960/1970"},"available":false,"description":{"en":"coffee table with top made of green onyx stone with veining in different shades of green and brown. circa 1960/1970. very good preservation. \n \n central leg with wooden chambrana. \n \n \n measures: 109 x 108,5 x 4,5 cm (onyx top); 46 cm (total height).","es":"mesa baja de centro con tablero superior realizado en piedra ónix verde con veteado en distintas tonalidades verdosas y marrones. hacia 1960/1970. muy buena conservación. \n \n \n \n pata central con chambrana en madera. \n \n \n medidas: 109 x 108,5 x 4,5 cm (tablero de ónix); 46 cm (altura total)"},"lotNumber":"42","title":{"en":"20th century onyx table","es":"mesa ónix siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17577/view","tags":["esfurniture_tables","esfurniture_all","esfurniture"],"directSalePrice":950,"lastUpdate":"2026-07-01T00:15:27.436Z","textCase":"lower","currency":"EUR","id":17577},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17599/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17599/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17599/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17599/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17599/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17599/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17599/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17599/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17599/009/009.jpg"],"artist":{"en":"anonymous french, ca. 1875-1900","es":"anónimo francés, h. 1875-1900"},"soldDate":"2023-04-18","available":false,"description":{"en":"last quarter of the xix century. french school. enamel and porcelain, painted; gilded metal and bronze. \n \n \n \n \n \n \n \n \n \n complete blue-toned writing desk mounted on gilt bronze decoration. general oval shape. it is decorated with enameled dots in white, red, blue, gold and green. two equal supports in gilded bronze receive its pen, matching the whole. the inkwell is located on one side, with a hinged lid. item ready to use. good preservation. \n \n \n \n \n \n \n \n measures: 10,5 x 17,5 x 13 cm.","es":"último cuarto del siglo xix. escuela francesa. esmalte y porcelana, pintados; metal y bronce dorados. \n \n escribanía completa en tonalidad azul montada sobre decoración en bronce dorado. forma general ovalada. se encuentra decorada con puntos esmaltados en color blanco, rojo, azul, dorado y verde. dos soportes iguales en bronce dorado reciben su pluma, a juego con el conjunto. el tintero se situa en un lateral, con tapa abatible. artículo listo para uso. buena conservación. \n \n medidas: 10,5 x 17,5 x 13 cm."},"lotNumber":"43","title":{"en":"scribe with his pen","es":"escribanía con su 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cristal."},"lotNumber":"44","title":{"en":"rooster","es":"gallo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/27817/lot/17601/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":170,"lastUpdate":"2026-07-01T00:15:27.439Z","textCase":"lower","currency":"EUR","id":17601},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17574/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17574/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17574/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17574/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17574/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17574/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/17574/007/007.jpg"],"artist":{"en":"anonymous 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