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oficios artísticos in valencia before the end of the spanish civil war and continued his education under the guidance of the sculptors carmelo vicent and capuz. he won the spanish national sculpture prize in 1944 and in 1950 was awarded a scholarship by the real academia de bellas artes de san fernando. in the 1960s he took up teaching drawing and was admitted to the faculty of fine arts at the ucm in madrid. he retired to bayonne, where he died. \n \n \n \n \n sizes: 43 x 30 cm (paper support, approx.); 56.5 x 43 x 3 cm (frame)","es":"antonio martínez penella (masanasa, valencia 1917 - bayona, pontevedra 2008) fue escultor y dibujante que trabajó para edificios públicos y religiosos durante el régimen franquista. comenzó a formarse en la escuela de artes y oficios artísticos de valencia antes de la última contienda española, para continuar su formación bajo las doctrinas de los escultores carmelo vicent y capuz.\u200b se hizo con el premio nacional de escultura de españa en 1944 y en 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\u2018cillero - 84\u2019. \n \n original work by the painter andrés josé cillero dolz made in 1984. with period frame and glass. he was a painter, sculptor and professor of drawing. \n \n \n measurements: 39 x 27 cm (paper support); 47 x 34 x 1,5 cm (frame)","es":"ceras de colores sobre papel. firmado y datado en el ángulo inferior derecho: \"cillero - 84\". \n obra original del pintor andrés josé cillero dolz realizada en 1984. con marco de época y cristal. fue pintor, escultor y catedrático de dibujo. \n medidas: 39 x 27 cm (soporte papel); 47 x 34 x 1,5 cm (marco)"},"lotNumber":"4","title":{"en":"andrés cillero (valencia 1934-madrid 1993) female nude","es":"andrés cillero (valencia 1934-madrid 1993) desnudo 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(1910-1993)"},"soldDate":"2025-01-29","available":false,"description":{"en":"pencil on paper. signed in the lower right corner: \u2018pedro bueno\u2019. \n \n original female nude study by the painter pedro bueno villarejo (villa del río, córdoba, 1910-1993). \n \n \n on the back, it has a label and stamped seal in the original blue of the galería alfama, which reads: \u2018a-14177 / 19. pedro bueno / nude with cloak / graphite on paper / 30 x 19\u2019. \n \n \n measurements: 30 x 19 cm (paper support); 39.8 x 29 x 1.8 cm (modern frame). \n \n \n \n \n \n provenance: \n \n \n madrid, galería alfama, calle serrano 8. \n \n \n madrid, private collection.","es":"lápiz sobre papel. firmado en el ángulo inferior derecho: \"pedro bueno\". \n estudio de desnudo femenino original del pintor pedro bueno villarejo (villa del río, córdoba, 1910-1993). \n en su reverso, presenta etiqueta y sello estampillado en azul original de la galería alfama, donde se lee: \"a-14177 / 19. pedro bueno / desnudo con manto / grafito sobre papel / 30 x 19\". \n medidas: 30 x 19 cm (soporte papel); 39,8 x 29 x 1,8 cm (marco moderno). \n procedencia: \n madrid, galería alfama, calle serrano 8. \n madrid, colección particular."},"lotNumber":"8","title":{"en":"pedro bueno villarejo (1910-1993) study for female nude, standing","es":"pedro bueno villarejo (1910-1993) estudio para desnudo femenino, en 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drawing. \n \n drawing. \n \n \n illegible signature in the lower right corner. \n \n \n size: 12.5 x 5 cm (paper support); 20.3 x 12.2 cm.","es":"lápiz negro sobre papel. con paspartú y marco originales de la época del \n dibujo. \n firma ilegible en el ángulo inferior derecho. \n medidas: 12,5 x 5 cm (soporte papel); 20,3 x 12,2 cm."},"lotNumber":"14","title":{"en":"anonymous european ca. 1930 man with beret and pipe","es":"anónimo europeo h. 1930 hombre con boina y pipa"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19528/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:23:00.457Z","textCase":"lower","currency":"EUR","id":19528},{"startPrice":2400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19540/013/013.jpg"],"artist":{"en":"edgard maxence (nantes 1871-la bernerie-en-retz 1954)","es":"edgard maxence (nantes 1871-la bernerie-en-retz 1954)"},"available":false,"description":{"en":"signed and dated (twice) in the upper right corner, in black pencil: \u2018septembre 1910 / septembre 1910 / e. maxence\u2019. \n \n watermarked \u2018catel & farcy\u2019 paper, text flanked by two identical logos of this paper manufacturer, each of which depicts a winged peaked hat on its caduceus or symbol of commerce and between the initials c and f of the brand. \n \n \n size: 500 x 353 mm (paper support). \n \n \n \n \n \n provenance: \n \n \n societe thierry de maigret sarl. drouot-richelieu paris, france; 15-xi-2013, lot 116, p. 31. \n \n \n societe thierry de maigret sarl. drouot-richelieu paris, france; 3-xii-2014, lot 26, p. 16. \n \n \n societe thierry de maigret sarl. drouot-richelieu paris, france; 31-iii-2016, lot 404. \n \n \n daguerre s.v.v. drouot-richelieu paris, france; 5-iv-2018, lot 7, p. 9.","es":"firmado y datado (dos veces) en el ángulo superior derecho, a lápiz negro: \"septembre 1910 / septembre 1910 / e. maxence\". \n papel con filigrana \"catel & farcy\", texto flanqueado por dos logotipos iguales de este fabricante de papel, donde se representa en cada uno de ellos un sombrero pétaso alado sobre su caduceo o símbolo del comercio y entre las iniciales c y f de dicha marca. \n medidas: 500 x 353 mm (soporte papel). \n \n procedencia: \n societe thierry de maigret sarl. drouot-richelieu parís, francia; 15-xi-2013, lote 116, pág. 31. \n societe thierry de maigret sarl. drouot-richelieu parís, francia; 3-xii-2014, lote 26, pág. 16. \n societe thierry de maigret sarl. drouot-richelieu parís, francia; 31-iii-2016, lote 404. \n daguerre s.v.v. drouot-richelieu parís, francia; 5-iv-2018, lote 7, pág. 9."},"lotNumber":"15","title":{"en":"edgard maxence (nantes 1871-la bernerie-en-retz 1954) study for woman in profile","es":"edgard maxence (nantes 1871-la bernerie-en-retz 1954) estudio para mujer de perfil"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19540/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":2400,"lastUpdate":"2026-07-01T00:23:00.459Z","textCase":"lower","currency":"EUR","id":19540},{"startPrice":2600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19541/014/014.jpg"],"artist":{"en":"circle of françois boucher (1703-1770)","es":"círculo de françois boucher (1703-1770)"},"available":false,"description":{"en":"red chalk with touches of chalk on laid paper with dotted lines and corondels. the use of black pencil is not visible. \n \n this drawing must be related to the mural painting that boucher did on the subject of spring (set of the four seasons, see last photograph) in the council chamber of the roof of the palace at fontainebleau (france). \n \n \n with a frame in carved and gilded wood from the parisian house of lemeunier, according to the printed paper label: \u2018réparations de vieilles dorures / meubles dorés, peits, laqués / batiment lemeunier miroiterie / 25, rue de l'arcade, 25 / paris / transport & pose de tableaux / nettoyage de gravures et encadrements artistiques / rentoilage, vernissage / et restauration de tableaux\u2019. \n \n \n size: 382 x 447 mm (paper support); 54,3 x 62 x 2,3 cm (frame). the frame has a matching passe-partout with gilt filleting, both from the 19th century.","es":"sanguina con toques de clarión sobre papel verjurado con sus puntizones y corondeles. no se aprecia el uso de lápiz negro. \n este dibujo debe de relacionarse con la pintura mural que boucher realizó con el asunto de la primavera (conjunto de las cuatro estaciones, ver última fotografía) en la sala del consejo del techo del palacio de fontainebleau (francia). \n con marco en madera tallada y sobredorada de la casa parisina lemeunier , según reza en etiqueta de papel impreso: \"réparations de vieilles dorures / meubles dorés, peits, laqués / batiment lemeunier miroiterie / 25, rue de l'arcade, 25 / paris / transport & pose de tableaux / nettoyage de gravures et encadrements artistiques / rentoilage, vernissage / et restauration de tableaux\". \n medidas: 382 x 447 mm.(soporte papel); 54,3 x 62 x 2,3 cm (marco). el marco lleva a juego su paspartú con fileteado dorado, ambos del siglo xix."},"lotNumber":"16","title":{"en":"circle of françois boucher (1703-1770) study for three angels with roses and dove (spring)","es":"círculo de françois boucher (1703-1770) estudio para tres ángeles con rosas y paloma (primavera)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19541/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":2600,"lastUpdate":"2026-07-01T00:23:00.460Z","textCase":"lower","currency":"EUR","id":19541},{"startPrice":6500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19519/014/014.jpg"],"artist":{"en":"marcantonio franceschini (bologna 1648-1729)","es":"marcantonio franceschini (bolonia 1648-1729)"},"available":false,"description":{"en":"pen and ink over paper; c. 1706 \n \n inscribed, recto: in black pencil with 19th-20th century handwriting, under the foot of saturno: \u201cdel franceschini\u201d; bottom right: \u201c15 (?)\u201d. \n \n \n inscribed, verso: pen in black ink, in 18th-century handwriting: \u201cfranceschino ʓ 250 n 55 (?)\u201d. \n \n \n \n \n sizes: 200 x 315 mm. \n \n \n this drawing, in our opinion original by marcantonio franceschini (bologna 1648-1729), must be one of the preparatory sketches destined for the final painting for the ceiling of the garden gallery of the liechtenstein palace, vienna (austria). \n \n \n the prince of the house of liechtenstein, johann adam andreas (1657-1712), was the patron of much of the works of art treasured there in what was his family palace. a taste for italian baroque painting and especially bolognese area, pointed to franceschini as one of the main artists to decorate part of the ceilings in that architecture, along with other painters such as the italian quadraturist master andrea pozzo (1642-1709) . \n \n \n franceschini will create a beautiful set made up of three fresco decorations in the aforementioned garden gallery, with the following subjects: apollo and juno in the heavens in the company of ceres, flora and bacchus together with the personifications of rain and dew, as a motif central; jupiter and mercury with saturn bound, to their left; and lastly, mars with venus and cupid in the presence of diana, to his right. \n \n \n the spanish branch of the lineage of the prince of liechtenstein has its reason for being in the fact that johann adam andreas was the son of the great-granddaughter of doña margarita folch de cardona y requensens (1534/1549 - 1603), who married adam de dietrichstein in 1555, and held the prestigious position of dame to empress maria of austria (1528-1603), daughter of emperor charles i (1500-1558). \n \n \n the drawing shows the scene that is part of the jupiter and mercury with saturn bound. indeed, saturn appears seated on a cloud with his hands tied behind his back, next to the angel who carries the rod with two snakes or caduceus, the main attribute of the god mercury, another prominent character in the final composition. the design shows two more compositional elements, a foot next to the aforementioned angel that corresponds to mercury, and some toes of another foot located on the head of saturn, those of the left foot of one of the three angels that surround another cloud, detail of the angle upper left of the wall painting. \n \n \n this sketch that concerns us here is a detailed study of saturn, only one preserved to date, since its compartmentalization with respect to the general subject shows that franceschini must have raised the characters represented (jupiter, mercury, saturn, on the one hand, and mars, venus and diana, on the other) as individualized issues, this drawing being an example of this. \n \n \n the museo nacional del prado preserves what could be the definitive drawing for its mural painting, as this model is found in a grid and with recesses in its four corners, as the ceiling of the austrian palace will show. \n \n \n the specific elements of the detail with saturn that make up the vienna painting correspond to those of the present drawing with minimal variations, which is why it is an initial idea and not a copy of part of the ceiling. \n \n \n franceschini's intervention as a painter in the liechtenstein palace has been studied by professor dwight c. miller, who also investigated both the preparatory drawings for the paintings of that place, as well as the interesting manuscript correspondence between prince johann adam andreas and the italian artist , regarding this specific pictorial intervention. according to these letters, written between november 19, 1706 and january 18, 1707, this drawing can in principle be dated between those years. \n \n \n its reverse presents sketches of several angels in flight together with clouds or oval shapes, of different pictorial qualities, which deserve to be studied to support or reject their authorship with respect to the bolognese artist. if they are originals of his, they could perhaps be related to other works outside of this particular ceiling. \n \n \n this drawing has been granted and in force its corresponding export license by ministerio de cultura of spain.","es":"lápiz y tinta sobre papel; c. 1706 \n \n inscrito, recto: a lápiz negro con letra de los siglos xix-xx, bajo el pie de saturno: \u201cdel franceschini\u201d; abajo, hacia la derecha : \u201c15 (?)\u201d. \n \n \n inscrito, verso: a pluma con tinta negra, con letra del siglo xviii: \u201cfranceschino ʓ 250 n 55 (?)\u201d. \n \n \n \n \n medidas: 200 x 315 mm. \n \n \n este dibujo, en nuestra opinión original de marcantonio franceschini (bolonia 1648-1729), debe ser uno de los diseños preparatorios con destino a la pintura definitiva para techo de la galería del jardín del palacio liechtenstein, viena (austria). \n \n \n el príncipe de la casa de liechtenstein, johann adam andreas (1657-1712), fue el mecenas de gran parte de las obras de arte allí atesoradas en el que fuera palacio familiar suyo. un gusto por la pintura barroca italiana y en especial la de ámbito boloñés, señaló a franceschini como uno de los artistas principales en decorar parte de los techos en aquella arquitectura, junto a otros pintores como el maestro quadraturista italiano andrea pozzo (1642-1709). \n \n \n franceschini realizará un bello conjunto formado por tres decoraciones al fresco en la mencionada galería del jardín, con los siguientes asuntos: apolo y juno en los cielos en compañía de ceres, flora y baco junto a las personificaciones de la lluvia y el rocío, como motivo central; júpiter y mercurio con saturno maniatado, a su izquierda; y por último, marte con venus y cupido en presencia de diana, a su derecha. \n \n \n la rama española del linaje del príncipe de liechtenstein tiene su razón de ser en que johann adam andreas fue hijo de la bisnieta de doña margarita folch de cardona y requensens (1534/1549 - 1603), quien contrajo matrimonio en 1555 con adam de dietrichstein, y ocupó el prestigioso cargo de dama de la emperatriz maría de austria (1528-1603), hija del emperador carlos i (1500-1558). \n \n \n el dibujo muestra la escena que forma parte del asunto júpiter y mercurio con saturno maniatado. efectivamente, saturno aparece sentado sobre una nube con sus manos atadas tras su espalda, próximo al ángel que porta la vara con dos culebras o caduceo, atributo principal del dios mercurio, otro destacado personaje de la composición definitiva. el diseño muestra dos elementos compositivos más, un pie junto al citado ángel que corresponde a mercurio, y algunos dedos de otro pie situados sobre la cabeza de saturno, los del pie izquierdo de uno de los tres ángeles que rodean otra nube, pormenor del ángulo superior izquierdo de la pintura mural. \n \n \n este boceto que aquí nos ocupa es un estudio en detalle de saturno, único conservado hasta el momento, pues su compartimentación respecto del asunto general demuestra que franceschini debió de plantear los personajes representados (júpiter, mercurio, saturno, por un lado, y marte, venus y diana, por otro) como asuntos individualizados, siendo este dibujo, muestra de ello. \n \n \n el museo nacional del prado conserva lo que pudiera ser dibujo definitivo para su pintura mural, al encontrarse ese modelo cuadriculado y con rebajes en sus cuatro ángulos, como mostrará el techo del palacio austríaco. \n \n \n los elementos específicos del detalle con saturno que conforman la pintura de viena presentan correspondencia con los mismos del presente dibujo con mínimas variantes, razón por la cual se trata de idea inicial y no de una copia de parte del techo. \n \n \n la intervención de franceschini como pintor en el palacio liechtenstein ha sido estudiada por el profesor dwight c. miller, quien además investigó tanto los dibujos preparatorios para las pinturas de dicho lugar, como la interesante correspondencia manuscrita entre el príncipe johann adam andreas y el artista italiano, a propósito de esta específica intervención pictórica. según dichas cartas, escritas entre el 19 de noviembre de 1706 y el 18 de enero de 1707, este dibujo puede datarse en principio entre dichos años. \n \n \n su reverso presenta bosquejos de varios ángeles en vuelo junto a nubes o formas ovaladas, de distintas calidades pictóricas, que merecen ser estudiados para respaldar o rechazar su autoría respecto del artista boloñés. de ser originales suyos, podrían quizá relacionarse con otros trabajos fuera de este techo en concreto. \n \n \n este dibujo tiene concedido y en vigor su correspondiente permiso de exportación por el ministerio de cultura de españa."},"lotNumber":"17","title":{"en":"marcantonio franceschini (bologna 1648-1729) study for saturn next to mercury","es":"marcantonio franceschini (bolonia 1648-1729)estudio para saturno junto a mercurio"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19519/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":6500,"lastUpdate":"2026-07-01T00:23:00.462Z","textCase":"lower","currency":"EUR","id":19519},{"startPrice":600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19542/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19542/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19542/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19542/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19542/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19542/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19542/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19542/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19542/010/010.jpg"],"artist":{"en":"santiago farriols gonzález (barcelona 1890-1974)","es":"santiago farriols gonzález (barcelona 1890-1974)"},"available":false,"description":{"en":"black, reddish-brown and greyish-brown ink and watercolour on paper. signed and dated in black pencil in the lower right-hand corner: \u2018s. farriols. g. 914\u2019 (1914). \n \n the reverse shows a schematic drawing of plant and floral decoration in the art nouveau style, executed in watercolours in shades of lilac, green and yellow. also on the reverse are several arabic numerals in pencil. \n \n \n santiago farriols was a painter and draughtsman from barcelona with little known work. he obtained a pension in italy from 1920 onwards to train as a painter. the pictorial subjects he is known to have worked on were religious, portraits and academic works. his expertise in the design and execution of drawings for posters, exlibris and ornamentation led him to work at the catalan agricultural institute of san isidro, the maritime museum of barcelona and the salón de ciento of the casa de la ciudad de barcelona, collaborating with the extensive decorative project of enric monserdà i vidal (barcelona 1850-1926) for that institution. \n \n \n measurements: 151 x 387 mm.","es":"tinta y acuarela negra, parda rojiza y grisácea sobre papel. firmado y datado a lápiz negro en su ángulo inferior derecho: \"s. farriols. g. 914\" (1914). \n el reverso presenta un dibujo esquemático de una decoración vegetal y floral de gusto modernista, realizada en acuarelas de tonalidades lila, verde y gualda. también en el reverso, varias cifras arábigas a lápiz. \n \n santiago farriols fue pintor y dibujante barcelonés con escasa obra conocida. obtuvo una pensión en italia a partir de 1920 para formarse como pintor. los asuntos pictóricos de los que se tiene noticia que trabajó fueron religiosos, retratos y académicos. su pericia en el diseño y ejecución de dibujos con destino a carteles, exlibris y ornamentaciones le llevaron a trabajar en el instituto agrícola catalán de san isidro, el museo marítimo de barcelona o en el salón de ciento de la casa de la ciudad de barcelona, al colaborar con el amplio proyecto decorativo de enric monserdà i vidal (barcelona 1850-1926) para dicha institución. \n medidas: 151 x 387 mm."},"lotNumber":"18","title":{"en":"santiago farriols gonzález (barcelona 1890-1974) bat","es":"santiago farriols gonzález (barcelona 1890-1974) murciélago"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19542/view","tags":["esart_drawings","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":600,"lastUpdate":"2026-07-01T00:23:00.463Z","textCase":"lower","currency":"EUR","id":19542},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19520/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19520/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19520/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19520/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19520/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19520/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19520/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19520/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19520/009/009.jpg"],"artist":{"en":"circle of francisco solís (madrid 1620/1629-1684)","es":"círculo de francisco solís (madrid 1620/1629-1684)"},"available":false,"description":{"en":"pencil, dark brown ink and wash on laid paper with watermark. \n sizes: 244 x 182 mm. \n \n \n \n \n \n \n \n \n this drawing depicts the physical image of cornelius van der geest (+ 1638). a painter and prominent collector of painting, sculpture and other art, during his lifetime he enjoyed the personal friendship of peter paul rubens and anton van dyck, among others. van der geest's passion for art collecting led the painter willem van haecht (1593-1637) to paint the cabinet of paintings of cornelis van der geest during the visit of the archdukes elisabeth clara eugenia and albert of austria (antwerp, rubens house museum), which depicts the principal works that van der geest treasured, the latter portrayed in the foreground showing one of his most prized works to the archdukes. the national gallery in london has a portrait of van der geest, an original painting by anton van dyck, painted when van der geest was 21 years old. \n \n \n the use of black pencil (a fact not detected in the cataloguing carried out by ansorena subastas, together with the omission of information on the watermark, which we found on the support paper) under the ink and gouache, give this drawing originality in its execution. in our opinion, this design shows a version inspired by one of the two prints that present the portrait of van der geest, one on a painting (rather than a drawing) by van dyck printed by paulus pontius (1603-1658) executed by martin van den enden (c.1605-c. 1655), another similar one with the intervention of the first two, where the variants with respect to our drawing of the doublet button and some greater mobility in the sitter's hair, make this work a free copy of a drawing based on a print. \n \n \n we propose that it was by a spanish draughtsman, specifically to the circle of francisco de solísin, on the basis of two facts: 1. - the drawing of van der geest in the national museum of stockholm (25.5 x 18.4 cm nmh 1973/1863) is considered to be an original by van dyck, on which, in the lower right corner, appears the inscription \u2018cornelivs vander geest\u2019, whether or not it is original by van dyck, but it is written by a flemish personage due to the name \u2018cornelius\u2019; on the other hand, the inscription of the name \u2018cornelius\u2019 in the drawing that concerns us here refers to another sphere, in this case castilianised, which could relate the execution of this thought by a spanish-speaking draughtsman; 2. - this fact, together with the signature of francisco de solís in the lower right corner of the print depicting the image of van der geest (now in the biblioteca nacional de españa), a signature that indicates ownership of the print, has led us to consider the possibility of attributing, with some justification, the authorship of this drawing to the madrid painter. perhaps a certain admiration among madrid artists in the second half of the 17th century for a van der geest related to important aspects of the art of painting mentioned above led to the creation of this original drawing depicting his effigy. \n \n \n provenance: \n \n \n ansorena subastas; auction 387, september 2018, lot 1438, p. 169 (as \u2018flemish school, 17th century); madrid, private collection. \n \n \n reference bibliography: \n \n \n francisco solís. in diccionario biográfico español (dbe). madrid, real academia de la historia (rah). madrid, 2012; isbn 978-84-15069-09-6. \n \n \n http://dbe.rah.es/biografias/41591/francisco-solis","es":"lápiz, tinta parda oscura y aguada sobre papel verjurado con filigrana. \n \n \n \n \n \n \n \n \n medidas: 244 x 182 mm. \n \n \n este dibujo representa la imagen física de cornelio van der geest (+ 1638). pintor, coleccionista destacado de pintura, escultura y otras artes, disfrutó en vida de la amistad personal de pedro pablo rubens y anton van dyck, entre otros relevantes personajes. la pasión de van der geest por su coleccionismo de arte llevó a que el también pintor willem van haecht (1593-1637)\u202frealizara la pintura el gabinete de pinturas de cornelis van der geest durante la visita de los archiduques isabel clara eugenia y alberto de austria (amberes, casa museo de rubens), donde se muestra las principales obras atesoradas por van der geest, retratado éste en primer término mientras enseña una de sus preciadas obras a los citados archiduques. sobre la propia imagen física de van der geest, the national gallery de londres conserva un retrato de este personaje, pintura original de anton van dyck, realizada cuando este maestro de la pintura contaba con 21 años de edad. \n \n \n el uso de lápiz negro (hecho no detectado en la catalogación realizada por ansorena subastas junto a la omisión informativa de filigrana, que localizamos en su papel soporte) bajo la tinta y la aguada, confieren a este dibujo originalidad en su realización. en nuestra opinión, este diseño muestra una versión inspirada en una de las dos estampas que presentan el retrato de van der geest, una sobre pintura (más que dibujo) de van dyck estampada por paulus pontius (1603-1658) bajo ejecución de martin van den enden (c.1605-c. 1655), otra similar con intervención de los dos primeros, donde las variantes respecto a nuestro dibujo de botonadura del jubón y cierta mayor movilidad en el pelo del retratado, hacen de esta obra una copia libre de dibujo basado en estampa. \n \n \n proponemos su autoría a un dibujante español, en concreto al círculo de francisco de solís, en base a dos hechos: 1.- el dibujo que retrata a van der geest y conserva el museo nacional de estocolmo (25,5 x 18,4 cm nmh 1973/1863) se considera original de van dyck en el cual, en su ángulo inferior derecho, aparece la inscripción, original o no de van dyck, \"cornelivs vander geest\" pero sí reseñada por personaje adscrito al ámbito flamenco debido a la denominación \"cornelius\"; en cambio, la inscripción del nombre \"cornelio\" en el dibujo que aquí nos ocupa, hace referencia a otro ámbito, castellanizado en este caso, que podría relacionar la ejecución de este pensamiento por dibujante castellano parlante; 2.- este hecho, unido a la firma de francisco de solís en el ángulo inferior derecho de la estampa que representa la imagen de van der geest (conservada en la biblioteca nacional de españa), una firma que indica propiedad de la citada estampa, nos ha llevado a plantear de posibilidad de atribuir, con cierto fundamento, la autoría de este dibujo al pintor madrileño. quizá cierta admiración entre los artistas del madrid de la segunda mitad del siglo xvii por un van der geest relacionado con importantes aspectos antes señalados del arte de la pintura, derivó en la realización de éste dibujo original representando su efigie. \n \n \n procedencia: \n \n \n ansorena subastas; subasta 387, septiembre de 2018, lote 1438, pág. 169 (como \"escuela flamenca, siglo xvii); madrid, colección particular. \n \n \n bibliografía de referencia: \n \n \n francisco solís. en diccionario biográfico español (dbe). madrid, real academia de la historia (rah). madrid, 2012; isbn 978-84-15069-09-6. \n \n \n http://dbe.rah.es/biografias/41591/francisco-solis"},"lotNumber":"19","title":{"en":"circle of francisco solís (madrid 1620/1629-1684) portrait of cornelis van der geest","es":"círculo de francisco solís (madrid 1620/1629-1684) retrato de cornelis van der geest"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19520/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T00:23:00.465Z","textCase":"lower","currency":"EUR","id":19520},{"startPrice":120,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19526/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19526/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19526/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19526/004/004.jpg"],"artist":{"en":"josé pinazo martínez (rome 1879 - madrid 1933)","es":"josé pinazo martínez (roma 1879 - madrid 1933)"},"soldDate":"2025-01-31","available":false,"description":{"en":"lot comprising three framed drawings on the same support, each of which depicts: man with top hat (left); man (centre); guard (right). each of the three drawings bears the signature \u2018pinazo\u2019. each one of them, graphite pencil on paper. \n \n measurements: 11.4 x 8.6 cm; 11.7 x 8.1 cm; 11 x 8 cm, respectively. the three drawings, presented in a modern frame measuring 35.8 x 45.7 x 2 cm. \n \n \n \n \n \n provenance: \n \n \n madrid, galería alfama, calle serrano 8 (ref.ª 72f).","es":"lote compuesto por tres dibujos enmarcados sobre un mismo soporte donde cada uno de ellos representa: hombre con chistera (izquierda); hombre (centro); guardia (derecha). cada uno de los tres dibujos presenta la firma \"pinazo\". cada uno de ellos, lápiz grafito sobre papel. \n medidas: 11,4 x 8,6 cm; 11,7 x 8,1 cm; 11 x 8 cm, respectivamente. los tres dibujos, presentados en un marco moderno de medidas 35,8 x 45,7 x 2 cm. \n \n procedencia: \n madrid, galería alfama, calle serrano 8 (ref.ª 72f)."},"lotNumber":"20","title":{"en":"josé pinazo martínez (roma 1879 - madrid 1933) three portraits of men, in busts i","es":"josé pinazo martínez (roma 1879 - madrid 1933) tres retratos de hombres, en bustos i"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19526/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":120,"soldPrice":120,"lastUpdate":"2026-07-01T00:23:00.466Z","textCase":"lower","currency":"EUR","id":19526},{"startPrice":120,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19527/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19527/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19527/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19527/004/004.jpg"],"artist":{"en":"josé pinazo martínez (roma 1879 - madrid 1933)","es":"josé pinazo martínez (roma 1879 - madrid 1933)"},"soldDate":"2025-01-29","available":false,"description":{"en":"lot comprising three framed drawings on the same support, each of which depicts: man with beard (left); man (centre); man (right). each of the three drawings bears the signature \u2018pinazo\u2019. each of them, graphite pencil on paper. \n \n measurements: 11.5 x 8.2 cm; 11.5 x 8.7 cm; 11.6 x 8.4 cm, respectively. the three drawings, presented in a modern frame measuring 35.8 x 45.7 x 2 cm. \n \n \n provenance: \n \n \n madrid, galería alfama, calle serrano 8 (ref.ª 73f).","es":"lote compuesto por tres dibujos enmarcados sobre un mismo soporte donde cada uno de ellos representa: hombre con barba (izquierda); hombre (centro); hombre (derecha). cada uno de los tres dibujos presenta la firma \"pinazo\". cada uno de ellos, lápiz grafito sobre papel. \n \n \n \n medidas: 11,5 x 8,2 cm; 11,5 x 8,7 cm; 11,6 x 8,4 cm, respectivamente. los tres dibujos, presentados en un marco moderno de medidas 35,8 x 45,7 x 2 cm. \n \n \n procedencia: \n \n \n madrid, galería alfama, calle serrano 8 (ref.ª 73f)."},"lotNumber":"21","title":{"en":"josé pinazo martínez (roma 1879 - madrid 1933) three portraits of men, in busts ii","es":"josé pinazo martínez (roma 1879 - madrid 1933) tres retratos de hombre, en bustos ii"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19527/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":120,"soldPrice":120,"lastUpdate":"2026-07-01T00:22:57.101Z","textCase":"lower","currency":"EUR","id":19527},{"startPrice":240,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19543/011/011.jpg"],"artist":{"en":"joaquín berao","es":"joaquín berao"},"available":false,"description":{"en":"collection of eight signed and dated drawings (6 of the 8) \u2018berao 89\u2019. the drawings are kept in an ochre-coloured folder. they belong to the lisboa collection, where female models are represented with jewellery from this house. texts on the folder: \u2018collection / lisbon / bronze / oxidized / bronze / patinated / silver / drawings / joaquin berao\u2019. \n \n measurements: 317 x 228 mm (approximately, of each paper support); 37 x 27 cm (folder).","es":"colección de ocho dibujos firmados y fechados (6 de los 8) \"berao 89\". una carpeta en tonalidad ocre guarda los dibujos. pertenecen a la colección lisboa, donde se representan modelos femeninos con joyería de esta casa. textos de la carpeta: \"coleccion / lisboa / bronce / oxidado / bronce / patinado / plata / dibujos / joaquin berao\". \n medidas: 317 x 228 mm (aproximadamente, de cada soporte papel); 37 x 27 cm (carpeta)."},"lotNumber":"22","title":{"en":"joaquín berao. collection of drawings for jewellery","es":"joaquín berao. colección de dibujos para joyería"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19543/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":240,"lastUpdate":"2026-07-01T00:22:57.103Z","textCase":"lower","currency":"EUR","id":19543},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19522/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19522/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19522/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19522/004/004.jpg"],"artist":{"en":"anonymous french or italian, c. 1800","es":"anónimo francés o italiano, c. 1800"},"available":false,"description":{"en":"pencil and sanguine on paper. the reverse shows two stamps with blue frames, pasted on the paper; one of them has a cross in black ink; the other, \"12\" written in pencil, in circa 1900 handwriting. \n \n \n \n composition for an unidentified sketch or painting. several groups of figures stand in a garden next to decorative architectural elements, against the backdrop of a leafy forest. in the centre of the composition and in the background, the façade of a palace can be glimpsed. pencil is used to fit in the architectural elements and certain parts of the forest. paper without watermark. \n \n \n provenance: marqués de casa torres collection, madrid.","es":"lápiz y sanguina sobre papel. en el reverso se aprecian dos sellos con marcos azules, pegados sobre el papel; uno de ellos presenta un aspa a tinta negra; el otro, \u201c12\u201d escrito a lápiz, con letra de hacia 1900. \n \n \n \n composición para un boceto o pintura sin identificar. varios grupos de personajes se situan en un jardin junto a elementos arquitectónicos decorativos, bajo un frondoso bosque como telón de fondo. en el centro de la composición y en último término, se vislumbra la fachada de un palacio. uso de lápiz para encajar las arquitecturas y ciertas partes del bosque. papel sin filigrana. \n \n \n procedencia: colección marqués de casa torres, madrid."},"lotNumber":"23","title":{"en":"anonymous french or italian, c. 1800 gallant scenes in a palace garden","es":"anónimo francés o italiano, c. 1800 escenas galantes en jardín palaciego"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19522/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T00:22:57.104Z","textCase":"lower","currency":"EUR","id":19522},{"startPrice":160,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19530/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19530/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19530/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19530/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19530/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19530/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19530/007/007.jpg"],"artist":{"en":"juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924)","es":"juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924)"},"available":false,"description":{"en":"black and vermilion pencil with black ink on paper. signed in the lower right corner: \u2018j. comba\u2019. \n \n size: 17 x 11 cm (paper support); 31.3 x 25.3 x 2 cm (modern frame). \n \n \n provenance: \n \n \n madrid, galería alfama, calle serrano 8.","es":"lápiz negro y bermellón con tinta negra sobre papel. firmado en el ángulo inferior derecho: \"j. comba\". \n medidas: 17 x 11 cm (soporte papel); 31,3 x 25,3 x 2 cm (marco moderno). \n procedencia: \n \n \n \n madrid, galería alfama, calle serrano 8. \n \n \n \n \n \n juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924) fue pintor y dibujante muy relacionado con la casa real española llegando a ser considerado cronista gráfico de la restauración. trabajó para la revista \n la ilustración española y americana desde 1872."},"lotNumber":"24","title":{"en":"juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924) study for rider on horseback, from the back","es":"juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924) estudio para jinete a caballo, de espaldas"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19530/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":160,"lastUpdate":"2026-07-01T00:22:57.105Z","textCase":"lower","currency":"EUR","id":19530},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19529/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19529/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19529/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19529/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19529/005/005.jpg"],"artist":{"en":"juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924)","es":"juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924)"},"available":false,"description":{"en":"studies for women's clothing showing two full-length women, another half-length woman and two women's hats. signed in the lower right corner: \u2018j. comba\u2019. \n \n pencil on paper. \n \n \n measurements: 20.5 x 10 cm (paper support, approximately); 34 x 23.5 x 2 cm (modern frame). \n \n \n provenance: \n \n \n madrid, galería alfama, calle serrano 8. \n \n \n \n \n \n juan comba garcía (jerez de la frontera, cádiz 1852 - madrid 1924) was a painter and draughtsman closely associated with the spanish royal household and was considered a graphic chronicler of the restoration. he worked for the magazine la ilustración española y americana from 1872.","es":"estudios para indumentaria femenina donde aparecen dos mujeres de cuerpo entero, otra de medio cuerpo y dos sombreros femeninos. firmado en el ángulo inferior derecho: \"j. comba\". \n lápiz sobre papel. \n medidas: 20,5 x 10 cm (soporte papel, aproximadamente); 34 x 23,5 x 2 cm (marco moderno). \n procedencia: \n madrid, galería alfama, calle serrano 8. \n \n juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924) fue pintor y dibujante muy relacionado con la casa real española llegando a ser considerado cronista gráfico de la restauración. trabajó para la revista la ilustración española y americana desde 1872."},"lotNumber":"25","title":{"en":"juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924) studies for women's clothing","es":"juan comba garcía (jerez de la frontera, cádiz 1852 \u2013 madrid 1924) estudios para indumentaria femenina"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19529/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:22:57.108Z","textCase":"lower","currency":"EUR","id":19529},{"startPrice":260,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19544/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19544/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19544/003/003.jpg"],"artist":{"en":"18th century french school","es":"escuela francesa del siglo xviii"},"available":false,"description":{"en":"greyish ink on laid paper. inscribed: \u2018le belier\u2019 (the ram). \n \n size: 162 x 125 mm.","es":"tinta grisácea sobre papel verjurado. inscripción: \"le belier\" (el carnero). \n medidas: 162 x 125 mm."},"lotNumber":"26","title":{"en":"18th century french school zodiac","es":"escuela francesa del siglo xviii zodíaco"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19544/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":260,"lastUpdate":"2026-07-01T00:22:57.109Z","textCase":"lower","currency":"EUR","id":19544},{"startPrice":150,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19545/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19545/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19545/003/003.jpg"],"artist":{"en":"french school ca. 1830","es":"escuela francesa h. 1830"},"available":false,"description":{"en":"red chalk pencil on paper. \n \n size: 139 x 138 mm.","es":"lápiz de sanguina sobre papel. \n medidas: 139 x 138 mm."},"lotNumber":"27","title":{"en":"french school ca. 1830 boy with a hat","es":"escuela francesa h. 1830 muchacho con sombrero"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19545/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":150,"lastUpdate":"2026-07-01T00:22:57.111Z","textCase":"lower","currency":"EUR","id":19545},{"startPrice":150,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19546/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19546/001/001.jpg"],"artist":{"en":"18th century spanish school","es":"escuela española siglo xviii"},"available":false,"description":{"en":"black ink with touches of dark brown wash on paper; black pencil grid with incisions from the use of a compass. \n \n size: 68 x 47 mm.","es":"tinta negra con toques de aguada marrón oscura sobre papel; cuadriculado a lápiz negro con incisiones de uso de compás. \n medidas: 68 x 47 mm."},"lotNumber":"28","title":{"en":"18th century spanish school pastoral tondo","es":"escuela española siglo xviii tondo pastoril"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19546/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":150,"lastUpdate":"2026-07-01T00:22:57.113Z","textCase":"lower","currency":"EUR","id":19546},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19547/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19547/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19547/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19547/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19547/005/005.jpg"],"artist":{"en":"circle of il guercino (cento 1591-bologna 1666)","es":"círculo de il guercino (cento 1591-bolonia 1666)"},"available":false,"description":{"en":"the typology of the design suggests a possibly italian work from the first half of the 17th century. this drawing should be related to the models proposed by guercino, especially the woman on the left of this composition, which can be related to his saint barbara (canvas, 128 x 100 cm, milan, private collection) and the general arrangement and poses of both the woman and the man, who seems to accompany her (if it is not intended for another work), with definitive paintings such as the healing of saint sebastian (canvas, 179 x 255 cm, bologna, pinacoteca nazionale). this drawing deserves a detailed study. \n \n para dark ink on paper. \n \n \n size: 100 x 920 mm (paper support).","es":"la tipología del diseño hace pensar en trabajo posiblemente italiano de la primera mitad del siglo xvii. debemos poner este dibujo en relación con los modelos planteados por guercino, en especial la mujer que aparece a la izquierda de esta composición, relacionable con su santa bárbara (lienzo, 128 x 100 cm, milán, colección particular) y la disposición general y poses tanto de dicha mujer como del hombre, que parece acompañarla (si no es pensamiento con destino para otra obra), con pinturas definitivas como la curación de san sebastián (lienzo, 179 x 255 cm, bolonia, pinacoteca nacional). es dibujo que merece estudio pormenorizado. \n tinta para oscura sobre papel. \n medidas: 100 x 920 mm (soporte papel)."},"lotNumber":"29","title":{"en":"circle of il guercino (cento 1591-bologna 1666) study for a woman and a man","es":"círculo de il guercino (cento 1591-bolonia 1666) estudio para una mujer y un hombre"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19547/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T00:22:57.115Z","textCase":"lower","currency":"EUR","id":19547},{"startPrice":500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19548/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19548/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19548/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19548/004/004.jpg"],"artist":{"en":"17th century spanish school","es":"escuela española del siglo xvii"},"soldDate":"2025-01-29","available":false,"description":{"en":"light brown ink on laid paper. \n \n size: 730 x 127 mm.","es":"tinta marrón clara sobre papel verjurado. \n medidas: 730 x 127 mm."},"lotNumber":"30","title":{"en":"17th century spanish school recumbent christ","es":"escuela española del siglo xvii cristo yacente"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19548/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":500,"soldPrice":500,"lastUpdate":"2026-07-01T00:22:57.117Z","textCase":"lower","currency":"EUR","id":19548},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19549/014/014.jpg"],"artist":{"en":"circle of jean-baptiste oudry (1686-1755)","es":"círculo de jean-baptiste oudry (1686-1755)"},"available":false,"description":{"en":"the graphic arts department of the louvre museum holds the drawing entitled huit chiens dans un paysage, dated 1743 (see last image), catalogued by this institution as a school by jean-baptiste oudry (rf 51005), where the relationship between the dog that appears in the design we are dealing with here and the one located further to the right of the parisian composition show a clear compositional relationship. \n \n pastel on paper. size: 24 x 32 cm. with ownership and framing details on its reverse. \n \n \n provenance: \n \n \n foreign private collection (two references on the reverse); ansorena subastas; 18-xii-2005, lot 547, p. 193; spain, private collection; ansorena subastas; 27-i-2021, lot 721, p. 219; madrid, private collection.","es":"el departamento de artes gráficas del museo del louvre custodia el dibujo tituldo huit chiens dans un paysage , de 1743 (ver última imagen), catalogado por esta institución como escuela de jean-baptiste oudry (rf 51005), donde la relación entre el perro que aparece en el diseño que aquí nos ocupa y el que aparece situado más a la derecha de la composición parisina presentan una clara relación de composición. \n pastel sobre papel. medidas: 24 x 32 cm. con datos de propiedad y enmarcación en su reverso. \n procedencia: \n colección particular extranjera (dos referencias en el reverso); ansorena subastas; 18-xii-2005, lote 547, pág. 193; españa, colección particular; ansorena subastas; 27-i-2021, lote 721, pág. 219; madrid, colección particular."},"lotNumber":"31","title":{"en":"circle of jean-baptiste oudry (1686-1755) still life of game and fruit","es":"círculo de jean-baptiste oudry (1686-1755) bodegón de caza y frutas"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19549/view","tags":["esart_drawings","esart_oldmasters","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T00:22:59.892Z","textCase":"lower","currency":"EUR","id":19549},{"startPrice":90,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19562/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19562/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19562/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19562/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19562/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19562/006/006.jpg"],"artist":{"en":"josé ramón poblador (1940)","es":"josé ramón poblador (1940)"},"available":false,"description":{"en":"gouache and ink on paper \n \n \u2018a-8294\u2019. \n \n \n sketch of \u2018los borrachos\u2019. \n \n \n size: 19 x 13,5 cm (approximately, paper support); 37,5 x 32 x 1,3 cm.","es":"gouache y tinta sobre papel. \n \"a-8294\". \n apunte de \"los borrachos\". \n medidas: 19 x 13,5 cm (aproximadamente, soporte papel); 37,5 x 32 x 1,3 cm."},"lotNumber":"32","title":{"en":"josé ramón poblador (1940) notes on \u2018los borrachos\u2019 (the drunks)","es":"josé ramón poblador (1940) apunte de \"los borrachos\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19562/view","tags":["esart_drawings","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":90,"lastUpdate":"2026-07-01T00:22:59.894Z","textCase":"lower","currency":"EUR","id":19562},{"startPrice":240,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19515/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19515/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19515/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19515/003/003.jpg"],"artist":{"en":"ricard opisso sala (tarragona 1882 - barcelona 1966)","es":"ricard opisso sala (tarragona 1882 - barcelona 1966)"},"available":false,"description":{"en":"graphite pencil on paper. signed in the lower left corner: \"opisso\".","es":"lápiz grafito sobre papel. firmado en el ángulo inferior izquierdo: \"opisso\". \n medidas: 15.4 x 19.5 cm (soporte)"},"lotNumber":"33","title":{"en":"ricard opisso sala (tarragona 1882 - barcelona 1966): studio for three dogs","es":"ricard opisso sala (tarragona 1882 - barcelona 1966): estudio para tres perros"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19515/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":240,"lastUpdate":"2026-07-01T00:22:59.896Z","textCase":"lower","currency":"EUR","id":19515},{"startPrice":100,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19563/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19563/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19563/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19563/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19563/006/006.jpg"],"artist":{"en":"pedro bueno villarejo (1910-1993)","es":"pedro bueno villarejo (1910-1993)"},"soldDate":"2025-01-29","available":false,"description":{"en":"study for the composition of two human figures, original by the painter pedro bueno villarejo (villa del río, córdoba, 1910-1993). \n \n size: 230 x 150 mm (approximately, paper support); 39.7 x 31.2 x 3 cm (frame).","es":"estudio para composición de dos figuras humanas original del pintor pedro bueno villarejo (villa del río, córdoba, 1910-1993). \n medidas: 230 x 150 mm (aproximadamente, soporte papel); 39,7 x 31,2 x 3 cm (marco)"},"lotNumber":"34","title":{"en":"pedro bueno villarejo (1910-1993) lovers","es":"pedro bueno villarejo (1910-1993) amantes"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19563/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":100,"soldPrice":110,"lastUpdate":"2026-07-01T00:22:59.897Z","textCase":"lower","currency":"EUR","id":19563},{"startPrice":120,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19552/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19552/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19552/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19552/004/004.jpg"],"artist":{"en":"diego lópez (19th century)","es":"diego lópez (siglo xix)"},"soldDate":"2026-07-22","available":false,"description":{"en":"lot of three drawings on two sheets of paper: \n \n paper 1: \u2018portrait of man with tie\u2019, signed and dated by diego lópez in 1893 (recto); and \u2018study of male anatomy\u2019 (verso). \n \n \n measurements: 62.5 x 47.5 cm. this paper has two watermarks, interlaced scrolls and \u2018vidalon\u2019 (see photographs). \n \n \n paper 2: \u2018portrait of a man with a jacket\u2019 (recto). \n \n \n size: 60.5 x 47 cm. this paper has two watermarks, \u2018a l\u2019 and \u2018pl bas\u2019 (see photographs). \n \n \n the two portrait drawings are by the same hand.","es":"lote formado por tres dibujos, sobre dos papeles: \n \n \n \n papel 1: \"retrato de hombre con corbata\", firmado y fechado por diego lópez en 1893 (anverso); y \"estudio de anatomía masculina\" (reverso). \n \n \n medidas: 62,5 x 47,5 cm. este papel presenta 2 filigranas, unos roleos entrelazados y \"vidalon\" (ver fotografías). \n \n \n papel 2: \"retrato de hombre con chaqueta\" (anverso). \n \n \n medidas: 60,5 x 47 cm. este papel presenta 2 filigranas, \"a l\" y \"pl bas\" (ver fotografías). \n \n \n los dos dibujos de retratos son de la misma mano."},"lotNumber":"35","title":{"en":"diego lópez (siglo xix) academy studies","es":"diego lópez (siglo xix) estudios de academia"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19552/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":120,"soldPrice":120,"lastUpdate":"2026-07-22T13:54:30.710Z","textCase":"lower","currency":"EUR","id":19552},{"startPrice":460,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19516/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19516/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19516/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19516/004/004.jpg"],"artist":{"en":"velasco (19th century)","es":"velasco (siglo xix)"},"available":false,"description":{"en":"sevillian school, c. 1850-1880. brown ink and wash on paper. \n \n signed \"= velasco =\" at lower right. \n \n \n sizes: 14.4 x 18.2 cm (stand); 23 x 27 cm (frame). \n \n \n \n \n three men dressed in men's clothing from the second half of the 19th century are drawn half-length. while two of them are smoking, the third is holding a gun over his shoulder. \n \n \n it seems that the artist, whose surname is velasco and who is unidentified, has drawn the three figures together in his composition without establishing a dialogue between them. it could be that the artist's aim was to show different popular types from a specific spanish region, perhaps andalusia, as the variety of hats shown in the drawing may correspond to different positions among them.","es":"escuela sevillana, c. 1850-1880. tinta y aguada pardas sobre papel. \n \n \n \n firmado abajo a la derecha \u201c= velasco =\u201c. \n \n \n \n \n medidas: 14,4 x 18,2 cm (soporte); 23 x 27 cm (marco). \n \n \n tres hombres vestidos con indumentarias masculinas de la segunda mitad del siglo xix aparecen dibujados de medio cuerpo. mientras dos de ellos fuman, el tercero sostiene sobre su hombro un arma de fuego. \n \n \n parece que el dibujante, apellidado velasco y sin identificar, convoca en su composición a los tres personajes sin establecer diálogo entre ellos. pudiera ser que la finalidad del artista fuera mostrar distintos tipos populares de una determinada región española, quizá andalucía, pues la variedad de sombreros que se muestran en el dibujo puede corresponder a diferentes cargos entre ellos."},"lotNumber":"36","title":{"en":"velasco (siglo xix). three bandits","es":"velasco (siglo xix). tres bandoleros"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19516/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":460,"lastUpdate":"2026-07-01T00:22:59.900Z","textCase":"lower","currency":"EUR","id":19516},{"startPrice":260,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19517/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19517/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19517/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19517/004/004.jpg"],"artist":{"en":"nicolae grant (bucarest 1868 - argeș, rumanía 1950)","es":"nicolae grant (bucarest 1868 - argeș, rumanía 1950)"},"available":false,"description":{"en":"black, blue and yellow graphite on paper. signed in pencil in the lower left corner: \"n. g.\"; dated in pencil, lower right: \"le pouldu aout 97\". august 1897. \n \n \n \n \n \n \n \n \n \n the term polder of dutch origin refers to a wet, marshy land reclaimed from the sea which, when drained, is used for agricultural, industrial or harbour purposes. referred mainly to the north sea, especially the netherlands, they are extensions that have also been built in other areas of europe, such as france (la vendée or saintogne), belgium, or italy. \n \n \n the drawing in question is by the artist nicolae grant (bucharest 1868 - argeș, romania 1950) and entitled le pouldu, who signed it with his initials \"n. g.\" and dated august 1897. it must correspond to a sketch of le pouldu, the breton name for the beach near pont-aven, where important artists of the school of the same name, such as paul gauguin (thanks to the kindness of mr. yann le bohec, membre de la chambre nationale des experts spécialisés, for this information). grant used graphite pencil in different colours, such as black, blue and yellow, which in some areas, due to juxtaposition, turns greenish in tone. \n \n \n \n \n nicolae grant, also known as nicolae effingham grant, was a romanian painter, son of the british diplomat, businessman and philanthropist effingham grant (1820 guernsey, uk - 1892 bucharest), secretary to the british consulate in bucharest, and thus settled in romania. one of his sisters, and therefore the painter's aunt, was maria rosetti (1819 - ca. 1893), a romanian journalist and publicist of scottish origin, considered the first woman journalist in romania. nicolae, influenced by his father's passion for art and antiques, trained at the school of fine arts in his native city, where he was a pupil of theodor aman and gheorghe tattarescu. but it was his experience under the guidance of the master painter and sculptor jean-léon gérôme (vesoul 1824, paris 1904) that introduced him to the parisian art of his time. he lived for a time at lascar catargiu 40 (budapest) in a late 19th century mansion. later, in 1893, he travelled to the coast of brittany, val-andre, the island of brehat and pont-aven, influenced by the impressionist painting of those years, to which geographical area the present drawing may correspond. \n \n \n in 1910, after marrying his first wife alexandrina bengescu (1873-1933), daughter of the writer george bengescu, he established his new residence in the villa grant. after his wife's death, he remarried charlotte rouby, a frenchwoman, with whom he lived until a lung disease took the painter's life. anecdotally, two of his sons, petre and șerban, became professional ice hockey players in the romanian national team. \n \n \n measurements: 15.7 x 24.2 cm.","es":"grafito negro, azul y amarillo sobre papel. firmado a lápiz en el ángulo inferior izquierdo: \u201cn. g.\u201d; fechado a lápiz, abajo, hacia la derecha: \u201cle pouldu aout 97\u201d. agosto de 1897. \n \n \n \n \n \n \n \n el término pólder de origen neerlandés se refiere a un terreno húmedo y pantanoso ganado al mar que al desecarlo presenta fines agrícolas, industriales o portuarios. referido principalmente al mar del norte, en especial a los países bajos, son extensiones que además han sido construídas en otras áreas de europa, como francia (la vendée o saintogne), bélgica, o italia. \n \n \n el dibujo que aquí nos ocupa está realizado y titulado por el artista nicolae grant (bucarest 1868 - argeș, rumanía 1950) como le pouldu, el cual firmó con sus iniciales \u201cn. g.\u201d y fechó en agosto de 1897. debe corresponder a una apunte del natural de le pouldu, nombre bretón de la playa cercana a pont-aven donde trabajaron relevantes artistas de la denominada escuela que lleva este mismo nombre, como por ejemplo paul gauguin (agradecemos este dato a la amabilidad del señor yann le bohec, membre de la chambre nationale des experts spécialisés). \n \n \n para realizar su dibujo, grant utilizó lápiz grafito de diferentes colores, como negro, azul y amarillo, que en algunas zonas por yuxtaposición, se torna en tonalidad verdosa. \n \n \n nicolae grant, también conocido como nicolae effingham grant, fue pintor rumano, hijo del diplomático, empresario y filántropo británico effingham grant (1820 guernsey, reino unido - 1892 bucarest), secretario del consulado británico en bucarest, y establecido por tanto en rumania. una de las hermanas de éste, y por tanto tía del pintor, fue maria rosetti (1819 \u2013 h. 1893 ), periodista y publicista rumana de origen escocés, considerada la primera mujer periodista en rumania. nicolae, influenciado por la pasión de su padre por el arte y las antigüedades, se formó en la escuela de bellas artes de su ciudad natal, siendo discípulo de theodor aman y gheorghe tattarescu. pero fue su experiencia bajo la doctrina del maestro pintor y escultor jean-léon gérôme (vesoul 1824, parís 1904), la que le llevó a conocer el arte parisino de su tiempo. residió un tiempo en lascar catargiu 40 (budapest) en una mansión de finales del siglo xix. posteriormente, en 1893, viajó a la costa de la bretaña francesa, val-andre, la isla de brehat y pont-aven, influenciado por la pintura impresionista de aquellos años, a cuyo ámbito geográfico pudiera corresponder la realización del presente dibujo. \n \n \n en 1910 y tras contraer matrimonio con su primera esposa alexandrina bengescu (1873-1933), hija del escritor george bengescu, estableció su nueva residencia en la denominada villa grant. tras el fallecimiento de su mujer, volvió a casarse con charlotte rouby, francesa, con quien convivió hasta que una enfermedad pulmonar acabó con la vida del pintor. como dato anecdótico, dos hijos suyos, petre y șerban, llegaron a ser jugadores profesionales de hockey sobre hielo en el equipo nacional de rumanía. \n \n \n medidas: 15.7 x 24.2 cm."},"lotNumber":"37","title":{"en":"nicolae grant (bucarest 1868 - argeș, rumanía 1950) le pouldu","es":"nicolae grant (bucarest 1868 - argeș, rumanía 1950) le pouldu"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19517/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":260,"lastUpdate":"2026-07-01T00:22:59.902Z","textCase":"lower","currency":"EUR","id":19517},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19523/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19523/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19523/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19523/004/004.jpg"],"artist":{"en":"alberto duce vaquero (zaragoza 1915-2003)","es":"alberto duce vaquero (zaragoza 1915-2003)"},"available":false,"description":{"en":"drawing. pencil on paper with watermarks l.a.r. with frame and glass. \n \n measurements: 45 x 48 cm (support); 58 x 62 x 4,5 cm (frame) \n \n \n provenance: madrid, alfama gallery. \n \n \n he was first trained in zaragoza, his native city, at the school of arts and crafts. in madrid he continued his training at the cïrculo de bellas artes and at the same time worked as a decorator for different theatres. he took part in the first exhibition held by the grupo pórtico in zaragoza. after receiving a pension in paris, he went to washington, advising the spanish embassy in that country. on his return to our country he was appointed a member of the san luis academy. his hometown organised an anthological exhibition for him. \n \n \n his work can be found in various public and private collections both in spain and abroad.","es":"dibujo. lápiz sobre papel con marcas de agua l.a.r. con marco y cristal. \n \n \n \n medidas: 45 x 48 cm (soporte); 58 x 62 x 4,5 cm (marco) \n \n \n procedencia: madrid, galería alfama. \n \n \n se formó en primer lugar en zaragoza, su ciudad natal, en la escuela de artes y oficios. en madrid continuó su formación en el cïrculo de bellas artes a la vez que trabajó como decorador para diferentes teatros. partició en la primera muestra realizada por el grupo pórtico, en zaragoza. pensionado en parís, pasó a washington, asesorando a la embajada de españa en aquel país. de vuelta a nuestro país fue nombrado miembro de la academia de san luis. su ciudad natal le organizó una exposición antológica. \n \n \n conserva obra en distintas colecciones públicas y privadas tanto de españa como del extranjero."},"lotNumber":"38","title":{"en":"alberto duce vaquero (zaragoza 1915-2003) woman playing a guitar","es":"alberto duce vaquero (zaragoza 1915-2003): mujer tocando una guitarra"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19523/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:22:59.903Z","textCase":"lower","currency":"EUR","id":19523},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19566/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19566/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19566/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19566/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19566/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19566/006/006.jpg"],"artist":{"en":"anselmo miguel nieto (valladolid 1881- madrid 1964)","es":"anselmo miguel nieto (valladolid 1881- madrid 1964)"},"available":false,"description":{"en":"black charcoal and touches of chalk on paper with stamp or watermark over the signature (double concentric oval with two capital letters). signed in the lower left corner, and under the watermark of the watermark on the paper: \u2018to miguel nieto / 1941\u2019. \n \n size: 460 x 300 mm (paper support); 58 x 42 x 1.5 cm (frame). \n \n \n \n \n \n anselmo miguel nieto was a spanish painter with national and international recognition until the spanish civil war, when his work was partly forgotten. he excelled in portraiture, especially female portraiture, influenced by the work of zurbarán, romero de torres and sorolla. \n \n \n \n \n \n of humble origins, he left valladolid to study at the madrid school of fine arts, where he studied with the professors alejo vera, himself a teacher of the award-winning filipino painter juan luna novicio, and josé moreno carbonero, with the painters zubiaurre, lópez mezquita and eugenio hermoso as fellow pupils. \n \n \n \n \n \n he obtained a grant to further his training, first in rome and later in paris, the latter in 1903, for two years. at that time he met his lifelong friend, the painter aurelio arteta, as well as the brilliant pablo picasso. there his work was influenced by that of the catalan artist hermen anglada camarasa. in 1906 he settled in madrid, frequenting artistic gatherings at the nuevo café de levante and meeting important cultural personalities such as the barojas, valle-inclán (whom he portrayed between 1934 and 1935) and francisco de cossío, among others. \n \n \n \n \n \n various national and foreign exhibitions recognise his artistic career (1910, gold medal at the buenos aires international exhibition; 1911, gold medal at the barcelona international art exhibition; 1913, munich). \n \n \n \n \n \n in 1922 he travelled with julio romero de torres to argentina and chile, returning to spain in 1946. from that time onwards his fame diminished, and despite this he was made an academician of san fernando in 1952, the year in which he died in madrid. \n \n \n \n \n \n his style evolved from expressionist realism towards a richly luminous, colourful modernism, with loose execution and vigorous realistic detail. he interpreted his portraits with a certain allegorical and sensual sense (along the lines of masters such as romero de torres and zuloaga). his work was shown in numerous exhibitions (missouri, munich, barcelona, buenos aires, etc.), and others are kept in various public and private collections, such as the museo nacional del teatro, the museo nacional de bellas artes in buenos aires, the academia de bellas artes de la purísima concepción in valladolid and the salón real del casino in madrid. \n \n \n \n \n \n the present painting shows a particular combination of the two figures portrayed and the mountainous landscape in the background. \n \n \n \n \n \n mountainous landscape in the background. the seated lady in black and the young woman in a white dress show the strength of draughtsmanship usual in the master's production, and are comparable to several portraits of bourgeois ladies in private collections in madrid and valladolid. the landscape background (in which only the presence of a bridge hints at human intervention) is notable for its light and chromatic combination, which recalls works by the artist such as the portrait of concha lagos (1954) and the portrait of the dancer anita delgado, later a maharani from kapurtala (1905).","es":"carboncillo negro y toques de clarión sobre papel con sello o marca de agua sobre la firma (doble óvalo concéntrico con dos letras mayúsculas\". firmado en el ángulo inferior izquierdo, y bajo el sello de la filigrana del papel: \"a miguel nieto / 1941\". \n medidas: 460 x 300 mm (soporte papel); 58 x 42 x 1,5 cm (marco). \n \n anselmo miguel nieto fue pintor español con reconocimiento nacional e internacional hasta la guerra civil española, momento en el que su actividad quedó en parte en el olvido. destacó en el género del retrato, especialmente en el femenino, bajo influencia de la obra de zurbarán, romero de torres o sorolla. \n de origen humilde, abandona valladolid para formarse en la escuela superior de bellas artes de madrid, donde estudia con los profesores alejo vera, a su vez maestro del laureado pintor filipino juan luna novicio, y josé moreno carbonero, teniendo como condiscípulos a los pintores zubiaurre, lópez mezquita o eugenio hermoso. \n consigue una pensión para ampliar su formación, primero en roma y más tarde en parís, ésta en 1903 y por espacio de dos años. en aquel tiempo conoció a quien fuera su amigo de por vida, el también pintor aurelio arteta, además de al genial pablo picasso. allí su obra se vio influenciada por la del artista catalán hermen anglada camarasa. en 1906 se instala en madrid frecuentando tertulias artísticas en el nuevo café de levante y conociendo a destacadas personalidades de la cultura, como los baroja, valle-inclán (a quien retrató entre 1934-1935) o francisco de cossío, entre otros. \n diferentes logros expositivos nacionales y extranjeros reconocen su trayectoria artística (1910, medalla de oro en la exposición internacional de buenos aires; 1911, medalla de oro en la exposición internacional de arte de barcelona; 1913, munich). \n en 1922 viaja con julio romero de torres a argentina y chile, regresando a españa en 1946. desde aquel momento su fama disminuyó, y a pesar de ello, fue nombrado académico de san fernando en 1952, año en el que fallece en madrid. \n su estilo evolucionó desde un realismo expresionista hacia un modernismo de rica luminosidad, colorista, con factura suelta y un detalle realista vigoroso. interpretó sus retratos con cierto sentido alegórico y sensual (siguiendo la línea de maestros como romero de torres o zuloaga). su obra pudo contemplarse en numerosas exposiciones (missouri, munich, barcelona, buenos aires, etc.), y otras se conservan en distintas colecciones públicas y privadas, como el museo nacional del teatro, museo nacional de bellas artes de buenos aires, academia de bellas artes de la purísima concepción de valladolid o salón real del casino de madrid. \n la presente pintura muestra una particular combinación entre las dos figuras retratadas y el \n paisaje montañoso del fondo. la dama de negro sentada y la joven, con vestido blanco, muestran la fuerza de dibujo habitual en la producción del maestro, comparables con varios retratos de damas burguesas conservados en colecciones privadas de madrid y valladolid. el fondo del paisaje (en el que sólo la presencia de un puente alude a intervención humana), destaca por su luz y combinación cromática, donde existe un recuerdo a obras suyas como el retrato de concha lagos (1954) o el de la bailarina anita delgado, más tarde maharaní de kapurtala (1905)."},"lotNumber":"39","title":{"en":"anselmo miguel nieto (valladolid 1881- madrid 1964) portrait of a lady","es":"anselmo miguel nieto (valladolid 1881- madrid 1964) retrato de señora"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19566/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T00:22:59.905Z","textCase":"lower","currency":"EUR","id":19566},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19565/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19565/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19565/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19565/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19565/006/006.jpg"],"artist":{"en":"j. valdivielso (20th century)","es":"j. valdivielso (siglo xx)"},"available":false,"description":{"en":"black pencil on paper with a touch of light green pencil. signed, dated and titled in the lower right corner, in black pencil: \u2018j. valdivielso, year 1935 / \u201cgitana\u201d\u2019. \n \n \n \n \n measurements: 330 x 230 mm (approximately, paper support); 49.2 x 39.4 x 2 cm (frame)","es":"lápiz negro sobre papel con toque de lápiz verde claro. firmado, fechado y titulado en el ángulo inferior derecho, a lápiz negro: \"j. valdivielso, año 1935 / 'gitana'\". \n medidas: 330 x 230 mm (aproximadamente, soporte papel); 49,2 x 39,4 x 2 cm (marco)"},"lotNumber":"40","title":{"en":"j. valdivielso (20th century) gypsy","es":"j. valdivielso (siglo xx) gitana"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19565/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:22:59.906Z","textCase":"lower","currency":"EUR","id":19565},{"startPrice":170,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19521/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19521/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19521/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19521/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19521/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19521/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19521/019/019.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19521/009/009.jpg"],"artist":{"en":"pedro sobrado garcía (torrelavega, cantabria 1936)","es":"pedro sobrado garcía (torrelavega, cantabria 1936)"},"available":false,"description":{"en":"ink drawing on paper (probably rotring) signed in the lower right corner: \"sobrado\". \n \n with wooden frame in black, passe-partout and glass.","es":"dibujo a tinta sobre papel (probablemente rotring) firmado en el ángulo inferior derecho: \"sobrado \". \n \n con marco de madera en negro, paspartú y cristal."},"lotNumber":"41","title":{"en":"pedro sobrado garcía (torrelavega, cantabria 1936) rooster","es":"pedro sobrado garcía (torrelavega, cantabria 1936) gallo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19521/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":170,"lastUpdate":"2026-07-01T00:22:55.192Z","textCase":"lower","currency":"EUR","id":19521},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19531/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19531/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19531/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19531/004/004.jpg"],"artist":{"en":"garnelo (20th century)","es":"garnelo (siglo xx)"},"available":false,"description":{"en":"greyish and brownish wash with black ink on paper. signed at the bottom centre: \u2018garnelo\u2019. composition which, due to its execution, must date from well into the 20th century. it is an original drawing whose signature with surname alone indicates that it may be by josé garnelo y alda (1866/67-1944), manuel garnelo y alda (1878-1941) or isidoro garnelo fillol (1867-1939).","es":"aguadas grisáceas y pardas con tinta negra sobre papel. firmado abajo, al centro: \"garnelo\". composición que por su factura debe de datarse bien entrado el siglo xx. es dibujo original cuya firma solo con apellido indica que puede tratarse de josé garnelo y alda (1866/67-1944), manuel garnelo y alda (1878-1941) o isidoro garnelo fillol (1867-1939)."},"lotNumber":"42","title":{"en":"garnelo (20th century) rocky landscape with groves of trees","es":"garnelo (siglo xx) paisaje rocoso con arboleda"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19531/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:22:55.194Z","textCase":"lower","currency":"EUR","id":19531},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19559/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19559/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19559/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19559/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19559/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19559/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19559/011/011.jpg"],"artist":{"en":"anonymous hispanic filipino and anonymous spanish ca. 1960/1970","es":"anónimo hispano filipino y anónimo español h. 1960/1970"},"available":false,"description":{"en":"pencil on paper. two drawings on the same support. the recto shows a study of a woman with oriental features, attributed to the spanish-filipino school of the 20th century. the reverse shows another study of a different woman with european features, attributed to the 20th-century spanish school, with a stamped inscription reading \u2018giraldez\u2019. we believe that these are two drawings by two different people. \n \n measurements: 350 x 267 mm.","es":"lápiz sobre papel. dos dibujos sobre un mismo soporte. el anverso presenta el estudio para una mujer de rasgos orientales, atribuido a la escuela hispano filipina del siglo xx. el reverso presenta otro estudio para otra mujer distinta a la anterior de rasgos europeos, atribuido a la escuela española del siglo xx, donde aparece una inscripción estampillada donde se lee \"giraldez\". creemos que se trata de dos dibujos realizados por dos personas distintas. \n medidas: 350 x 267 mm."},"lotNumber":"43","title":{"en":"anonymous hispanic filipino and anonymous spanish ca. 1960/1970 study for women i (recto) study for women ii (verso)","es":"anónimo hispano filipino y anónimo español h. 1960/1970 estudio para mujer i (anverso) estudio para mujer ii (reverso)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19559/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:22:55.195Z","textCase":"lower","currency":"EUR","id":19559},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19557/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19557/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19557/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19557/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19557/005/005.jpg"],"artist":{"en":"félix resurrección hidalgo (binondo, manila 1855 - barcelona 1913)","es":"félix resurrección hidalgo (binondo, manila 1855 - barcelona 1913)"},"soldDate":"2025-01-29","available":false,"description":{"en":"pencil on paper. signed and titled in the lower right-hand corner: \u2018f. r. hidalgo / joló\u2019. \n \n measurements: 13.3 x 20.5 cm. \n \n \n the drawing we are dealing with here must be a work from his youth, both for the subject represented, a view of the bay of jolo in his native philippines, and for the proposed chronology itself, 1870-1880, as the artist in the latter year obtained a pension which would take him to madrid in order to study drawing and painting. \n \n \n provenance: private collection.","es":"lápiz sobre papel. firmado y titulado en el ángulo inferior derecho: \"f. r. hidalgo / joló\". \n \n \n \n medidas: 13,3 x 20,5 cm. \n \n \n el dibujo que aquí nos ocupa debe de ser obra de juventud, tanto por el asunto representado, una vista de la bahía de joló en su filipinas natal, como por la propia cronología propuesta, 1870-1880, ya que el artista en éste último año, consiguió una pensión que le trasladaría a madrid con el fin de estudiar dibujo y pintura. \n \n \n procedencia: colección particular."},"lotNumber":"44","title":{"en":"félix resurrección hidalgo (binondo, manila 1855 - barcelona 1913) view of the coast of jolo","es":"félix resurrección hidalgo (binondo, manila 1855 - barcelona 1913) vista de la costa de joló"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19557/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":1200,"soldPrice":1200,"lastUpdate":"2026-07-01T00:22:55.196Z","textCase":"lower","currency":"EUR","id":19557},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19558/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19558/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19558/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19558/004/004.jpg"],"artist":{"en":"juan luna novicio (badoc, philippines 24/x/1857 hong-kong, china 7/xii/1899)","es":"juan luna novicio (badoc, filipinas 24/x/1857 hong-kong, china 7/xii/1899)"},"available":false,"description":{"en":"pencil with touches of white lead on paper. signed in the lower right corner: \u2018luna\u2019. \n \n size: 42 x 32 cm. \n \n \n it is a drawing with the subject of an angel kneeling while holding a cloth with his right hand. it must be a study for a bigger composition, perhaps a christian iconography like an adoration to the child or similar. juvenile work. \n \n \n provenance: private collection.","es":"lápiz con toques de albayalde sobre papel. firmado en el ángulo inferior derecho: \"luna\". \n \n \n \n medidas: 42 x 32 cm. \n \n \n se trata de un dibujo con el asunto de un ángel arrodillado mientras sostiene un tejido con su mano derecha. debe de tratarse de un estudio para una composición mayor, quizá una iconografía cristiana como una adoración al niño o similar. obra juvenil. \n \n \n procedencia: colección particular."},"lotNumber":"45","title":{"en":"juan luna novicio (badoc, philippines 24/x/1857 hong-kong, china 7/xii/1899) study for an angel","es":"juan luna novicio (badoc, filipinas 24/x/1857 hong-kong, china 7/xii/1899) estudio para un ángel"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/54510/lot/19558/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T00:22:55.198Z","textCase":"lower","currency":"EUR","id":19558},{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19564/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19564/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19564/004/004.jpg"],"artist":{"en":"isidre nonell i monturiol (barcelona 1872-1911)","es":"isidre nonell i monturiol (barcelona 1872-1911)"},"available":false,"description":{"en":"grease pencil in sanguine tone on paper. signed and dated in the lower right corner: \u2018nonell / 1910\u2019. \n \n measurements: 200 x 130 mm (approximately, paper support); 47 x 40 x 4 cm (frame). \n \n \n \n \n \n provenance: \n \n \n ansorena subastas; 4-x-2010, lot 420, p. 177. \n \n \n spain, private collection. \n \n \n segre auctions; 8-ii-2011, lot 327, p. 135. \n \n \n private collection.","es":"lápiz graso de tonalidad sanguina sobre papel. firmado y fechado en el ángulo inferior derecho: \"nonell / 1910\". \n medidas: 200 x 130 mm (aproximadamente, soporte papel); 47 x 40 x 4 cm (marco). \n \n procedencia: \n ansorena subastas; 4-x-2010, lote 420, pág. 177. \n españa, colección particular. \n subastas segre; 8-ii-2011, lote 327, pág. 135. \n colección particular."},"lotNumber":"46","title":{"en":"isidre nonell i monturiol (barcelona 1872-1911) man with cap","es":"isidre nonell i monturiol (barcelona 1872-1911) hombre con 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Lunes a Viernes, 10'00-12'00 h. <\/p> \n

Resto de horario, Cita Previa<\/p> \n

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Monday to Friday, 10'00-12'00 h. <\/p> \n

Other hours, by appointment<\/p> \n

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Lunes a Viernes, 10'00-12'00 h. <\/p> \n

Resto de horario, Cita Previa<\/p> \n

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