{"lots":[{"startPrice":250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19858/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19858/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19858/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19858/004/004.jpg"],"available":false,"description":{"en":"print. etching. \n \n measurements: 568 x 757 mm (print); 79.3 x 98 x 1.5 cm (frame). \n \n \n result of the work of giovanni lanfranco (1582-1647), agustín esteve (1753-1820) and blas ametller rotlan (1768-841). \n \n \n inscribed below: \u2018the execquies of julius caesar. / by this name is known the original picture painted by juan lanfranco, which exists in the r.l museo de madrid: it is 17 feet and 6 castilian inches long, and 12 feet and 5 inches wide. / it will be found in the calcografía de la imprenta r.l\u2019. \u2018j. lanfranco painted it. - agustín esteve drew it.\u2019 (on the left); \u2018blas ametller engraved it in madrid in 1822\u2019 (on the right). \n \n \n this print was commissioned by the spanish national chalcography from ametller in 1820, a project that originated with the aim of engraving paintings of the royal palaces of the spanish crown. esteve was entrusted with the drawing of this subject around 1795, with an initial project for fernando selma to carry out the engraving work.","es":"estampa. aguafuerte. \n \n \n \n medidas: 568 x 757 mm. (estampa); 79,3 x 98 x 1,5 cm (marco). \n \n \n resultado del trabajo de giovanni lanfranco (1582-1647), agustín esteve (1753-1820) y blas ametller rotlan (1768-841). \n \n \n inscripción, abajo: \"las exequias de julio cesar. / con este nombre es conocido el cuadro original pintado por juan lanfranco, que existe en el r.l museo de madrid: tiene de largo 17 pies y 6 pulgadas castellanas, y de ancho 12 pies y 5 pulgadas. / se hallará en la calcografía de la imprenta r.l\". \"j. lanfranco lo pintó. - agustín esteve lo dibujó.\" (a la izquierda); \"blas ametller lo grabó en madrid año de 1822.\" (a la derecha). \n \n \n esta estampa fue encargo de la calcografía nacional de españa a ametller en el año 1820, un proyecto que se originó con el fin de grabar pinturas de los palacios reales de la corona española. en esteve recayó el dibujo de este asunto, hacia 1795, con un primer proyecto para que fernando selma realizara el trabajo de grabado."},"lotNumber":"1","title":{"en":"lanfranco (1582-1647), esteve (1753-1820) and ametller (1768-1841) - the funeral of julius caesar","es":"lanfranco (1582-1647), esteve (1753-1820) y ametller (1768-1841) - las exequias de julio césar"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19858/view","tags":["esart_graphicworksetchinglithography","esart","esart_all"],"directSalePrice":250,"lastUpdate":"2026-07-01T00:25:36.447Z","textCase":"lower","currency":"EUR","id":19858},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19861/010/010.jpg"],"available":false,"description":{"en":"oil on canvas. frame in carved wood, gilded and gilded paste. \n \n measurements: 70.7 x 92.2 cm (canvas); 85.5 x 108 cm (frame). \n \n \n a large tree forms the central motif of this pictorial landscape over a field, whose arrangement and compositional presence make the rest of the elements participating in the work depend on it. thus, next to its trunk is a standing man, a seated woman and a black dog; under its shelter and shade stands a country house; on the other side, two people walk away towards a wood and a clearing towards the horizon. \n \n \n the canvas retains its original frame, made of carved wood and gilded paste. the work, which underwent minimal restoration in 2000, has no signature or inscription. the elements that make up the painting (canvas, stretcher and frame), together with its pictorial execution, lead us to believe that it is a european work, possibly french, from the second half of the 19th century.","es":"óleo sobre lienzo. marco de madera tallada, dorada y pasta dorada. \n \n medidas: 70,7 x 92,2 cm (lienzo); 85,5 x 108 cm (marco). \n \n \n un gran árbol conforma el motivo central de este paisaje pictórico sobre un campo, cuya disposición y presencia compositiva hacen que el resto de elementos partícipes en la obra dependan de él. así, junto a su tronco aparece un hombre en pie, una mujer sentada y un perro negro; bajo su abrigo y sombra se levanta una casa de campo; al otro lado, dos personas se alejan camino de un bosque y un claro hacia el horizonte. \n \n \n el lienzo conserva su marco original, realizado en madera tallada y pasta doradas. la obra, con una mínima restauración en el año 2000, no presenta firma ni inscripción alguna. los elementos que forman la pintura (lienzo, bastidor y marco) unidos a su factura pictórica, nos hacen pensar que se trata de una obra europea, posiblemente francesa, de la segunda mitad del siglo xix."},"lotNumber":"2","title":{"en":"anonymous 19th century european or french - landscape with tree","es":"anónimo europeo o francés del s. xix - paisaje con árbol"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19861/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":400,"lastUpdate":"2026-07-01T00:25:36.449Z","textCase":"lower","currency":"EUR","id":19861},{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19949/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19949/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19949/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19949/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19949/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19949/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19949/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19949/008/008.jpg"],"available":false,"description":{"en":"18th-century oil on canvas, european school, depicting a landscape with a large lagoon at sunset. a boat sails with a group of women. \n \n with wooden frame. \n \n \n dimensions: 35.5 x 102 cm (support); 50 x 116 x 3 cm (frame)","es":"óleo sobre lienzo del siglo xviii, escuela europea, que representa un paisaje con una gran laguna al atardecer. una embarcación navega con un grupo de mujeres. \n  \n \n con marco de madera. \n \n \n medidas: 35,5 x 102 cm (soporte); 50 x 116 x 3 cm (marco)"},"lotNumber":"3","title":{"en":"anonymous, 18th century europe \u2013 landscape with lake","es":"anónimo europa siglo xviii - paisaje con lago"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19949/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1400,"lastUpdate":"2026-07-01T00:25:36.451Z","textCase":"lower","currency":"EUR","id":19949},{"startPrice":300,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19859/011/011.jpg"],"soldDate":"2026-01-23","available":false,"description":{"en":"oil on panel. with carved frame, gilt and glass. \n \n size: 31,5 x 39,8 cm (canvas); 47,8 x 56,2 cm (frame)","es":"óleo sobre tabla. con marco tallado, dorado y cristal. \n \n medidas: 31,5 x 39,8 cm (lienzo); 47,8 x 56,2 cm (marco)"},"lotNumber":"4","title":{"en":"anonymous french 19th-20th century - landscape (barbizon school)","es":"anónimo francés siglos xix-xx - paisaje (escuela barbizon)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19859/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":300,"soldPrice":300,"lastUpdate":"2026-07-01T00:25:36.453Z","textCase":"lower","currency":"EUR","id":19859},{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19862/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19862/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19862/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19862/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19862/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19862/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19862/007/007.jpg"],"available":false,"description":{"en":"oil on canvas depicting saint anne teaching the virgin mary to read as a child. quality details in the execution of compositional details, such as the crown of the girl, the flowers, scissors, cat... it has a smooth frame in gilded wood from the 19th century. \n \n measurements: 155,5 x 98,5 cm (canvas); 167,4 x 110,4 x 5 cm (frame)","es":"óleo sobre lienzo que representa a santa ana enseñando a leer a la virgen maría siendo niña. detalles de calidad en la realización de detalles compositivos, como la corona de la niña, las flores, tijeras, gato... presenta marco liso en madera dorada del siglo xix. \n \n medidas: 155,5 x 98,5 cm (lienzo); 167,4 x 110,4 x 5 cm (marco)"},"lotNumber":"5","title":{"en":"anonymous hispanic colonial c. 1700 - st. anne teaching the infant virgin how to read","es":"anónimo hispano colonial c. 1700 - santa ana enseñando a leer a la virgen niña"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19862/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1400,"lastUpdate":"2026-07-01T00:25:36.454Z","textCase":"lower","currency":"EUR","id":19862},{"startPrice":2800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19885/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19885/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19885/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19885/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19885/005/005.jpg"],"available":false,"description":{"en":"portrait of the musician pau casals (1876-1973), playing his cello. \n \n original painting by the valencian artist manuel moreno gimeno (valencia, 23 july 1900 - 26 january 1982). \n \n \n oil on canvas. with its original painted and marbled wooden frame. \n \n \n measures: 92 x 84 cm (support); 110 x 101 cm (frame).","es":"retrato del músico pau casals (1876-1973), interpretando con su violonchelo. \n \n pintura original realizada y firmada por artista valenciano manuel moreno gimeno (valencia, 23 de julio de 1900 \u2013 26 de enero de 1982). \n \n \n óleo sobre lienzo. con su marco original en madera pintada y marmoleada. \n \n \n medidas: 92 x 84 cm (soporte); 110 x 101 cm (marco)."},"lotNumber":"6","title":{"en":"manuel moreno gimeno (1900-1982) - portrait of pau casals","es":"manuel moreno gimeno (1900 -1982) - retrato de pau casals"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19885/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2800,"lastUpdate":"2026-07-01T00:25:36.456Z","textCase":"lower","currency":"EUR","id":19885},{"startPrice":4500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19921/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19921/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19921/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19921/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19921/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19921/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19921/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19921/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19921/009/009.jpg"],"available":false,"description":{"en":"oil on panel. size: 149 x 106,5 x 2 cm. \n \n the painting represents the immaculate conception. it is a work ascribed to the spanish school of the xvi century. it is remarkable the support of the painting itself, consisting of a large board worked and lowered with a gouge, a tool that has left its original marks. support up to 2 cm thick. anonymous authorship","es":"óleo sobre tabla. medidas: 149 x 106,5 x 2 cm. \n \n \n \n la pintura representa la inmaculada concepción. es obra adscrita a la escuela española del siglo xvi. llama la atención el soporte de la propia pintura, constituido por una gran tabla trabajada y rebajada a base de gubia, herramienta que ha dejado sus originales marcas. soporte de hasta 2 cm de grosor. autoría anónima"},"lotNumber":"7","title":{"en":"anonymous spanish 16th century - immaculate conception","es":"anónimo español siglo xvi - inmaculada concepción"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19921/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T00:25:36.457Z","textCase":"lower","currency":"EUR","id":19921},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19860/020/020.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19860/021/021.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19860/022/022.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19860/023/023.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19860/024/024.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19860/025/025.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19860/026/026.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19860/027/027.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19860/028/028.jpg"],"available":false,"description":{"en":"signed and dated in the lower left corner: \u201cj. vilallonga paris 1887\u201d. oil on canvas. with its original period frame in veneered wood and gilded brass nails. measures: 89 x 116 cm (canvas); 122 x 150 x 7 cm (frame). \n  \n  \n \n \n \n \n \n \n \n original work by the catalan painter jaume vilallonga (barcelona 1861 - tossa de mar 1904). this painting shows the church in the town of giverny, northwest of paris, famous today for being the place where from 1883 claude monet moved his residence, first renting and then acquiring his house and workshop, which can be visited today. there he created his famous garden, a source of inspiration for numerous pictorial compositions and also a meeting place for artists of the time. perhaps jaume vilallonga could have met monet in giverny, since the canvas we present here is dated by the catalan painter in 1887, the year of the master's safe residence in that town. let us remember that during that interval of time 1887/1888 vilallonga was working in paris at the louvre museum, enjoying the mastery of the painter collant and training at the prestigious colarossi academy, where artists such as anglada camarasa, nonell, maillol, gauguin, grosz, modigliani or mucha attended. \n \n \n claude monet died in giverny and his remains rest there. \n \n \n  \n \n \n \n \n reference bibliography: \n \n \n gener, pompeyus: on jaume vilallonga. in \u201cilustració catalana\u201d, any iii, barcelona, 6 d'agosto de 1905, n.º 114, pp. 507 and ss.","es":"firmado y fechado en el ángulo inferior izquierdo: \" j. vilallonga paris 1887\". \n \n \n \n óleo sobre lienzo. con su marco original de época en madera chapada y clavazones de latón dorados. medidas: 89 x 116 cm (lienzo); 122 x 150 x 7 cm (marco). \n \n \n  \n \n \n \n \n obra original realizada por el pintor catalán jaume vilallonga (barcelona 1861 - tossa de mar 1904). esta pintura muestra la iglesia de la localidad de giverny, al noroeste de parís, célebre hoy por ser el lugar donde a partir de 1883 claude monet trasladó su residencia, al alquilar primero y adquirir después, su casa y taller hoy visitables. allí formó su famoso jardín, fuente de inspiración para numerosas composiciones pictóricas y, además, centro de reunión de artistas de la época. quizá jaume vilallonga pudo conocer a monet en giverny, pues el lienzo que aquí presentamos lo fecha el pintor catalán en 1887, año de residencia segura del maestro en aquella localidad. recordemos que durante aquel intervalo de tiempo 1887/1888 vilallonga se encontraba trabajando en parís en el museo del louvre, disfrutando de la maestría del pintor collant y formándose en la prestigiosa academia colarossi, donde acudieron artistas como anglada camarasa, nonell, maillol, gauguin, grosz, modigliani o mucha. \n \n \n claude monet falleció en giverny y allí descansan sus restos. \n \n \n  \n \n \n \n \n bibliografía de referencia: \n \n \n gener, pompeyus: en jaume vilallonga. en \"ilustració catalana\", any iii, barcelona, 6 d'agosto de 1905, n.º 114, pp. 507 y ss."},"lotNumber":"8","title":{"en":"jaume vilallonga (1861-1904) - church at giverny (france)","es":"jaume vilallonga (1861-1904) - iglesia de giverny (francia)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19860/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T00:25:36.459Z","textCase":"lower","currency":"EUR","id":19860},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19872/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19872/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19872/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19872/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19872/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19872/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19872/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19872/008/008.jpg"],"available":false,"description":{"en":"oil on canvas. \n \n anonymous dutch of the xviii century. presents illegible firm (see last image). remains of text in french printed on paper adhered to its stretcher, possibly from 19th century auction.","es":"óleo sobre lienzo. \n \n anónimo holandés del siglo xviii. presenta firme ilegible (ver última imagen). restos de texto en francés impreso sobre papel adherido a su bastidor, posiblemente de subasta del siglo xix."},"lotNumber":"9","title":{"en":"anonymous dutch 18th century - landscape","es":"anónimo holandés siglo xviii - paisaje"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19872/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T00:25:36.460Z","textCase":"lower","currency":"EUR","id":19872},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19869/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19869/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19869/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19869/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19869/005/005.jpg"],"available":false,"description":{"en":"oil on canvas. second half of the 17th century, following models by baldassare franceschini (volterra, 1611 - florence, 1689). \n \n the figure of the saint is shown, dressed in her habit, three-quarter length, on a neutral background, joining her hands in prayer and with a crown of thorns on her head, looking towards the group of elements formed by a small sculpture of the crucified christ, a skull and some flowers. \n \n \n compare the present work with another of the same subject by carlo dolci (in dulwick picture gallery, \n \n \n london) and in particular with others by the aforementioned baldassare franceschini, safe or attributed, in their various versions (musée de grenoble, france, mg407; collections of the duomo of volterra, italy). \n \n \n size: 95 x 130 cm (canvas); 106 x 6 x 142 cm (frame)","es":"óleo sobre lienzo. segunda mitad del siglo xvii, siguiendo modelos de baldassare franceschini (volterra, 1611 - florencia, 1689). \n \n se presenta la figura de la santa, vestida con sus hábitos, de tres cuartos, sobre fondo neutro, uniendo sus manos en oración y con corona de espinas sobre su cabeza, mirando hacia el conjunto de elementos formados por una pequeña escultura de cristo crucificado, una calavera y unas flores. \n \n \n comparar la presente obra con otra del mismo asunto de carlo dolci (en dulwick picture gallery, londres) y en especial con otras del citado baldassare franceschini, seguras o atribuídas, en sus varias versiones (musée de grenoble, francia, mg407; colecciones del duomo de volterra, italia). \n \n \n medidas: 95 x 130 cm (lienzo); 106 x 6 x 142 cm (marco)"},"lotNumber":"10","title":{"en":"follower of baldassarre franceschini (1611-1689) - santa catalina de sena","es":"seguidor de baldassarre franceschini (1611-1689) - santa catalina de sena"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19869/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T00:25:36.462Z","textCase":"lower","currency":"EUR","id":19869},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19878/012/012.jpg"],"available":false,"description":{"en":"oil on panel. modern gilded frame. \n \n signed in the lower right corner: \"j. benlliure\".","es":"óleo sobre tabla. marco moderno dorado. \n \n \n \n firmado en el ángulo inferior derecho: \"j. benlliure\"."},"lotNumber":"11","title":{"en":"josé benlliure gil (cañamelar, valencia 1855 - valencia 1937) - costumbrist scene","es":"josé benlliure gil (cañamelar, valencia 1855 - valencia 1937) - escena costumbrista"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19878/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T00:25:33.806Z","textCase":"lower","currency":"EUR","id":19878},{"startPrice":20000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19870/015/015.jpg"],"available":false,"description":{"en":"oil on canvas. size: 37 x 78 cm (support); 49 x 90 cm (frame). \n \n in 1784 the painter francisco bayeu y subías (1734-1795) directed the royal commission to conceive and carry out the sketches and cartons in painting that recreate costumbrist matters located in the town of madrid and its surroundings. the purpose was to weave the corresponding large tapestries that would decorate, as they do today, different rooms in royal palaces in madrid. the magnitude of the commission obliged francisco to rely on a team of collaborating artists, among whom was the painter and his brother ramón bayeu subías (1744-1793). \n \n \n the number and variety of the subjects to be composed and executed established a work team where the new compositional proposals would circulate fluently. the painting that concerns us here shows a thought to undertake one of the main subjects of this series, the bridge over the canal of the manzanares river, a tapestry destined for the so-called prince of asturias room located in the palace of el pardo (madrid, see image 16: © archivo moreno, 03330_c). at present, the dining room of the monastery of san lorenzo el real de el escorial (madrid) holds the great tapestry where this subject is shown together with others of this series in the same textile (see image 17: © archivo moreno, vn-22738). \n \n \n the final sketch was signed by francisco bayeu (madrid, © museo nacional del prado, cat. p000605) whose similarity with the painting to be auctioned is direct (see image 18). the more correct technique in the drawing with impasto in the oils of francisco's definitive canvas, contrasts with the undone mode, and sometimes certain imperfections in the stroke that, in our opinion, point to ramón as the possible author of this thought, who also made the subsequent definitive cardboard. the measurements between the two small paintings differ, 36 x 95 cm in the sketch signed by francisco, as opposed to 37 x 78 cm in the one exhibited here, a difference in the widths forced by the dimensions for his later cardboard and tapestry. without losing the definitive subject, that bridge that existed over the madrid canal, the different variations both in the detailed elements that make up both works and in the colors used (horses, postures, guitars...), we believe that they are signs that we are faced with different proposals for the same purpose, made by both brothers working as a team. \n \n \n this unpublished canvas, never previously published or exhibited in exhibition or trade, must respond to a chronology strictly prior to 1784, date considered until today to date the sketch of francisco bayeu. \n \n \n reference bibliography: \n \n \n catálogo 1990 \n \n \n catálogo de las pinturas. museo municipal de madrid. madrid, museo municipal, 1990, pp. 111-112. \n \n \n madrid 1992 \n \n \n madrid pintado. la imagen de madrid a través de la pintura. dirección científica a cargo de alfonso e. pérez sánchez; varios autores. madrid, museo municipal, de octubre-1992 a enero-1993, pp. 127-129. \n \n \n martínez ibáñez 1988 \n \n \n martínez ibáñez, m.ª antonia: pintura madrileña de antonio carnicero. en \"anales del instituto de estudios madrileños\", t. xxv, madrid, 1988, p. 69, fig. 3. \n \n \n matilla tascón 1960 \n \n \n matilla tascón, antonio: documentos del archivo del ministerio de hacienda, relativos a pintores de cámara y de las fábricas de tapices y porcelana. siglo xviii. en \"revista de archivos, bibliotecas y museos\", madrid, enero-junio de 1960, t. lxviii-1, pp. 199, 222 (doc. 77) y 224 (doc. 85). \n \n \n morales 1979 \n \n \n morales y marín, josé luis: los bayeu. caja de ahorros de zaragoza, aragón y rioja. zaragoza, 1979, p. 74, n.º 66 y p. 196, doc. n.º 33. \n \n \n sambricio 1955 \n \n \n sambricio, valentín de: francisco bayeu. csic. madrid, 1955, p. 39, n.º 34, lám. 34.","es":"óleo sobre lienzo. medidas: 37 x 78 cm (soporte); 49 x 90 cm (marco). \n \n en 1784 el pintor francisco bayeu y subías (1734-1795) dirigió el encargo real para concebir y realizar los bocetos y cartones en pintura que recrean asuntos costumbristas ubicados en la villa de madrid y su entorno. la finalidad fue tejer sus correspondientes tapices de grandes dimensiones que decorarían, como en la actualidad lo hacen, distintas estancias en palacios reales madrileños. la magnitud del encargo obligó a francisco a contar con un equipo de artistas colaboradores, entre los que se encontraba el también pintor y hermano suyo ramón bayeu subías (1744-1793). \n \n \n el número y variedad en los asuntos a componer y realizar estableció un equipo de trabajo donde las nuevas propuestas compositivas circularían con fluidez. la pintura que aquí nos ocupa muestra un pensamiento para acometer uno de los asuntos principales de esta serie, el puente sobre el canal del río manzanares, un tapiz con destino para el denominado cuarto del príncipe de asturias ubicado en el palacio de el pardo (madrid, véase imagen 16: © archivo moreno, 03330_c). en la actualidad el comedor del monasterio de san lorenzo el real de el escorial (madrid) custodia el gran tapiz donde este asunto se muestra de manera conjunta con otros de esta serie en un mismo textil (véase imagen 17: © archivo moreno, vn-22738). \n \n \n el boceto definitivo lo firmó francisco bayeu (madrid, © museo nacional del prado, cat. p000605) cuya similitud con la pintura a subastar es directa (véase imagen 18). la técnica más correcta en el dibujo con empaste en los óleos del lienzo definitivo de francisco, contrasta con el modo deshecho, y en ocasiones ciertas imperfecciones en el trazo que, en nuestra opinión, apuntan a ramón como posible autor de dicho pensamiento, quien además realizó el consiguiente cartón definitivo. las medidas entre ambas pequeñas pinturas difieren, 36 x 95 cm en el boceto firmado de francisco, frente a 37 x 78 cm del aquí expuesto, una diferencia en los anchos obligada según las dimensiones para su cartón y tapiz posteriores. sin perder el asunto definitivo, aquel puente que existió sobre el canal madrileño, las diversas variaciones tanto en los elementos pormenorizados que componen ambas obras como en los colores empleados (caballos, posturas, guitarras...), creemos que son signos de encontrarnos ante distintas propuestas para un mismo fin, realizadas por ambos hermanos ante un trabajo en equipo. \n \n \n este lienzo inédito, nunca anteriormente publicado ni expuesto en exposición ni comercio, debe de responder a una cronología estrictamente anterior a 1784, fecha hasta hoy considerada para datar el boceto de francisco bayeu. \n \n \n bibliografía de referencia: \n \n \n catálogo 1990 \n \n \n catálogo de las pinturas. museo municipal de madrid. madrid, museo municipal, 1990, pp. 111-112. \n \n \n madrid 1992 \n \n \n madrid pintado. la imagen de madrid a través de la pintura. dirección científica a cargo de alfonso e. pérez sánchez; varios autores. madrid, museo municipal, de octubre-1992 a enero-1993, pp. 127-129. \n \n \n martínez ibáñez 1988 \n \n \n martínez ibáñez, m.ª antonia: pintura madrileña de antonio carnicero. en \"anales del instituto de estudios madrileños\", t. xxv, madrid, 1988, p. 69, fig. 3. \n \n \n matilla tascón 1960 \n \n \n matilla tascón, antonio: documentos del archivo del ministerio de hacienda, relativos a pintores de cámara y de las fábricas de tapices y porcelana. siglo xviii. en \"revista de archivos, bibliotecas y museos\", madrid, enero-junio de 1960, t. lxviii-1, pp. 199, 222 (doc. 77) y 224 (doc. 85). \n \n \n morales 1979 \n \n \n morales y marín, josé luis: los bayeu. caja de ahorros de zaragoza, aragón y rioja. zaragoza, 1979, p. 74, n.º 66 y p. 196, doc. n.º 33. \n \n \n sambricio 1955 \n \n \n sambricio, valentín de: francisco bayeu. csic. madrid, 1955, p. 39, n.º 34, lám. 34."},"lotNumber":"12","title":{"en":"attributed to ramón bayeu subías (1744-1793) - bridge over the manzanares river canal (madrid)","es":"atribuido a ramón bayeu subías (1744-1793) - puente sobre el canal del río manzanares (madrid)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19870/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":20000,"lastUpdate":"2026-07-01T00:25:33.808Z","textCase":"lower","currency":"EUR","id":19870},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19874/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19874/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19874/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19874/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19874/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19874/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19874/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19874/008/008.jpg"],"available":false,"description":{"en":"spanish school c. 1930. painting showing a gypsy woman with a pack of cards in her right hand. the work is dedicated and signed, with the following text: \u2018to my very good friend figuerola / on the day of his benefit (?) / dedicates this / ... (signature illegible)\u2019. \n \n oil on canvas with its period frame in wood and paste. \n \n \n measurements: 80 x 60 cm (canvas); 94 x 73,5 x 4 cm (frame)","es":"escuela española c. 1930. pintura donde se representa una mujer gitana con una baraja de naipes en su mano derecha. la obra aparece dedicada y firmada, con el siguiente texto: \"a mi buenísimo amigo figuerola / en el día de su beneficio (?) / dedica esta / ... (firma ilegible)\". \n \n óleo sobre lienzo con su marco de época en madera y pasta. \n \n \n medidas: 80 x 60 cm (lienzo); 94 x 73,5 x 4 cm (marco)"},"lotNumber":"13","title":{"en":"illegible signature - maldita vida","es":"firma ilegible - maldita vida"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19874/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T00:25:33.810Z","textCase":"lower","currency":"EUR","id":19874},{"startPrice":5000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19922/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19922/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19922/003/003.jpg"],"available":false,"description":{"en":"pair of anonymous paintings attributed to the madrid school of the second third of the 17th century.dimensions: 118.4 x 146.4 cm (each painting)","es":"pareja de pinturas anónimas adscritas a la escuela madrileña del segundo tercio del siglo xvii. \n \n \n \n medidas: 118,4 x 146,4 cm (cada pintura)"},"lotNumber":"14","title":{"en":"anonymous madrid artist, 17th century - pair of landscapes","es":"anónimo madrileño siglo xvii - pareja de paisajes"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19922/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T00:25:33.812Z","textCase":"lower","currency":"EUR","id":19922},{"startPrice":2400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19931/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19931/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19931/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19931/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19931/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19931/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19931/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19931/008/008.jpg"],"available":false,"description":{"en":"frame in carved wood, gilded and polychromed in different tones. it has eight cards, the six corresponding to its longest sides, separated by a small decorative flower, four in total, and the spaces between the cards, which are polychromed imitating marble, are 12. there are 12 spaces between the cards that are polychromed imitating marble. originally and due to its size, it must have been a frame to house landscape, marine or mythological paintings. \n \n measurements: 125 x 181 (exterior); 101.8 x 158.5 (light)","es":"marco en madera tallada, dorada y policromada en distintas tonalidades. presenta ocho tarjetones, los seis correspondientes a sus lados más largos, separados por una pequeña flor decorativa, cuatro en total. los espacios entre tarjetas que se encuentran policromados imitando marmolizados son 12. en origen y por sus dimensiones, debió de ser marco para cobijar pintura de paisaje, marina o mitológica. \n \n medidas: 125 x 181 (exterior); 101,8 x 158,5 (luz)"},"lotNumber":"15","title":{"en":"anonymous 17th century spanish - frame","es":"anónimo español del siglo xvii - marco"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19931/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":2400,"lastUpdate":"2026-07-01T00:25:33.813Z","textCase":"lower","currency":"EUR","id":19931},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19871/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19871/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19871/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19871/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19871/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19871/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19871/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19871/008/008.jpg"],"available":false,"description":{"en":"gouache, watercolour and ink on cardboard paper with period frame in wood and paste. \n \n signed and dated lower left: \"julien / pinxit / 1859\". inscribed lower right: \"68 years old\". with handwritten text on the back of the work in black and brown ink: \"murio de setenta y siete a 25 de / febrero de 1868\" (he died aged seventy-seven on the 25th of / february 1868).","es":"gouache, acuarela y tinta sobre papel cartón con marco de época en madera y pasta. \n \n firmado y fechado abajo a la izquierda: \"julien / pinxit / 1859\". inscripción abajo a la derecha: \"de 68 años.\". presenta texto manuscrito en el reverso de la obra a tinta negra y parda: \"murio de setenta y siete a 25 de / febrero de 1868\"."},"lotNumber":"16","title":{"en":"julien (19th century french or spanish school) - portrait of a seated man (1859)","es":"julien (escuela francesa o española del siglo xix) - retrato de hombre sentado (1859)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19871/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:25:33.814Z","textCase":"lower","currency":"EUR","id":19871},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19892/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19892/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19892/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19892/004/004.jpg"],"available":false,"description":{"en":"oil on canvas. \n \n \n measures: 77 x 62 cm (canvas). \n \n \n signature and date (back): \u201cpainted by nelson cook.- / rome, n.y, 1880\u201d. \n \n \n  \n \n \n \n \n nelson cook was an american painter specializing in portraiture. this work must have been paired with the portrait cook painted in 1879 of dr. willey j.p. kingsley, georgeanna's husband, a painting whose whereabouts are now unknown. the canvas we are now presenting has been recently restored and is in excellent condition. other works by this artist can be found in various museums, institutions, and private collections in the united states, such as the metropolitan museum of art (james merrill cook and his wife anna cady cook, 1840), union college collection (thomas jefferson marvin, c. 1839), shelburne museum of vermont (little dandy, 1840), historical society of saratoga springs (reuben hyde walworth, 1840), sheffield historical society (rev. james bradford, 1847), genesee country village and museum, ny (millard powers fillmore, an american sportsman, c. 1850) and canton museum of art, oh (mrs. naramore, 1855), among others. \n \n \n  \n \n \n \n \n the son of a cabinetmaker, his parents, joseph cook and mary ann tolman settled in malta around 1800, coming from wallingford, the original place of the family. during his youth, nelson cook helped his older brother in the furniture-making business, and that one provided some financial support to the painter to-be. in the 1830s, the painter settled in canada, where he presented his first portraits in a group exhibition celebrated in toronto in 1834, together with some painters of the canadian school, such as paul kane y james hamilton. in october 1837, having claimed in an autograph letter from said canadian city to have health problems, he settled with his family in different towns in new york state like rochester and buffalo. back in saratoga in the late 1850s, he joins the innovative school for women temple grove seminary as an art teacherse. \n \n \n  \n \n \n \n \n his health problems continued while he lived in rome (ny, 10 liberty street), where he resided from 1875 to 1887. it was during his stay in this town when he painted this female portrait, as witnessed by the signature, the insciption and the date on the back of the canvas: \u201cpainted by nelson cook. rome, n.y, 1880\u201d. the portrayed woman, georgeanna m. vogell kingsley (13 june 1837, utica, ny \u2013 15 june 1919, rome, ny), reverend henry vogell\u2019s daughter, married the prominent doctor willey josiah pascal kingsley (9 july 1924, frankfort, ny \u2013 26 january 1912) on 4 december 1860. vogell, settled as a surgeon in rome in 1856, specialized in fight against cancer and founded an oncology hospital in the town three years later. his important professional career led him to hold the following positions in the town: vice president of the central new york institution for deaf mutes (1875-1895), president of roma iron works and the rome brass and copper company, vice president of rome cemetery association y the jervis literary association and mayor of the town of rome (1895-1899). georgeanna, who outlived his husband by deseven years, lies next him in rome cemetery (oneida county, ny, sect. h, grave #3). \n \n \n  \n \n \n \n \n from the pictorial point of view, the portrayed woman poses with half a bust in front of the viewer; she is sitting on a wooden armchair or small sofa with dark green upholstery. her hairstyle shows a headdress with chained pieces, which ties his short hair. on the neck she wears a jewel from which a gold chain hangs on her chest, a proof of her well-off family standing. \n \n \n  \n \n \n \n \n on the canvas, cook showed both mrs. kingsley\u2019s personality and psychology, whom undoubtedly met and no doubt he knew and had dealings with. the light complexion of her face stands out from the background; the artist placed his model in an interior with a neutral background for greater pictorial enhancement. there is a green knotted drapery curtain to match the furniture upholstery, in front of a diffuse fragment of wall or door. \n \n \n  \n \n \n \n \n this painting must have matched with the portrait nelson cook made of doctor j.p. kingsley, georgeanna\u2019s husband, in 1879, an original painting today missing. the canvas we present here has been recently restored. its state of conservation is very good.","es":"oleo sobre lienzo. \n \n medidas: 77 x 62 cm (lienzo). \n \n \n firmado y fechado en el reverso del lienzo: \u201cpainted by nelson cook.- / rome, n.y, 1880\u201d. \n \n \n  \n \n \n nelson cook fue pintor estadounidense especializado en pintura de retrato. esta obra debió de formar pareja con el retrato que cook realizó en 1879 del dr. willey j.p. kingsley, marido de georgeanna, pintura hoy en paradero desconocido. el lienzo que ahora presentamos ha sido restaurado recientemente con óptimo estado de conservación. otras obras de este artista se encuentran localizadas en diferentes museos, instituciones y colecciones privadas norteamericanas, como the metropolitan museum of art (james merrill cook y su esposa anna cady cook, 1840), union college collection (thomas jefferson marvin, c. 1839), shelburne museum of vermont (little dandy, 1840), historical society of saratoga springs (reuben hyde walworth, 1840), sheffield historical society (rev. james bradford, 1847), genesee country village and museum, ny (millard powers fillmore, an american sportsman, c. 1850) o canton museum of art, oh (mrs. naramore, 1855), entre otros. \n \n \n  \n \n \n hijo de un ebanista, sus padres, joseph cook y mary ann tolman, se establecieron en malta alrededor de 1800, procedentes de wallingford, el lugar de origen de la familia. durante su juventud, nelson cook ayudó a su hermano mayor en el negocio de la fabricación de muebles, y este le proporcionó cierto apoyo económico al futuro pintor. en la década de 1830, el pintor se instaló en canadá, donde presentó sus primeros retratos en una exposición colectiva celebrada en toronto en 1834, junto con algunos pintores de la escuela canadiense, como paul kane y james hamilton. en octubre de 1837, tras alegar en una carta autógrafa desde dicha ciudad canadiense que tenía problemas de salud, se instaló con su familia en diferentes ciudades del estado de nueva york, como rochester y buffalo. de vuelta en saratoga a finales de la década de 1850, se une a la innovadora escuela para mujeres temple grove seminary como profesor de arte. \n \n \n  \n \n \n una vez domiciliado cook en rome (new york, 10 liberty street), vivió allí entre 1875 y 1887. durante su estancia en esta ciudad debe corresponder la pintura de este retrato de mujer, ya que así lo atestigua la firma, inscripción y fecha que aparece en el reverso del lienzo; \u201cpainted by nelson cook. rome, n.y, 1880\u201d. la retratada georgeanna m. vogell kingsley (13 de junio de 1837, utica, new york \u2013 15 de junio de 1919, rome, new york), hija del reverendo henry vogell, contrajo matrimonio el 4 de diciembre de 1860 con el destacado médico dr. willey josiah pascal kingsley (9 de julio de 1924, frankfort, new york \u2013 26 de enero de 1912). una vez establecido en 1856 como cirujano en rome, se especializó en la lucha contra el cáncer al fundar allí, tres años después, un hospital oncológico. su importante trayectoria profesional le llevó a ostentar en dicha ciudad los siguientes cargos: vicepresidente en the central new york institution for deaf mutes (1875-1895), presidente de roma iron works y the rome brass and copper company, vicepresidente de rome cemetery association y the jervis literary association y alcalde de la ciudad de rome (1895-1899). georgeanna, quien sobrevivió siete años al dr. kingsley, descansa junto a su marido en el cementerio de rome (oneida county, new york, sect. h, grave #3). \n \n \n  \n \n \n desde el punto de vista pictórico, la mujer retratada posa con medio busto frente al espectador; está sentada en un sillón de madera o un pequeño sofá con tapicería verde oscuro. su peinado muestra un tocado con piezas encadenadas, que le sujeta el pelo corto. en el cuello lleva una joya de la que cuelga una cadena de oro sobre su pecho, prueba de la buena posición económica de su familia. \n \n \n  \n \n \n en el lienzo, cook mostró tanto la personalidad como la psicología de la señora kingsley, a quien sin duda conoció y con quien sin duda trató. la tez clara de su rostro destaca sobre el fondo; el artista situó a su modelo en un interior con un fondo neutro para realzarla pictóricamente. hay una cortina verde anudada a juego con la tapicería de los muebles, delante de un fragmento difuso de pared o puerta. \n \n \n  \n \n \n esta pintura debía de hacer juego con el retrato que nelson cook hizo del doctor j. p. kingsley, marido de georgeanna, en 1879, una pintura original que hoy en día se ha perdido. el lienzo que aquí presentamos ha sido restaurado recientemente. su estado de conservación es muy bueno."},"lotNumber":"17","title":{"en":"nelson cook (malta, saratoga c. new york 1808 - saratoga sp. new york 1892) - portrait of georgeanna mv kingsley","es":"nelson cook (malta, saratoga c. new york 1808 - saratoga sp. new york 1892) - retrato de georgeanna mv kingsley"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19892/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T00:25:33.816Z","textCase":"lower","currency":"EUR","id":19892},{"startPrice":5000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19876/017/017.jpg"],"available":false,"description":{"en":"pair of romantic landscapes in the european tradition; oil on canvas, with 19th-century frames made of smooth, gilded wood. the provenance of these works is highlighted by a handwritten inscription in brown ink, original to the period, located on one of the wooden frames: \u2018colección conde de la cor- / tina. jalapa. mexico. / año mdcccxl\u2019 (count of la cor- / tina collection. jalapa. mexico. / year mdcccxl). \n \n  \n \n \n this inscription indicates that the probable owner was josé justo gómez de la cortina, iii count of la cortina (mexico city, 9 august 1799 - 6 january 1860). a prominent politician, diplomat, writer and academic, he led a distinguished intellectual and cultural life in the mexican capital. there he kept his collection of antiques, such as weapons, coins and his gallery of paintings by great european masters, first in the former palace of the count of las cortinas (94 república de uruguay street) and later at 12 capuchinas street (now venustiano carranza street), where both landscapes may have come from. \n \n \n  \n \n \n his distinguished political career developed thanks to the trust placed in him by ferdinand vii, king of spain, who appointed him introductor of ambassadors, colonel of the army, knight of the order of montesa and gentleman of his majesty's chamber. in his first position, he was appointed attaché to the spanish embassy thanks to the king's protection, during which time he was posted to the netherlands, france, austria and england. perhaps his taste for landscape painting, such as the works presented here, stems from his time in these destinations. \n \n \n  \n \n \n in 1832, he returned to mexico, holding prominent positions in the political and cultural life of the recently formed mexican republic: lieutenant colonel of the regiment of commerce, president of the institute of geography and statistics, the conservatory of arts and the academy of language. in 1834, he was appointed deputy in the general congress, governor of mexico city (1835-1836), minister of finance (1838-1839), senator of the republic (1844), member of the legislative board (1843) and actively participated in the interim government of the state of mexico. his military career was marked by his appointment as general in 1840 and later as chief of grenadiers of the guard of the supreme powers. \n \n \n  \n \n \n from a cultural perspective, his appointments and activities as a founding member of the mexican academy of language and the mexican society of geography and statistics, president of the conservatory of arts and the museum and botanical garden of mexico, and founder and director of the first mexican literary criticism magazine, el zurriago literario, are particularly noteworthy. \n \n \n  \n \n \n provenance: \n \n \n conde de la cortina collection, jalapa, mexico. \n \n \n possibly the former palace of the count of las cortinas, 94 república de uruguay street, mexico city. \n \n \n formerly 12 capuchinas street (now venustiano carranza street). \n \n \n  \n \n \n dimensions: 66 x 80 cm (support); 74 x 87.5 cm (frame)","es":"pareja de paisajes románticos de tradición europea; óleos sobre lienzos, con marcos del siglo xix realizados en madera lisa y dorada. destaca la procedencia de estas obras, gracias a una inscripción manuscrita a tinta parda, original de época, localizada en uno de los bastidores en madera de las obras: \"colección conde de la cor- / tina. jalapa. mexico. / año mdcccxl\". \n  \n esta inscripción nos señala como probable propietario a don josé justo gómez de la cortina, iii conde de la cortina (ciudad de méxico, 9 agosto 1799 - 6 enero 1860). destacado político, diplomático, escritor y académico, desarrolló una destacada vida intelectual y cultural en la capital mexicana. allí conservó su colección de antigüedades, como armas, monedas y su galería de pinturas de grandes maestros europeos, primero en el antiguo palacio del conde de las cortinas (calle república de uruguay 94) y después en la antigua calle capuchinas 12 (hoy venustiano carranza) de donde podrían proceder ambos paisajes. \n  \n su destacada carrera política se desarrolló por la confianza que depositó en él fernando vii rey de españa, al nombrarle introductor de embajadores, coronel del ejército, caballero de la orden de montesa y gentilhombre de cámara de su majestad. en aquel primer cargo, fue nombrado agregado de la embajada de españa debido a la protección del rey, tiempo en el que fue destinado a holanda, francia, austria e inglaterra. quizás su gusto por la pintura de paisajes como las que aquí se presentan proceda de su época en estos destinos. \n  \n en 1832 regresó a méxico, con destacados puestos en la vida política y cultural de la reciente república mexicana: teniente coronel del regimiento del comercio, presidente del instituto de geografía y estadística, del conservatorio de artes y de la academia de la lengua. en 1834 fue nombrado diputado en el congreso general, gobernador de la ciudad de méxico (1835-1836), ministerio de hacienda (1838-1839), senador de la república (1844), miembro de la junta legislativa (1843) y participó activamente en el gobierno interino del estado de méxico. en su carrera militar destaca su nombramiento de general en 1840 y más tarde, jefe de granaderos de la guardia de los supremos poderes. \n  \n desde el punto de vista cultural destacan sus nombramientos y actividades como miembro fundador de la academia mexicana de la lengua y de la sociedad mexicana de geografía y estadística, presidente del conservatorio de artes y del museo y jardín botánico de méxico, y fundador y director de la primera revista mexicana de crítica literaria, el zurriago literario . \n  \n procedencia: \n colección conde de la cortina, jalapa, méxico. \n posiblemente antiguo palacio del conde de las cortinas, calle república de uruguay 94, méxico \n antigua calle capuchinas 12 (hoy venustiano carranza). \n  \n \n medidas: 66 x 80 cm (soporte); 74 x 87,5 cm (marco)"},"lotNumber":"18","title":{"en":"anonymous european, c. 1840 \u2013 conde de la cortina, mexico \u2013 pair of landscapes","es":"anónimo europeo h. 1840 - conde de la cortina, méxico - pareja de paisajes"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19876/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T00:25:33.817Z","textCase":"lower","currency":"EUR","id":19876},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/018/018.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/020/020.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/022/022.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19879/010/010.jpg"],"available":false,"description":{"en":"oil on canvas. vertical octagonal format. with frame in carved and gilded wood. size: 77,8 x 77,8 cm (canvas); 110 x 88 x 3,5 cm (frame). \n  \n  \n \n \n \n \n \n \n \n \n \n provenance: \n \n \n mallorca. collection of the moix house. \n \n \n  \n \n \n \n \n private collection. \n \n \n the painting appears published and reproduced with direct authorship to the painter bartolomé pérez de la dehesa (ca. 1634-1698) together with another vase of the same format and practically similar measures also collected in the same publication. \n \n \n  \n \n \n \n \n specific bibliography: \n \n \n pinturas españolas. siglos xvi-xvii cuadros de colecciones españolas. sala parés, ed. edimar. barcelona, mcmlxvi, pp. 50-51, plate xxiv","es":"óleo sobre lienzo. formato octogonal vertical. con marco en madera tallada y dorada. medidas: 99,5 x 77,8 cm (lienzo); 110 x 88 x 3,5 cm (marco). \n  \n  \n \n \n \n \n \n \n \n \n \n procedencia: \n \n \n mallorca. colección de la casa moix. \n \n \n colección particular. \n \n \n  \n \n \n \n \n la pintura aparece publicada y reproducida con autoría directa al pintor bartolomé pérez de la dehesa (h. 1634-1698) junto a otro florero del mismo formato y medidas prácticamente similares también recogido en la misma publicación. \n \n \n  \n \n \n \n \n bibliografía específica: \n \n \n pinturas españolas. siglos xvi-xvii cuadros de colecciones españolas. sala parés, ed. edimar. barcelona, mcmlxvi, pp. 50-51, lám. xxiv"},"lotNumber":"19","title":{"en":"circle of bartolomé pérez (madrid ca. 1634-1698) - vase","es":"círculo de bartolomé pérez (madrid h. 1634-1698) - florero"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19879/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T00:25:33.819Z","textCase":"lower","currency":"EUR","id":19879},{"startPrice":6000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19904/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19904/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19904/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19904/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19904/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19904/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19904/007/007.jpg"],"soldDate":"2026-05-01","available":false,"description":{"en":"painting depicting a half-length knight in armour, holding his mace in his right hand as he looks through an opening. he is sheltered by a semicircular architectural arch, the keystone of which bears a coat of arms that could be related to the person portrayed. the arch rests on a small pair of free-standing columns with smooth shafts, capitals and bases in the romanesque style. the architectural ensemble is topped by a pair of crowned lions in rampant positions, each with foliage decoration of fingered palmettes that seem to sprout from between their claws. \n \n  \n \n \n on the reverse side, there is a label that reads: \u2018junta de incautacion y protec- / ción del patrimonio artístico / ... / n.º de inventario 3215 / procedencia borbon / 12\u2019 (board for the seizure and protection of artistic heritage / ... / inventory no. 3215 / provenance borbon / 121). \n \n \n  \n \n \n \n \n without a doubt, this painting belonged to maría cristina de borbón y borbón-dos sicilias (1833\u20131902), infanta of spain and second wife of infante sebastián gabriel de borbón y braganza (1811\u20131875), a figure in spanish history better known for his outstanding collection of paintings of the highest calibre than for his political contribution to our nineteenth-century history. a collection of paintings that today is the pride of many foreign museums, while unfortunately causing embarrassment to art historians, museum institutions and descendants of the owners. \n \n \n  \n \n \n infante don sebastián was known not only for his love of collecting paintings, but also for practising this noble art himself. according to unpublished documentation located for this catalogue, the knight in armour is either a portrait, if the author of this canvas is unknown, or a self-portrait of the infante himself, in which case the canvas was possibly painted by him (see last photograph). \n \n \n  \n \n \n oil on canvas. 19th-century european school. \n \n \n dimensions: 167 x 130 x 7 cm","es":"pintura que representa un caballero de medio cuerpo, armado, sosteniendo su maza con su mano derecha, mientras se asoma a través de un vano. le cobija un arco arquitectónico de medio punto en cuya clave aparece representado un escudo de armas que pudiera relacionarse con el retratado. el arco descansa sobre una pequeña pareja de columnas exentas de fustes lisos, con capiteles y basas de gusto y recuerdo románico. remata el conjunto arquitectónico fingido una pareja de leones coronados en posiciones rampantes, cada uno de ellos con decoración vegetal de palmetas digitadas que parecen brotar de entre sus garras. \n en el reverso, se encuentra una etiqueta donde reza: \"junta de incautacion y protec- / ción del patrimonio artístico / ... / n.º de inventario 3215 / procedencia borbon / 121\". \n  \n sin lugar a dudas, se trata de pintura que fue propiedad de doña maría cristina de borbón y borbón-dos sicilias (1833-1902), infanta de españa y segunda esposa del infante don sebastián gabriel de borbón y braganza (1811-1875), personaje de la historia de españa, más conocido por su destacadísima colección de pinturas del más alto nivel, que por su aportación política a nuestra historia decimonónica. una colección de pinturas que hoy enorgullece a buen numero de museos extranjeros mientras lamentablemente sonroja a historiadores del arte, instituciones museísticas y descendientes de propiedad. \n  \n es conocida la afición del infante don sebastián no sólo al coleccionismo de pinturas, sino también a la práctica de tan noble arte. según la documentación inédita y localizada para esta catalogación, el caballero con armadura responde a un retrato, si es autoría desconocida la de este lienzo, o autorretrato del mismo infante, en tal caso, lienzo posiblemente pintado por él mismo (véase última imagen fotográfica). \n  \n óleo sobre lienzo. escuela europea del siglo xix. \n \n medidas: 167 x 130 x 7 cm"},"lotNumber":"20","title":{"en":"anonymous, 19th century europe \u2013 knight in armour","es":"anónimo europa s. xix - caballero armígero"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19904/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":6000,"soldPrice":5000,"lastUpdate":"2026-07-01T00:25:33.820Z","textCase":"lower","currency":"EUR","id":19904},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19950/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19950/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19950/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19950/004/004.jpg"],"available":false,"description":{"en":"oil on canvas. signed in the lower right corner: \u2018j. cusachs\u2019. \n \n with its gilded wooden frame outlined by classic contours. \n \n \n  \n \n \n original painting by catalan artist joseph cusachs i cusachs (montpellier 1851 - barcelona 1908). his specialisation in depicting military subjects from the period in which he lived, combined with his undeniable talent for drawing, composition and painting, elevated him to one of the most important figures of the so-called catalan school and the peninsular realist school. \n \n \n  \n \n \n this work is noteworthy within his well-known pictorial production due to the originality and everyday nature of the subject matter. \n \n \n  \n \n \n dimensions: 42 x 55 cm (support); 57.5 x 71 cm (frame)","es":"óleo sobre lienzo. firmado en el ángulo inferior derecho: \"j. cusachs\". con su marco en madera dorada perfilada por contarios clásicos. \n  \n pintura original realizada por el artista catalán joseph cusachs i cusachs (montpellier 1851 - barcelona 1908). su especialización en realizar asuntos militares de la época en que vivió, unida a sus innegables dotes tanto para dibujo, composición y pintura, han encumbrado su figura a uno de los puestos más relevantes de la denominada escuela catalana y de la escuela realista peninsular. \n  \n es obra a tener en cuenta dentro de su conocida producción pictórica, debido a la originalidad y cotidianidad del asunto. \n  \n medidas: 42 x 55 cm (soporte); 57,5 x 71 cm (marco)"},"lotNumber":"21","title":{"en":"joseph cusachs (1851\u20131908) \u2013 soldier in an interior","es":"joseph cusachs (1851-1908) - militar en un interior"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19950/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T00:25:33.454Z","textCase":"lower","currency":"EUR","id":19950},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19926/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19926/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19926/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19926/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19926/005/005.jpg"],"available":false,"description":{"en":"in our opinion, this is undoubtedly an original painting by spanish artist antonio acisclo palomino de castro y velasco (bujalance, córdoba 1655 - madrid 1726). the models, both of the face of saint joseph, the figure of the baby jesus, and the angel in flight, correspond to compositional details of the painter's signed works that are known to be his. it has been restored and has some pictorial flaws. the canvas is partially lined, as it is old. this is an interesting work that adds to the known paintings in the painter's catalog. \n \n oil on canvas, 68 x 47.3 cm.","es":"en nuestra opinión se trata indudablemente de una pintura original realizada por el artista español antonio acisclo palomino de castro y velasco (bujalance, córdoba 1655 - madrid 1726). los modelos, tanto del rostro de san josé, la figura del niño jesús y el ángel en vuelo, corresponden con detalles compositivos del pintor tanto de obras firmadas como seguras suyas. presenta restauraciones y algunas faltas pictóricas. lienzo forrado en parte, de antiguo. obra interesante para aumentar las pinturas seguras del catálogo del pintor. \n \n \n \n óleo sobre lienzo 68 x 47,3 cm"},"lotNumber":"22","title":{"en":"antonio palomino (bujalance 1655 - madrid 1726) - saint joseph with the infant jesus","es":"antonio palomino (bujalance 1655 - madrid 1726) - san josé con el niño"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19926/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T00:25:33.456Z","textCase":"lower","currency":"EUR","id":19926},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19920/010/010.jpg"],"available":false,"description":{"en":"oil on canvas with modern frame in carved and gilded wood, signed lower right: \u2018p. de laer\u2019. de laer\u2019. \n \n measurements: 43 x 37 cm (canvas): 56.5 x 50 x 5 cm (frame) \n \n \n van laer was a dutch draughtsman, painter and engraver who settled in italy. he stood out as a member of a group of artists who became known and called bamboccianti. its members painted, in particular, high quality scenes of country scenes amidst ruins and animals, with unidentified popular figures, in small and medium format, with their centre of activity in rome, which they developed approximately between 1600-1650. \n \n \n the present painting, signed \u2018p. de laer\u2019 is a clear example of this genre. the composition in reference to the white horse should be compared with the same motif that appears in another equine in the engraved print signed by de laer in the museo nacional del prado in madrid (see image). \n \n \n it comes from an old 19th-century collection where it has a handwritten annotation in black ink \u2018nº 6\u2019 on its original stretcher. it also retains a 20th century etching in reference to its framing done in geneva (switzerland): \u2018au cadre doré\u2019 / max willi / doreurs - bois / 6, bd dupont. d'arve / 1205 geneve tel. 251360\u2019. \n \n \n provenance: \n \n \n old collection 19th century; inv. no. 6 (reverse). \n \n \n france, trade. \n \n \n spain, private collection.","es":"óleo sobre lienzo con marco moderno en madera tallada y dorada. \n \n firmado abajo, hacia la derecha: \"p. de laer\". \n \n \n medidas: 43 x 37 cm (lienzo): 56.5 x 50 x 5 cm (marco) \n \n \n van laer fue dibujante, pintor y grabador holandés establecido en italia. destacó como miembro de un grupo de artistas que se conoció y denominó bamboccianti. sus miembros pintaron, en particular, escenas de gran calidad de tipo campestre entre ruinas y animales, con personajes populares sin identificar, en pequeño y mediano formato, teniendo su centro de actividad en roma que desarrollaron aproximadamente entre 1600-1650. \n \n \n la pintura que presentamos, firmada \"p. de laer\" es un claro ejemplo de este género pictórico. la composición en referencia al caballo blanco, debe compararse con el mismo motivo que aparece en otro equino de la estampa grabada y firmada por él que conserva en museo nacional del prado en madrid (ver imagen). \n \n \n procede de antigua colección del siglo xix donde conserva en su bastidor original una anotación manuscrita a tinta negra \"nº 6\". también conserva etqueta del siglo xx en referencia a su enmarcación realizada en ginebra (suiza): \"au cadre doré\" / max willi / doreurs \u2013 bois / 6, bd dupont. d\u2019arve / 1205 geneve tel. 251360\". \n \n \n procedencia: \n \n \n antigua colección siglo xix; n.º inv. 6 (reverso). \n \n \n francia, comercio. \n \n \n españa, colección particular."},"lotNumber":"23","title":{"en":"pieter van laer (haarlem, ca. 1599-1642) - country landscape","es":"pieter van laer (haarlem h. 1599-1642) - paisaje campestre"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19920/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T00:25:33.458Z","textCase":"lower","currency":"EUR","id":19920},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19918/017/017.jpg"],"available":false,"description":{"en":"oil on canvas. size: 48,8 x 57,2 cm. \n \n painting of great quality that we consider within the production of the master. it develops an interior scene with the common theme in this type of compositions of characters drinking, fighting or enjoying their moment. \n \n \n the specific types and models are within the common works of the artist. we must highlight, thus, one of the main characters in this painting, the woman leaning on the floor struggling with a man on her back and next to a girl, which could be related to the drawing of a head in profile attributed to the master that preserves the rijksmuseum in amsterdam (© rijksmuseum; buste van een vrouw, naar rechts in profiel, cornelis dusart (mogelijk), naar cornelis dusart, 1670 - 1750, ref. rp-t-1898-a-3666; see the last two images).","es":"óleo sobre lienzo. medidas: 48,8 x 57,2 cm. \n \n pintura de gran calidad que consideramos dentro de la producción del maestro. desarrolla una escena de interior con el asunto común en este tipo de composiciones de personajes bebiendo, peleando o disfrutando de su momento. \n \n \n los tipos y modelos específicos están dentro de las obras comunes del artista. debemos destacar, de este modo, uno de los personajes principales en esta pintura, la mujer apoyada en el suelo que forcejea con un hombre de espaldas y junto a una niña, que podría tener relación con el dibujo de una cabeza de perfil atribuído al maestro que conserva el rijksmuseum de amsterdam (© rijksmuseum; buste van een vrouw, naar rechts in profiel, cornelis dusart (mogelijk), naar cornelis dusart, 1670 - 1750, ref. rp-t-1898-a-3666; ver las últimas dos imágenes)."},"lotNumber":"24","title":{"en":"cornelis dusart (1660-1704). indoor scene with characters","es":"cornelis dusart (1660-1704). escena de interior con personajes"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19918/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T00:25:33.459Z","textCase":"lower","currency":"EUR","id":19918},{"startPrice":6000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19882/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19882/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19882/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19882/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19882/005/005.jpg"],"soldDate":"2025-12-10","available":false,"description":{"en":"watercolour on paper. signed and underlined in capital letters, in the lower right corner, under the column: \u2018lvna\u2019. \n \n original work by the renowned filipino painter and national hero. the subject of this watercolour is a woman, in an orientalist context, adorned with rich jewellery and clothing. standing, she is located inside a palatial building of that style. very good condition. \n \n \n  \n \n \n  \n \n \n provenance: \n \n \n descendants of josé taviel de andrade y lerdo de tejada (1857\u20131920), spanish painter and soldier who served as personal bodyguard to josé rizal, national hero of the philippines. \n \n \n  \n \n \n dimensions: 508 x 356 mm","es":"acuarela sobre papel. firmado y subrayado en letras capitales, en el ángulo inferior derecho, bajo la columna: \" \n lvna \". \n \n \n \n obra original del destacado pintor y héroe nacional filipino. el asunto de esta acuarela es una mujer, en contexto orientalista, ataviada con rica joyería e indumentaria. situada de pie, se encuentra en el interior de una arquitectura palaciega de aquel gusto. muy buen estado de conservación. \n \n \n  \n \n \n procedencia: \n \n \n descendientes de josé taviel de andrade y lerdo de tejada (1857-1920), pintor y militar español guardaespaldas personal de josé rizal, héroe nacional de filipinas. \n \n \n  \n \n \n \n \n medidas: 508 x 356 mm"},"lotNumber":"25","title":{"en":"juan luna novicio (1857\u20131899) \u2013 orientalist woman","es":"juan luna novicio (1857-1899) - mujer orientalista"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19882/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":6000,"soldPrice":6000,"lastUpdate":"2026-07-01T00:25:33.460Z","textCase":"lower","currency":"EUR","id":19882},{"startPrice":2600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19929/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19929/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19929/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19929/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19929/005/005.jpg"],"available":false,"description":{"en":"federico de madrazo y kuntz (rome 1815 \u2013 madrid 1894).portrait of an elderly woman. signed in the upper right corner: \"fr. madrazo.\" oil on canvas with its period frame.measurements: 17.3 x 11.3 cm (support); 27.7 x 21.5 x 3.8 cm (frame)","es":"federico de madrazo y kuntz (roma 1815 \u2013 madrid 1894). \n \n \n \n retrato de mujer anciana. firmado en el ángulo superior derecho: \"fr. madrazo\". oleo sobre lienzo con su arco de época. \n \n \n medidas: 17,3 x 11,3 cm (soporte): 27,7 x 21,5 x 3,8 cm (marco)"},"lotNumber":"26","title":{"en":"federico de madrazo (rome 1815 \u2013 madrid 1894) portrait of an elderly woman","es":"federico de madrazo (roma 1815 \u2013 madrid 1894) retrato de anciana"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19929/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2600,"lastUpdate":"2026-07-01T00:25:33.462Z","textCase":"lower","currency":"EUR","id":19929},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19801/014/014.jpg"],"available":false,"description":{"en":"original painting created and signed by spanish painter eulogio oliva y rodrigo (palencia 1852 - villaconejos, madrid 1925). a work of significant quality, it shows what we consider to be one of the different proposals intended for the pictorial decoration of the walls of the so-called chapel of king charles iii, currently preserved in the church of san francisco el grande in madrid. the interest of this proposal lies in the fact that it was not the final design used to decorate the chapel, but rather an unknown design with added interest. this small canvas depicts three scenes from the life of saint francis of assisi on the upper vault, corresponding architecturally to three other scenes of allegorical christian female personifications, perhaps the theological virtues of faith, hope and charity. \n  \n oliva's involvement in such a prominent religious building in madrid was due to the fact that in 1885, the spanish master painter casto plasencia (1846-1890) recommended eugenio oliva as one of the painters he proposed to decorate the chapel. this intervention led to his appointment in 1889 as commander of the order of queen isabella the catholic by the spanish government. \n  \n other notable mural works followed this one, such as the decoration of the boardroom of the monte de piedad y caja de ahorros de madrid (now dismantled) and, in particular, the decoration of the casa de expósitos y hospicio provincial in palencia, with religious themes, where we have found compositional connections in specific aspects between this decoration and the sketch in question. \n  \n provenance: \n madrid, segre auctions, 17 december 2019, lot 137-a, p. 59. \n private collection. \n  \n dimensions: 61.5 x 46.5 cm (support); 78.5 x 64 x 8 cm (frame)","es":"pintura original realizada y firmada por el pintor español eulogio oliva y rodrigo (palencia 1852 - villaconejos, madrid 1925). obra de significativa calidad, muestra lo que consideramos una de las diferentes propuestas destinadas con el fin de realizar la decoración pictórica mural de la denominada capilla del rey carlos iii , conservada en la actualidad en la iglesia de san francisco el grande en madrid. el interés de dicha propuesta que aquí presentamos radica en el hecho que éste no fue el pensamiento definitivo que decoró finalmente la citada capilla, si no un diseño desconocido con interés añadido. este pequeño lienzo muestra en la pintura que representa la bóveda superior tres escenas con asuntos de la vida de san francisco de asís, en correspondencia arquitectónica en otras tres escenas de personificaciones femeninas alegóricas cristianas, quizá las virtudes teologales fe, esperanza y caridad. \n  \n la intervención de oliva en tan destacado templo piadoso de madrid se debió a que el maestro pintor español casto plasencia (1846-1890) señalara en 1885 a eugenio oliva como uno de los pintores por él propuestos para decorar aquella capilla. la intervención del denominado derivó en su nombramiento en 1889 como comendador de número de la orden de la reina isabel la católica , por parte del gobierno de españa. \n  \n otros destacados trabajos muralistas prosiguieron a éste, como la decoración de la sala de juntas del monte de piedad y caja de ahorros de madrid (hoy desmontados) y en especial la decoración de la casa de expósitos y hospicio provincial en palencia, con asuntos religiosos, donde hemos localizado conexiones compositivas en aspectos concretos entre esta decoración y el boceto que nos ocupa. \n  \n procedencia: \n madrid, segre subastas, 17-xii-2019, lote 137-a, p. 59. \n colección particular. \n  \n medidas: 61,5 x 46,5 cm (soporte); 78,5 x 64 x 8 cm (marco)"},"lotNumber":"27","title":{"en":"chapel project - eulogio oliva (palencia 1852 - villaconejos 1925)","es":"proyecto para capilla - eulogio oliva (palencia 1852 - villaconejos 1925)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19801/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T00:25:33.463Z","textCase":"lower","currency":"EUR","id":19801},{"startPrice":3000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19925/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19925/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19925/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19925/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19925/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19925/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19925/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19925/008/008.jpg"],"soldDate":"2025-12-16","available":false,"description":{"en":"in our opinion, this is undoubtedly an original painting by spanish artist juan carreño de miranda (concejo de carreño, asturias 1614 - madrid 1685). after studying the work and various copies made during the 17th and 18th centuries of this subject attributed to this painter's circle, we propose the thesis that it is the original sketch painted by juan carreño for the final painting of the same subject that the painter created, with its companion piece the banquet of herod, for the now-defunct parish church of san juan in madrid. after the demolition of this temple during the reign of the usurper king joseph i bonaparte, the large final canvas was moved to the current parish church of santiago and san juan in madrid, where it is now on display. \n  \n  \n \n \n \n \n \n \n \n our assertion is based on the different positions of compositional elements in this sketch that are contrary to the final version of the large painting, modifications that make this small work a sketch rather than a copy: the variation in color tone in the hair and clothing of god the father, the different posture of jesus, the different positions of the right hand with the shell of st. john, and, in particular, the opposite arrangement of the baptist's staff, reinforce the hypothesis that this is an original sketch rather than a simple copy. \n \n \n  \n \n \n \n \n despite the state of conservation in some areas of the canvas, the undeniable quality of the pictorial details (god the father, the heads of angels and cherubs, etc.) lead us to identify carreño as the artist. \n \n \n oil on canvas. dimensions: 82 x 61.7 cm.","es":"en nuestra opinión se trata indudablemente de una pintura original realizada por el artista español juan carreño de miranda (concejo de carreño, asturias 1614 - madrid 1685). una vez estudiada la obra y diferentes copias realizadas durante los siglos xvii y xviii de este asunto adscritas al círculo de éste pintor, planteamos la tesis que se trata del boceto original pintado por juan carreño con destino a la pintura definitiva del mismo asunto que el pintor realizó, con su pareja el banquete de herodes, para la desaparecida parroquia de san juan en madrid. tras el derribo de éste templo en tiempos del rey intruso josé i bonaparte, el gran lienzo definitivo pasó a la actual parroquia de santiago y san juan de madrid, donde se expone. \n  \n  \n \n \n \n \n \n \n \n nuestra afirmación se basa en las diferentes posturas de elementos compositivos de este boceto que son contrarios a la versión definitiva de la pintura grande, unas modificaciones que confieren a esta pequeña obra como boceto y no copia: la variación de tonalidad cromática en el pelo e indumentaria de dios padre, la diferente postura de jesús, la distintas posiciones de la mano derecha con concha de san juan, y en especial la disposición contraria de la vara de el bautista, refuerzan la hipótesis de boceto original frente a simple copia. \n \n \n  \n \n \n \n \n a pesar de su estado de conservación en algunas áreas del lienzo, la indudable calidad de detalles pictóricos (dios padre, cabezas de ángeles y querubines...) nos hacen señalar a carreño como su autor. \n \n \n óleo sobre lienzo. medidas: 82 x 61,7 cm."},"lotNumber":"28","title":{"en":"juan carreño de miranda (concejo de carreño 1614 - madrid 1685) - baptism of jesus","es":"juan carreño de miranda (concejo de carreño 1614 - madrid 1685) - bautismo de jesús"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19925/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T00:25:33.464Z","textCase":"lower","currency":"EUR","id":19925},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19930/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19930/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19930/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19930/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19930/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19930/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19930/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19930/008/008.jpg"],"available":false,"description":{"en":"painting attributed to the flemish artist isaac van oosten (antwerp 1613-1661). representation of saint hubert in his dialogue with the stag, in a prominent wooded landscape. oil on panel. \n \n \n \n \n \n \n \n provenance:lempertz auctions. alte kunst und 19. jahrhundert teil ii. old masters and 19th century part ii. cologne (germany), november 18, 2023, lot 2238. \n \n \n france, private collection. \n \n \n spain, private collection. \n \n \n dimensions: 87 x 133 cm (canvas); 101.5 x 147.3 x 7 cm (frame)","es":"pintura atribuida al artista flamenco isaac van oosten (amberes 1613-1661). representación de san humberto en su diálogo con el ciervo, en un destacado paisaje boscoso. óleo sobre tabla. \n \n \n \n \n \n \n \n procedencia: \n \n \n lempertz subastas. alte kinst und 19. jahrhundert teil ii. old mastersand 19th century part ii. colonia (alemania), 18 de noviembre de 2023, lote 2238. \n \n \n francia, colección particular. \n \n \n españa, colección particular. \n \n \n medidas: 87 x 133 cm (lienzo); 101,5 x 147,3 x 7 cm (marco)"},"lotNumber":"29","title":{"en":"attributed to isaac van oosten. flemish landscape","es":"atribuído a isaac van oosten. paisaje flamenco"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19930/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T00:25:33.466Z","textCase":"lower","currency":"EUR","id":19930},{"startPrice":240,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19917/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19917/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19917/003/003.jpg"],"available":false,"description":{"en":"painting on metal. with smooth period wooden frame. \n \n 17th-18th century european anonymous. \n \n \n 9.6 x 7.3 (support); 17.4 x 15 cm (frame)","es":"pintura sobre metal. con marco liso de época en madera. \n \n anónimo europeo de los siglos xvii-xviii. \n \n \n medidas: 9.6 x 7.3 (soporte); 17.4 x 15 cm (marco)"},"lotNumber":"30","title":{"en":"17th-18th century anonymous european - st. jerome","es":"anónimo europa ss. xvi-xviii - san jerónimo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19917/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":240,"lastUpdate":"2026-07-01T00:25:33.467Z","textCase":"lower","currency":"EUR","id":19917},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19923/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19923/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19923/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19923/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19923/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19923/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19923/007/007.jpg"],"available":false,"description":{"en":"saint stephen. oil on canvas. 17th century, after a print engraved by aegidius sadeler, after a work by jacopo palma the younger (1548 - 1628). \n \n the figure of the saint appears in the foreground, with his arms raised to the sky. to the left of the viewer is shown the martyrdom of st. stephen, under the heavenly apparition of christ and god the father; on the other side is an architecture with an old man and his horse. \n \n \n measurements: 67 x 6 x 83 cm (frame). 43 x 58 cm (support).","es":"san esteban. óleo sobre lienzo. siglo xvii, siguiendo una estampa grabada por aegidius sadeler, según obra de jacopo palma el joven (1548 - 1628). \n \n \n \n \n \n la figura del santo aparece en primer término, con los brazos alzados al cielo. a la izquierda del espectador se muestra el martirio de san esteban, bajo la aparición celestial de cristo y dios padre; al otro lado se muestra una arquitectura con un anciano y su caballo. \n \n \n medidas: 67 x 6 x 83 cm (marco). 43 x 58 cm (soporte)."},"lotNumber":"31","title":{"en":"anonymous 17th century european - st stephen's","es":"anónimo europeo del siglo xvii - san esteban"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19923/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T00:25:36.915Z","textCase":"lower","currency":"EUR","id":19923},{"startPrice":800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19943/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19943/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19943/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19943/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19943/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19943/012/012.jpg"],"available":false,"description":{"en":"oil on canvas. spanish school, circa 1600. with antique black wooden frame. requires restoration.dimensions: 179 x 124 x 5 cm","es":"óleo sobre lienzo. escuela española, hacia 1600. con marco antiguo en madera de tonalidad negra. precisa puntos de restauración. \n \n medidas: 179 x 124 x 5 cm"},"lotNumber":"32","title":{"en":"anonymous spanish c. 1600 - immaculate conception","es":"anónimo español h. 1600 - inmaculada concepción"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19943/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":800,"lastUpdate":"2026-07-01T00:25:36.917Z","textCase":"lower","currency":"EUR","id":19943},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19946/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19946/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19946/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19946/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19946/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19946/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19946/007/007.jpg"],"available":false,"description":{"en":"17th-century madrid school. circle of corte, \n \n juan de la (antwerp, c. 1585 \u2013 madrid, 1662). \n \n \n \u2018the wedding of thetis and peleus\u2019. \n \n \n oil on canvas. \n \n \n this work depicts the wedding of the nereid thetis and \n \n \n prince peleus, parents of achilles. it was held on mount \n \n \n pelion, and all the deities attended, although eris, the \n \n \n goddess of discord, was not invited. in \n \n \n revenge, she threw a golden apple inscribed with the words \n \n \n \u2018for the fairest\u2019, which caused a dispute \n \n \n between athena, aphrodite and hera that led to the judgement of \n \n \n paris, ultimately resulting in the trojan war. \n \n \n the banquet is depicted in an \n \n \n elaborate composition, set in a rich interior \n \n \n of classical architecture illuminated by the light of apollo, \n \n \n who is located at the far end of the \n \n \n viewer. at the head of the table, in the foreground, \n \n \n is zeus, accompanied by the eagle and with hera, \n \n \n queen of the gods, on his left. in the lower right corner, we see a group of satyrs serving \n \n \n wine, accompanied by rich metal vessels \n \n \n crafted with meticulous and descriptive brushstrokes. \n \n \n the rest of the gods are clearly \n \n \n differentiated, with athena in the foreground on the \n \n \n right and, following a lively zigzag rhythm, \n \n \n typically baroque, aphrodite with eros, hermes and the \n \n \n bride and groom on the left, and poseidon on the right. \n \n \n formally, this is a work that fits perfectly \n \n \n within the 17th-century madrid school \n \n \n , developed around the court. thus, we see a \n \n \n sumptuous, allegorical classicist baroque, where the \n \n \n studies of light and colour take on special \n \n \n relevance, revealing the exalted and luminous tone \n \n \n characteristic of the maturity of this school. specifically, \n \n \n we can relate this painting to the circle of \n \n \n juan de la corte, a painter of flemish origin. we know nothing \n \n \n today about his early training, as palomino's \n \n \n claim that he was born in spain \n \n \n has been refuted by documentary evidence, with his \n \n \n will stating that he was born in antwerp. there are also \n \n \n documents in which the painter declares \n \n \n that he trained in flanders, where he \"practised his craft \n \n \n for many years\". for all these reasons, he has been linked \n \n \n to flemish artists of the period who, through \n \n \n personal acquaintance or the study of their works, \n \n \n had a powerful influence on the development of his \n \n \n personal style. we know that he had been living in \n \n \n spain since at least 1613. his work at court \n \n \n encouraged him to apply for the position of royal painter, which was left \n \n \n vacant by the death of bartolomé gonzález in 1627, \n \n \n a goal he did not achieve. there is no documentary evidence, \n \n \n therefore, to support palomino's claim when he cites him \n \n \n as the king's painter. however, he enjoyed \n \n \n moderate success in the capital of the kingdom, with \n \n \n works by him found in numerous noble inventories of \n \n \n the period. he also received royal commissions, such as the \n \n \n cycle of biblical stories he painted for the buen retiro palace. \n \n \n according to his own confession, his work focused on \n \n \n \u2018architecture, battles and countries\u2019, genres in which he was \n \n \n highly regarded by his contemporaries. \n \n \n one of the most one of the most \n \n \n interesting characteristics of his style is the fact that he \n \n \n frequently dealt with mythological themes which, brought to \n \n \n canvas in different cycles, offer us a singularly majestic panorama \n \n \n of a subject matter that was not \n \n \n common in spanish painting at the time. another \n \n \n of the outstanding aspects of his work was the \n \n \n proliferation of architectural perspectives with \n \n \n clear links to nordic treatise writers, \n \n \n among whom \n \n \n vredeman de vries. his pictorial style remained \n \n \n anchored in earlier traditions, demonstrating an \n \n \n evident modesty and archaism, but the uniqueness of \n \n \n the subjects he dealt with make him worthy of \n \n \n remembrance. juan de la corte is represented in the \n \n \n prado museum, the maritime museum of barcelona, the \n \n \n cerralbo museum and the municipal museum of madrid, among others. \n \n \n · dimensions: 97 x 122 cm; 116 x 143 cm (frame)","es":"escuela madrileña del siglo xvii. círculo de corte, \n \n juan de la (amberes, c. 1585 \u2013 madrid, 1662). \n \n \n \u201cboda de tetis y peleo\u201d. \n \n \n óleo sobre lienzo. \n \n \n esta obra describe las bodas de la nereida tetis y el \n \n \n príncipe peleo, padres de aquiles. se celebró en el \n \n \n monte pelión, y a ella acudieron todas las deidades, si \n \n \n bien eris, la diosa de la discordia, no fue invitada. en \n \n \n venganza, ésta arrojó una manzana dorada en la que \n \n \n decía \u201cpara la más hermosa\u201d, que causó la disputa \n \n \n entre atenea, afrodita y hera que llevó al juicio de \n \n \n paris, para finalmente ocasionar la guerra de troya. \n \n \n el banquete se representa con una composición \n \n \n trabajada en profundidad, situada en un rico interior \n \n \n de arquitectura clásica iluminado por la luz de apolo, \n \n \n que se sitúa en el extremo más alejado del \n \n \n espectador. a la cabeza de la mesa, en primer plano, \n \n \n aparece zeus, acompañado por el águila y con hera, \n \n \n reina de los dioses, a su izquierda. en el ángulo \n \n \n inferior derecho vemos a un grupo de sátiros sirviendo \n \n \n el vino, acompañados por ricas vasijas de metal \n \n \n trabajadas con una pincelada minuciosa y descriptiva. \n \n \n el resto de los dioses aparecen claramente \n \n \n diferenciados, con atenea en primer plano a la \n \n \n derecha y, siguiendo un ágil ritmo en zigzag, \n \n \n típicamente barroco, afrodita con eros, hermes y los \n \n \n novios, a la izquierda, y a la derecha poseidón. \n \n \n formalmente se trata de una obra perfectamente \n \n \n enmarcada dentro de la escuela madrileña del siglo \n \n \n xvii, desarrollada en torno a la corte. así, vemos un \n \n \n barroco clasicista suntuoso, alegórico, donde los \n \n \n estudios de luz y colorido cobran una especial \n \n \n relevancia, revelando el tono exaltado y luminoso \n \n \n propio de la madurez de esta escuela. en concreto, \n \n \n podemos relacionar esta pintura con el círculo de \n \n \n juan de la corte, pintor de origen flamenco. nada \n \n \n sabemos hoy de su primera formación, pues la \n \n \n afirmación de palomino de su nacimiento en españa \n \n \n fue rebatida documentalmente, citándose en su \n \n \n testamento que había nacido en amberes. también \n \n \n se conservan documentos en los que el pintor declara \n \n \n su aprendizaje en flandes, donde \u201cejerció su oficio \n \n \n por muchos años\u201d. por todo ello se le ha relacionado \n \n \n con artistas flamencos de la época que, debido al \n \n \n conocimiento personal o al estudio de sus obras, \n \n \n influyeron poderosamente en la configuración de su \n \n \n lenguaje personal. sabemos de su establecimiento en \n \n \n españa al menos desde 1613. su trabajo en la corte \n \n \n le animó a pedir la plaza de pintor real que dejó \n \n \n vacante a su muerte bartolomé gonzález en 1627, \n \n \n objetivo que no consiguió. no hay prueba documental, \n \n \n pues, que avale la afirmación de palomino al citarle \n \n \n como pintor del rey. sin embargo, gozó de un \n \n \n moderado éxito en la capital del reino, encontrándose \n \n \n obras suyas en numerosos inventarios nobiliarios de \n \n \n la época. a su vez, gozó de encargos reales, como el \n \n \n ciclo de historias bíblicas que pintó para el palacio del \n \n \n buen retiro. su actividad, según confesión propia, se \n \n \n centró en «arquitecturas, batallas y países», géneros \n \n \n en los que fue excelentemente valorado por sus \n \n \n contemporáneos. una de las características más \n \n \n interesantes de su estilo es el hecho de haber tratado \n \n \n con frecuencia los temas mitológicos que, llevados al \n \n \n lienzo en distintos ciclos, nos ofrecen un panorama \n \n \n singularmente majestuoso de una temática nada \n \n \n frecuente en la pintura de la españa de la época. otro \n \n \n de los aspectos sobresalientes en su obra fue la \n \n \n proliferación de perspectivas arquitectónicas de \n \n \n evidente vincu¬lación con los tratadistas nórdicos, \n \n \n entre los que cabe destacar muy especialmente a \n \n \n vredeman de vries. su estilo pictórico se mantuvo \n \n \n anclado en tradiciones anteriores, demostrando una \n \n \n evidente modestia y arcaísmo, pero la singularidad de \n \n \n los asuntos que trató le hacen merecedor del \n \n \n recuerdo. juan de la corte está representado en el \n \n \n museo del prado, el marítimo de barcelona, el \n \n \n cerralbo y el municipal de madrid, entre otros.. \n \n \n · medidas: 97 x 122 cm; 116 x 143 cm (marco)"},"lotNumber":"33","title":{"en":"circle j. de la corte, 17th century \u2018the wedding of thetis and peleus\u2019","es":"círculo j. de la corte, siglo xvii - boda de tetis y peleo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19946/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T00:25:36.919Z","textCase":"lower","currency":"EUR","id":19946},{"startPrice":1400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19945/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19945/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19945/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19945/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19945/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19945/006/006.jpg"],"available":false,"description":{"en":"\u201cfiesta andaluza\u201d (andalusian festival), oil on board, jean-louis \n \n paguenaud (1876\u20131952). \n \n \n signed and inscribed (\u201ccantatrice dupré\u201d) in the lower right corner. \n \n \n jean-louis paguenaud is the pseudonym of jean \n \n \n philippe paguenaud (1876\u20131952). he spent his childhood \n \n \n in algiers, where he discovered the sea. when his father moved \n \n \n to limoges, he studied at the school of \n \n \n decorative arts and worked in a porcelain factory. \n \n \n he furthered his training with william \n \n \n bouguereau, delving into the world of \n \n \n seascapes and making numerous trips to martinique and \n \n \n north africa, which he captured in gouaches and drawings, \n \n \n which he exhibited in 1905 at the salon des \n \n \n indépendants. his brother joseph-louis died in \n \n \n combat in 1914 and, to honour his memory, he decided to \n \n \n sign his work with one of the names of the deceased. \n \n \n appointed official painter of the french navy in \n \n \n 1922, he lived for a time in paris before returning \n \n \n to limoges. he took part in a well-known voyage on the \n \n \n ship \u2018lamotte-piquet\u2019, which took him to central and \n \n \n south america. his career can be divided into three periods: \n \n \n his formative years (1876-1902), his \u2018orientalist\u2019 period (1902- \n \n \n 1921) and a third (1921-1942), when he was already an \n \n \n official painter of the navy; he produced a few more works between \n \n \n 1942 and 1952. his work can be seen in \n \n \n important private collections and in museums such as \n \n \n the navy museum in paris, the naval school in \n \n \n bordeaux, the town hall of coussac- \n \n \n bonneval, etc. \n \n \n this work depicts an exterior scene, a square in an \n \n \n andalusian village, with a large number of figures \n \n \n dressed in the regional costume of the area celebrating \n \n \n a great festival. movement is provided by couples and \n \n \n groups dancing in the centre, an orchestra on the \n \n \n left, diners on the right and several couples \n \n \n on horseback throughout the composition. the whole \n \n \n scene shares the limelight with the landscape: the \n \n \n façade of a church stands in front of a house and an \n \n \n old bridge, with a mountain in the background under a \n \n \n blue sky. \n \n \n several characteristics of paguenaud's work can be clearly seen: \n \n \n the light, which he would take from algiers \n \n \n and all his travels; the compositional mastery with which \n \n \n he knows how to place a large number of figures; the blue sky \n \n \n blue sky, which can also be seen in his seascapes, etc. \n \n \n it is also worth noting the originality of the oil painting \n \n \n in the painter's artistic career due to its subject matter. \n \n \n · dimensions: 233x5x175 int 213x152 cm","es":"\u201cfiesta andaluza\u201d, óleo sobre tablex, jean-louis \n \n paguenaud (1876-1952). \n \n \n firmada y dedicada (\u201ccantatrice dupré \u201c) en el ángulo \n \n \n inferior derecho. \n \n \n jean-louis paguenaud es el seudónimo de jean\u0002philippe paguenaud (1876-1952). vivió durante su \n \n \n infancia en argel, donde descubrió el mar. al trasladar \n \n \n a su padre a limoges, estudió aquí en la escuela de \n \n \n artes decorativas y trabajó en una fábrica de \n \n \n porcelana. amplió su formación con william \n \n \n bouguereau, adentrándose en el mundo de las \n \n \n marinas y realizó numerosos viajes por martinica y el \n \n \n norte de áfrica, que plasmó en gouaches y dibujos, \n \n \n los cuales expuso en 1905 en el salón de los \n \n \n independientes. su hermano joseph-louis murió en \n \n \n combate en 1914 y, para honrar su memoria, decidió \n \n \n firmar su trabajo con uno de los nombres del difunto. \n \n \n nombrado pintor oficial de la marina francesa en \n \n \n 1922, vivió durante un tiempo en parís antes de volver \n \n \n a limoges. formó parte de un conocido viaje en el \n \n \n barco \u201clamotte-piquet\u201d, que le llevó a américa central \n \n \n del sur. en su trayectoria, se distinguen tres periodos: \n \n \n el de formación (1876-1902), el \u201corientalista\u201d (1902- \n \n \n 1921) y un tercero (1921-1942), cuando ya es pintor \n \n \n oficial de la marina; realiza algunas obras más entre \n \n \n 1942 y 1952. puede contemplarse su obra en \n \n \n importantes colecciones privadas y en museos como \n \n \n el de la marina de parís, en la escuela naval de \n \n \n bourdeaux, en el ayuntamiento de coussac- \n \n \n bonneval, etc. \n \n \n muestra en la presente obra un exterior, una plaza de \n \n \n un pueblo andaluz, con un gran número de personajes \n \n \n ataviados con el traje regional de la zona celebrando \n \n \n una gran fiesta. el movimiento lo aportan parejas y \n \n \n grupos bailando en el centro, una orquesta a la \n \n \n izquierda, comensales a la derecha y varias parejas \n \n \n montadas a caballo por toda la composición. toda \n \n \n esta escena comparte protagonismo con el paisaje: la \n \n \n fachada de una iglesia se yergue ante una casa y un \n \n \n puente antiguo, con una montaña en el fondo bajo un \n \n \n cielo azul. \n \n \n se pueden apreciar claramente varias características \n \n \n de la obra de paguenaud: la luz, que tomaría de argel \n \n \n y de todos sus viajes; la maestría compositiva con la \n \n \n que sabe situar un gran número de figuras; el cielo \n \n \n azul, que se ve también en sus marinas, etc. \n \n \n asimismo, es preciso destacar la originalidad del óleo \n \n \n en la trayectoria artística del pintor por su temática. \n \n \n · medidas: 233x5x175 int 213x152 cm"},"lotNumber":"34","title":{"en":"jean-louis paguenaud (1876-1952) - andalusian festival","es":"jean-louis paguenaud (1876-1952) - fiesta andaluza"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19945/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1400,"lastUpdate":"2026-07-01T00:25:36.922Z","textCase":"lower","currency":"EUR","id":19945},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19889/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19889/002/002.jpg"],"available":false,"description":{"en":"sixteenth-century spanish school; oil on panel. \n \n measures: 30 x 22 cm","es":"escuela española del siglo xvi; óleo sobre tabla. \n medidas: 30 x 22 cm"},"lotNumber":"35","title":{"en":"anonymous spanish 16th century - saint peter the apostle","es":"anónimo español siglo xvi - san pedro apóstol"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19889/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:25:36.923Z","textCase":"lower","currency":"EUR","id":19889},{"startPrice":1700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19884/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19884/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19884/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19884/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19884/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19884/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19884/007/007.jpg"],"available":false,"description":{"en":"oil on copper. \n \n dimensions: 53.5 x 71.5 cm (stand); 76.5 x 94.5 cm (frame). \n \n \n with frame in carved, polychrome and gilded wood from the second half of the 20th century. it has some old repainting.","es":"óleo sobre cobre. \n \n medidas: 53.5 x 71.5 cm (soporte); 76.5 x 94.5 cm (marco). \n \n \n con marco en madera tallada, policromada y dorada de la segunda mitad del siglo xx. presenta algunos antiguos repintes."},"lotNumber":"36","title":{"en":"anonymous 17th century flemish - entry of jesus into jerusalem","es":"anónimo flamenco del siglo xvii - entrada de jesús en jerusalén"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19884/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1700,"lastUpdate":"2026-07-01T00:25:36.925Z","textCase":"lower","currency":"EUR","id":19884},{"startPrice":800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19928/010/010.jpg"],"available":false,"description":{"en":"tempera on cardboard. both framed in black oval wooden frames with glass. french school c. 1860/1880. \n \n size: 29.7 x 39.8 cm (support); 33.7 x 44.6 x 1.5 cm (frame); 29.4 x 39.9 cm (support); 33.5 x 44.3 x 1.8 cm (frame).","es":"témpera sobre cartón. ambas enmarcadas con marcos de madera en negro de formato oval con cristal. escuela francesa c. 1860/1880. \n \n medidas: 29,7 x 39,8 cm (soporte); 33,7 x 44,6 x 1,5 cm (marco); 29,4 x 39,9 cm (soporte); 33,5 x 44,3 x 1,8 cm (marco)."},"lotNumber":"37","title":{"en":"views of the pyramids of giza, egypt c. 1860/1880,pair of paintings","es":"vistas de las pirámides de giza, egipto c. 1860/1880, pareja de pinturas"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19928/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":800,"lastUpdate":"2026-07-01T00:25:36.927Z","textCase":"lower","currency":"EUR","id":19928},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19924/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19924/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19924/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19924/004/004.jpg"],"available":false,"description":{"en":"circa 1920. oil on canvas. signed on the left shoulder of the portrayed, \u201ce. chicharro\u201d; on the back, on the frame, \u201811\u2019. \n \n measurements: 72.5 x 58.5 cm. \n \n \n permission granted by the spanish state for immediate export to countries of the european union, and other countries of the world, upon payment of a fee. \n \n \n the painting represents an elderly woman in front of the viewer. she is wearing a spanish lace mantilla, which is visible under her coat, both garments in black, and the latter with a wide fur lapel in dark brown. her head is covered with another small lace shawl, also in black. the brooch she wears on her chest, golden and with rhinestones, together with her earrings, denote a certain social charge of the portrayed. \n \n \n the painting shows a strong contrast between the clarity that chicharro imprints on the face and jewelry of the old woman, in contrast to the dark clothing and ocher background of the work. this proposal should be understood as a plea against the absence of color and strength of line that the artist proposed in some of his works during the second decade of the twentieth century. \n \n \n eduardo chicharro y agüera was born in madrid (june 18, 1873) in the upper corridor of san pablo and died in the same villa y corte (may 24, 1949). his father eduardo chicharro serrano was a glassmaker, also related to other artisan fields. at the age of 15 he began studying drawing and painting at the royal academy of fine arts of san fernando. \n \n \n a disciple of joaquín sorolla and teacher of mexican muralist diego rivera, he studied in the workshop of the valencian master, who considered him one of his most gifted disciples. he traveled to italy in 1900 after winning first place and a scholarship from the academy ahead of such important painters as julio romero de torres and fernando álvarez sotomayor. four years later, in 1904, with his work los amores de armida y reinaldo, he won the first medal at the national exhibition of fine arts. immersed in the artistic environment of the madrid of his time, he decided to found and preside in 1910 the so-called association of painters and sculptors, from his own studio in madrid, an association that will create in turn in 1920 the salón de otoño, a contest still in force today. \n \n \n from 1912 to 1925 he directed the spanish academy in rome, replacing ramón maría del valle inclán. between those years, on may 14, 1922, he joined the royal academy of fine arts of san fernando as an academician, with an outstanding speech entitled science and art of coloring, a message that we believe is represented in the portrait of an old woman that we present here, with its striking black clothing on a dark monochrome background: \u201cthe power of the line is immense, with only the stroke you can represent all the forms of nature (...) color does not have that power and needs the line as a framework on which to found itself\u201d. \n \n \n the tireless work of the vilches salon hosted in 1927 what was his first monographic exhibition entitled \u201cwomen\u201d. after this, and when the second spanish republic was declared, he received the position of general inspector of the schools of arts and crafts, which is still in force today. as a culmination of his career, he was appointed general director of fine arts in 1934. \n \n \n his active participation in numerous national and foreign exhibitions led him to obtain different medals and mentions; the honorary mention in 1897; second medal in 1899; first medals in 1904 and 1908; medal of honor in 1922; silver medal in liege, 1905; gold medals in munich, 1905 and 1913; medal in zaragoza, 1908; medal in valencia, 1910; medals in barcelona in 1907 and 1911; medal in buenos aires in 1910; medal in panama in 1916; and great gold medal in berlin in 1914. \n \n \n chamber painter with alfonso xii, he also portrayed alfonso xiii, king of spain. chicharro was knight of the legion of honor, grand officer of the crown of italy, grand cross of alfonso x the wise and adopted son of avila. \n \n \n several spanish and foreign museums keep his paintings. as an anecdotal fact, his work pygmalion, commissioned by the spanish government in 1925 for the current world trade organization (from gatt), based in the swiss city of geneva, came to light in 2007. \n \n \n he was the teacher of the outstanding mexican muralist diego rivera, of his son eduardo chicharro briones, who in addition to being a painter, wrote treatises on art and poetry, and of the basque painter julián de tellaeche aldasoro (bergara 1884 - lima 1957), among others. \n \n \n reference bibliography: \n \n \n e. m. aguilera, eduardo chicharro: aspectos de su vida, su obra y su arte, barcelona, iberia, 1947; j. francés, tres pintores madrileños: leonardo alenza, eduardo chicharro y gutiérrez solana, madrid, discurso leído el 28 de octubre de 1961 con motivo de su ingreso en la real academia de bellas artes de san fernando, madrid, magisterio español, 1961; j. a. gaya nuño, la pintura española del siglo xx, madrid, ibérico europea de ediciones, 1970; j. contreras y lópez, eduardo chicharro en su centenario, madrid, 1973; b. de pantorba, historia y crítica de las exposiciones nacionales de bellas artes celebradas en españa, madrid, 1980; c. reyero y m. freixa, pintura y escultura en españa 1800-1910, madrid, cátedra, 1995; vv. aa., eduardo chicharro agüera, catálogo de la exposición, torreón de lozoya, mayo de 1998, segovia, 1998; arte para un siglo: colecciones del museo nacional centro de arte reina sofía. cambio de siglo: 1881-1925, madrid, confederación española de cajas de ahorros, 2002; l. fernández bastos, eduardo chicharro agüera, en \u201cdiccionario biográfico español\u201d, madrid, real academia de la historia.","es":"hacia 1920. óleo sobre lienzo. firmado sobre el hombro izquierdo de la retratada, \u201ce. chicharro\u201d; en el reverso, sobre el bastidor, \u201c11\u201d. \n \n \n \n medidas: 72,5 x 58,5 cm. \n \n \n permiso concedido por el estado español para su exportación inmediata a países de la unión europea, y resto de países del mundo, previo pago de tasa. \n \n \n la pintura representa una mujer de avanzada edad en posición frontal al espectador. viste mantilla española de blonda, que se deja ver bajo su abrigo, ambas prendas en color negro, y ésta última con amplia solapa de pelo en tonalidad marrón oscuro. lleva su cabeza cubierta con otra pequeña manteleta de encaje también en negro. el broche que luce sobre su pecho, dorado y con pedrería, en unión a sus pendientes, denotan cierta carga social de la retratada. \n \n \n la pintura muestra un fuerte contraste entre la claridad que chicharro imprime al rostro y joya de la anciana, en contraposición a la oscura indumentaria y fondo ocre de la obra. esta propuesta debe de entenderse como un alegato ante la ausencia de color y fortaleza de la línea que sobre la pintura el artista planteó en algunas de sus obras durante la segunda década del siglo xx. \n \n \n eduardo chicharro y agüera nació en madrid (18 de junio de 1873) en la corredera alta de san pablo y falleció en la misma villa y corte (24 de mayo de 1949). su padre eduardo chicharro serrano fue vidriero, también relacionado con otros ámbitos artesanos. a la edad de 15 años comenzó a estudiar dibujo y pintura en la real academia de bellas artes de san fernando. \n \n \n discípulo de joaquín sorolla y maestro del muralista mexicano diego rivera, estudió en el taller del maestro valenciano, quien le consideró uno de sus discípulos más aventajados. viajó por italia en el año 1900 tras conseguir un primer puesto y beca de la academia por delante de pintores tan relevantes como julio romero de torres y fernando álvarez sotomayor. cuatro años después, en 1904 con su obra los amores de armida y reinaldo, obtuvo la primera medalla de la exposición nacional de bellas artes. inmerso en el ambiente artístico del madrid de su época decidió fundar y presidir en 1910 la denominada asociación de pintores y escultores, desde su propio estudio en madrid, una asociación que creará a su vez en 1920 el salón de otoño, un certamen con vigencia hoy en día. \n \n \n desde 1912 hasta 1925 dirigió la academia de españa en roma, sustituyendo a don ramón maría del valle inclán. entre esos años, el 14 de mayo de 1922, ingresó en la real academia de bellas artes de san fernando como académico suyo, con un destacado discurso titulado ciencia y arte del colorido, un mensaje que creemos queda representado en el retrato de anciana que aquí presentamos y nos ocupa, con su llamativa indumentaria negra sobre fondo monócromo oscuro: \u201cel poder de la línea es inmenso, con sólo el trazo se pueden representar todas las formas de la naturaleza (...) el color no tiene ese poder y necesita de la línea como armazón en que fundarse\u201d. \n \n \n la labor incansable del salón vilches acogió en 1927 la que fuera su primera exposición monográfica titulada \u201cmujeres\u201d. tras esto, y al declararse la ii república española, recibió el cargo de inspector general de las escuelas de artes y oficios, de vigencia actual. como colofón a su trayectoria fue nombrado director general de bellas artes en 1934. \n \n \n su activa participación en numerosas exposiciones nacionales y extranjeras le llevaron a obtener diferentes medallas y menciones; destacan la mención honorífica en 1897; segunda medalla en 1899; primeras medallas en 1904 y 1908; medalla de honor en 1922; medalla de plata en lieja, 1905; medallas de oro en munich, años 1905 y 1913; medalla en zaragoza, en 1908; medalla en valencia, 1910; medallas en barcelona en 1907 y 1911; medalla en buenos aires en 1910; medalla en panamá en 1916; y gran medalla de oro en berlín en 1914. \n \n \n pintor de cámara con alfonso xii, retrató a su vez a alfonso xiii, rey de españa. chicharro fue caballero de la legión de honor, gran oficial de la corona de italia, gran cruz de alfonso x el sabio e hijo adoptivo de ávila. \n \n \n diferentes museos españoles y extranjeros conservan pinturas suyas. como dato anecdótico y dada por desaparecida, vió la luz en 2007 su obra pigmalión, encargada por el gobierno de españa en 1925 con destino a la actual organización mundial del comercio (procedente de gatt), con sede en la ciudad suiza de ginebra. \n \n \n fue maestro del destacado muralista mexicano diego rivera, de su hijo eduardo chicharro briones, que además de pintor, escribió tratados sobre arte y poesía, y del pintor vasco julián de tellaeche aldasoro (bergara 1884 \u2013 lima 1957), entre otros. \n \n \n bibliografía de referencia: \n \n \n e. m. aguilera, eduardo chicharro: aspectos de su vida, su obra y su arte, barcelona, iberia, 1947; j. francés, tres pintores madrileños: leonardo alenza, eduardo chicharro y gutiérrez solana, madrid, discurso leído el 28 de octubre de 1961 con motivo de su ingreso en la real academia de bellas artes de san fernando, madrid, magisterio español, 1961; j. a. gaya nuño, la pintura española del siglo xx, madrid, ibérico europea de ediciones, 1970; j. contreras y lópez, eduardo chicharro en su centenario, madrid, 1973; b. de pantorba, historia y crítica de las exposiciones nacionales de bellas artes celebradas en españa, madrid, 1980; c. reyero y m. freixa, pintura y escultura en españa 1800-1910, madrid, cátedra, 1995; vv. aa., eduardo chicharro agüera, catálogo de la exposición, torreón de lozoya, mayo de 1998, segovia, 1998; arte para un siglo: colecciones del museo nacional centro de arte reina sofía. cambio de siglo: 1881-1925, madrid, confederación española de cajas de ahorros, 2002; l. fernández bastos, eduardo chicharro agüera, en \u201cdiccionario biográfico español\u201d, madrid, real academia de la historia."},"lotNumber":"38","title":{"en":"eduardo chicharro agüera (madrid 1873-1949) - elderly woman","es":"eduardo chicharro agüera (madrid 1873-1949) - anciana"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19924/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T00:25:36.928Z","textCase":"lower","currency":"EUR","id":19924},{"startPrice":550,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19883/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19883/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19883/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19883/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19883/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19883/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19883/007/007.jpg"],"available":false,"description":{"en":"oil painting on canvas. spanish school c. 1800. \n \n it has a 19th century carved and polychrome wooden frame, which follows 17th century models. \n \n \n measures: 83 x 105 cm (canvas); 100.5 x 123 cm (frame)","es":"pintura al óleo sobre lienzo. escuela española c. 1800. \n \n \n \n presenta marco de madera tallada y policromada del siglo xix, que sigue modelos del siglo xvii. \n \n \n medidas: 83 x 105 cm (lienzo); 100,5 x 123 cm (marco)"},"lotNumber":"39","title":{"en":"anonymous spanish, ca. 1800 - pastoral landscape","es":"anónimo español c. 1800 - escena pastoril"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19883/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":550,"lastUpdate":"2026-07-01T00:25:36.930Z","textCase":"lower","currency":"EUR","id":19883},{"startPrice":14000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19887/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19887/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19887/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19887/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19887/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19887/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19887/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19887/017/017.jpg"],"available":false,"description":{"en":"oil on canvas. 17th-century spanish school. \n \n the subject depicted is the gathering of manna (old testament, exodus 16:22 and 16:31) or representation of the sustenance sent by god to the people of israel for a period of 40 years, during which time they had to wander through the desert. \n \n \n with a polychrome wooden frame from the 20th century. \n \n \n \n \n size: 154 x 208 x 6 cm","es":"óleo sobre lienzo. escuela italiana del siglo xvii. \n  \n \n el asunto representado es \n la recogida del maná (antiguo testamento, éxodo 16:22 y 16:31) o representación del sustento alimenticio enviado por dios al pueblo de israel por un espacio de 40 años, tiempo que debieron de deambular por el desierto. \n \n \n \n \n con marco en madera policromada del siglo xx. \n \n \n medidas: 154 x 208 x 6 cm"},"lotNumber":"40","title":{"en":"anonymous spanish author, 17th century - gathering the manna","es":"anónimo italiano siglo xvii - recogida del maná"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19887/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":14000,"lastUpdate":"2026-07-01T00:25:36.932Z","textCase":"lower","currency":"EUR","id":19887},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19911/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19911/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19911/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19911/004/004.jpg"],"available":false,"description":{"en":"the subject could be either the famous flight or the less studied return from egypt. it is a painting from the 18th-century spanish-colonial school. \n \n oil on canvas. with a period frame in plain black wood. \n \n \n size: 82 x 61 cm (canvas); 88 x 67,3 cm (frame)","es":"el asunto tratado podría ser tanto la famosa huida como el menos estudiado regreso desde egipto. se trata de pintura de la escuela hispano colonial del siglo xviii. \n \n óleo sobre lienzo. con marco de época en madera lisa de tonalidad negra. \n \n \n medidas: 82 x 61 cm (lienzo); 88 x 67,3 cm (marco)"},"lotNumber":"41","title":{"en":"anonymous hispanic colonial 18th century - flight to egypt","es":"anónimo hispano colonial siglo xviii - huida a egipto"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19911/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:25:31.103Z","textCase":"lower","currency":"EUR","id":19911},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19880/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19880/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19880/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19880/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19880/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19880/006/006.jpg"],"available":false,"description":{"en":"painting by the brazilian artist armando sendin in 1982. signed and dated in the lower left corner: \"sendin - 82\u2033. mixed media on paper. with its original frame in silver wood, passe-partout and glass. \n \n size: 13.5 x 12 cm. \n \n \n provenance: alfama gallery, madrid.","es":"pintura realizada por el artista brasileño armando sendin en 1982. firmada y datada en el ángulo inferior izquierdo: \"sendin \u2013 82\u2033. técnica mixta sobre papel. con su marco original en madera plateada, paspartú y cristal. \n \n medidas: 13.5 x 12 cm. \n \n \n procedencia: galería alfama, madrid."},"lotNumber":"42","title":{"en":"armando sendín (rio de janeiro, brazil 1925 - marbella, spain 2020) - composition (1982)","es":"armando sendín (río de janeiro, brasil 1925 - marbella, españa 2020) - composición (1982)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19880/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:31.104Z","textCase":"lower","currency":"EUR","id":19880},{"startPrice":190,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19881/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19881/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19881/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19881/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19881/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19881/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19881/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19881/008/008.jpg"],"available":false,"description":{"en":"oil on táblex with passe-partout, glass and period frame. \n \n measurements: 13 x 17 cm (support); 25,5 x 32 cm (frame). \n \n \n on the back, there are two original labels identifying the author, and another with a registered and numbered reference to the fact that this work was exhibited at the obaya art gallery in gijón (corrida 9, 33206 gijón). see photographs of these labels.","es":"óleo sobre táblex con paspartú, cristal y marco de época. \n \n \n \n \n \n medidas: 13 x 17 cm (soporte); 25,5 x 32 cm (marco). \n \n \n en su reverso, presenta dos etiquetas originales donde se identifica al autor, y otra donde se hace referencia registrada y numerada de haber sido esta obra expuesta en la galería de arte obaya de gijón (corrida 9, 33206 gijón). véanse fotografías de dichas etiquetas."},"lotNumber":"43","title":{"en":"enrique garriga (20th century) - landscape","es":"enrique garriga (siglo xx) - paisaje"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19881/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":190,"lastUpdate":"2026-07-01T00:25:31.106Z","textCase":"lower","currency":"EUR","id":19881},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19886/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19886/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19886/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19886/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19886/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19886/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19886/007/007.jpg"],"available":false,"description":{"en":"oil on táblex. signed and dated in the lower right corner: \u2018ah [?] 1978\u2019. modern frame. \n \n measurements: 61 x 50 cm (support); 63 x 52,3 x 5 cm (frame).","es":"óleo sobre táblex. firmado y fechado en el ángulo inferior derecho: \"ah [?] 1978\". presenta marco moderno. \n \n \n \n medidas: 61 x 50 cm (soporte); 63 x 52,3 x 5 cm (marco)."},"lotNumber":"44","title":{"en":"signature unidentified, 1978 - abstraction in blue","es":"firma sin identificar, 1978 - abstracción en azul"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19886/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:25:31.108Z","textCase":"lower","currency":"EUR","id":19886},{"startPrice":1500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19888/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19888/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19888/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19888/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19888/005/005.jpg"],"soldDate":"2025-12-11","available":false,"description":{"en":"mixed media on paper. signed and marked in the upper left-hand corner: \u2018carpe / estudio para / mural\u2019. \n \n measurements: 71 x 51 cm (support); 84,5 x 64,5 x 4 cm (frame). \n \n \n this work is an original by the murcian painter and specialist in mural painting antonio hernández carpe (espinardo 1921 - madrid 1977). after beginning to study painting at the school of arts and crafts in murcia, he moved to madrid in 1946 to continue his training in this art at the san fernando school of fine arts between 1946 and 1952. there he met and worked with the painter daniel vázquez díaz (1882-1969), among others. some time later he discovered mural painting, after a stay in rome and naples from 1953 onwards. fully dedicated to this discipline, his main works, using different techniques, stand out for their size and number, the main ones being: in murcia, provincial hospital and palace of archives and libraries (1955); those destroyed in the national library of madrid that same year; in santander, menéndez pelayo international university (1956); in peñíscola, provincial house of castellón; in cádiz, civil government and headquarters of obras del puerto (1962/1964); in 1972, universities of las palmas and toledo; two years later, delegación nacional de educación física y deportes (madrid); in logroño, universidad laboral (1974); again in murcia, colegio mayor ruiz de alda (1957); in cuenca, colegio menor alonso de ojeda; in vitoria, colegio menor explorador iradier (1960); in salamanca, centro nacional de formación profesional y ocupacional. \n \n \n under the guidance of the architect josé luis fernández del amo (1914-1995), he directed his efforts in the decoration of new religious temples, from 1961 onwards, together with artists such as manolo millares, rafael canogar and manuel rivera. the poet josé hierro (1922-2002) wrote in 1976 about carpe's pictorial figurations: \u2018the theme is no more than a pretext for ordering rhythms, harmonising colours, counterbalancing masses... it would seem that geometry - the abstract composition comes first - and figuration comes later\u2019. \n \n \n his personal style was mainly influenced by expressionism and cubism with forays into abstraction, together with a geometrisation of his compositional elements. his main subjects include religious scenes, still lifes and animals, where he focused on his highly personal roosters and partridges.","es":"técnica mixta sobre papel. firmado y reseñado en el ángulo superior izquierdo: \" carpe / estudio para / mural\". \n \n \n \n medidas: 71 x 51 cm (soporte); 84,5 x 64,5 x 4 cm (marco). \n \n \n esta obra es original del pintor y especialista en pintura mural murciano antonio hernández carpe (espinardo 1921 - madrid 1977). tras iniciarse en el estudio de la pintura en la escuela de artes y oficios de murcia, pasó a madrid en 1946 para continuar su formación en este arte en la escuela de bellas artes de san fernando entre 1946 y 1952. allí coincidió y trató al pintor daniel vázquez díaz (1882-1969), entre otros. un tiempo después descubrió la pintura mural, hecho ocurrido tras una estancia en roma y nápoles, a partir de 1953. dedicado de pleno a esta disciplina, sus principales obras mediante la utilización de diferentes técnicas destacan por sus dimensiones y número de ellas, siendo las principales: en murcia, hospital provincial y palacio de archivos y bibliotecas (1955); los destruidos en la biblioteca nacional de madrid, aquel mismo año; en santander, universidad internacional menéndez pelayo (1956); en peñíscola, casa provincial de castellón; en cádiz, gobierno civil y sede de obras del puerto (1962/1964); en 1972, universidades de las palmas y toledo; dos años después, delegación nacional de educación física y deportes (madrid); en logroño, universidad laboral (1974); de nuevo en murcia, colegio mayor ruiz de alda (1957); en cuenca, colegio menor alonso de ojeda; en vitoria, colegio menor explorador iradier (1960); en salamanca, centro nacional de formación profesional y ocupacional. \n \n \n bajo las directrices del arquitecto josé luis fernández del amo (1914-1995), dirigió sus esfuerzos en la decoración de nuevos templos religiosos, de 1961 en adelante, junto a artistas como manolo millares, rafael canogar o manuel rivera. el poeta josé hierro (1922-2002), escribió en 1976 a propósito de las figuraciones pictóricas de carpe: \u201cel tema no es más que un pretexto para ordenar unos ritmos, armonizar unos colores, contrapesar unas masas\u2026 se diría que la geometría - la composición abstracta es lo primero -; la figuración, después\u201d. \n \n \n su personal estilo se vio influenciado principalmente por el expresionismo y el cubismo con incursiones en la abstracción, unido a una geometrización de sus elementos compositivos. entre sus principales asuntos destacan escenas religiosas, bodegones o animales, donde se centra en sus personalísimos gallos o perdices."},"lotNumber":"45","title":{"en":"antonio hernández carpe (espinardo 1921-madrid 1977) - study for a bust of a man","es":"antonio hernández carpe (espinardo 1921- madrid 1977) - estudio para busto de hombre"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19888/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1500,"soldPrice":1500,"lastUpdate":"2026-07-01T00:25:31.109Z","textCase":"lower","currency":"EUR","id":19888},{"startPrice":150,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19891/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19891/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19891/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19891/004/004.jpg"],"available":false,"description":{"en":"oil on panel with gilt wooden frame. \n \n \n \n measures: 29 x 39 cm (stand); 42 x 52 cm (frame)","es":"óleo sobre tabla con marco de madera dorado. \n \n \n \n medidas: 29 x 39 cm (soporte); 42 x 52 cm (marco)"},"lotNumber":"46","title":{"en":"enrique azcárate (20th century - landscape","es":"enrique azcárate (siglo xx) - paisaje"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19891/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":150,"lastUpdate":"2026-07-01T00:25:31.111Z","textCase":"lower","currency":"EUR","id":19891},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19894/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19894/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19894/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19894/004/004.jpg"],"available":false,"description":{"en":"watercolour on paper by the artist a. cantaboni. the subject is an urban view of a muslim city, perhaps in egypt (because of its title \u2018on the nile\u2019), perhaps in turkey (because it flies what looks like the national flag of that country). \n \n signed, dated and titled in the lower left-hand corner: \u2018a. cantaboni / 17-i-95 / on the nile\u2019. with its original frame. \n \n \n measurements: 28,5 x 19 cm (paper support); 50 x 40 x 2 cm (frame)","es":"acuarela sobre papel realizada por el artista a. cantaboni. el asunto desarrollado es la vista urbana de una ciudad musulmana, quizá en egipto (por su título \"on the nile\"), quizá en turquía (por ondear lo que parece la bandera nacional de dicho país). \n \n \n \n firmado, fechado y titulado en el ángulo inferior izquierdo: \"a. cantaboni / 17-i-95 / on the nile\". con su marco original. \n \n \n medidas: 28,5 x 19 cm (soporte papel); 50 x 40 x 2 cm (marco)"},"lotNumber":"47","title":{"en":"alex (?) cantaboni (20th century) - on the nile","es":"alex (?) cantaboni (siglo xx) - sobre el nilo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19894/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:25:31.112Z","textCase":"lower","currency":"EUR","id":19894},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19895/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19895/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19895/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19895/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19895/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19895/006/006.jpg"],"available":false,"description":{"en":"signed in the lower left corner: \"palacios 76\". \n \n mixed media on paper, with glass frame and passe-partout","es":"firmado en el ángulo inferior izquierdo: \"palacios 76\". \n \n técnica mixta sobre papel, con marco cristal y paspartú"},"lotNumber":"48","title":{"en":"pascual palacios tardez (madrid, 1920-1994) - rural architecture (1976)","es":"pascual palacios tardez (madrid, 1920-1994) - arquitectura rural (1976)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19895/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:31.114Z","textCase":"lower","currency":"EUR","id":19895},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19898/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19898/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19898/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19898/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19898/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19898/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19898/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19898/008/008.jpg"],"available":false,"description":{"en":"painted serge with scenes of scribes at work. tempera or gouache on paper and serge. piece that can be rolled up on itself. it conserves its two command staffs made of wood, possibly elm. some deterioration on the paper. \n \n measurements: 144.5 x 67 cm. length of each pole: approx. 83 cm. \n \n \n provenance: \n \n \n china. \n \n \n netherlands, antique market. \n \n \n madrid, private collection.","es":"sarga pintada con escenas de escribanos en sus oficios. témpera o gouache sobre papel y sarga. pieza con posibilidad de enrollar sobre sí misma. conserva sus dos bastones de mando realizados en madera, posiblemente de olmo. algunos deterioros sobre el papel. largo de cada bastón: 83 cm aprox. \n \n medidas: 144,5 x 67 cm. \n \n \n procedencia: \n \n \n china. \n \n \n países bajos, mercado anticuario. \n \n \n madrid, colección particular."},"lotNumber":"49","title":{"en":"xix century oriental anonymous - xix century oriental painting","es":"anónimo oriental del siglo xix - pintura oriental siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19898/view","tags":["esinternational_chinese","esinternational","esinternational_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:25:31.115Z","textCase":"lower","currency":"EUR","id":19898},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19899/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19899/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19899/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19899/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19899/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19899/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19899/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19899/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19899/009/009.jpg"],"available":false,"description":{"en":"painted serge with scenes of scribes at work. tempera or gouache on paper and serge. piece that can be rolled up on itself. it conserves its two command staffs made of wood, possibly elm. \n \n measurements: 156 x 67.5 cm. length of each pole: approx. 83 cm. \n \n \n provenance: \n \n \n china. \n \n \n netherlands, antique market. \n \n \n madrid, private collection.","es":"sarga pintada con escenas de escribanos en sus oficios. témpera o gouache sobre papel y sarga. pieza con posibilidad de enrollar sobre sí misma. conserva sus dos bastones de mando realizados en madera, posiblemente de olmo. \n \n medidas: 156 x 67,5 cm. largo de cada bastón: 83 cm aprox. \n \n \n procedencia: \n \n \n china. \n \n \n países bajos, mercado anticuario. \n \n \n madrid, colección particular."},"lotNumber":"50","title":{"en":"xix century oriental anonymous - xix century oriental painting","es":"anónimo oriental del siglo xix - pintura oriental siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19899/view","tags":["esinternational_chinese","esinternational","esinternational_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:25:31.117Z","textCase":"lower","currency":"EUR","id":19899},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19902/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19902/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19902/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19902/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19902/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19902/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19902/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19902/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19902/009/009.jpg"],"available":false,"description":{"en":"oil on canvas with wooden frame. signed and titled twice: on the lower right corner of the front \"carmelitano 74.\"; above, in the centre, on the canvas of the back \"carmelitano 74\". titled on the upper stretcher: \"frio y calor\" (\"hot and cold\"). \n size: 51 x 60 cm (canvas) 56,3 x 65 cm.","es":"óleo sobre lienzo con marco de madera. firmada y titulada en dos ocasiones: en el ángulo inferior derecho del anverso \"carmelitano 74.\"; arriba, en el centro, sobre el lienzo del reverso \"carmelitano 74\". titulada sobre el bastidor superior: \"frio y calor\". \n medidas: 51 x 60 cm (lienzo) 56,3 x 65 cm."},"lotNumber":"51","title":{"en":"frank carmelitano (new york 1935-2003) - hot and cold (1974)","es":"frank carmelitano (new york 1935-2003) - frío y calor (1974)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19902/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":400,"lastUpdate":"2026-07-01T00:25:29.968Z","textCase":"lower","currency":"EUR","id":19902},{"startPrice":450,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19903/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19903/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19903/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19903/004/004.jpg"],"soldDate":"2025-12-10","available":false,"description":{"en":"this painting was executed in the second half of the 20th century and is a copy of the original of the same subject by the italian artist francesco furini (florence 1603/1646), whose original painting is kept in the museo nacional del prado in madrid (cat. p000144; oil on canvas, 123 x 120 cm). the original comes from the royal collection, in turn from the buen retiro palace in madrid. \n \n the painting on auction here, an anonymous 20th-century painting, is approximately the same as the original version. the canvas shows two small deteriorations in the lower area which do not affect the whole. \n \n \n oil on canvas with modern frame. \n \n \n size: 120 x 122 cm (support); 130.5 x 133.5 x 5 cm (frame).","es":"se trata de una pintura realizada en la segunda mitad del siglo xx que copia el original del mismo asunto realizado por el artista italiano francesco furini (florencia 1603/1646) cuya pintura original conserva el museo nacional del prado en madrid (cat. p000144; óleo sobre lienzo de 123 x 120 cm). dicho original procede de la colección real, a su vez del palacio del buen retiro de madrid. \n \n \n \n la pintura que aquí sale a subasta, anónimo del siglo xx, sigue aproximadamente la versión original. el lienzo presenta dos pequeños deterioros en su área inferior que no afectan al conjunto. \n \n \n óleo sobre lienzo con marco moderno. \n \n \n medidas: 120 x 122 cm (soporte); 130,5 x 133,5 x 5 cm (marco)."},"lotNumber":"52","title":{"en":"follower of francesco furini (florence 1603/1646) - lot and his daughters","es":"seguidor de francesco furini (florencia 1603/1646) - lot y sus hijas"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19903/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":450,"soldPrice":520,"lastUpdate":"2026-07-01T00:25:29.970Z","textCase":"lower","currency":"EUR","id":19903},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19803/001/001.jpg"],"available":false,"description":{"en":"mixed media. framed. \n \n dimensions: 50 x 40 cm (support); 62 x 52 x 3 cm (frame)","es":"técnica mixta. con marco. \n medidas: 50 x 40 cm (soporte); 62 x 52 x 3 cm (marco)"},"lotNumber":"53","title":{"en":"pedro a. saorín box (1944) - abstraction i","es":"pedro a. saorín box (1944) - abstracción i"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19803/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:25:29.971Z","textCase":"lower","currency":"EUR","id":19803},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19804/001/001.jpg"],"available":false,"description":{"en":"mixed media. framed. \n \n dimensions: 50 x 40 cm (support); 62 x 52 x 3 cm (frame).","es":"técnica mixta. con marco. \n medidas: 50 x 40 cm (soporte); 62 x 52 x 3 cm (marco)."},"lotNumber":"54","title":{"en":"pedro a. saorín box (1944) - abstraction ii","es":"pedro a. saorín box (1944) - abstracción ii"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19804/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:25:29.973Z","textCase":"lower","currency":"EUR","id":19804},{"startPrice":130,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19905/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19905/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19905/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19905/004/004.jpg"],"available":false,"description":{"en":"watercolour on paper with beech wood frame, glass and passe-partout. signed in the upper left corner: \"estradera\". \n size: 12.5 x 18.5 cm (support); 27 x 29 cm (frame)","es":"acuarela sobre papel con marco de madera de haya, cristal y paspartú. firmado en el ángulo superior izquierdo: \"estradera\". \n medidas: 12,5 x 18,5 cm (soporte; 27 x 29 cm (marco)"},"lotNumber":"55","title":{"en":"antonio estradera fondevilla (pomar de cinca, huesca 1909 \u2013 barcelona 1992) - untitled","es":"antonio estradera fondevilla (pomar de cinca, huesca 1909 \u2013 barcelona 1992) - sin título"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19905/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":130,"lastUpdate":"2026-07-01T00:25:29.974Z","textCase":"lower","currency":"EUR","id":19905},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19802/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19802/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19802/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19802/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19802/005/005.jpg"],"available":false,"description":{"en":"titled, signed and dated in the upper left corner: \u2018habitacion para el futuro / saorín 2005 madrid.\u2019 titled, signed and dated a second time on the reverse: \u2018viviendas del / futuro / saorín / 2005 / madrid.\u2019 \n \n  \n \n \n provenance: \n \n \n ansorena auctions; 29 september 2021, 413, lot 226. \n \n \n  \n \n \n dimensions: 60 x 40 cm (support); 70 x 60 x 7 cm.","es":"titulado, firmado y fechado en el ángulo superior izquierdo: \"habitacion para el futuro / saorín 2005 madrid.\". titulado, firmado y fechado una segunda vez en el reverso: \"viviendas del / futuro / saorín / 2005 / madrid\". \n  \n procedencia: \n ansorena subastas; 29 septiembre 2021, subasta 413, lote 226. \n  \n medidas: 60 x 40 cm (soporte); 70 x 60 x 7 cm."},"lotNumber":"56","title":{"en":"pedro a. saorín box (1944) - homes of the future","es":"pedro a. saorín box (1944) - viviendas del futuro"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19802/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:25:29.976Z","textCase":"lower","currency":"EUR","id":19802},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19906/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19906/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19906/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19906/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19906/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19906/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19906/007/007.jpg"],"available":false,"description":{"en":"oil on táblex. signed in the lower right corner (illegible). \n \n provenance: \n \n \n madrid, gómez herrera collection. \n \n \n size: 50 x 56,5 cm (support); 66 x 73 x 3 cm (frame).","es":"óleo sobre táblex. firmado en el ángulo inferior derecho (ilegible). \n \n \n \n procedencia: \n \n \n madrid, colección gómez herrera. \n \n \n medidas: 50 x 56,5 cm (soporte); 66 x 73 x 3 cm (marco)."},"lotNumber":"57","title":{"en":"still life of flowers","es":"bodegón de flores"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19906/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":400,"lastUpdate":"2026-07-01T00:25:29.977Z","textCase":"lower","currency":"EUR","id":19906},{"startPrice":260,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19907/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19907/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19907/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19907/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19907/005/005.jpg"],"available":false,"description":{"en":"oil on canvas with its original frame. signed and dated in the upper left corner: \u2018pradillo / - 1960 -\u2019. \n \n original work by this painter from la alcarria who finished his studies in fine arts in 1953. the year in which this painting was executed, 1960, was the same year in which the painter received a scholarship as a grant from the juan march foundation (spain). the following year he received his first medal for his work in painting at the so-called salón de otoño held in madrid. his stay in paris between 1968 and 1989 will shape his career, thanks to his knowledge of the parisian artistic environment of that time. as a result of his cultural exchange, he received the gold medal of the society of french artists in 1974. \n \n \n size: 34 x 46,5 cm (canvas); 46,5 x 58,5 x 5,5 x 5,5 cm (frame)","es":"óleo sobre lienzo con su marco original. firmado y fechado en el ángulo superior izquierdo: \"pradillo / - 1960 -\". \n \n \n \n obra original de este pintor de la alcarria quien finalizó sus estudios de bellas artes en 1953. el año de la realización de esta pintura, 1960, fue el mismo año en que el pintor gozó de una beca como pensionado por la fundación juan march (españa). al año siguiente recibe su primera medalla por sus trabajos en pintura en el denominado salón de otoño celebrado en madrid. su estancia en parís entre 1968 y 1989 formarán su trayectoria, gracias al conocimiento del ambiente artístico parisino de aquella época. fruto de su intercambio cultural, recibe en 1974 medalla de oro de la sociedad de artistas franceses. \n \n \n medidas: 34 x 46,5 cm (lienzo); 46,5 x 58,5 x 5,5 cm (marco)"},"lotNumber":"58","title":{"en":"regino pradillo lozano (guadalajara 1925-1991) - landscape of the alcarria","es":"regino pradillo lozano (guadalajara 1925-1991) - paisaje de la alcarria"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19907/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":260,"lastUpdate":"2026-07-01T00:25:29.978Z","textCase":"lower","currency":"EUR","id":19907},{"startPrice":130,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19908/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19908/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19908/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19908/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19908/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19908/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19908/007/007.jpg"],"available":false,"description":{"en":"painting \"ludovica\", by manuel mingorance acien (málaga 1920 - madrid 2014). work of this painter from malaga with distinctions and recognitions in malaga, his hometown. oil on táblex, with gilded wooden frame and passe-partout. measurements: 31,5 x 45,5 cm (support); 43,6 x 58 cm (frame). \n \n signed in the lower right corner; \"mingorance acien\". \n \n \n registered, signed, titled and dated, on the back: \"a 1 / mingorance / \"ludovica\" 1975\".","es":"pintura \"ludovica\", por manuel mingorance acien (málaga 1920 - madrid 2014). obra de este pintor malagueño con distinciones y reconocimintos en málaga, su ciudad natal. óleo sobre táblex, con marco en madera dorada y paspartú. medidas: 31,5 x 45,5 cm (soporte); 43,6 x 58 cm (marco). \n \n \n \n firmado en el ángulo inferior derecho; \"mingorance acien\". \n \n \n registrado, firmado, titulado y fechado, en el reverso: \"a 1 / mingorance / \"ludovica\" 1975\"."},"lotNumber":"59","title":{"en":"manuel mingorance acien (málaga 1920 - madrid 2014) - ludovica (1975)","es":"manuel mingorance acien (málaga 1920 - madrid 2014) - ludovica (1975)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19908/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":130,"lastUpdate":"2026-07-01T00:25:29.979Z","textCase":"lower","currency":"EUR","id":19908},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19909/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19909/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19909/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19909/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19909/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19909/006/006.jpg"],"available":false,"description":{"en":"pencil and watercolour on paper depicting a still life with two apples and three pears arranged on a textile. illegible signature in the lower right corner. \n \n size: 26 x 44,5 cm (support); 36 x 54,4 x 3 cm (frame).","es":"lápiz y acuarela sobre papel donde se representa un bodegón con dos manzanas y tres peras dispuestas sobre un textil. firma ilegible en el ángulo inferior derecho. \n \n \n \n medidas: 26 x 44,5 cm (soporte); 36 x 54,4 x 3 cm (marco)."},"lotNumber":"60","title":{"en":"unidentified artist. 20th century - still life with apples and pears","es":"firma sin identificar. siglo xx - bodegón de manzanas y peras"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19909/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:29.981Z","textCase":"lower","currency":"EUR","id":19909},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19873/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19873/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19873/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19873/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19873/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19873/006/006.jpg"],"available":false,"description":{"en":"pencil, graphite and blue watercolour on paper, adhered to another paper as a passe-partout, with plain gilt frame and glass. \n \n \n \n \n \n \n \n \n \n signed in the lower left corner: \" perez torres. / 977\".","es":"lápiz, grafito y acuarela azul sobre papel, adherido a otro papel a modo de paspartú, con marco liso dorado y cristal. \n \n \n \n firmado en el ángulo inferior izquierdo: \" perez torres. / 977\"."},"lotNumber":"61","title":{"en":"julio pérez torres (1898-2001) - houses (1977)","es":"julio pérez torres (1898-2001) - casas (1977)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19873/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:32.399Z","textCase":"lower","currency":"EUR","id":19873},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19866/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19866/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19866/003/003.jpg"],"available":false,"description":{"en":"watercolor on paper. signed and dated in the lower right corner: \"redondela / 76\". with modern wood and glass frame. \n \n \n \n measurements: 24,5 x 17 cm (paper); 49,7 x 41,2 cm (frame)","es":"acuarela sobre papel. firmado y fechado en el ángulo inferior derecho: \"redondela / 76\". con marco moderno de madera y cristal. \n \n \n \n medidas: 24,5 x 17 cm (soporte papel); 49,7 x 41,2 cm (marco)"},"lotNumber":"62","title":{"en":"agustín redondela (madrid 1922-2015): - landscape with church (1976)","es":"agustín redondela (madrid 1922-2015) - paisaje con iglesia (1976)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19866/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:25:32.401Z","textCase":"lower","currency":"EUR","id":19866},{"startPrice":260,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19863/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19863/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19863/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19863/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19863/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19863/015/015.jpg"],"available":false,"description":{"en":"stamp ed. 18/155. signed in pencil in the lower right corner. \"echauz\". \n \n measurements: 71,4 x 52 cm (support); 92,5 x 69,7 x 2,7 cm (frame with glass). \n \n \n provenance: madrid, alfama gallery. \n \n \n  \n \n \n \n \n trained at the escuela superior de bellas artes de san fernando and at the escuela nacional de artes gráficas, between 1955 and 1959 he was on a scholarship at the spanish academy of fine arts in rome. he later obtained a professorship at the escuela superior de bellas artes de san fernando and was awarded a scholarship by the fundación juan march. \n \n \n  \n \n \n \n \n his work in general evolved from a surrealist postulate to an expressionist understanding in which the submission of the human race to machines was perhaps the great leitmotiv of his artistic legacy. \n \n \n  \n \n \n \n \n a long list of prizes, medals and exhibitions attest to his artistic recognition. \n \n \n reference bibliography: alfaro, j. r.: francisco echauz, exhibition catalogue, madrid, museo de arte contemporáneo, 1972; aguilera, v.: echauz, exhibition catalogue, granada, 1973; calvo serraller, f.: enciclopedia del arte español del siglo xx. madrid, ed. mondadori, 1991.","es":"estampa ed. 18/155. firmada a lápiz en el ángulo inferior derecho. \"echauz\". \n \n medidas: 71,4 x 52 cm (soporte); 92,5 x 69,7 x 2,7 cm (marco con cristal). \n \n \n procedencia: madrid, galería alfama. \n \n \n  \n \n \n \n \n formado en la escuela superior de bellas artes de san fernando y en la escuela nacional de artes gráficas, fue pensionado entre 1955 y 1959 estuvo pensionado en la academia española de bellas artes en roma. más tarde obtuvo la cátedra en la escuela superior de bellas artes de san fernando y fue becado por la fundación juan march. \n \n \n  \n \n \n \n \n su obra en general evoluciona desde un postulado surrealista a un entendimiento expresionista donde la sumisión de la raza humana ante las máquinas supuso quizá el gran leitmotiv de su legado artístico. \n \n \n  \n \n \n \n \n una larga lista de premios, medallas y exposiciones avalan su reconocimiento artístico. \n \n \n bibliografía de referencia: alfaro, j. r.: francisco echauz, catálogo de la exposición, madrid, museo de arte contemporáneo, 1972; aguilera, v.: echauz, catálogo de la exposición, granada, 1973; calvo serraller, f.: enciclopedia del arte español del siglo xx. madrid, ed. mondadori, 1991."},"lotNumber":"63","title":{"en":"francisco josé echauz buisan (madrid 1927-2011) -","es":"francisco josé echauz buisan (madrid 1927-2011) - sin título"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19863/view","tags":["esart_graphicworksetchinglithography","esart","esart_all"],"directSalePrice":260,"lastUpdate":"2026-07-01T00:25:32.403Z","textCase":"lower","currency":"EUR","id":19863},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19912/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19912/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19912/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19912/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19912/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19912/006/006.jpg"],"available":false,"description":{"en":"still life of roses. oil on canvas with modern frame. signed in the lower right corner: \u2018f. joya (?)\u2019. \n \n measurements: 54 x 73 cm (support; 64,2 x 83 x 7 cm (frame).","es":"bodegón de rosas. óleo sobre lienzo con marco moderno. firmado en el ángulo inferior derecho: \"f. joya (?)\". \n \n \n \n medidas: 54 x 73 cm (soporte; 64,2 x 83 x 7 cm (marco)."},"lotNumber":"64","title":{"en":"f. joya (?) c. 1960 - still life of roses","es":"f. joya h. 1960 - bodegón de rosas"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19912/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:25:32.404Z","textCase":"lower","currency":"EUR","id":19912},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19913/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19913/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19913/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19913/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19913/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19913/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19913/007/007.jpg"],"available":false,"description":{"en":"signed in the lower left corner: \"glagares\". \n \n signed again and titled on the back: \"gonzalez lagares / fruits and lemons\". \n \n \n oil on táblex with white wooden frame.","es":"firmado en el ángulo inferior izquierdo: \"glagares\". \n \n \n \n firmado de nuevo y titulado en el reverso: \"gonzalez lagares / frutas y limones\". \n \n \n óleo sobre táblex con marco de madera en blanco."},"lotNumber":"65","title":{"en":"francisco gonzález lagares (vigo, 1944) - still life of fruit and lemons","es":"francisco gonzález lagares (vigo, 1944) - bodegón de frutas y limones"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19913/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:25:32.406Z","textCase":"lower","currency":"EUR","id":19913},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19914/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19914/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19914/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19914/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19914/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19914/006/006.jpg"],"available":false,"description":{"en":"painting \"female nude torso\", by v. de la puente (20th century). \n \n signed in the lower right corner: \"v. de la puente\". \n \n \n oil on táblex with wooden frame, passe-partout and glass. \n \n \n measurements: 44,3 x 37,2 x 1,3 cm (frame); 30 x 23 cm (táblex).","es":"pintura \"torso femenino desnudo\", por v. de la puente (siglo xx). \n \n \n \n firmado en el ángulo inferior derecho: \"v. de la puente\". \n \n \n óleo sobre táblex con marco de madera, paspartú y cristal. \n \n \n medidas: 44,3 x 37,2 x 1,3 cm (marco); 30 x 23 cm (táblex)."},"lotNumber":"66","title":{"en":"v. de la puente (spanish school, 20th century) nude female torso","es":"v. de la puente (escuela española, siglo xx) - torso femenino desnudo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19914/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":80,"lastUpdate":"2026-07-01T00:25:32.407Z","textCase":"lower","currency":"EUR","id":19914},{"startPrice":100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19915/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19915/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19915/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19915/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19915/005/005.jpg"],"available":false,"description":{"en":"watercolour on paper. with modern frame. it presents illegible signature under the right arm of the person represented. \n \n size: 22 x 15 cm (support); 42,2 x 35,2 x 4 cm (frame).","es":"acuarela sobre papel. con marco moderno. presenta firma ilegible bajo el brazo derecho de la persona representada. \n \n \n \n medidas: 22 x 15 cm (soporte); 42,2 x 35,2 x 4 cm (marco)."},"lotNumber":"67","title":{"en":"signature illegible. 20th century - woman with a bucket","es":"firma ilegible. siglo xx - mujer con cubo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19915/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":100,"lastUpdate":"2026-07-01T00:25:32.409Z","textCase":"lower","currency":"EUR","id":19915},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19916/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19916/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19916/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19916/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19916/005/005.jpg"],"available":false,"description":{"en":"original painting on 1970' depicting a \"seaport\"; oil on canvas with carved and painted wooden frame. \n \n signed in the lower right corner \"valerii\". \n \n \n measurements 111,5 x 84,5 x 5 cm (frame) 92,5 x 65 cm (canvas).","es":"pintura original sobre 1970' representado un \"puerto marítimo\"; óleo sobre lienzo con marco de madera tallada y pintado. \n \n \n \n firmado en el ángulo inferior derecho \"valerii\". \n \n \n medidas 111,5 x 84,5 x 5 cm (marco) 92,5 x 65 cm (lienzo)."},"lotNumber":"68","title":{"en":"valerii (20th century) - seaport","es":"valerii (siglo xx) - puerto marítimo"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19916/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:32.410Z","textCase":"lower","currency":"EUR","id":19916},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19935/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19935/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19935/003/003.jpg"],"available":false,"description":{"en":"oil on panel. period gilt and carved frame, with small lack in the lower right corner. \n \n \n \n inscribed in pencil on the back: \"sr. pastor / (c. pascual y genis - 12) / 96 927 (...)\".","es":"óleo sobre tabla. marco dorado y tallado de época, con pequeña falta en el ángulo inferior derecho. \n \n \n \n inscripción a lápiz en el reverso: \"sr. pastor / (c. pascual y genis - 12) / 96 927 (...)\"."},"lotNumber":"69","title":{"en":"anonymous valencian circa 1930 - indoor scene","es":"anónimo valenciano hacia - escena de interior"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19935/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:32.411Z","textCase":"lower","currency":"EUR","id":19935},{"startPrice":350,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19944/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19944/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19944/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19944/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19944/010/010.jpg"],"available":false,"description":{"en":"oil on canvas. painting signed in the lower left corner \u2018a g m\u2019. its author is ángel gonzález marcos (madrid 1900-1978), a painter specialising in bullfighting subjects. he held various exhibitions in spain, mexico and peru. part of his work is preserved in various museums around the world, including spain, paris, lisbon, rome, tokyo, new york, caracas, lima, bogotá and rio de janeiro. \n \n  \n \n \n dimensions: 26 x 56 (support); 44 x 63 x 5 cm (frame)","es":"óleo sobre lienzo. pintura firmada en el ángulo inferior izquierdo \" a  g  m \". su autor es ángel gonzález marcos (madrid 1900-1978), pintor especializado en asuntos taurinos. realizó distintas exposiciones en españa, méxico o perú. parte de su obra se conserva en distintos museos del mundo, como en el caso de españa, parís, lisboa, roma, tokyo, nueva york, caracas, lima, bogotá o río de janeiro. \n  \n \n medidas: 26 x 56 (soporte); 44 x 63 x 5 cm (marco)"},"lotNumber":"70","title":{"en":"ángel gonzález marcos (madrid 1900-1978) - bullfighting scene","es":"ángel gonzález marcos (madrid 1900-1978) - escena taurina"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19944/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":350,"lastUpdate":"2026-07-01T00:25:32.413Z","textCase":"lower","currency":"EUR","id":19944},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19868/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19868/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19868/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19868/004/004.jpg"],"available":false,"description":{"en":"oil on canvas. signed lower centre: \u2018r. cejudo nogales\u2019. signed and titled on the reverse.","es":"óleo sobre lienzo. firmado abajo, hacia el centro: \"r. cejudo nogales\". firmado y titulado en el dorso."},"lotNumber":"71","title":{"en":"ricardo cejudo nogales (puertollano, ciudad real, 1952) - view of betrén, aran valley","es":"ricardo cejudo nogales (puertollano, ciudad real, 1952) - vista de betrén, valle de arán"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19868/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T00:25:30.132Z","textCase":"lower","currency":"EUR","id":19868},{"startPrice":100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19933/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19933/002/002.jpg"],"available":false,"description":{"en":"tempera on paper. signed in the lower right corner, in red: \"rubio\". \n \n measures: 59,6 x 40 cm. \n \n \n provenance: \n \n \n madrid. gallery alfama. \n \n \n madrid. private collection.","es":"témpera sobre papel. firmado en el ángulo inferior derecho, en rojo: \"rubio\". \n \n \n \n medidas: 59,6 x 40 cm. \n \n \n procedencia: \n \n \n madrid. galería alfama. \n \n \n madrid. colección particular."},"lotNumber":"72","title":{"en":"josé rubio (20th century spanish school) - urban landscape","es":"josé rubio (escuela española siglo xx) - paisaje urbano"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19933/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":100,"lastUpdate":"2026-07-01T00:25:30.134Z","textCase":"lower","currency":"EUR","id":19933},{"startPrice":130,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19864/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19864/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19864/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19864/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19864/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19864/019/019.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19864/021/021.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19864/023/023.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19864/009/009.jpg"],"available":false,"description":{"en":"realist painting \"campo agrícola\" (1980), by justo vilá fudio (madrid, 1926-2011). \n \n oil on canvas signed by the artist in the lower left corner: \"vilá fudio 80\".","es":"pintura realista \"campo agrícola\" (1980), por justo vilá fudio (madrid, 1926-2011). \n \n óleo sobre lienzo firmado por el artista en el ángulo inferior izquierdo: \"vilá fudio 80\"."},"lotNumber":"73","title":{"en":"justo vilá fudio (madrid, 1926-2011) - agricultural field (1980)","es":"justo vilá fudio (madrid, 1926-2011) - campo agrícola (1980)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19864/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":130,"lastUpdate":"2026-07-01T00:25:30.135Z","textCase":"lower","currency":"EUR","id":19864},{"startPrice":240,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19865/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19865/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19865/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19865/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19865/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19865/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19865/007/007.jpg"],"available":false,"description":{"en":"oil on canvas signed in the lower left corner: \"menendez moran / 83\". \n \n on the back, handwritten by the painter on the canvas, dedication: \"menendez moran / with affection for / maria\". \n \n \n with wooden frame and passe-partout","es":"óleo sobre lienzo firmado en el ángulo inferior izquierdo: \" menendez moran / 83\". \n \n al reverso, manuscrito por el pintor sobre el lienzo, dedicatoria: \"menendez moran / con afecto para / maria\". \n \n \n con marco de madera y paspartú"},"lotNumber":"74","title":{"en":"francisco menéndez morán (madrid 1956) - landscape (1983)","es":"francisco menéndez morán (madrid 1956) - paisaje (1983)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19865/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":240,"lastUpdate":"2026-07-01T00:25:30.137Z","textCase":"lower","currency":"EUR","id":19865},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19867/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19867/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19867/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19867/004/004.jpg"],"available":false,"description":{"en":"oil on panel. numbered and titled on the back: \u20189 - old man with glass\u2019. signed by the author in the lower right corner (signature unidentified as it is illegible). \n \n size: 75 x 92 cm (support); 93,5 x 110,3 x 3 cm (frame).","es":"óleo sobre tabla. numerado y titulo en el reverso: \"9 - viejo con vaso\". firmado por su autor o autora en el ángulo inferior derecho (firma sin identificar por ser ilegible). \n \n \n \n medidas: 75 x 92 cm (soporte); 93,5 x 110,3 x 3 cm (marco)."},"lotNumber":"75","title":{"en":"signature illegible d. 1960 - old man with glass","es":"firma ilegible h. 1960 - viejo con vaso"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19867/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T00:25:30.138Z","textCase":"lower","currency":"EUR","id":19867},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19875/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19875/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19875/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19875/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19875/005/005.jpg"],"available":false,"description":{"en":"oil on táblex. signed in the lower right corner (illegible). \n \n provenance: \n \n \n madrid, gómez herrera collection. \n \n \n measurements: 70 x 98 cm (support); 86 x 115,5 x 3 cm (frame).","es":"óleo sobre táblex. firmado en el ángulo inferior derecho (ilegible). \n \n \n \n \n \n procedencia: \n \n \n madrid, colección gómez herrera. \n \n \n medidas: 70 x 98 cm (soporte); 86 x 115,5 x 3 cm (marco)."},"lotNumber":"76","title":{"en":"illegible signature (20th century) - women's group","es":"firma ilegible (siglo xx) - grupo de mujeres"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19875/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T00:25:30.139Z","textCase":"lower","currency":"EUR","id":19875},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19927/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19927/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19927/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19927/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19927/005/005.jpg"],"available":false,"description":{"en":"painting by the artist of the second spanish republic alexis hinsberger (1907-1996), painter and sculptor born in cartagena, who studied in barcelona, moved to france, and died there. he was a defender of the anti-franco regime, in whose work his role as a designer of posters for the second spanish republic stands out: \n  \n  \n \n \n \n \n \n \n \n https://ifc.dpz.es/recursos/publicaciones/37/01/40perezmoreno.pdf \n \n \n  \n \n \n \n \n this painting depicts an antique horse-drawn carriage located inside a chicken coop. signed in the lower right corner \"hinsberger\" and titled and re-signed on the reverse: \"l'aieul / hinsberger\". with a contemporary wooden frame. \n \n \n  \n \n \n \n \n provenance:coca collection. \n \n \n dimensions: 59.5 x 70 cm (frame); 50.5 x 61.5 cm (canvas) \n \n \n a work of his on a similar subject, a horse-drawn carriage inside a henhouse, was auctioned at: durán auctions of art, madrid, spain; october 23, 1991, lot 485, painting 'still life', oil on canvas, 60 x 74 cm, signed in the lower right corner, reproduced on page 33 of his catalog, hammer price \u20ac351: \n \n \n  \n \n \n \n \n https://es.artprice.com/artista/13553/alexis-hinsberger/pintura/91555/naturaleza-muerta?p=13","es":"pintura realizada por el artista de la ii república española alexis hinsberger (1907-1996), pintor y escultor nacido en cartagena, quien estudió en barcelona, se trasladó a francia y allí murió. fue un defensor del régimen antifranquista en cuya obra destaca su labor como dibujante de carteles de la ii república española: \n  \n  \n \n \n \n \n \n \n \n https://ifc.dpz.es/recursos/publicaciones/37/01/40perezmoreno.pdf \n \n \n  \n \n \n \n \n esta pintura representa un antiguo coche tirado a caballos ubicado en el interior de un gallinero. firmado en el ángulo inferior derecho \"hinsberger\" y titulado y vuelto a firmar en el reverso: \" l'aieul / hinsberger\". con marco contemporáneo en madera. \n \n \n  \n \n \n \n \n procedencia: \n \n \n colección coca. \n \n \n medidas: 59,5 x 70 cm (marco); 50,5 x 61,5 cm (lienzo). \n \n \n una obra suya de similar asunto, un coche de caballos dentro de un gallinero, se remató en: \n \n \n durán subastas de arte, madrid, españa; 23 octubre 1991, lote 485, pintura \"naturaleza muerta\", óleo sobre lienzo, 60 x 74 cm, firmado en ángulo inferior derecho, reproducido en pág. 33 de su catálogo, precio de remate 351 \u20ac: \n \n \n  \n \n \n \n \n https://es.artprice.com/artista/13553/alexis-hinsberger/pintura/91555/naturaleza-muerta?p=13"},"lotNumber":"77","title":{"en":"alexis hinsberger martínez (1907-1996) - the ancestor","es":"alexis hinsberger martínez (1907-1996) - el antepasado"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19927/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:25:30.141Z","textCase":"lower","currency":"EUR","id":19927},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19934/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19934/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19934/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19934/004/004.jpg"],"available":false,"description":{"en":"attributed to josé rubio. tempera on paper. \n \n measures: 59,6 x 40 cm. \n \n \n provenance: \n \n \n madrid. gallery alfama. \n \n \n madrid. private collection.","es":"atribuido a josé rubio. témpera sobre papel. \n \n \n \n medidas: 59,6 x 40 cm. \n \n \n procedencia: \n \n \n madrid. galería alfama. \n \n \n madrid. colección particular."},"lotNumber":"78","title":{"en":"attributed to josé rubio - urban landscape with woman","es":"atribuido a josé rubio - paisaje urbano con mujer"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19934/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":80,"lastUpdate":"2026-07-01T00:25:30.142Z","textCase":"lower","currency":"EUR","id":19934},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19932/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19932/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19932/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19932/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19932/005/005.jpg"],"available":false,"description":{"en":"oil on canvas. signed in the lower right corner: \u2018l aguado\u2019. \n \n size: 46 x 38 cm (support); 56,5 x 48,5 x 4 cm (frame).","es":"óleo sobre lienzo. firmado en el ángulo inferior derecho: \" l aguado\". \n \n \n \n medidas: 46 x 38 cm (soporte); 56,5 x 48,5 x 4 cm (marco)."},"lotNumber":"79","title":{"en":"aguado (20th century) - old man with cap","es":"aguado (siglo xx) - anciano con gorra"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19932/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:30.144Z","textCase":"lower","currency":"EUR","id":19932},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19937/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19937/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19937/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19937/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19937/005/005.jpg"],"available":false,"description":{"en":"mixed media on cardboard paper. with modern black and glass frame by the barcelona house l'art. size: 19 x 14,8 cm (support) 34,5 x 30 x 2 cm (frame). signed in the lower right corner. \n \n \n \n \n \n \n \n provenance: galería alfama (calle serrano 7, madrid), according to the original stamp printed on the back of the work and various cataloguing numbers.","es":"técnica mixta sobre papel acartonado. con marco moderno en negro y cristal de la casa barcelonesa l'art. medidas: 19 x 14,8 cm (soporte) 34,5 x 30 x 2 cm (marco). firmado en el ángulo inferior derecho. \n \n \n \n \n \n \n \n procedencia: galería alfama (calle serrano 7, madrid), según sello original impreso en el reverso de la obra y varias numeraciones de catalogación."},"lotNumber":"80","title":{"en":"vicente castillo (20th century) - abstraction","es":"vicente castillo (siglo xx) - abstracción"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19937/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:30.145Z","textCase":"lower","currency":"EUR","id":19937},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19900/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19900/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19900/003/003.jpg"],"available":false,"description":{"en":"watercolour on paper. with its original modern frame. signed and dated in the lower right corner: \u2018s. hanemann / 1983\u2019. \n \n size: 37 x 27 cm (paper support); 67 x 58 x 3,5 cm (frame)","es":"acuarela sobre papel. con su marco moderno original. firmado y fechado en el ángulo inferior derecho: \"s. hanemann / 1983\". \n \n \n \n medidas: 37 x 27 cm (soporte papel); 67 x 58 x 3,5 cm (marco)"},"lotNumber":"81","title":{"en":"s. hanemann (20th century) . forest","es":"s. hanemann (siglo xx) - bosque"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19900/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:25:30.399Z","textCase":"lower","currency":"EUR","id":19900},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19939/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19939/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19939/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19939/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19939/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19939/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19939/007/007.jpg"],"available":false,"description":{"en":"original painting by fermín hernández garbayo (madrid 1929-1992). \n \n oil on canvas. with its original frame. \n \n \n measurements: 73,5 x 50 cm (support); 76,5 x 53,8 x 4 cm (frame). \n \n \n provenance: \n \n \n madrid, alfama gallery.","es":"pintura original de fermín hernández garbayo (madrid 1929-1992). \n \n \n \n óleo sobre lienzo. con su marco original. \n \n \n medidas: 73,5 x 50 cm (soporte); 76,5 x 53,8 x 4 cm (marco). \n \n \n procedencia: \n \n \n madrid, galería alfama."},"lotNumber":"82","title":{"en":"fermín gargayo (madrid 1929-1992) - woman","es":"fermín gargayo (madrid 1929-1992) - mujer"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19939/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:25:30.402Z","textCase":"lower","currency":"EUR","id":19939},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19890/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19890/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19890/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19890/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19890/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19890/006/006.jpg"],"available":false,"description":{"en":"oil on táblex. signed in the lower right corner: \u2018enrique navarro\u2019. 56 x 47 cm (support); 76 x 66,5 x 6,5 cm (frame)","es":"óleo sobre táblex. firmado en el ángulo inferior derecho: \"enrique navarro\". \n \n medidas: 56 x 47 cm (soporte); 76 x 66,5 x 6,5 cm (marco)"},"lotNumber":"83","title":{"en":"enrique navarro (20th century) - woman breastfeeding a baby","es":"enrique navarro (siglo xx) - mujer dando pecho a un bebé"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19890/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:25:30.403Z","textCase":"lower","currency":"EUR","id":19890},{"startPrice":260,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19901/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19901/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19901/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19901/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19901/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19901/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19901/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19901/019/019.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19901/009/009.jpg"],"available":false,"description":{"en":"signed in the lower right corner; \"hidalgo\". watercolour and pastel on paper. \n \n with gilt and silver wood frame, passe-partout and glass. \n \n \n framed by the barcelona house \"marcs sanllehy / art\", according to the original stamp on the back of the work. measurements: 91.5 x 71 x 5 cm (frame); 70 x 50 (support). \n \n \n on the back, in red, gallery catalogue number (1313), and title, measurements, signature and year of the work \"93\" handwritten by the artist. \n \n \n provenance: durán subastas de arte, madrid; auction 29 may 2013, lot 39, page 21 (reproduced in their catalogue).","es":"firmado en el ángulo inferior derecho; \"hidalgo\". acuarel y pastel sobre papel. \n \n con marco en madera dorada y plateada, paspartú y cristal. \n \n \n enmarcado por la casa barcelonesa \"marcs sanllehy / art\", según sello original en el reverso de la obra. medidas: 91,5 x 71 x 5 cm (marco); 70 x 50 (soporte). \n \n \n en el reverso, en rojo, número de catálogo de galerista (1313), y título, medidas, firma y año de la obra \"93\" manuscrito por el artista. \n \n \n procedencia: durán subastas de arte, madrid; subasta 29 de mayo de 2013, lote 39, página 21 (reproducido en su catálogo)."},"lotNumber":"84","title":{"en":"joaquim hidalgo pagés (catallops, girona, 1935-2011) - nude (1993)","es":"joaquim hidalgo pagés (catallops, girona, 1935-2011) - desnudo femenino (1993)"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19901/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":260,"lastUpdate":"2026-07-01T00:25:30.405Z","textCase":"lower","currency":"EUR","id":19901},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19897/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19897/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19897/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19897/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19897/005/005.jpg"],"available":false,"description":{"en":"mixed media on paper. size; 22 x 16 cm (support) 32 x 26 cm (frame). signed below, towards the centre: \"peyrot\"","es":"técnica mixta sobre papel. medidas; 22 x 16 cm (soporte) 32 x 26 cm (marco). firmado abajo, hacia el centro: \"peyrot\""},"lotNumber":"85","title":{"en":"arturo peyrot filippini (rome 1908 - madrid 1993) - urban landscape","es":"arturo peyrot filippini (roma 1908 - madrid 1993) - paisaje urbano"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19897/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:30.407Z","textCase":"lower","currency":"EUR","id":19897},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19938/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19938/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19938/003/003.jpg"],"available":false,"description":{"en":"mixed media. with fine modern frame in black painted wood. \n \n size: 80 x 10 cm (support); 84 x 103 x 3 cm (frame).","es":"técnica mixta. con marco fino moderno en madera pintada de negro. \n \n \n \n medidas: 80 x 10 cm (soporte); 84 x 103 x 3 cm (marco)."},"lotNumber":"86","title":{"en":"anonymous end of 20th century - abstraction in white","es":"anónimo fin siglo xx - abstracción en blanco"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19938/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:25:30.408Z","textCase":"lower","currency":"EUR","id":19938},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19942/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19942/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19942/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19942/004/004.jpg"],"available":false,"description":{"en":"watercolour on paper. with modern frame. \n \n size: 56 x 40 cm (support); 60,5 x 44,5 x 3,5 cm (frame).","es":"acuarela sobre papel. con marco moderno. \n \n \n \n medidas: 56 x 40 cm (soporte); 60,5 x 44,5 x 3,5 cm (marco)."},"lotNumber":"87","title":{"en":"anonymous. 20th century - elderly man with cane","es":"anónimo. siglo xx - anciano con bastón"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19942/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":140,"lastUpdate":"2026-07-01T00:25:30.410Z","textCase":"lower","currency":"EUR","id":19942},{"startPrice":200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19910/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19910/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19910/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19910/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19910/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19910/006/006.jpg"],"available":false,"description":{"en":"20th-century copy of an original painting by josé de ribera. \n \n oil on canvas. signed in the lower right corner: \u201ces copia / julia re...\u201d. \n \n \n dimensions: 72 x 65 cm (support); 84.5 x 77.5 x 5 cm (frame).","es":"copia del siglo xx de una pintura original de josé de ribera. \n óleo sobre lienzo. firmado en el ángulo inferior derecho: \"es copia / julia re...\".  \n \n medidas: 72 x 65 cm (soporte); 84,5 x 77,5 x 5 cm (marco)."},"lotNumber":"88","title":{"en":"according to josé de ribera - 20th century saint jerome, penitent","es":"según josé de ribera - siglo xx san jerónimo, penitente"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19910/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":200,"lastUpdate":"2026-07-01T00:25:30.411Z","textCase":"lower","currency":"EUR","id":19910},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19941/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19941/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19941/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19941/004/004.jpg"],"available":false,"description":{"en":"enamelled painting. signed and dated in the lower right corner: \u2018raoul / ii - 82 [?]\u2019. \n \n size: 20 x 15 cm (support); 39 x 34,8 cm (frame).","es":"pintura esmaltada. firmado y fechado en el ángulo inferior derecho: \"raoul / ii · 82 [?]\". \n \n \n \n medidas: 20 x 15 cm (soporte); 39 x 34,8 cm (marco)."},"lotNumber":"89","title":{"en":"raoul, 1982 (?) - view of a church","es":"raoul, 1982 (?) - vista de una iglesia"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19941/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":80,"lastUpdate":"2026-07-01T00:25:30.412Z","textCase":"lower","currency":"EUR","id":19941},{"startPrice":120,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19936/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19936/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19936/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19936/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19936/005/005.jpg"],"available":false,"description":{"en":"oil on canvas. signed in the lower left corner: \u2018l aguado\u2019. \n \n the book that remains open shows an allusion to the art of painting as it represents the delphic sibyl, image of the fresco painting made by michelangelo buonarroti in 1509 for the sistine chapel in the vatican city (see last two images). \n \n \n size: 45.5 x 54.5 cm (support); 51.3 x 60.2 x 4.5 cm (frame).","es":"óleo sobre lienzo. firmado en el ángulo inferior izquierdo: \"l aguado\". \n \n \n \n el libro que permanece abierto muestra una alusión al arte de la pintura al representa la sibila délfica, imagen de la pintura al fresco realizada por miguel ángel buonarroti en 1509 para la capilla sixtina de la ciudad del vaticano (ver últimas dos imágenes). \n \n \n medidas: 45,5 x 54,5 cm (soporte); 51,3 x 60,2 x 4,5 cm (marco)."},"lotNumber":"90","title":{"en":"aguado (century xx) - still life with candelabra and two books","es":"aguado (siglo xx) - bodegón con candelabro y dos libros"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19936/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":120,"lastUpdate":"2026-07-01T00:25:30.414Z","textCase":"lower","currency":"EUR","id":19936},{"startPrice":100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19940/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19940/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19940/003/003.jpg"],"available":false,"description":{"en":"watercolour on paper with subject on a landscape; with modern frame. presents signature in the lower right corner; \u2018 sola (?)\u2019. 20th century. \n \n measurements: 9 x 12 cm (support); 20 x 24,5 x 1,5 cm (frame).","es":"acuarela sobre papel con asunto sobre un paisaje; con marco moderno. presenta firma en el ángulo inferior derecho; \" sola (?)\". siglo xx. \n \n \n \n medidas: 9 x 12 cm (soporte); 20 x 24,5 x 1,5 cm (marco)."},"lotNumber":"91","title":{"en":"sola (?) century xx - landscape","es":"sola (?) siglo xx - paisaje"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19940/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":100,"lastUpdate":"2026-07-01T00:25:28.717Z","textCase":"lower","currency":"EUR","id":19940},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19947/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19947/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19947/003/003.jpg"],"available":false,"description":{"en":"carved wood painted black with inlaid mother-of-pearl plaques depicting images of the virgin mary and six franciscan monks. minimal flaws. measurement: 31.4 x 22 cm. interior size: 15.3 x 11 cm.","es":"madera tallada pintada de negro con incrustaciones de placas de madreperla representando imágenes de la virgen maría junto a seis religiosos franciscanos. mínimas faltas. medida: 31,4 x 22 cm. medida interior: 15,3 x 11 cm."},"lotNumber":"92","title":{"en":"anonymous 19th century spanish colonial - colonial wooden frame","es":"anónimo hispano colonial del siglo xix - marco hispano colonial en madera"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19947/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T00:25:28.719Z","textCase":"lower","currency":"EUR","id":19947},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19948/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19948/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19948/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/19948/004/004.jpg"],"available":false,"description":{"en":"frame in polychrome and gilded wood. spanish or italian work from the end of the 18th century. decorated with gilt rocailles on a reddish background and elements related to the passion of christ. coats of arms in the corners and in the centre of the longer sides of the frame: dice, nails, bag (judas coins), mallet and tongs, cross with spears and two whips. these motifs show its destiny to house a passionate religious painting. \n \n size: 187 x 3 x 87 cm; light 154 x 51 cm.","es":"marco en madera policromada y sobredorada. trabajo español o italiano de finales del siglo xviii. decorado con rocallas doradas sobre fondo rojizo y elementos relacionados con la pasión de cristo. escudos en sus esquinas y en el centro de los lados más largos del marco: dados, clavos, bolsa (monedas de judas), mazo y tenazas, cruz con lanzas y dos látigos. estos motivos muestra su destino para albergar una pintura religiosa pasional. \n \n medidas: 187 x 3 x 87 cm; luz 154 x 51 cm."},"lotNumber":"93","title":{"en":"anonymous 18th century spanish or italian - frame with symbols of the passion. spain or italy, 18th century","es":"anónimo español o italiano del siglo xviii - marco con símbolos de la pasión. españa o italia, siglo 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cm.","es":"marco en madera lisa dorada y policromada en tonalidad verde pálida. trabajo del siglo xx. \n \n \n \n medidas exteriores: 150,8 x 135,8 x 5 cm; medidas de la luz (hueco) 131,6 x 116,6 cm; medidas del rebaje de la luz (hueco) 134,3 x 119,3 cm."},"lotNumber":"94","title":{"en":"anonymous 20th century - frame","es":"anónimo siglo xx - marco"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/66504/lot/19896/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":60,"lastUpdate":"2026-07-01T00:25:28.722Z","textCase":"lower","currency":"EUR","id":19896}],"schema":"bidspirit-bots-feed/1","catalog":{"date":"2025-12-10","timedAuction":false,"liveAuctionDisabled":false,"type":"auction","catalogOnly":false,"number":"28","buyersPremiumPercent":20,"lotsCount":94,"currency":"EUR","state":"ENDED","contentType":"ART","key":66504,"feedUrl":"https://ai.bidspirit.com/services/bots/catalogs/alarconsubastas/66504","address":{"EN":"Lagasca 36. 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