{"lots":[{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20307/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20307/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20307/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20307/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20307/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20307/006/006.jpg"],"available":false,"description":{"en":"handwritten inscription by the artist, in pencil, in the upper right corner: \u201c \u201dmusica de ayer\u201c - / laura - / travel outfit - / (honeymoon trip-)\u201d. signed and dated 1958 in the lower right corner. black pencil, watercolor, and black ballpoint pen on agarbanzado paper. dimensions: 345 x 234 mm. \n \n  \n \n \n costume sketch for a female character, possibly related to the spanish film *música de ayer*, released in 1958 and directed by juan de orduña, produced by producciones orduña films, in which ana maría olaria plays the lead role of laura gayán. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer in the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n we would like to thank ms. laura flores camarero, of the documentation department at the museo del traje\u2014center for research on ethnological heritage in madrid\u2014for her invaluable assistance in identifying the creator of this collection.","es":"inscripción manuscrita por la artista, a lápiz, en el ángulo superior derecho: \" \"musica de ayer\" - / laura - / traje de viaje - / (viaje de novios-)\". firmado y fechado en 1958 sobre el ángulo inferior derecho. lápiz negro, acuarela y bolígrafo negro sobre papel agarbanzado. medidas: 345 x 234 mm. \n  \n figurín para un personaje femenino, quizá relacionado con la película española música de ayer , estrenada en 1958 y dirigida por juan de orduña, bajo producción de producciones orduña films, donde ana maría olaria representa el papel de la protagonista laura gayán. \n  \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n  \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"1","title":{"en":"vitín cortezo - costume design for the film \u201cmusic of yesterday\u201d","es":"vitín cortezo - figurín femenino para película \"música de ayer\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20307/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.763Z","textCase":"lower","currency":"EUR","id":20307},{"startPrice":460,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20308/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20308/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20308/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20308/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20308/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20308/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20308/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20308/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20308/009/009.jpg"],"available":false,"description":{"en":"handwritten inscription by the artist, in pencil, in the upper right corner: \u201c \u201dmusica de ayer\u201c - / doña lola -5- / (vá al molino -)\u201d. there are various handwritten notes by the artist with arrows indicating the types of materials to be used for the textiles and accessories of the proposed outfit: \u201cblack gauze with / motifs [sic] of / velvet -\u201d. \u201cbrown / velvet / trim -\u201d. \u201cdarker green / checkered wool\u201d. signed and dated 1958 in the lower right corner. dimensions: 316 x 245 mm. \n \n  \n \n \n costume sketch for a female character, possibly related to the spanish film *música de ayer*, released in 1958 and directed by juan de orduña, produced by producciones orduña films, in which ana maría olaria plays the lead role of laura gayán. \n \n \n  \n \n \n the role of doña lola gasparín is played by actress maría fernando ladrón de guevara (mother of amparo rivelles and carlos larrañaga, and grandmother of larrañaga and luis merlo). \n \n \n  \n \n \n the design in question here must correspond to the one doña lola wore when she went to the mill in search of laura, with some variations in the final fabric piece. \n  \n  \n  \n  \n \n  the reverse side of the drawing features a set design sketch, done in black pencil, which may correspond to a scene from this film (see the last images). it should be compared and correlated with the one held by the reina sofía national art museum, temporarily on loan to the national theater museum in almagro (ciudad real): \n  \n  \n  \n  \n  \n  https://www.museoreinasofia.es/colecciones/obra/tres-sombreros-de-copa \n  \n  \n  \n  \n \n  vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was one of the multifaceted artists specializing in the design and composition of costumes, and a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n  \n  \n  \n  \n \n  we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"inscripción manuscrita por el artista, a lápiz, en el ángulo superior derecho: \" \"musica de ayer\" - / doña lola -5- / (vá al molino -)\". aparecen distintas anotaciones manuscritas de mano del artista con flechas indicativas con a finalidad de especificar el tipo de materiales que compondrán los textiles y complementos de la indumentaria propuesta: \"gasa negra con / mots [sic] de / terciopelo -\". \"tapas de / terciopelo / marrón -\". \"lana cuadritos / verde mas oscuro\". firmado y fechado en 1958 sobre el ángulo inferior derecho. medidas: 316 x 245 mm. \n  \n figurín para un personaje femenino quizá relacionado con la película española música de ayer, estrenada en 1958 y dirigida por juan de orduña, bajo producción de producciones orduña films, donde ana maría olaria representa el papel de la protagonista laura gayán. \n  \n el papel de doña lola gasparín es representado por la actriz maría fernando ladrón de guevara (madre de amparo rivelles y carlos larrañaga, y a su vez, abuela de larrañaga y luis merlo). \n  \n el diseño que aquí nos ocupa debe de corresponder con el que vistió doña lola cuando fue al molino en busca de laura, con algunas variantes en la pieza textil definitiva. \n   \n el reverso del dibujo presenta un bosquejo de escenografía, realizado a lápiz negro, que pudiera corresponder con alguna escena de esta película (véanse últimas imágenes). debe de compararse y ponerse en relación con el que conserva el museo nacional centro de arte reina sofía, depositado temporalmente en el museo nacional del teatro de almagro (ciudad real): \n https://www.museoreinasofia.es/colecciones/obra/tres-sombreros-de-copa  \n  \n \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n \n \n  \n \n \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"2","title":{"en":"vitín cortezo - costume design for the film \u201cmusic of yesterday\u201d","es":"vitín cortezo - figurín femenino para película \"música de ayer\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20308/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":460,"lastUpdate":"2026-11-04T17:25:59.780Z","textCase":"lower","currency":"EUR","id":20308},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20309/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20309/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20309/018/018.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20309/020/020.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20309/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20309/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20309/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20309/008/008.jpg"],"available":false,"description":{"en":"handwritten inscription by the artist, in pencil, in the upper right corner: \u201c \u2018music of yesterday\u2019 - / doña lola - 2 - / at her home - \u201d. \u201cprinted batiste - / or organized\u201d. \u201cfalla or / ottoman -\u201d. signed and dated 1958 in the lower right corner. dimensions: 350 x 251 mm. this drawing features a small fabric swatch attached to the sheet with a pin, related to the costumes designed by vitín. \n \n  \n \n \n costume sketch for a female character, possibly from the spanish film *música de ayer*, released in 1958 and directed by juan de orduña, produced by producciones orduña films, in which ana maría olaria plays the lead role of laura gayán. \n \n \n  \n \n \n we believe that vitín cortezo\u2019s design on this occasion must correspond to one of the scenes in which laura asks doña lola for help, prior to the protagonist\u2019s marriage to don esteban. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"inscripción manuscrita por la artista, a lápiz, en el ángulo superior derecho: \" \"música de ayer\" - / doña lola - 2 - / en su casa - \". \"batista estam- / pada - u organiza\". \"falla o / otomán -\". firmado y fechado en 1958 sobre el ángulo inferior derecho. medidas: 350 x 251 mm. este dibujo presenta un pequeño muestrario de telas adherido mediante un alfiler a la hoja, relacionadas con la indumentaria propuesto por vitín. \n  \n figurín para un personaje femenino quizás de la película española música de ayer, estrenada en 1958 y dirigida por juan de orduña, bajo producción de producciones orduña films, donde ana maría olaria representa el papel de la protagonista laura gayán. \n  \n creemos que el diseño de vitín cortezo en esta ocasión debe de corresponder con uno de los encuentros entre la solicitud de ayuda de laura a doña lola, previo a enlace matrimonial dela protagonista con don esteban. \n  \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n  \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"3","title":{"en":"vitín cortezo - costume design for the film \u201cmusic of yesterday\u201d","es":"vitín cortezo - figurín femenino para película \"música de ayer\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20309/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.785Z","textCase":"lower","currency":"EUR","id":20309},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20310/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20310/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20310/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20310/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20310/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20310/019/019.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20310/021/021.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20310/023/023.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20310/025/025.jpg"],"available":false,"description":{"en":"handwritten inscription by the artist, in pencil, in the upper right corner: \u201c \u2018música de ayer\u2019 - / doña lola - 3 - and 5 - / manager's office / of apolo and laura's dressing room -\u201d. \u201cwool or scarf - / braids -\u201d. signed and dated 1958 in the lower right corner. dimensions: 351 x 251 mm. this drawing features a small swatch of fabric pinned to the sheet, related to the costumes designed by vitín. \n \n  \n \n \n costume sketch for a female character, possibly from the spanish film *música de ayer*, released in 1958 and directed by juan de orduña, produced by producciones orduña films, in which ana maría olaria plays the lead role of laura gayán. \n \n \n  \n \n \n this women\u2019s costume design must be the one that appears in the office of the apolo theater\u2019s manager, following the car ride during which the tango song \u201cel automóvil, mamá, es una cosa\u201d is performed by saturnino m. navarro in 1920, with lyrics by carlos arniches and another composer. \n \n \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"inscripción manuscrita por el artista, a lápiz, en el ángulo superior derecho: \" \"música de ayer\" - / doña lola - 3 - y 5 - / despacho del empresario / de apolo y camerino de laura -\". \"lana o foulard - / trencillas -\". firmado y fechado en 1958 sobre el ángulo inferior derecho. medidas: 351 x 251 mm. este dibujo presenta un pequeño muestrario de telas adherido mediante un alfiler a la hoja, relacionadas con la indumentaria propuesta por vitín. \n  \n figurín para un personaje femenino quizás de la película española música de ayer, estrenada en 1958 y dirigida por juan de orduña, bajo producción de producciones orduña films, donde ana maría olaria representa el papel de la protagonista laura gayán. \n  \n este diseño de indumentaria femenina que aquí nos ocupa debe de ser el que aparece en el despacho del empresario del teatro apolo, posterior al paseo en automóvil donde se interpreta el tango musical \u201cel automóvil mamá, es una cosa\u201d, interpretado por saturnino m. navarro en 1920, con letra de carlos arniches y otro. \n  \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n  \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"4","title":{"en":"vitín cortezo - costume design for the film \u201cmusic of yesterday\u201d","es":"vitín cortezo - figurín femenino para película \"música de ayer\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20310/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.787Z","textCase":"lower","currency":"EUR","id":20310},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/022/022.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/020/020.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/018/018.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/028/028.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/030/030.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/026/026.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/024/024.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/032/032.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20311/012/012.jpg"],"available":false,"description":{"en":"costume sketch for the film *fortunata y jacinta*. although two films with the same title were made\u2014one by artiñano and the other by cortezo\u2014this may have been a project that was never completed. \n \n  \n \n \n handwritten inscription of the work\u2019s title by the artist in the upper left corner: \u201c*fortunata y jacinta*.\u201d handwritten inscription by the artist in the upper right corner: \u201cdoña barbara - / costume 4 - / secc. as 9 to 17 - 18th - 36th - 44th - 46th - 47th -\u201d. sizas: 349 x 250 mm. \n \n \n  \n \n \n text preceded by a date, to the left, reading: \u201c(with a shawl in san / isidro and the market -)\u201d. another text preceded by a date, to the left, reading: \u201cdark outfit - / without a shawl\u201d. signed and dated 1969 in the lower right corner. \n \n \n  \n \n \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"figurín para la película fortunata y jacinta . a pesar de realizarse dos películas con ese mismo título, una por artiñano y otra por cortezo, quizá se trate de un proyecto que no llegó a su fin. \n  \n inscripción manuscrita de título de obra, por el artista, en el ángulo superior izquierdo: \" \"fortunata y jacinta\". inscripción manuscrita por la artista, en el ángulo superior derecho: \"do ña barbara - / traje 4 - / secc. as 9 a 17 - 18ª - 36ª - 44ª - 46ª - 47ª -\". medidas: 349 x 250 mm. \n texto precedido de fecha señalizadora, hacia la izquierda, con texto: \"(con manteleta en san / isidro y el mercado -)\". otro texto precedido de fecha señalizadora, hacia la izquierda, con texto: \" traje oscuro - / sin mantele ta\". firmado y fechado en 1969 sobre el ángulo inferior derecho. \n \n  \n \n \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n \n \n  \n \n \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"5","title":{"en":"vitín cortezo - women's costume design for the film \u201cfortunata y jacinta\u201d","es":"vitín cortezo - figurín femenino para película \"fortunata y jacinta\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20311/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.789Z","textCase":"lower","currency":"EUR","id":20311},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20312/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20312/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20312/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20312/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20312/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20312/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20312/007/007.jpg"],"available":false,"description":{"en":"handwritten inscription of the work's title by the artist in the upper left corner: \u201cfortunata and jacinta.\u201d handwritten inscription by the artist in the upper right corner: \u201cjacinta - / (wedding dress / mourning:) / 1876 ... ?\u201d. text preceded by a date marker to the left, with the text: \u201cless / exaggerated\u201d. signed and dated 1969 in the lower left corner. dimensions: 360 x 253 mm. \n \n  \n \n \n costume sketch for the film *fortunata y jacinta*. although two films with the same title were made\u2014one by artiñano and the other by cortezo\u2014this may have been a project that was never completed. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"inscripción manuscrita de título de obra, por el artista, en el ángulo superior izquierdo: \" \"fortunata y jacinta\". inscripción manuscrita por la artista, en el ángulo superior derecho: \"jacinta - / (traje de boda / luto :) / 1876 ... ?\". texto precedido de fecha señalizadora, hacia la izquierda, con texto: \" menos / exagerado\". firmado y fechado en 1969 en el ángulo inferior izquierdo. medidas: 360 x 253 mm. \n  \n figurín para la película fortunata y jacinta. a pesar de realizarse dos películas con ese mismo título, una por artiñano y otra por cortezo, quizá se trate de un proyecto que no llegó a su fin. \n  \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n  \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"6","title":{"en":"vitín cortezo - women's costume design for the film \u201cfortunata y jacinta\u201d","es":"vitín cortezo - figurín femenino para película \"fortunata y jacinta\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20312/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.792Z","textCase":"lower","currency":"EUR","id":20312},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20313/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20313/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20313/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20313/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20313/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20313/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20313/007/007.jpg"],"available":false,"description":{"en":"handwritten inscription by the artist in the upper right corner: \u201cman on the street.\u201d titled in the upper left corner: \u201cgoya.\u201d \n \n signed and dated 1970 in the lower left corner. dimensions: 356 x 250 mm. \n \n \n  \n \n \n costume sketch for a character in the film *goya, historia de una soledad* (goya: a story of solitude), directed by nino quevedo and released in 1971, starring francisco rabal, irina demick, jacques perrim, josé maría prada, and others. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"inscripción manuscrita por el artista en el ángulo superior derecho: \"hombre de la calle\". titulado en el ángulo superior izquierdo: \"goya\". \n firmado y fechado en 1970 en el ángulo inferior izquierdo. medidas: 356 x 250 mm. \n  \n figurín para un personaje de la película goya, historia de una soledad , dirigida por nino quevedo y estrenada en 1971, donde actuaron francisco rabal, irina demick, jacques perrim, josé maría prada, entre otros. \n  \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n  \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"7","title":{"en":"vitín cortezo - costume design for the film \u201cgoya: a story of solitude\u201d","es":"vitín cortezo - figurín masculino para película \"goya: historia de una soledad\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20313/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.794Z","textCase":"lower","currency":"EUR","id":20313},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20314/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20314/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20314/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20314/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20314/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20314/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20314/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20314/008/008.jpg"],"available":false,"description":{"en":"costume sketch for a character in the film *goya, historia de una soledad*, directed by nino quevedo and released in 1971, starring francisco rabal, irina demick, jacques perrim, josé maría prada, and others. \n \n  \n \n \n handwritten inscription by the artist in the upper right corner: \u201cgoya - / sombrero de velas.\u201d titled in the upper left corner: \u201cgoya.\u201d several notes specifying characteristics of the costume fabric appear, preceded by arrows: \u201cwhite shirt\u2014\u201d; \u201cknit / fabric\u2014\u201d; and \u201cchaps.\u201d signed and dated 1970 in the lower left corner. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"figurín para un personaje de la película goya, historia de una soledad , dirigida por nino quevedo y estrenada en 1971, donde actuaron francisco rabal, irina demick, jacques perrim, josé maría prada, entre otros. \n  \n inscripción manuscrita por la artista en el ángulo superior derecho: \"goya - / sombrero de velas\". titulado en el ángulo superior izquierdo: \"goya\". \n  \n \n aparecen varios textos que especifican caracteres del textil de indumentaria, precedidos de flechas indicativas: \"camisa blanca -\"; \"tejido / de punto -\"; y \"pantalones polaina\". firmado y fechado en 1970 en el ángulo inferior izquierdo. \n \n \n  \n \n \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n \n \n  \n \n \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"8","title":{"en":"vitín cortezo - costume design for the film \u201cgoya: a story of solitude\u201d","es":"vitín cortezo - figurín masculino para película \"goya: historia de una soledad\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20314/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.797Z","textCase":"lower","currency":"EUR","id":20314},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20315/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20315/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20315/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20315/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20315/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20315/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20315/017/017.jpg"],"available":false,"description":{"en":"costume sketch for a character in the film *goya, historia de una soledad* (goya: a story of solitude), directed by nino quevedo and released in 1971, starring francisco rabal, irina demick, jacques perrim, josé maría prada, and others. \n \n  \n \n \n handwritten inscription by the artist in the upper right corner: \u201cgoya - / sombrero de velas.\u201d titled in the upper left corner: \u201cgoya - / (cape and hat.) / (circle of / deadly sin).\u201d several texts appear that specify characteristics of the clothing fabric, preceded by indicative arrows: \u201cwhite shirt -\u201d; \u201cknit / fabric -\u201d; and \u201cchaps.\u201d signed and dated 1970 in the lower right corner. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"figurín para un personaje de la película goya, historia de una soledad, dirigida por nino quevedo y estrenada en 1971, donde actuaron francisco rabal, irina demick, jacques perrim, josé maría prada, entre otros. \n  \n inscripción manuscrita por la artista en el ángulo superior derecho: \"goya - / sombrero de velas\". titulado en el ángulo superior izquierdo: \"goya - / (capa y sombrero.) / (ro nda del / pe cado morta l)\". aparecen varios textos que especifican caracteres del textil de indumentaria, precedidos de flechas indicativas: \"camisa blanca -\"; \"tejido / de punto -\"; y \"pantalones polaina\". firmado y fechado en 1970 en el ángulo inferior derecho. \n \n  \n \n \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n \n \n  \n \n \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"9","title":{"en":"vitín cortezo - costume design for the film \u201cgoya: a story of solitude\u201d","es":"vitín cortezo - figurín masculino para película \"goya: historia de una soledad\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20315/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.799Z","textCase":"lower","currency":"EUR","id":20315},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20316/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20316/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20316/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20316/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20316/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20316/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20316/011/011.jpg"],"available":false,"description":{"en":"costume sketch for a character from the film *goya, historia de una soledad*, directed by nino quevedo and released in 1971, starring francisco rabal, irina demick, jacques perrim, josé maría prada, and others. the role of agustín, the character depicted here, was played by actor hugo blanco galiasso. \n \n  \n \n \n handwritten inscription by the artist in the upper right corner: \u201cagustin.\u201d titled in the upper left corner: \u201cgoya.\u201d. signed and dated 1970 in the lower right corner. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"figurín para un personaje de la película goya, historia de una soledad, dirigida por nino quevedo y estrenada en 1971, donde actuaron francisco rabal, irina demick, jacques perrim, josé maría prada, entre otros. el papel de agustín, personaje aquí representado, fue interpretado por el actor hugo blanco galiasso. \n  \n inscripción manuscrita por la artista en el ángulo superior derecho: \"agustin\". titulado en el ángulo superior izquierdo: \"goya\". firmado y fechado en 1970 en el ángulo inferior derecho. \n \n  \n \n \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n \n \n  \n \n \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"10","title":{"en":"vitín cortezo - costume design for the film \u201cgoya: a story of solitude\u201d","es":"vitín cortezo - figurín masculino para película \"goya: historia de una soledad\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20316/view","tags":["esmemorabilia_moviestvmusicmemorabilia","esart_drawings","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.801Z","textCase":"lower","currency":"EUR","id":20316},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20317/010/010.jpg"],"available":false,"description":{"en":"costume sketch for a character from the film *goya, historia de una soledad*, directed by nino quevedo and released in 1971, starring francisco rabal, irina demick, jacques perrim, josé maría prada, and others. \n \n  \n \n \n handwritten inscription by the artist in the upper right corner: \u201cgoya (in studio 1) / self-portrait of villagonzalo.\u201d other inscriptions throughout the design: \u201c... gold tapestry\u201d; \u201cred appliqué\u201d; \u201cjacket / brown sample\u201d; the number 2 enclosed in a circle; \u201creddish stripe\u201d with an arrow pointing to the left; \u201cmake breeches\u201d; \u201c... black / dividing stripe / also on the sides.\u201d; \u201ceye / red and gold.\u201d signed and dated 1970, at the bottom, toward the right. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"figurín para un personaje de la película goya, historia de una soledad, dirigida por nino quevedo y estrenada en 1971, donde actuaron francisco rabal, irina demick, jacques perrim, josé maría prada, entre otros. \n  \n inscripción manuscrita por la artista en el ángulo superior derecho: \"goya (en el estudio 1º) / autorretrato villagonzalo.\". otras inscripciones a lo largo del diseño: \" ... oro tapiceria \"; \"rojo aplicación\"; \"chaqueta / marrón muestra\"; número 2 circunscrito en un circunferencia; \"franja rojiza\" con flecha hacia la izquierda; \"hacer calzón\"; \"... negro / dividiendo franja / tambien por los lados.\"; \"ojo / roja y dorados\". firmado y fechado en 1970, abajo, hacia la derecha. \n \n  \n \n \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n \n \n  \n \n \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"11","title":{"en":"vitín cortezo - costume design for the film \u201cgoya: a story of solitude\u201d","es":"vitín cortezo - figurín masculino para película \"goya: historia de una soledad\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20317/view","tags":["esart_drawings","esmemorabilia_moviestvmusicmemorabilia","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.804Z","textCase":"lower","currency":"EUR","id":20317},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20318/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20318/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20318/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20318/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20318/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20318/016/016.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20318/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20318/008/008.jpg"],"available":false,"description":{"en":"costume sketch for a character in the film *goya, historia de una soledad*, directed by nino quevedo and released in 1971, starring francisco rabal, irina demick, jacques perrim, josé maría prada, and others. \n \n  \n \n \n handwritten inscription by the artist in the upper right corner: \u201c2·b / nightgown? \u2013 costume?\u201d. titled in the upper left corner: \u201cgoya.\u201d. signed and dated 1970 at the bottom, near the lower right corner. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"figurín para un personaje de la película goya, historia de una soledad, dirigida por nino quevedo y estrenada en 1971, donde actuaron francisco rabal, irina demick, jacques perrim, josé maría prada, entre otros. \n  \n inscripción manuscrita por la artista en el ángulo superior derecho: \"2·b / camisón ? - traje ?\". titulado en el ángulo superior izquierdo: \" goya. \". firmado y fechado en 1970, abajo, hacia el ángulo inferior derecho. \n \n  \n \n \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n \n \n  \n \n \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"12","title":{"en":"vitín cortezo - costume design for the film \u201cgoya: a story of solitude\u201d","es":"vitín cortezo - figurín femenino para película \"goya: historia de una soledad\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20318/view","tags":["esart_drawings","esmemorabilia_moviestvmusicmemorabilia","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.806Z","textCase":"lower","currency":"EUR","id":20318},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/017/017.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/019/019.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/023/023.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/021/021.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/025/025.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/027/027.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/029/029.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/035/035.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/033/033.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20319/031/031.jpg"],"available":false,"description":{"en":"costume sketch for a character in the film *goya, history of a solitude*, directed by nino quevedo and released in 1971, starring francisco rabal, irina demick, jacques perrim, josé maría prada, and others. \n \n  \n \n \n title and inscription handwritten by the artist in the upper right corner: \u201cthe duchess - / 10 procession / penitents / visit to goya [?] / and st. anthony of florida / (with a white mantilla).\u201d below: \u201c40.\u201d explanatory texts referring to the depicted clothing: \u201cfalla bodice\u201d (with an arrow pointing to the left); \u201cvery dark gray falla skirt\u201d (with an arrow pointing to the right); \u201cblack velvet embellishments\u201d (with an arrow pointing to the right). \n \n \n  \n \n \n signed and dated 1970, at the bottom, near the lower right corner. remnants of holes made by a stapler where fabric samples must have been attached. \n \n \n  \n \n \n vitín cortezo (or víctor maría cortezo, madrid, 1908\u20131978) was a multifaceted artist who specialized in the design and composition of costume sketches and was a prominent set designer on the spanish theater scene during the second and third quarters of the 20th century. his artistic career following the spanish postwar period of that century\u2014combined with his love of drawing, painting, and fashion design, as well as his remarkable personality\u2014led him to become a true icon of modernity in the stifling francoist society, despite his homosexuality and anti-fascist views, not to mention his affluent family background in the field of medicine. \n \n \n  \n \n \n \n \n we would like to thank ms. laura flores camarero, from the documentation department of the museo del traje (center for ethnological heritage research) in madrid, for her invaluable assistance in identifying the creator of this collection.","es":"figurín para un personaje de la película goya, historia de una soledad, dirigida por nino quevedo y estrenada en 1971, donde actuaron francisco rabal, irina demick, jacques perrim, josé maría prada, entre otros. \n  \n título e inscripción manuscrita por la artista en el ángulo superior derecho: \"la duquesa - / 10 procesion / penitentes / visita a goya [?] / y s. ant. de la florida / ( con mantilla / blanca\". debajo: \" 40 \". textos explicativos en referencia a la indumentaria dibujada: \"corpiño / de / falla\" (con flecha hacia la izquierda); \"falda de falla / gris muy oscuro\" (con flecha hacia la derecha); \"adornos de terciopelo / negro \" (con flecha hacia la derecha). \n \n  \n \n \n firmado y fechado en 1970, abajo, hacia el ángulo inferior derecho. resto de orificios producidos por grapadora donde debieron de haber muestras de textiles. \n \n \n  \n \n \n vitín cortezo (o víctor maría cortezo, madrid, 1908-1978) representa a uno de los polifacéticos artistas especializado en el diseño y composición de figurines, como relevante escenógrafo en el panorama del teatro español del segundo y tercer cuarto del siglo xx. su despliegue artístico tras la posguerra española de aquel siglo le llevó, con su gusto por el dibujo, la pintura, el diseño de moda y su destacada personalidad, a ser todo un referente de modernidad en una encorsetada sociedad franquista amén de su condición homosexual y antifascista, sin olvidar su acomodado origen familiar relacionado con el ámbito de la medicina. \n \n \n  \n \n \n \n \n agradecemos a doña laura flores camarero, del departamento de documentación del museo del traje centro de investigación del patrimonio etnológico de madrid, su inestimable ayuda en la identificación de la autoría de este lote."},"lotNumber":"13","title":{"en":"vitín cortezo - costume design for the film \u201cgoya: a story of solitude\u201d","es":"vitín cortezo - figurín femenino para película \"goya: historia de una soledad\""},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20319/view","tags":["esart_drawings","esmemorabilia_moviestvmusicmemorabilia","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.808Z","textCase":"lower","currency":"EUR","id":20319},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20465/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20465/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20465/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20465/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20465/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20465/015/015.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20465/007/007.jpg"],"available":false,"description":{"en":"costume sketch for the show \u201clos ballets españoles, \u201d a recreation of iconic spanish dance costumes. \n \n  \n \n \n inscribed in the upper left corner: \u201clos ballets españoles\u201d; in the center, toward the right: \u201cfuchsia satin (?) / velvet / dark\u201d; below that, \u201cred raw silk.\u201d signed and dated in the lower right corner: \u201cyvonne blake / 1993.\u201d framed in period frame with original glass. \n \n \n  \n \n \n yvonne blake worked for the company josé antonio y los ballets españoles, founded and directed by the renowned dancer josé antonio (josé antonio ruiz de la cruz, madrid, 1951), creating costume designs for works such as *aires de villa y corte*, with original music by josé nieto, which premiered at the teatro lope de vega in seville on january 28, 1994. \n \n \n  \n \n \n the renowned film and theater costume designer yvonne blake (manchester 1940 \u2013 madrid 2018) won her academy award at the 44th ceremony for best costume design for the film *nicholas and alexandra* (directed by franklin j. schaffner, 1971), the same ceremony at which charlie chaplin received his honorary oscar. \n \n \n  \n \n \n blake is remembered as the designer of the superman costume (directed by richard donner, 1978) worn by christopher reeve; the filming of that movie was plagued by difficulties caused by the fabrics and colors of the fictional hero\u2019s attire. \n \n \n  \n \n \n she won four goya awards in spain for best costume design for *remando al viento* (1988), *canción de cuna* (1994), *carmen* (2003), and *el puente de san luis rey* (2004). \n \n \n  \n \n \n his film costume designs appeared in movies starring prominent actresses and actors such as sophia loren (*the venus of wrath* in israel, directed by daniel mann, 1966), liza minnelli (*fahrenheit 451*, directed by françois truffaut), michael caine and omar sharif (the last valley, directed by james clavell), anthony hopkins (all creatures great and small), elizabeth taylor (an hour in the night), sean connery and audrey hepburn (robin and marian), ava gardner (harem), al pacino (looking for richard), not to mention his significant contribution to the musical jesus christ superstar (by andrew lloyd webber). \n \n \n  \n \n \n she collaborated with the prestigious peris hermanos fashion house, beginning in the 1960s, on the final production of her designs. with gonzalo suárez, she worked on *rowing against the wind*, *don juan in hell*, *the anonymous queen*, and *the detective and death*; with vicente aranda, on *carmen* and *tirante el blanco*.","es":"figurín para el espectáculo \"los ballets españoles\", una recreación de indumentaria emblemática de danza española. \n  \n inscrito en el ángulo superior izquierdo: \"los ballets españoles\"; al centro, hacia la derecha: \"raso fucsia (?) / terciopelo / oscuro.\"; más abajo \"seda salvaje rojo.\". firmado y fechado en el ángulo inferior derecho: \"yvonne blake / 1993.\". \n enmarcado de época con su cristal. \n  \n yvonne blake trabajó para la compañía josé antonio y los ballets españoles creada y dirigida por el prestigioso bailarín josé antonio (josé antonio ruiz de la cruz, madrid, 1951) realizando figurines para obras como aires de villa y corte, con música original de josé nieto, y estreno absoluto en el teatro lope de vega de sevilla el 28 de enero de 1994. \n  \n la destacada diseñadora de vestuario cinematográfico y teatral yvonne blake (mánchester 1940 - madrid 2018) ganó su premio óscar en la 44ª edición por el mejor diseño de vestuario de la película nicolás y alejandra (director franklin j. schaffner, 1971), aquella misma edición en la que charlie chaplin recibió su óscar honorífico. \n  \n blake es recordada como la diseñadora del traje para superman (director richard donner, 1978) que lució christopher reeve cuyo rodaje se vio envuelto con los inconvenientes causados por las fibras y tonalidades de la indumentaria para el ficticio héroe. \n  \n fue ganadora de cuatro premios goya en españa por mejor diseño de vestuario , por remando al viento (1988), canción de cuna (1994), carmen (2003) y el puente de san luis rey (2004). \n  \n sus diseños de vestuario para cine se incluyó en películas protagonizadas por destacadas actrices y actores como sofía loren ( la venus de la ira en israel , por daniel mann, 1966), liza minnelli ( farenheit 451 , por françois truffaut), michael caine y omar sharif ( el último valle , por james clavell), anthony hopkins ( all creatures great and small ), elizabeth taylor ( una hora en la noche ), sean connery y a udrey hepburn ( robin y marian ), ava gardner ( harem ), al pacino ( looking for richard ), sin olvidar su relevante participación en el musical j esucristo superstar (por andrew lloyd weber). \n  \n colaboró con la prestigiosa casa peris hermanos , desde la década de 1960, en la realización final de sus diseños. con gonzalo suárez trabajó en remando al viento , don juan en los infiernos , la reina anónima y el detective y la muerte , con vicente aranda  carmen y tirante el blanco . \n  \n fue, sin ser actriz, la primera mujer galardonada en 2012 con el premio nacional de cinematografía y en 2016 presidenta de la academia de las artes y las ciencias cinematográficas de españa (aacce). falleció en madrid en julio de 2018."},"lotNumber":"14","title":{"en":"ivonne blake - costume design for josé antonio and the ballets españoles","es":"yvonne blake - figurín para josé antonio y los ballets españoles"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20465/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.811Z","textCase":"lower","currency":"EUR","id":20465},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20462/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20462/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20462/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20462/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20462/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20462/006/006.jpg"],"available":false,"description":{"en":"costume sketch for the show \u201clos ballets españoles, \u201d a recreation of iconic spanish dance costumes. \n \n  \n \n \n inscribed in the upper left corner: \u201clos ballets españoles\u201d; in the upper right corner: \u201ccoro x 7\u201d; signed and dated in the lower right corner: \u201cyvonne blake / 1993.\u201d framed in period frame with original glass. \n \n \n  \n \n \n yvonne blake worked for the company josé antonio y los ballets españoles, founded and directed by the renowned dancer josé antonio (josé antonio ruiz de la cruz, madrid, 1951), creating costume designs for works such as *aires de villa y corte*, with original music by josé nieto, which premiered at the teatro lope de vega in seville on january 28, 1994. \n \n \n  \n \n \n the renowned film and theater costume designer yvonne blake (manchester 1940 \u2013 madrid 2018) won her academy award at the 44th ceremony for best costume design for the film *nicholas and alexandra* (directed by franklin j. schaffner, 1971), the same ceremony at which charlie chaplin received his honorary oscar. \n \n \n  \n \n \n blake is remembered as the designer of the superman costume (directed by richard donner, 1978) worn by christopher reeve; the filming of that movie was plagued by difficulties caused by the fabrics and colors of the fictional hero\u2019s attire. \n \n \n  \n \n \n she won four goya awards in spain for best costume design for *remando al viento* (1988), *canción de cuna* (1994), *carmen* (2003), and *el puente de san luis rey* (2004). \n \n \n  \n \n \n his film costume designs appeared in movies starring prominent actresses and actors such as sophia loren (*the venus of wrath* in israel, directed by daniel mann, 1966), liza minnelli (*fahrenheit 451*, directed by françois truffaut), michael caine and omar sharif (the last valley, directed by james clavell), anthony hopkins (all creatures great and small), elizabeth taylor (an hour in the night), sean connery and audrey hepburn (robin and marian), ava gardner (harem), al pacino (looking for richard), not to mention his significant contribution to the musical jesus christ superstar (by andrew lloyd webber). \n \n \n  \n \n \n she collaborated with the prestigious peris hermanos fashion house, beginning in the 1960s, on the final production of her designs. with gonzalo suárez, she worked on *rowing against the wind*, *don juan in hell*, *the anonymous queen*, and *the detective and death*; with vicente aranda, on *carmen* and *tirante el blanco*.","es":"figurín para el espectáculo \"los ballets españoles\", una recreación de indumentaria emblemática de danza española. \n  \n inscrito en el ángulo superior izquierdo: \"los ballets españoles\"; en ángulo superior derecho: \"coro x 7\"; firmado y fechado en el ángulo inferior derecho: \"yvonne blake / 1993.\". \n enmarcado de época con su cristal. \n  \n yvonne blake trabajó para la compañía josé antonio y los ballets españoles creada y dirigida por el prestigioso bailarín josé antonio (josé antonio ruiz de la cruz, madrid, 1951) realizando figurines para obras como aires de villa y corte, con música original de josé nieto, y estreno absoluto en el teatro lope de vega de sevilla el 28 de enero de 1994. \n  \n la destacada diseñadora de vestuario cinematográfico y teatral yvonne blake (mánchester 1940 - madrid 2018) ganó su premio óscar en la 44ª edición por el mejor diseño de vestuario de la película nicolás y alejandra (director franklin j. schaffner, 1971), aquella misma edición en la que charlie chaplin recibió su óscar honorífico. \n  \n blake es recordada como la diseñadora del traje para superman (director richard donner, 1978) que lució christopher reeve cuyo rodaje se vio envuelto con los inconvenientes causados por las fibras y tonalidades de la indumentaria para el ficticio héroe. \n  \n fue ganadora de cuatro premios goya en españa por mejor diseño de vestuario, por remando al viento (1988), canción de cuna (1994), carmen (2003) y el puente de san luis rey (2004). \n  \n sus diseños de vestuario para cine se incluyó en películas protagonizadas por destacadas actrices y actores como sofía loren (la venus de la ira en israel, por daniel mann, 1966), liza minnelli (farenheit 451, por françois truffaut), michael caine y omar sharif (el último valle, por james clavell), anthony hopkins (all creatures great and small), elizabeth taylor (una hora en la noche), sean connery y audrey hepburn (robin y marian), ava gardner (harem), al pacino (looking for richard), sin olvidar su relevante participación en el musical jesucristo superstar (por andrew lloyd weber). \n  \n colaboró con la prestigiosa casa peris hermanos, desde la década de 1960, en la realización final de sus diseños. con gonzalo suárez trabajó en remando al viento, don juan en los infiernos, la reina anónima y el detective y la muerte, con vicente aranda carmen y tirante el blanco. \n  \n fue, sin ser actriz, la primera mujer galardonada en 2012 con el premio nacional de cinematografía y en 2016 presidenta de la academia de las artes y las ciencias cinematográficas de españa (aacce). falleció en madrid en julio de 2018."},"lotNumber":"15","title":{"en":"ivonne blake - costume design for josé antonio and the ballets españoles","es":"yvonne blake - figurín para josé antonio y los ballets españoles"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20462/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.813Z","textCase":"lower","currency":"EUR","id":20462},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20463/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20463/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20463/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20463/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20463/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20463/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20463/014/014.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20463/008/008.jpg"],"available":false,"description":{"en":"inscribed in the upper left corner: \u201clos ballets españoles\u201d; in the upper right corner: \u201cdiana san andres / 1 (circled) chorus x 7\u201d; various notes with arrows referring to specific parts of the costume: \"velvet / white / raw silk / off-white / white taffeta. / black ajanza (?)\". \n \n  \n \n \n signed and dated in the lower right corner: \u201cyvonne blake / 1993.\u201d period frame with original glass. \n \n \n  \n \n \n yvonne blake worked for the company josé antonio y los ballets españoles, founded and directed by the renowned dancer josé antonio (josé antonio ruiz de la cruz, madrid, 1951), creating costume designs for works such as *aires de villa y corte*, with original music by josé nieto, which had its world premiere at the teatro lope de vega in seville on january 28, 1994. \n \n \n  \n \n \n another production by josé antonio that same year was *cachorro*, which premiered four days before the previous work at the same venue in seville, with stage direction and dramaturgy by salvador távora. on this occasion, it appears that the costume designs were handled by creativos fridor s.l., with a large cast of artists, among whom we would like to highlight diana san andrés, nuria castejón, and aloña alonso\u2014three women whose names appear handwritten by yvonne blake on two costume designs featured in this auction, specifically lot 16 (diana san andrés) and lot 17 (nuria castejón and aloña alonso). \n \n \n  \n \n \n this costume sketch is signed and dated by the artist in 1993, the year before the premiere. \n \n \n  \n \n \n the renowned film and theater costume designer yvonne blake (manchester 1940 \u2013 madrid 2018) won her academy award at the 44th ceremony for best costume design for the film *nicholas and alexandra* (directed by franklin j. schaffner, 1971), the same ceremony at which charlie chaplin received his honorary oscar. \n \n \n  \n \n \n blake is remembered as the designer of the superman costume (directed by richard donner, 1978) worn by christopher reeve; the filming of that movie was plagued by difficulties caused by the fabrics and colors of the fictional hero\u2019s attire. \n \n \n  \n \n \n she won four goya awards in spain for best costume design for *remando al viento* (1988), *canción de cuna* (1994), *carmen* (2003), and *el puente de san luis rey* (2004). \n \n \n  \n \n \n his film costume designs appeared in movies starring prominent actresses and actors such as sophia loren (*the venus of wrath* in israel, directed by daniel mann, 1966), liza minnelli (*fahrenheit 451*, directed by françois truffaut), michael caine and omar sharif (the last valley, directed by james clavell), anthony hopkins (all creatures great and small), elizabeth taylor (an hour in the night), sean connery and audrey hepburn (robin and marian), ava gardner (harem), al pacino (looking for richard), not to mention his significant contribution to the musical jesus christ superstar (by andrew lloyd webber). \n \n \n  \n \n \n she collaborated with the prestigious peris hermanos fashion house, beginning in the 1960s, on the final production of her designs. with gonzalo suárez, she worked on *rowing against the wind*, *don juan in hell*, *the anonymous queen*, and *the detective and death*; with vicente aranda, on *carmen* and *tirante el blanco*.","es":"inscrito en el ángulo superior izquierdo: \"los ballets españoles\"; en ángulo superior derecho: \"diana san andres / 1 (circunscrito) coro x 7\"; diferentes anotaciones con flechas en referencia a partes concretas de la indumentaria: \"terciopelo / blanco / seda salvaje / off man. / tafetan blanco. / ajanza (?) negro\". \n firmado y fechado en el ángulo inferior derecho: \"yvonne blake / 1993.\". \n enmarcado de época con su cristal. \n  \n yvonne blake trabajó para la compañía josé antonio y los ballets españoles creada y dirigida por el prestigioso bailarín josé antonio (josé antonio ruiz de la cruz, madrid, 1951) realizando figurines para obras como aires de villa y corte , con música original de josé nieto, y estreno absoluto en el teatro lope de vega de sevilla el 28 de enero de 1994. \n  \n otro espectáculo de josé antonio ese mismo año fue cachorro , estrenada cuatro días antes que la obra anterior, y en el mismo marco hispalense, con dirección escénica y dramaturgia a cargo de salvador távora. en esta ocasión, parece ser que los figurines corrieron a cargo de creativos fridor s.l., con un amplio elenco de artistas entre los que queremos señalar a diana san andrés, nuria castejón y aloña alonso, tres nombres de mujeres que aparecen registrados de puño y letra de yvonne blake en dos figurines que mostramos en esta subasta, concretamente el lote 16 (diana san andrés) y lote 17 (nuria castejón y aloña alonso). \n  \n este figurín aparece firmado y fechado por la artista en 1993, el año antes del estreno de ambas obras referidas. \n  \n la destacada diseñadora de vestuario cinematográfico y teatral yvonne blake (mánchester 1940 - madrid 2018) ganó su premio óscar en la 44ª edición por el mejor diseño de vestuario de la película nicolás y alejandra (director franklin j. schaffner, 1971), aquella misma edición en la que charlie chaplin recibió su óscar honorífico. \n  \n blake es recordada como la diseñadora del traje para superman (director richard donner, 1978) que lució christopher reeve cuyo rodaje se vio envuelto con los inconvenientes causados por las fibras y tonalidades de la indumentaria para el ficticio héroe. \n  \n fue ganadora de cuatro premios goya en españa por mejor diseño de vestuario, por remando al viento (1988), canción de cuna (1994), carmen (2003) y el puente de san luis rey (2004). \n  \n sus diseños de vestuario para cine se incluyó en películas protagonizadas por destacadas actrices y actores como sofía loren (la venus de la ira en israel, por daniel mann, 1966), liza minnelli (farenheit 451, por françois truffaut), michael caine y omar sharif (el último valle, por james clavell), anthony hopkins (all creatures great and small), elizabeth taylor (una hora en la noche), sean connery y audrey hepburn (robin y marian), ava gardner (harem), al pacino (looking for richard), sin olvidar su relevante participación en el musical jesucristo superstar (por andrew lloyd weber). \n  \n colaboró con la prestigiosa casa peris hermanos, desde la década de 1960, en la realización final de sus diseños. con gonzalo suárez trabajó en remando al viento, don juan en los infiernos, la reina anónima y el detective y la muerte, con vicente aranda carmen y tirante el blanco. \n  \n fue, sin ser actriz, la primera mujer galardonada en 2012 con el premio nacional de cinematografía y en 2016 presidenta de la academia de las artes y las ciencias cinematográficas de españa (aacce). falleció en madrid en julio de 2018."},"lotNumber":"16","title":{"en":"ivonne blake - costume design for josé antonio and the ballets españoles","es":"yvonne blake - figurín para josé antonio y los ballets españoles"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20463/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.815Z","textCase":"lower","currency":"EUR","id":20463},{"startPrice":360,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20464/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20464/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20464/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20464/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20464/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20464/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20464/007/007.jpg"],"available":false,"description":{"en":"inscribed in the upper right corner: \u201clos ballets españoles\u201d; below, crossed out: \u201c (...) gomez.\u201d; further down: \u201cnuria castejon / alonha alonso. 2 (circled)\u201d; signed and dated in the lower right corner: \u201cyvonne blake / 1993.\u201d. framed in period frame with original glass. \n \n  \n \n \n yvonne blake worked for the company josé antonio y los ballets españoles, founded and directed by the renowned dancer josé antonio (josé antonio ruiz de la cruz, madrid, 1951), designing costumes for works such as *aires de villa y corte*, with original music by josé nieto, which had its world premiere at the teatro lope de vega in seville on january 28, 1994. \n \n \n  \n \n \n another production by josé antonio that same year was *cachorro*, which premiered four days before the previous work, also at the lope de vega theater in seville, with stage direction and dramaturgy by salvador távora. on this occasion, it appears that the costume designs were handled by creativos fridor s.l., with a large cast of artists, among whom we would like to highlight diana san andrés, nuria castejón, and aloña alonso\u2014three women whose names appear handwritten by yvonne blake on two costume designs featured in this auction, specifically lot 16 (diana san andrés) and lot 17 (nuria castejón and aloña alonso). \n \n \n  \n \n \n this costume sketch is signed and dated by the artist in 1993, the year before the premiere of both plays in question. \n \n \n  \n \n \n the renowned film and theater costume designer yvonne blake (manchester 1940 \u2013 madrid 2018) won her academy award at the 44th ceremony for best costume design for the film *nicholas and alexandra* (directed by franklin j. schaffner, 1971), the same ceremony at which charlie chaplin received his honorary oscar. \n \n \n  \n \n \n blake is remembered as the designer of the superman costume (directed by richard donner, 1978) worn by christopher reeve; the filming of that movie was plagued by difficulties caused by the fabrics and colors of the fictional hero\u2019s attire. \n \n \n  \n \n \n she won four goya awards in spain for best costume design for *remando al viento* (1988), *canción de cuna* (1994), *carmen* (2003), and *el puente de san luis rey* (2004). \n \n \n  \n \n \n his film costume designs appeared in movies starring prominent actresses and actors such as sophia loren (*the venus of wrath* in israel, directed by daniel mann, 1966), liza minnelli (*fahrenheit 451*, directed by françois truffaut), michael caine and omar sharif (the last valley, directed by james clavell), anthony hopkins (all creatures great and small), elizabeth taylor (an hour in the night), sean connery and audrey hepburn (robin and marian), ava gardner (harem), al pacino (looking for richard), not to mention his significant contribution to the musical jesus christ superstar (by andrew lloyd webber). \n \n \n  \n \n \n she collaborated with the prestigious peris hermanos fashion house, beginning in the 1960s, on the final production of her designs. with gonzalo suárez, she worked on *rowing against the wind*, *don juan in hell*, *the anonymous queen*, and *the detective and death*; with vicente aranda, on *carmen* and *tirante el blanco*.","es":"inscrito en el ángulo superior derecho: \"los ballets españoles\"; abajo, tachado \" (...) gomez.\"; más abajo \"nuria castejon / alonha alonso. 2 (circunscrito)\"; firmado y fechado en el ángulo inferior derecho: \"yvonne blake / 1993.\". enmarcado de época con su cristal. \n  \n yvonne blake trabajó para la compañía josé antonio y los ballets españoles creada y dirigida por el prestigioso bailarín josé antonio (josé antonio ruiz de la cruz, madrid, 1951) realizando figurines para obras como aires de villa y corte, con música original de josé nieto, y estreno absoluto en el teatro lope de vega de sevilla el 28 de enero de 1994. \n  \n otro espectáculo de josé antonio ese mismo año fue cachorro, estrenada cuatro días antes que la obra anterior, y en el mismo marco hispalense, con dirección escénica y dramaturgia a cargo de salvador távora. en esta ocasión, parece ser que los figurines corrieron a cargo de creativos fridor s.l., con un amplio elenco de artistas entre los que queremos señalar a diana san andrés, nuria castejón y aloña alonso, tres nombres de mujeres que aparecen registrados de puño y letra de yvonne blake en dos figurines que mostramos en esta subasta, concretamente el lote 16 (diana san andrés) y lote 17 (nuria castejón y aloña alonso). \n  \n este figurín aparece firmado y fechado por la artista en 1993, el año antes del estreno de ambas obras referidas. \n  \n la destacada diseñadora de vestuario cinematográfico y teatral yvonne blake (mánchester 1940 - madrid 2018) ganó su premio óscar en la 44ª edición por el mejor diseño de vestuario de la película nicolás y alejandra (director franklin j. schaffner, 1971), aquella misma edición en la que charlie chaplin recibió su óscar honorífico. \n  \n blake es recordada como la diseñadora del traje para superman (director richard donner, 1978) que lució christopher reeve cuyo rodaje se vio envuelto con los inconvenientes causados por las fibras y tonalidades de la indumentaria para el ficticio héroe. \n  \n fue ganadora de cuatro premios goya en españa por mejor diseño de vestuario, por remando al viento (1988), canción de cuna (1994), carmen (2003) y el puente de san luis rey (2004). \n  \n sus diseños de vestuario para cine se incluyó en películas protagonizadas por destacadas actrices y actores como sofía loren (la venus de la ira en israel, por daniel mann, 1966), liza minnelli (farenheit 451, por françois truffaut), michael caine y omar sharif (el último valle, por james clavell), anthony hopkins (all creatures great and small), elizabeth taylor (una hora en la noche), sean connery y audrey hepburn (robin y marian), ava gardner (harem), al pacino (looking for richard), sin olvidar su relevante participación en el musical jesucristo superstar (por andrew lloyd weber). \n  \n colaboró con la prestigiosa casa peris hermanos, desde la década de 1960, en la realización final de sus diseños. con gonzalo suárez trabajó en remando al viento, don juan en los infiernos, la reina anónima y el detective y la muerte, con vicente aranda carmen y tirante el blanco. \n  \n fue, sin ser actriz, la primera mujer galardonada en 2012 con el premio nacional de cinematografía y en 2016 presidenta de la academia de las artes y las ciencias cinematográficas de españa (aacce). falleció en madrid en julio de 2018."},"lotNumber":"17","title":{"en":"ivonne blake - costume design for josé antonio and the ballets españoles","es":"yvonne blake - figurín para josé antonio y los ballets españoles"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20464/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":360,"lastUpdate":"2026-11-04T17:25:59.817Z","textCase":"lower","currency":"EUR","id":20464},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20461/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20461/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20461/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20461/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20461/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/alarconsubastas/cloned-images/20461/006/006.jpg"],"available":false,"description":{"en":"ricardo summers isern or ysern, known as serni (el puerto de santa maría, cádiz, 1908 \u2013 madrid, 1995), was a draftsman, painter, illustrator, poster artist, muralist, and printmaker. \n \n  \n \n \n he was the uncle of manuel summers rivero, a film director who won a silver shell at the san sebastián film festival (1963), and the great-uncle of musician david summers rodríguez, lead singer and bassist for the band hombres g. \n \n \n  \n \n \n the work we are presenting is an unfinished costume sketch by the artist related to the creation of a costume design by ivonne blake for an unidentified performance or film. the authorship of this work is attested to by a branch of the peris family, which certifies its authenticity. \n \n \n  \n \n \n black pencil and watercolor on paper. \n \n \n dimensions: 402 x 206 mm (approx., unframed); 51 x 34.5 cm (framed)","es":"ricardo summers isern o ysern, llamado serni ( el puerto de santa maría, cádiz, 1908 - madrid 1995) fue dibujante, pintor, ilustrador cartelista muralista y grabador. \n  \n fue tío de manuel summers rivero, director de cine ganador de una concha de plata en el festival de cine de san sebastián (1963) y tío abuelo del intérprete musical david summers rodríguez, vocalista y bajista del grupo musical hombres g.  \n   \n la obra que presentamos es un figurín inacabado por el artista relacionado con la producción de diseño de indumentaria de yvonne blake para alguna representación o película sin identificar. la autoría de esta obra radica en la certificación de una rama de la familia peris sobre la autenticidad de dicha autoría. \n  \n lápiz negro y acuarela sobre papel. \n medidas: 402 x 206 mm (aprox. soporte); 51 x 34,5 cm (marco)"},"lotNumber":"18","title":{"en":"ricardo summers isern \u201cserni\u201d - bandit","es":"ricardo summers isern \"serni\" - bandolero"},"url":"https://es.bidspirit.com/ui/lotPage/alarconsubastas/source/catalog/auction/75310/lot/20461/view","tags":["esart_drawings","esmemorabilia_moviestvmusicmemorabilia","esart","esmemorabilia","esmemorabilia_all","esart_all"],"directSalePrice":300,"lastUpdate":"2026-11-04T17:25:59.821Z","textCase":"lower","currency":"EUR","id":20461}],"schema":"bidspirit-bots-feed/1","catalog":{"date":"2026-11-04","timedAuction":false,"liveAuctionDisabled":false,"type":"auction","catalogOnly":false,"number":"39","buyersPremiumPercent":20,"lotsCount":18,"currency":"EUR","state":"ENDED","contentType":"ART","key":75310,"feedUrl":"https://ai.bidspirit.com/services/bots/catalogs/alarconsubastas/75310","address":{"EN":"Lagasca 36. 28001 Madrid España","en":"Lagasca 36. 28001 Madrid Spain","ES":"Lagasca 36. 28001 Madrid España","es":"Lagasca 36. 28001 Madrid España"},"startPricesHidden":false,"aiDescriptionsCount":0,"unknownExactDate":false,"idInApp":262,"version":"2026-11-04_17-26-03","itemsPriceIncludesVat":false,"url":"https://es.bidspirit.com/ui/catalog/auction/alarconsubastas/75310","aiDescriptions":"none","lastUpdate":"2026-11-04T17:26:03.730Z","name":{"en":"XXXIX Ivonne Blake &Vitín Cortezo: Designs for Film and Theatre 1958\u20131993","es":"XXXIX Yvonne Blake & Vitín Cortezo: Figurines para Cine y Teatro 1958/1993"},"soldPricesHidden":false,"time":"18:00","endTime":"2026-11-04T17:25:59.583Z"},"house":{"country":"ES","feedUrl":"https://ai.bidspirit.com/services/bots/houses/alarconsubastas","code":"alarconsubastas","address":{"en":"Lagasca 36. 28001 Madrid Spain","es":"Lagasca 36. 28001 Madrid España"},"name":{"en":"Alarcón Subastas","es":"Alarcón Subastas"},"region":"ES","url":"https://es.bidspirit.com/ui/houses/alarconsubastas"}}