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112,5 cm."},"estimateMax":12000,"lotNumber":"183","url":"https://es.bidspirit.com/ui/lotPage/aletheia/source/catalog/auction/49799/lot/21085/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":9000,"lastUpdate":"2026-07-16T14:40:07.300Z","textCase":"lower","estimate":"\u20ac12,000","internalCatalogNumber":"1245/1","currency":"EUR","id":21085,"category":{"en":"Painting - Antique","es":"Pintura - Antigua"},"estimateMin":12000},{"startPrice":14000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21086/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21086/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21086/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21086/004/004.jpg"],"available":false,"description":{"es":"escuela levantina, s.xvii. inmaculada. \n \n &oacute;leo sobre lienzo. marco de &eacute;poca. 156 x 120 cm."},"estimateMax":18000,"lotNumber":"184","url":"https://es.bidspirit.com/ui/lotPage/aletheia/source/catalog/auction/49799/lot/21086/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":14000,"lastUpdate":"2026-07-01T00:38:15.322Z","textCase":"lower","estimate":"\u20ac18,000","internalCatalogNumber":"1223/2","currency":"EUR","id":21086,"category":{"en":"Painting - Antique","es":"Pintura - Antigua"},"estimateMin":18000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21087/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21087/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21087/003/003.jpg"],"available":false,"description":{"es":"escuela holandesa, s.xvii. c&iacute;rculo de jan steen (leiden, pa&iacute;ses bajos, 1626-1679) interior de taberna con figuras. \n \n &oacute;leo sobre lienzo. reentelado. 54 x 41,5 cm."},"estimateMax":3000,"lotNumber":"185","url":"https://es.bidspirit.com/ui/lotPage/aletheia/source/catalog/auction/49799/lot/21087/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-16T17:15:45.694Z","textCase":"lower","estimate":"\u20ac3,000","internalCatalogNumber":"1164/3","currency":"EUR","id":21087,"category":{"en":"Painting - Antique","es":"Pintura - Antigua"},"estimateMin":3000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21088/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21088/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21088/003/003.jpg"],"available":false,"description":{"es":"atribuido a francisco bayeu (zaragoza, 1734-madrid, 1795) cabeza de hombre. \n \n &oacute;leo sobre lienzo. reentelado. ejecutado con una pincelada abierta y desenfadada, destaca la forma magistral del tratamiento del cabello y la barba as&iacute; como las arrugas del rostro con un gran realismo. podr&iacute;a tratarse de un boceto para una composici&oacute;n de mayores dimensiones. encontramos una gran similitud con el dibujo realizado por bayeu c.1775 conservado en la colecci&oacute;n f&eacute;lix palacios, portada del cat&aacute;logo de la exposici&oacute;n \"el dibujo espa&ntilde;ol en el gusto privado. del renacimiento a la ilustraci&oacute;n\" celebrada en el museo de zaragoza. desde el punto de vista de la factura es muy pr&oacute;ximo a retratos de car&aacute;cter privado como el de ramon labeda conservado en el museo nacional de chile o los de feliciana bayeu (hija del pintor) y de sebastiana merclein (su mujer) conservados en el museo de zaragoza. 48 x 42 cm."},"estimateMax":5000,"lotNumber":"186","url":"https://es.bidspirit.com/ui/lotPage/aletheia/source/catalog/auction/49799/lot/21088/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T00:38:15.324Z","textCase":"lower","estimate":"\u20ac5,000","internalCatalogNumber":"1222/15","currency":"EUR","id":21088,"category":{"en":"Painting - Antique","es":"Pintura - Antigua"},"estimateMin":5000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21089/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21089/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21089/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21089/004/004.jpg"],"available":false,"description":{"es":"escuela flamenca, s.xvii. adoraci&oacute;n de los pastores. \n \n &oacute;leo sobre cobre. 69 x 51,5 cm."},"estimateMax":5000,"lotNumber":"187","url":"https://es.bidspirit.com/ui/lotPage/aletheia/source/catalog/auction/49799/lot/21089/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-16T17:18:04.820Z","textCase":"lower","estimate":"\u20ac5,000","internalCatalogNumber":"1243/1","currency":"EUR","id":21089,"category":{"en":"Painting - Antique","es":"Pintura - Antigua"},"estimateMin":5000},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21090/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21090/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21090/003/003.jpg"],"available":false,"description":{"es":"escuela espa&ntilde;ola, s.xviii. adoraci&oacute;n de los reyes magos. \n \n &oacute;leo sobre cobre. 26 x 34 cm."},"estimateMax":4500,"lotNumber":"188","url":"https://es.bidspirit.com/ui/lotPage/aletheia/source/catalog/auction/49799/lot/21090/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-16T17:10:15.203Z","textCase":"lower","estimate":"\u20ac4,500","internalCatalogNumber":"1156/9","currency":"EUR","id":21090,"category":{"en":"Painting - Antique","es":"Pintura - Antigua"},"estimateMin":4500},{"startPrice":3800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21091/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21091/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21091/003/003.jpg"],"available":false,"description":{"es":"atribuido a francisco bayeu (zaragoza, 1734-madrid, 1795) alegor&iacute;a de la filosof&iacute;a. \n \n &oacute;leo sobre cobre. representa a una mujer dirigiendo su mirada al cielo, mostrando un libro abierto en una mano y en la otra un cetro acompa&ntilde;ada de dos &aacute;ngeles. desde el punto de vista compositivo y estil&iacute;stico encontramos similitudes con los bocetos para las figuras de los &oacute;valos situados en los extremos de la composici&oacute;n \"la apoteosis de h&eacute;rcules\" realizada por bayeu en el palacio real de madrid. su formaci&oacute;n se inici&oacute; en zaragoza en el taller del pintor de origen bohemio juan andr&eacute;s merklein y en las clases de dibujo de jos&eacute; luz&aacute;n mart&iacute;nez. bayeu realiz&oacute; varios encargos para iglesias y conventos, entre ellos la cartuja de aula dei. anton raphael mengs lo reclam&oacute; en 1762 para que le ayudara en la decoraci&oacute;n del palacio nuevo. gracias a las intervenciones de mengs, el aragon&eacute;s colabor&oacute; en numerosas empresas decorativas para los realies sitios, que le valieron el nombramiento de pintor de c&aacute;mara en 1767. influido por la pintura de giaquinto y de gonz&aacute;lez vel&aacute;zquez, bayeu es en la primera etapa de su producci&oacute;n art&iacute;istica uno de los exponentes m&aacute;s destacados de la pintura tardobarroca espa&ntilde;ola. en las b&oacute;vedas del palacio asume los esquemas y proporciones cl&aacute;siccas de mengs, basados en los rigurosos estudios del natural con los que caraceteriza las figuras y sus ropajes a la manera cl&aacute;sica. en sus bocetos bayeu une el rigor formal de mengs con la t&eacute;cnica y los recursos pirct&oacute;ricos de giaquinto. sus bocetos revelan su vena tardobarroca donde trabaja con toques r&aacute;pidos y fluidos y con colores vivos y exquisitos. &n bsp; &nbs p; &n bsp; bibliograf&iacute;a de refrencia: \"francisco bayeu\", por jos&eacute; luis morales y mar&iacute;n. p&aacute;g.: 85. fig.: 34. ediciones moncayo. zaragoza, 1995. 30,5 x 21 cm."},"estimateMax":5500,"lotNumber":"189","url":"https://es.bidspirit.com/ui/lotPage/aletheia/source/catalog/auction/49799/lot/21091/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3800,"lastUpdate":"2026-07-16T17:20:11.792Z","textCase":"lower","estimate":"\u20ac5,500","internalCatalogNumber":"1227/5","currency":"EUR","id":21091,"category":{"en":"Painting - Antique","es":"Pintura - Antigua"},"estimateMin":5500},{"startPrice":4500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21092/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21092/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21092/003/003.jpg"],"available":false,"description":{"es":"sebasti&aacute;n mart&iacute;nez domedel (ja&eacute;n c.1615-1620-madrid, 1667) las l&aacute;grimas de san pedro. \n \n &oacute;leo sobre lienzo. reentelado. el rostro del ap&oacute;stol evidencia los rasgos caracter&iacute;sticos de los modelos masculinos que suele emplear el pintor gienense en sus obras, muestra a un hombre de avanzada edad, con p&oacute;mulos pronunciados, cabello y barba desali&ntilde;ados. desde el punto de vista t&eacute;cnico y del modelo planteado se relaciona con obras como los evangelistas de la catedral de ja&eacute;n. en concreto, la definici&oacute;n del rostro y la expresividad recuerdan mucho al san lucas. la pincelada mat&eacute;rica utilizada para marcar las arrugas de la frente y la piel de las manos es muy caracter&iacute;stico en el estilo de mart&iacute;nez domedel. como indica rafael mantas \"derrocha grandes cualidades pict&oacute;ricas en la definici&oacute;n de las anatom&iacute;as de sus im&aacute;genes sagradas, las cuales encarnan a personajes reales tomados de la calle...con una tensi&oacute;n psicol&oacute;gica, que incitaba a la oraci&oacute;n al fiel del siglo xvii, cumpliendo a la perfecci&oacute;n los postulados tridentinos de la &eacute;poca\". su estilo es ecl&eacute;ctico y est&aacute; marcado por una fuerte influencia de la pintura naturalista y por las concomitancias de otros artistas contempor&aacute;neos como antonio del castillo, alonso cano o jos&eacute; de ribera. su formaci&oacute;n se inicia en ja&eacute;n en el taller de su padre, donde adquiere los conocimiento b&aacute;sicos del arte de la pintura. pudo completar sus estudios con el pintor local crist&oacute;bal vela cobo. posteriormente se traslada a c&oacute;rdoba, estancia que supuso el enriquecimiento de su estilo entrando en contacto con artistas de la &eacute;poca. transcurridos los a&ntilde;os de aprendizaje se convirti&oacute; en poco tiempo en el pintor m&aacute;s afamado de la ciudad de ja&eacute;n. en torno a las d&eacute;cadas de 1650 y 1660 alcanz&oacute; la madurez de su estilo, siendo requerido por importantes instituciones religiosas y por destacadas personalidades civiles de la sociedad del siglo xvii. los &uacute;ltimos a&ntilde;os de su vida transcurren en madrid donde ser&aacute; nombrado pintor de c&aacute;mara de felipe iv, se enriquecer&aacute; su repertorio de im&aacute;genes y de soluciones compositivas tras contemplar las obras de importantes artistas en los reales sitios y sobretodo en el real monasterio del escorial. bibliograf&iacute;a de referencia: \"sebasti&aacute;n mart&iacute;nez domedel. vida y obra\", por rafael mantas fern&aacute;ndez. instituto de estudios jienenses. ja&eacute;n, 2019. agradecemos la colaboraci&oacute;n de don rafael mantas en la catalogaci&oacute;n de esta obra. 49,5 x 37,5 cm."},"estimateMax":7000,"lotNumber":"190","url":"https://es.bidspirit.com/ui/lotPage/aletheia/source/catalog/auction/49799/lot/21092/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-16T17:20:11.792Z","textCase":"lower","estimate":"\u20ac7,000","internalCatalogNumber":"1227/6","currency":"EUR","id":21092,"category":{"en":"Painting - Antique","es":"Pintura - Antigua"},"estimateMin":7000},{"startPrice":7000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21093/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21093/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21093/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21093/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/aletheia/cloned-images/21093/005/005.jpg"],"available":false,"description":{"es":"antonio v&aacute;zquez (activo en valladolid, c.1485-1563) san sebasti&aacute;n y san roque. \n \n &oacute;leo sobre tabla. realizado c.1540-1545. se representan a la izquierda san sebasti&aacute;n en su habitual iconograf&iacute;a atado al &aacute;rbol y asaeteado. destacan la marcada anatom&iacute;a de su cuerpo y su rostro de labios carnosos y mirada doliente as&iacute; como el tratamiento del cabello con abundantes mechones ondulados dejando ver la oreja, detalle caracter&iacute;stico en la obra del pintor. a la derecha san roque vestido de peregrino, representado como un hombre de edad, barbado, se apoya en el bast&oacute;n que sujeta con su mano derecha mientras con la izquierda levanta la ropa mostrando la llaga de su muslo. a sus pies un perro con un trozo de pan en su boca con el que alimentaba al santo diariamente. del cielo vuela hacia &eacute;l un &aacute;ngel con una bandeja portadora de los efectivos para curar su llaga. los dos santos portan nimbo, tanto las expresiones de sus rostros como las indumentarias y el paisaje son caracter&iacute;sticos en la obra del pintor. seg&uacute;n isabel mateo un precedente de esta tabla ser&iacute;a las conservadas en el wellcome institute for history of medicine de londres fechadas en 1530 con la representaci&oacute;n de los mismos santos. es muy similar la indumentaria de los santos, sus poses y gestos. el rostro de san sebasti&aacute;n de londres de labios carnosos y suplicante mirada es similar al de nuestra tabla, as&iacute; como la representaci&oacute;n del paisaje. tanto el rostro como el tratamiento del cabello del san sebasti&aacute;n lo repite antonio v&aacute;zquez en el ni&ntilde;o jes&uacute;s en la epifan&iacute;a del desmembrado retablo de la iglesia de valdenebro de los valles en valladolid. el rostro de san jos&eacute; de la presentaci&oacute;n de jes&uacute;s en el templo del museo nacional de escultura de valladolid recuerda al de san roque, as&iacute; como el del ni&ntilde;o jes&uacute;s que se asimila al de san sebasti&aacute;n. tambi&eacute;n relacionamos el semblante de san roque con el de la virgen de la crucifixi&oacute;n conservada en el museo nacional de escultura de valladolid. antonio v&aacute;zquez fue un pintor prol&iacute;fico como pocos en la escuela vallisoletana, lo que indica que debi&oacute; de contar con una nutrida clientela. su estilo goz&oacute; del favor de sus contempor&aacute;neos otorg&aacute;ndole un evidente &eacute;xito en el panorama pict&oacute;rico local. fue el pintor m&aacute;s activo en valladolid en el segundo cuarto del siglo xvi. no se distingue en el estilo de antonio v&aacute;zquez evoluci&oacute;n alguna, repiti&eacute;ndose con mon&oacute;tona insistencia id&eacute;ntica tipolog&iacute;a en figuras y paisajes. su estilo prolonga en muchos aspectos las caracter&iacute;sticas de la pintura de fines del estilo g&oacute;tico, incorporando ciertos elementos del clasicismo del alto renacimiento. mezcla en sus obras el realismo de pedro berruguete y el idealismo de juan de borgo&ntilde;a. sus tipos son recios y monumentales, son t&iacute;picas las caras gruesas y redondas especialmente en las figuras femeninas. las figuras masculinas presentan ment&oacute;n prologando dibujando un tri&aacute;ngulo acusado por el empleo de largas barbas. muy caracter&iacute;sticas del estilo de v&aacute;zquez son las grandes orejas de sus personajes, las cuales destacan debido a su gran tama&ntilde;o e incluso se las coloca de frente aun cuando la cabeza no lo est&eacute;. las cejas van se&ntilde;aladas con l&iacute;neas muy marcadas y divergentes. tambi&eacute;n definen especialmente el estilo del maestro los nimbos y los brillos del cabello y barbas, emanan de las cabezas rayos de santidad. las miradas de sus figuras suelen ser dulces y ensimismadas, los labios gruesos, predominando las caras sonrientes y delicadas. en su obra se mantienen numerosos arca&iacute;smos, como la proliferaci&oacute;n de nimbos y brocados de oro, la aparici&oacute;n en los fondos de paisajes de edificios g&oacute;ticos, la frecuente representaci&oacute;n de donantes junto a los santos y personajes sagrados. respecto al color, le caracteriza una paleta n&iacute;tida y de tonos brillantes, colores preferentemente fr&iacute;os con predominio de los tonos azulados. los vestidos se despliegan con holgura y amplitud adquiriendo las figuras monumentalidad y grandeza. un pl&aacute;cido reposo y una admirable quietud dominan a los personajes. mientras los paisajes son m&aacute;s flamencos, amplios espacios de fondos rocosos con bosquecillos y edificios g&oacute;ticos, las arquitecturas de interiores son renacentistas. se adjunta estudio de isabel mateo g&oacute;mez. bibliograf&iacute;a. \u201cel pintor antonio v&aacute;zquez\u201d, por jos&eacute; carlos brasas egido. instituci&oacute;n cultural simancas. valladolid, 1985. \u201cpinturas in&eacute;ditas de antonio v&aacute;zquez\u201d, por juan jos&eacute; mart&iacute;n gonz&aacute;lez. p&aacute;g.: 179. bolet&iacute;n del seminario de estudios de arte y arqueolog&iacute;a, tomo xxl, 1959. \u201cantonio v&aacute;zquez (nuevos comentarios y obras), por jes&uacute;s mar&iacute;a caama&ntilde;o mart&iacute;nez. p&aacute;gs.: 193-204. b.s.a.a., tomo xxxvi, 1970. \u201ctablas in&eacute;ditas de antonio v&aacute;zquez\u201d, por juan jos&eacute; mart&iacute;n gonz&aacute;lez. p&aacute;gs.: 441-443. 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