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cena, pintado para el refectorio del real monasterio de santa clara de xàtiva. como indica josé luis díez en su estudio, de estas cabezas también se conservan otras réplicas que representan los mismos modelos de forma independiente."},"lotNumber":"567","title":{"es":"los apóstoles juan evangelista y judas, c. 1805-1808"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19206/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":2000,"soldPrice":4000,"lastUpdate":"2026-07-01T01:21:23.030Z","textCase":"lower","currency":"EUR","id":19206},{"startPrice":2200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19207/001/001.jpg"],"artist":{"es":"escuela española (1ª 1/2 s.xviii / .)"},"available":false,"description":{"es":"óleo sobre tabla. \n 63 x 46 cm. \n \n \n con su marco del siglo xviii en madera tallada y dorada con decoración de rocallas."},"lotNumber":"568","title":{"es":"aparición 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en la colección de jerónimo vich, y que finalmente acabó formando parte de la colección real al ser entregada por su bisnieto, diego vich, a felipe iv en concepto de pago por ciertas deudas. hoy esta pintura se encuentra expuesta en el museo nacional del prado (p000345)."},"lotNumber":"569","title":{"es":"cristo con la cruz a cuestas"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19208/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3000,"soldPrice":3600,"lastUpdate":"2026-07-01T01:21:23.033Z","textCase":"lower","currency":"EUR","id":19208},{"startPrice":1500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19209/001/001.jpg"],"artist":{"es":"escuela madrileña (s. xvii / .)"},"soldDate":"2021-11-04","available":false,"description":{"es":"óleo sobre lienzo. \n 124 x 97 cm."},"lotNumber":"570","title":{"es":"san juan 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antonio"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19213/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":6500,"lastUpdate":"2026-07-01T01:21:30.950Z","textCase":"lower","currency":"EUR","id":19213},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19214/001/001.jpg"],"artist":{"es":"giuseppe recco (1634 / 1695)"},"available":false,"description":{"es":"óleo sobre lienzo \n 100 x 83 cm \n \n \n firmado en el ángulo inferior derecho. considerado el máximo exponente de la pintura de bodegones napolitana del siglo xvii, pertenece a una familiar muy vinculada con esta temática. con una producción muy amplia, destaca por su habilidad en la representación de peces, que aparecen en números de sus obras, como en este caso. sus influencias son variadas, aunque tiene un estilo reconocible que marcaría la pintura de bodegones napolitana 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corte."},"lotNumber":"576","title":{"es":"virgen de belén"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19215/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T01:21:30.959Z","textCase":"lower","currency":"EUR","id":19215},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19216/001/001.jpg"],"artist":{"es":"escuela colonial. cuzco, perú (fin s.xvii / .)"},"available":false,"description":{"es":"óleo sobre lienzo \n 167 x 109 cm"},"lotNumber":"577","title":{"es":"virgen tota 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retrato hecho a la princesa en 1659 por adrien hanneman (1603-1671) conservado en la scottish national portrait gallery. los retratos de michaelina wautier se caracterizan por una gran perfección y equilibro, mayor que el de su hermano charles (1609-1703), con el que en ocasiones ha sido confundida su obra, al tener ambos un lenguaje común. es característico de michaelina wautier la manera particular de pintar las perlas, idéntica en este retrato a la forma de trabajarlas en los desposorios de santa catalina del seminario de namur (firmada y fechada 1649). igualmente, el encuadre y el fondo neutro del cuadro es el mismo que en el retrato de antonio pimentel de prado (firmado y fechado 1646; musées royaux des beaux-arts de bruselas), siendo similar el modelado en el rostro, la configuración de la barbilla y forma de incidir la luz. un rasgo particularmente decisivo para esta atribución es la forma de representar los ojos de michaelina, con gran dulzura y emotividad, semejante a la expresividad de los ojos en los retratos de viii duque de alburquerque, don francisco de la cueva (colección particular, inglaterra); y al retrato del jesuita martino martini (colección particular), ambas autógrafas de michelena. además, gracias al vestido y el peinado se puede fechar la obra entre 1660-1665, justamente cuando los wautier eran destacados retratistas en bruselas, donde compartían vivienda y taller, retratando a intelectuales, nobles y príncipes, incluyendo a dos de los hermanos estuardo. sabemos que la retrata estuvo en bruselas en diciembre de 1658 y en 1660 acompañando a su hermano, siendo esta última la fecha más probable de realización de la obra, cuando se fraguaba la vuelta al trono de carlos ii de inglaterra. si fuera así, sería el último retrato tomado vivo de ella. procedencia: colección particular, madrid bibliografía: sanzsalazar, j., \"los hermanos estuardo y los wautier. retratos de una familia real en el exilio\", 2021, philostrato. revista de historia y arte nº9, 2021(reproducido)"},"lotNumber":"578","title":{"es":"retrato de mary henrietta stuart, princesa real y princesa de orange, ca. 1660"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19217/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":80000,"soldPrice":110000,"lastUpdate":"2026-07-01T01:21:30.962Z","textCase":"lower","currency":"EUR","id":19217},{"startPrice":9000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19218/001/001.jpg"],"artist":{"es":"francisco pacheco (1564 / 1644)"},"soldDate":"2021-11-04","available":false,"description":{"es":"óleo sobre tabla. \n 55 x 50,5 cm. \n \n \n esta hermosa tabla representando a santa catalina de siena es un excelente ejemplo de la producción de francisco pacheco. la asignación al maestro sevillano está fundamentada en la total coincidencia de composición, dibujo y colorido con otras obras de este artista y, especialmente, con otra santa catalina que pertenece a una colección particular de madrid (e. valdivieso, pintura barroca sevillana, 2003, p. 124, lám. 114). del mismo modo, este mismo modelo de santa con gesto de arrobo místico, también lo encontramos prácticamente idéntico en la santa catalina y la santa inés del museo nacional del prado, que antaño formaron parte del retablo de doña francisca de león en la iglesia del convento sevillano del santo ángel. la santa aparece en esta obra con sus habituales símbolos iconográficos como la corona de espinas que lleva sobre su cabeza y los elementos que sostiene en sus manos que son, en la izquierda un corazón del que surge un crucifijo, testigo de la enorme devoción y amor que sentía por la persona de cristo y en la derecha un ramo de azucenas que simboliza su pureza virginal. el dominio del dibujo y el cromatismo son habituales en su producción: la figura de la santa aparece perfectamente recortada sobre un fondo gris verdoso en el que destacan los colores blanco y negro del hábito dominico. la belleza de la pintura, su estado de conservación y la escasez en el comercio de obras del pintor la convierten en una pieza relevante para el coleccionismo. se adjunta informe de enrique valdivieso gonzález, expedido en sevilla a 13 de septiembre de 2021."},"lotNumber":"579","title":{"es":"santa catalina de siena, c. 1620"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19218/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":9000,"soldPrice":9000,"lastUpdate":"2026-07-01T01:21:30.964Z","textCase":"lower","currency":"EUR","id":19218},{"startPrice":22000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19219/001/001.jpg"],"artist":{"es":"juan carreño de miranda (1614 / 1685)"},"available":false,"description":{"es":"óleo sobre lienzo \n 82,5 x 62 cm \n \n \n se adjunta estudio de josé maría quesada (ieha) atribuyendo la obra al pintor. según quesada el presente retrato pertenece al grupo de retrato de busto del monarca pintados con vistas a actualizar los retrato del rey que debian presidir todo tipo de instituciones. debe tener unos 23 o 24 años de edad y sigue a los ejemplares del castillo peralada y del ayuntamiento de sevilla, quizás un retrato preliminar para realizar los retrato de cuerpo entero"},"lotNumber":"580","title":{"es":"retrato de carlos ii, ca.1679-80"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19219/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":22000,"lastUpdate":"2026-07-01T01:21:30.870Z","textCase":"lower","currency":"EUR","id":19219},{"startPrice":22000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19220/001/001.jpg"],"artist":{"es":"mateo cerezo (1637 / 1666)"},"soldDate":"2021-11-04","available":false,"description":{"es":"óleo sobre tabla \n 28,5 x 21,5 cm \n \n \n se adjunta informe del profesor ismael gutiérrez pastor con nº002-2021 del año 2021 al dorso etiqueta de la junta de incautación y el servicio de defensa del patrimonio artístico español (sdpae), en la que se lee: \u201cnº de inventario 13.972 / procedencia c.n.t. / nº de colec. 673\u201d procedencia: -probablemente josé romaní (bolonia h. 1616 \u2013 madrid, 1680), por antigua inscripción en la trasera ya desaparecida y conocida por fotos -colección particular formado en el taller de carreño, seguidor de su estilo y colaborador estrecho, fue conocido por su pintura religiosa y sus bodegones, elogiado por ello incluso por palomino. su estilo pleno barroco está influenciado por tiziano y van dyck. en el caso de este \u201cjesús de nazaret coronado de espinas\u201d, según el profesor gutiérrez pastor, su técnica encaja con algunas pinturas del periodo comprendido entre 1663 y 1666. durante su carrera cerezo pintó en repetidas ocasiones el tema de jesús coronado de espinas con composiciones diversas. la obra con la que guarda más relación es con \u201ccristo como varón de dolores\u201d que formó parte de la colección orriols de barcelona (óleo sobre lienzo, 80, 2 x 58,8 cm; vendido en christie´s londres, 1996, lote 127, hoy en paradero desconocido), ambas con una clara inspiración en las obras del greco. cabe mencionar que esta pequeña tabla presenta un reverso está estucado y dorado y el análisis radiográfico ha revelado que está formada por trece piezas de madera. además de observa la presencia oculta de dos viagras en la parte derecha y un hueco tapado actualmente donde se ubicaría una cerradura, indicando que esta tabla fue quizás utilizada como una puerta de un sagrario."},"lotNumber":"581","title":{"es":"jesús de nazaret coronado de espinas y vistiendo clámide púrpura"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19220/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":22000,"soldPrice":24000,"lastUpdate":"2026-07-01T01:21:30.872Z","textCase":"lower","currency":"EUR","id":19220},{"startPrice":39000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19221/001/001.jpg"],"artist":{"es":"osias beert i (h. 1580 - después de 1624 / .)"},"soldDate":"2021-11-04","available":false,"description":{"es":"óleo sobre tabla \n 52 x 68 cm \n \n \n pricedencia: -1960, the hallsborough gallery, londres (anunciado en the connoisseur, mayo de 1960, pág 258) -1985, colección privada leib, londres -christie's, londres, 4 de julio de 1986, lote 47 (como osias beert i) -christie's, londres, 8 de julio de 1988 lote 30 (como osias beert i) -christie's, londres, 24 de mayo de 1991, lote 29 (como osias beert i) -dorotheum, 9 de junio de 2021, lote 296 (como círculo de osias beert i) -colección privada, madrid bibliografía: -greindl, e., \"les peintres flamands de nature morte au xviie siècle\", sterrebeek 1983, pág. 191, afb. 32, 337, cat. nr. 92"},"lotNumber":"582","title":{"es":"naturaleza muerta salero, roemer, copa, platos con alcachofas y camarones, dulces y pan"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19221/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":39000,"soldPrice":47000,"lastUpdate":"2026-07-01T01:21:30.874Z","textCase":"lower","currency":"EUR","id":19221},{"startPrice":17500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19222/001/001.jpg"],"artist":{"es":"adriaen jansz kraen (1619 / 1679)"},"soldDate":"2021-11-04","available":false,"description":{"es":"óleo sobre tabla \n 60 x 85 cm"},"lotNumber":"583","title":{"es":"naturaleza muerta con frutas, marisco, vasos y cafetera"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19222/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":17500,"soldPrice":17500,"lastUpdate":"2026-07-01T01:21:30.875Z","textCase":"lower","currency":"EUR","id":19222},{"startPrice":50000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19223/001/001.jpg"],"artist":{"es":"ramón gonsalbo (documentado entre el 1428 y el 1475 / .)"},"available":false,"description":{"es":"pintura al temple y al óleo sobre madera \n 218 x 71,5 cm c/u \n \n \n se trata de dos calles laterales, montadas de forma conjunta, del retablo dedicado a san vicente mártir de la iglesia del mismo nombre en montferrer, cerca de la seu d'urgell. las tablas representan; \"san vicente y a san valero ante daciano\"; \"san vicente en el lecho de clavos\"; \"la muerte de san vicente \u201cy \"la procesión para recibir las reliquias de san vicente\". se adjunta informe de antoni josé i pitarch, catedrático de historia del arte de la universidad de barcelona."},"lotNumber":"584","title":{"es":"escenas de la vida de san vicente mártir, 1456-1458/1475"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19223/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":50000,"lastUpdate":"2026-07-01T01:21:30.877Z","textCase":"lower","currency":"EUR","id":19223},{"startPrice":36000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19224/001/001.jpg"],"artist":{"es":"seguidor de rogier van der weyden (s.xv - xvi / .)"},"available":false,"description":{"es":"óleo sobre tabla \n 111 x 108,5 cm \n \n \n importante tabla pintada sobre roble inspirada directamente en \u201cel descendimiento\u201d, la obra más conocida de rogier van der weyden (tournai, 1399 - bruselas, 1464). no se puede considerar una copia, por la inclusión del paisaje y los muchos personajes que lo pueblan, con la narración en el fondo de dos escenas más de la vida de cristo: \u201cla resurrección\u201d y \u201cnoli me tangere\u201d. además, varias de las figuras protagonistas muestran cambios en sus posturas con respecto a la obra de weyden. la más destacada, es la figura de la mujer que está a la izquierda del todo, maría cleofás, hermanastra de la virgen, que aparece con las manos juntas, y no llorando con las manos en la cara como en la obra de weyden. lo más probable es que el autor conociera la obra de weyden directamente y no a través de un grabado, por la coincidencia de muchos de los colores y por reproducir de forma correcta y no invertida la composición completa. el descendimiento de van der weyden estuvo en la iglesia nuestra señora de extramuros de lovaina desde que fue pintada, antes de 1443, hasta 1549 cuando la compró maría de hungría para su palacio en binche. antes de 1564 su sobrino felipe ii lo tenía en la capilla del pardo y fue llevado al escorial en 1566. teniendo en cuenta todo esto, y que está pintada en un soporte de roble, lo más probable que esta obra fuera pintada en flandes a finales del siglo xv y principios de xvi por un seguidor de weyden. además, se conocen varias copias contemporáneas de esta pintura, la más antigua fechada en 1443, es el tríptico edelheere (lovaina, iglesia de san pedro)."},"lotNumber":"585","title":{"es":"el descendimiento"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19224/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":36000,"lastUpdate":"2026-07-01T01:21:30.878Z","textCase":"lower","currency":"EUR","id":19224},{"startPrice":15000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19225/001/001.jpg"],"artist":{"es":"lorenzo de ávila (h. 1492 / .)"},"available":false,"description":{"es":"óleo sobre tabla \n 49,5 x 49,5 cm \n \n \n lorenzo de ávila es el pintor más importante de la zona de toro durante el segundo tercio del siglo xvi, introductor de las formas renacentistas en zamora. pudo ser discípulo de juan de borgoña por la semejanza de sus estilos, sobre todo al inicio de su carrera. acometió numerosos encargos que hasta hace poco se atribuían a artistas anónimos como el maestro de toro y el maestro de pozuelo. varias publicaciones recientes han recuperado su figura y puesto en valor como principal maestro de la escuela de toro, caracterizado por un estilo propio más próximo a lo hecho por juan de borgoña en toledo que al de berruguete y la escuela de valladolid. en las presentes obras, cuya ubicación original se desconoce, se pueden ver las características estilísticas que define la obra de pintor y por lo que se atribuyen las mismas: formas suaves, rostros dulces y un poco inexpresivos, y equilibrio general en las formas y composiciones. bibliografía de referencia: fiz fuertes, i., \"lorenzo de ávila y juan de borgoña ii y su escuela. la recepción del renacimiento en tierras de zamora y león\". centro de estudios benaventanos ledo del pozo benavente 2003; pascual de cruz, j. c. lorenzo de ávila. una ilusión renacentista. instituto de estudios zamoranos florián de ocampo, zamora 2012."},"lotNumber":"586","title":{"es":"la resurrección de cristo"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19225/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":15000,"lastUpdate":"2026-07-01T01:21:30.879Z","textCase":"lower","currency":"EUR","id":19225},{"startPrice":15000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19226/001/001.jpg"],"artist":{"es":"lorenzo de ávila (h. 1492 / .)"},"available":false,"description":{"es":"óleo sobre tabla \n 49,5 x 49,5 cm"},"lotNumber":"587","title":{"es":"el santo entierro de cristo"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19226/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":15000,"lastUpdate":"2026-07-01T01:21:30.881Z","textCase":"lower","currency":"EUR","id":19226},{"startPrice":5000,"sold":false,"artist":{"es":"zacarias gonzalez velazquez (1763 / 1834)"},"available":false,"description":{"es":"38 x 30 cm. cada uno. \n \n \n pareja de óleos sobre lienzo."},"lotNumber":"588","title":{"es":"escenas de el quijote"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19227/view","directSalePrice":5000,"lastUpdate":"2024-07-02T18:29:27.041Z","textCase":"lower","currency":"EUR","id":19227},{"startPrice":20000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19228/001/001.jpg"],"artist":{"es":"zacarias gonzalez velazquez (1763 / 1834)"},"available":false,"description":{"es":"óleo sobre lienzo \n 110 x 77 cm \n \n \n zacarías gonzález de velázquez abordó el tema de los arcángeles en más de una ocasión, siendo su obra más conocida el proyecto realizado para la decoración de las pechinas del real oratorio del caballero de gracia en madrid. allí pintó a san miguel, san gabriel, san rafael y el santo ángel de la guarda; todos ellos perdidos, pero conocidos gracias a la conservación de sus bocetos preparatorios. al margen de este conjunto sabemos que abordó el mismo tema en otras ocasiones, como obras de devoción, tal y como demuestra el ángel de la guarda que, antaño, se encontraba en la antigua colección de la riva y con la que esta obra presenta numerosos paralelismos estilísticos. el arcángel rafael se muestra de pie, ante un hermoso paisaje de montaña con amplio celaje. según su iconografía tradicional viste de peregrino -con sandalias, bastón y veneras- y muestra un pez en su mano derecha, que rememora el pasaje bíblico del libro de tobías. la pintura pone de manifiesto el influjo del que fuera su maestro, mariano salvador maella, y está resuelta con su característica precisión en el dibujo, su minuciosidad en el acabado y una armónica paleta cromática de tonos acompasados."},"lotNumber":"589","title":{"es":"el arcángel san rafael"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19228/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":20000,"lastUpdate":"2026-07-01T01:21:30.882Z","textCase":"lower","currency":"EUR","id":19228},{"startPrice":12000,"sold":false,"artist":{"es":"seguido de giambattista tiepolo (s.xviii-xix / .)"},"available":false,"description":{"es":"pareja de óleos sobre papel adheridos a lienzo \n 39 x 46 cm c/u \n \n \n estos papeles pintados están tomados de la sala capitolare de la scuola grande dei carmini en venecia, cuya decoración realizó gianbattista tiepolo en 1743-44"},"lotNumber":"590","title":{"es":"la fortaleza y la justicia\" y \"la paciencia, la inocencia y la castidad"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19229/view","directSalePrice":12000,"lastUpdate":"2024-07-02T18:29:26.292Z","textCase":"lower","currency":"EUR","id":19229},{"startPrice":10000,"sold":false,"artist":{"es":"antonio gonzalez velazquez (1729 / 1793)"},"available":false,"description":{"es":"parejas de óleo sobre lienzo \n 97,5 x 33 y 98 x 32,5 cm"},"lotNumber":"591","title":{"es":"josué deteniendo al sol\" y \"la conquista de jericó"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19230/view","directSalePrice":10000,"lastUpdate":"2024-07-02T18:29:26.090Z","textCase":"lower","currency":"EUR","id":19230},{"startPrice":9000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19231/001/001.jpg"],"artist":{"es":"seguidor de antonio palomino ((fles. s. xvii - ppios. s. xviii) / .)"},"available":false,"description":{"es":"óleo sobre lienzo. \n 210 x 147 cm. \n \n \n este hermosa representación de la \"inmaculada concepción\" sigue el modelo creado por antonio palomino que se conserva en la catedral de palencia. con muy pocas variantes, la gran similitud con esta pintura y su notable calidad técnica, nos lleva a pensar en que su autoría se debe a un discípulo aventajado del pintor cordobés o incluso que el lienzo pudiera haber salido de su propio taller."},"lotNumber":"592","title":{"es":"inmaculada concepción"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19231/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":9000,"lastUpdate":"2026-07-01T01:21:22.476Z","textCase":"lower","currency":"EUR","id":19231},{"startPrice":9000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19232/001/001.jpg"],"artist":{"es":"circulo de francisco herrera \"el viejo\" (s. xvii / ?)"},"available":false,"description":{"es":"óleo sobre tabla. \n 61 x 55 cm. \n \n \n con importante marco de época en madera tallada y dorada."},"lotNumber":"593","title":{"es":"padre eterno"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/17877/lot/19232/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":9000,"lastUpdate":"2026-07-01T01:21:22.478Z","textCase":"lower","currency":"EUR","id":19232},{"startPrice":16500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/19233/001/001.jpg"],"artist":{"es":"jan brueghel ii el joven (1601 / 1678)"},"soldDate":"2021-11-04","available":false,"description":{"es":"óleo sobre lienzo \n 51 x 64 cm \n \n \n firmado en el ángulo inferior izquierdo pintor de gran talento, hijo mayor de jan brueghel de velours, en cuyo taller se formó. viajo a milán protegido por el cardenal borromeo y después a malta y sicilia. en 1625 regresa a flandes debido a la muerte de su padre y se ocupa de su taller, apareciendo inscrito como maestro en el gremio de pintores de san lucas. desde este momento sus obras siguieron la línea de su padre terminando incluso obras inacabadas de él, aunque aporta ciertas innovaciones. en este caso, se trata de un paisaje similar a una obra de p.p. rubens conservado en la alte pinakothekde munich (óleo sobre lienzo, 81,1 x 106,7 cm) . se sabe que rubens y su padre, jan brueghel el viejo, colaboraron juntos en algunas obras (ver \u201cla vida campesina\u201d, h.1621. óleo sobre lienzo, 130 x 293 cm. museo del prado) y que su influencia fue reciproca, rubens tomando la tradición holandesa del paisaje, representada en su plenitud por los brueghel y ellos asumiendo las innovaciones y aportaciones de rubens, como en este caso."},"lotNumber":"594","title":{"es":"paisaje con campesino y vacas junto a un 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