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josé"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30978/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:38.951Z","textCase":"lower","currency":"EUR","id":30978},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30979/002/002.jpg"],"lastUpdate":"2026-07-01T01:49:38.952Z","textCase":"lower","available":false,"currency":"EUR","id":30979,"lotNumber":"663","url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30979/view","tags":["esart_oldmasters","esart","esart_all"]},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30980/002/002.jpg"],"artist":{"es":"juan simon gutierrez"},"available":false,"description":{"es":"medina sidonia (1644) / sevilla (1718) \n 52 x 42 cm \n óleo sobre lienzo \n bibliografía: \n  \n palencia, j. mª., \"esplendor del barroco andaluz\".catálogo de exposción, cajasur, córdoba, 2007 p. 82."},"lotNumber":"664","title":{"es":"el salvador niño"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30980/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:38.954Z","textCase":"lower","currency":"EUR","id":30980},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30981/002/002.jpg"],"artist":{"es":"escuela madrileña"},"soldDate":"2022-09-28","available":false,"description":{"es":"(s. xvii) \n 152 x 185 cm. \n óleo sobre lienzo."},"lotNumber":"665","title":{"es":"san jerónimo penitente"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30981/view","tags":["esart_oldmasters","esart","esart_all"],"soldPrice":3000,"lastUpdate":"2026-07-01T01:49:38.956Z","textCase":"lower","currency":"EUR","id":30981},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30982/002/002.jpg"],"artist":{"es":"juan sariñena"},"available":false,"description":{"es":"(1545) / valencia (1619) \n 117 x 90 cm. \n óleo sobre lienzo. \n procedencia: valencia, antigua colección de los condes de parcent; madrid, colección particular. \n  \n bibliografía: - el quexigal. la casa y su contenido, propiedad de la familia hohenlohe que será subastada por sotheby parke bernet & co. sucursal en españa, madrid, 1979, n.º 24 (como obra de valdés leal); puig sanchis, i. y franco llopis, b., \u201cjuan de sariñena y luis beltrán, dos iconos de la espiritualidad en el arte valenciano: apreciaciones a propósito del lienzo conservado en el museo ibercaja-camón aznar de zaragoza, archivo de arte valenciano, n.º 95, 2014, pp. 31-46, fig. 8. \n  \n juan sariñena fue una figura de importancia capital en el desarrollo de la pintura valenciana del barroco. su aprendizaje en roma, entre los años 1570 y 1575, le permitió empaparse de las diferentes corrientes que confluían en la ciudad durante aquellos años, como el manierismo miguelangelesco o la pintura reformada, rompiendo con su estilo novedoso con la tradición joanesca que seguía perpetuada por los numerosos seguidores del célebre juan de juanes. \n desde el año 1579 hasta su muerte en 1619, sariñena ocupó un lugar hegemónico en la ciudad de valencia, en la que llegaría a ocupar el cargo de pintor de la ciudad y recibir los encargos más importantes por parte del clero, la nobleza y las clases dirigentes, siendo su empresa más notable la decoración mural de la sala nova de la generalitat. aquí, junto a otros pintores por él elegidos, se encargó de retratar a los diversos estamentos que componían los órganos de gobierno de dicha corporación, todos ellos retratados \u201cal vivo\u201d. este conjunto, así como los diferentes retratos que realizó por encargo del patriarca juan de ribera con destino a su colegio de corpus christi, le valieron la fama de excelente retratista. \n un magnífico ejemplo lo encontramos en esta pintura que representa a san luis beltrán. gracias a la localización de una fotografía en el archivo mas (n.º digital: 02872003) sabemos que se trata de una obra que perteneció a la colección de los condes de parcent, confirmando su procedencia valenciana. sabemos que en el año 1979 la obra se encontraba en la finca el quexigal, propiedad de la familia hohenlohe, y fue puesta a la venta por la casa de subastas sotheby's como obra del pintor valdés leal. el número 372 que aparece sobre lienzo y bastidor en el reverso, probablemente haga referencia a uno de los inventarios de esta colección. \n la figura del santo sigue puntualmente el modelo pintado por sariñena en 1584 por encargo del patriarca juan de ribera, por el que cobró la cantidad de 70 reales. en la pintura encontramos la típica pincelada de sariñena, de trazo suelto, a la veneciana y su paleta cromática de vivos colores. las facciones de la cara del santo son las mismas que las del retrato ejecutado para el patriarca ribera mostrando su rostro enjuto de pómulos extremadamente marcados, que sariñena tomó directamente del natural en el lecho de muerte del santo por encargo de la comunidad de religiosos dominicos. las manos poseen el tratamiento peculiar que les confiere el pintor y se muestran finas, alargadas y carentes de articulación sin mostrar marcas de venas ni tendones, haciendo el efecto que se ha denominado \u201cde guante vacío\u201d. a diferencia de la obra conservada en el colegio de corpus christi, esta pintura posee un paisaje de fondo y se completa con una inscripción que refuerza el sentido de \u201cvera efigies\u201d, como verdadera representación de la imagen del santo, recordando su fecha de nacimiento el 1 de enero de 1526 y la de su óbito el 9 de octubre de 1581."},"lotNumber":"666","title":{"es":"san luis beltrán"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30982/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:38.958Z","textCase":"lower","currency":"EUR","id":30982},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30983/002/002.jpg"],"artist":{"es":"ignacio de ries"},"available":false,"description":{"es":"(sevilla, h. 1616 - ?, h. 1670) \n 30 x 19,5 cm \n óleo sobre cobre \n delenda, o. \"zurbarán. los conjuntos y el obrador\". volumen ii. fundación arte hispánico, madrid 2010 p. 383."},"lotNumber":"667","title":{"es":"la oración en el huerto"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30983/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:34.999Z","textCase":"lower","currency":"EUR","id":30983},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30984/002/002.jpg"],"artist":{"es":"escuela toledana"},"available":false,"description":{"es":"(s. xvi) \n 124 x 78,5 cm \n óleo sobre tabla \n esta tabla representando la escena de la apareción de jesús a san pedro en la vía apia formó parte de un importante retablo de grandes dimensiones dedicado a san pedro que en la actualidad se encuentra descabalado y repartido en diferentes colecciones particulares. recientemente apareció en el comercio una tabla con idénticas dimensiones y que, sin duda, perteneció al mismo conjunto representando la \"crucifixión de san pedro\" (véase ansorena, sub. 416, lote 557)"},"lotNumber":"668","title":{"es":"domine quo vadis?"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30984/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:35Z","textCase":"lower","currency":"EUR","id":30984},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30985/002/002.jpg"],"lastUpdate":"2026-07-01T01:49:35.002Z","textCase":"lower","available":false,"currency":"EUR","id":30985,"lotNumber":"669","url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30985/view","tags":["esart_oldmasters","esart","esart_all"]},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30986/002/002.jpg"],"artist":{"es":"kaspard memberger \"el viejo\""},"soldDate":"2022-09-28","available":false,"description":{"es":"(konstanz, alemania, c. 1555-1618) \n 141 x 95 cm. \n óleo sobre tabla. \n firmado y fechado en el ángulo inferior izquierdo. \n  \n johann caspard memberger es una de las figuras más importantes de la pintura manierista del sur de alemania. hijo del pintor philipp memberger, tuvo la ocasión de conocer los ambientes artísticos romanos del último tercio del siglo xvi gracias a que viajó a roma en 1579 con su tío, el obispo markus sitticus von hohenems, ocupándose allí de la decoración del palacio altemps, la residencia de su benefactor en la ciudad eterna. \n cuando memberger regresó a tierras germánicas, ya con una formación mucho más cosmopolita marcada por la influencia de la pintura italiana del momento, fue nombrado pintor de la corte de wolf dietrich von raitenau, príncipe-obispo de salzaburgo, quien le encargó en 1588, el mismo año de su regreso, un ciclo de cinco pinturas sobre el diluvio universal, en el que se hace evidente el conocimiento de la pintura veneciana, especialmente de los repertorios formales de los bassano. por otro lado, su retrato de wolf dietrich von raitenau pone en evidencia el conocimiento que tenía el artista de la retratística romana y florentina. \n la obra inédita que aquí presentamos, procedente de una colección particular española, se encuadra en el último periodo de su trayectoria profesional, que se desarrolló en la ciudad de konstanz (constanza) entre el año 1598 y 1616. representa la crufifixión y está firmada con sus iniciales en letras capitales \u201cc.m.f\u201d y fechada en el año 1605. en este último periodo, sabemos que se encargó de realizar un ciclo de pinturas con los misterios del rosario para la iglesia de cristo de konstanz y una tabla aparecida en el comercio en el año 2019 representando la transfiguración de cristo, en la que aparece el escudo de armas y el retrato jacob rassler, con la que esta pintura comparte numerosos paralelismos estilísticos. \n la presente obra muestra a la perfección las características de la etapa de madurez del pintor. en ella se dan cita vagos recuerdos de la tradición gótica, pero con una fuerte impronta italiana, de clara ascendencia veneciana, que recuerda en algunos modelos y aspectos compositivos a la pintura de tintoretto o los bassano. su paleta cromática es muy personal, puesto que no se decanta de forma decidida ni por el mundo italiano ni por el flamenco, y son especialmente característicos suyos la representación en sus figuras de unos ojos un tanto pesados, unos pliegues muy detallados y unas manos especialmente alargadas. del mismo modo es característico suyo la utilización de unas pinceladas blancas, ejecutadas con un trazo rápido y nervioso, que sirven al pintor para definir perfiles, modelar volúmenes y provocar efectos lumínicos. la decoración polícroma, con tarjas manieristas, de su parte trasera permite suponer que esta tabla pudo ser la pieza principal de un gran tríptico cuya procedencia remota desconocemos."},"lotNumber":"670","title":{"es":"la crucifixión, 1605"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30986/view","tags":["esart_oldmasters","esart","esart_all"],"soldPrice":9000,"lastUpdate":"2026-07-01T01:49:35.004Z","textCase":"lower","currency":"EUR","id":30986},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30987/002/002.jpg"],"artist":{"es":"maarten jacobsz van heemskerck"},"soldDate":"2022-09-28","available":false,"description":{"es":"heemskerck (1498) / harlem (1574) \n 62,5 x 80 cm \n óleo sobre tabla"},"lotNumber":"671","title":{"es":"niño jesús dormido"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30987/view","tags":["esart_oldmasters","esart","esart_all"],"soldPrice":15000,"lastUpdate":"2026-07-01T01:49:35.006Z","textCase":"lower","currency":"EUR","id":30987},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30988/002/002.jpg"],"artist":{"es":"pedro de camprobín"},"available":false,"description":{"es":"almagro, ciudad real (1605) / sevilla (1674) \n 60 x 98 cm. \n óleo sobre lienzo. \n una de las figuras principales en el género de la naturaleza muerta española del seiscientos es pedro de camprobín. de su trayectoria profesional sabemos que inicialmente fue discípulo de luis tristán en toledo y que, en el año 1630, aparece ya instalado en la ciudad de sevilla en la que residió hasta su muerte. sus escasas naturalezas muertas conservadas, como el \u201cbodegón con aves\u201d del meadows museum de dallas, son ejemplo de una elegante y austera expresividad que el pintor resuelve mediante una paleta cromática sobria y reducida, en la que los objetos se presentan en un ambiente de acentuado claroscuro. estas mismas características se aprecian en este lienzo cuya sobriedad, monumental simetría, sentido espacial o la humildad de algunos elementos, como es el caso de la cesta de mimbre, le sitúan en la misma tradición de pintores como sánchez cotán o zurbarán; siendo también evidente el conocimiento de los modelos de juan van der hamen, que pudo conocer durante la estancia en madrid que le atribuyen algunos historiadores."},"lotNumber":"672","title":{"es":"bodegón con cesta de frutas y jarrón con flores"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30988/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:35.008Z","textCase":"lower","currency":"EUR","id":30988},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30989/002/002.jpg"],"artist":{"es":"juan de la corte"},"available":false,"description":{"es":"flandes (h.1597) / madrid (h.1660) \n 110 x 167 cm \n óleo sobre lienzo \n al dorso etiqueta manuscrita de la \"103/ ruinas/ duquesa vda de medinaceli\" \n  \n procedencia: \n -colección duquesa viuda de medinaceli \n -colección particular, madrid"},"lotNumber":"673","title":{"es":"la destrucción de troya"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30989/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:35.009Z","textCase":"lower","currency":"EUR","id":30989},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30990/002/002.jpg"],"artist":{"es":"andrea vaccaro"},"soldDate":"2022-09-28","available":false,"description":{"es":"nápoles, italia (1604) / (1670) \n 80 x 67 cm \n óleo sobre lienzo \n andrea vaccaro fue el pintor napolitano más destacado entre la muerte de stanzione y el apogeo de giordano, teniendo gran éxito y siendo sus obras exportadas de forma numerosa a españa. \n influido al inicio de su carrera por el naturalismo caravaggiesco y ribera, después de su viaje a roma su obra se vuelve más clasicista, marcada sobre todo por personalidad de reni. al final, este eclecticismo conforma un estilo propio, marcado por la delicadeza de figuras y composiciones, llegando a su plenitud entre 1636 y 1660. \n la presente obra es un ejemplo del estilo más reconocible de vaccaro, destacando el clasicismo y serenidad del arcángel, de influencia boloñesa, que se recorta sobre un fondo negro modelando la figura con marcados claroscuros. la figura del arcángel, como es habitual en su obra, la repite de forma casi similar en el perfil de tobías en \u201cla curación de tobías\u201d, (óleo sobre lienzo, 195 x 260 cm) conservada en el mnac."},"lotNumber":"674","title":{"es":"arcángel san gabriel"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30990/view","tags":["esart_oldmasters","esart","esart_all"],"soldPrice":26000,"lastUpdate":"2026-07-01T01:49:35.011Z","textCase":"lower","currency":"EUR","id":30990},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30991/002/002.jpg"],"artist":{"es":"sebastián de herrera barnuevo"},"soldDate":"2022-09-28","available":false,"description":{"es":"madrid (1619 / 1671) \n 194,5 x 137 cm. \n óleo sobre lienzo. \n bibliografía: \n ·pérez sánchez, a.e., \u201ccarreño, rizi, herrera y la pintura madrileña de su tiempo (1650-1700)\u201d, cat. exp., madrid, ministerio de cultura, 1986, p. 105. \n ·rodríguez g. de ceballos, alfonso: \u201cretrato de estado y propaganda política: carlos ii (en el tercer centenario de su muerte)\", anuario del departamento de historia y teoría del arte (u.a.m.), vol. xii, madrid, 2000, pp. 93-109, fig. 5. \n ·pascual chenel, álvaro: \"retórica del poder y persuasión política. los retratos dobles de carlos ii y mariana de austria\". goya: revista de arte, nº 331 (2010). \n ·pascual chenel, álvaro: \"el retrato de estado durante el reinado de carlos ii. imagen y propaganda\". fundación universitaria española (2010). \n  \n en su labor como pintor de cámara, desempeñada entre los 1667 y 1671, sebastián de herrera barnuevo logró configurar un nuevo prototipo iconográfico y de representación del rey, constituyendo un verdadero punto de inflexión en la evolución del retrato de estado. sus novedosas tipologías revolucionaron este género, en el que las representaciones regias se encuentran reforzadas por un amplio abanico de atributos simbólicos alusivos al poder y a la realeza. en consecuencia, en sus obras abundan coronas, cetros, leones, águilas, columnas, espadas, orbes, coronas de laurel, bastones de mando, retratos de antepasados, cortinajes, almohadones, etc. \n un ejemplo muy representativo es este espléndido doble retrato de carlos ii y mariana de austria, procedente de una colección particular madrileña. este tipo de obras, creadas como instrumentos de propaganda política, sirvieron a la monarquía española como un medio eficaz para transmitir la imagen que se deseaba proyectar del poder y la realeza. \n en ella vemos en un primer término al joven carlos ii ricamente vestido con casaca y calzón rojo, vistiendo el traje de chamberga; guardia real creada por mariana de austria para su protección personal y de su hijo. lleva la banda de general, espadín y bastón de mando, aunque por su longitud podría tratarse de un bastón de paseo. porta también un ramillete de flores en la mano izquierda que le ofrece a su madre, la regente. esta, vestida de viuda, aparece sentada tras una mesa sobre la que aparecen algunos memoriales de súplica en los que puede leerse la palabra \u201cseñor\u201d, resaltando el papel desempeñado por su hijo, pero también recordando su propia función de gobernante y el gran poder que seguía manteniendo en la corte del joven monarca. con una mano sostiene una pareja de enigmáticos retratos en miniatura cuya identificación no es del todo clara. delante de la mesa un águila imperial figura como símbolo de la dinastía de la casa de austria y junto a carlos ii aparece un león, como símbolo de valor y fortaleza. detrás del monarca, recordando su linaje, se encuentra representado un cuadro con el retrato de felipe iv. \n la obra, al margen de su calidad técnica, posee un interés añadido por ser muy pocos los retratos concebidos en esta tipología de \u201cretrato doble\u201d. son escasos dentro de la tradición retratística de la casa de austria e incluso durante el reinado mismo de carlos ii, ya que tan sólo se conocen tres ejemplares pintados y otros dos o tres grabados. esto eleva la importancia de este fantástico lienzo no sólo desde el punto de vista iconográfico, sino también histórico, como un verdadero documento visual que es producto y reflejo de una coyuntura histórica muy concreta."},"lotNumber":"675","title":{"es":"retrato de carlos ii, niño y mariana de austria"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30991/view","tags":["esart_oldmasters","esart","esart_all"],"soldPrice":85000,"lastUpdate":"2026-07-01T01:49:35.012Z","textCase":"lower","currency":"EUR","id":30991},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30992/002/002.jpg"],"artist":{"es":"giovanni battista salvi \"il sassoferrato\""},"soldDate":"2022-09-28","available":false,"description":{"es":"sassoferrato (1609) / roma (1685) \n 46,5 x 36 cm. \n óleo sobre lienzo. \n procedencia: \n - colección particular, madrid. \n  \n bibliografía y exposiciones: \n - \u201cvirgin praying. giovanni battista salvi, il sassoferrato\u201d, lópez de aragón 20 years in maastricht, tefaf maastricht, 2005, n.º cat. 42. \n  \n giovanni battista salvi, más conocido como \u201cil sassoferrato\u201d por la pequeña localidad en la que nació, fue un pintor italiano del barroco en cuyas obras logró conjugar dos tendencias: el clasicismo boloñés y el tenebrismo de raíz caravaggesca. formado inicialmente en el taller de su padre, el pintor tarquinio salvi, completó su formación en roma junto a una de las grandes figuras del momento: el domenichino. \n en roma pronto alcanzó una gran fama como pintor y consiguió una amplia clientela gracias a que ideó un tipo de pintura devocional grata y amable. esta se centraba principalmente en la creación de una serie de imágenes idealizadas de la virgen, que encontraban su fuente de inspiración en los grandes pintores del siglo xvi, como perugino o rafael, continuando de esta forma con la corriente clasicista boloñesa, pero que a su vez se encontraban revestidas de cierta contemporaneidad gracias al empleo de un claroscuro potente de raíz caravaggesca. \n un ejemplo representativo de su producción es esta virgen en oración, de la que se conocen diferentes versiones y un incontable número de copias, realizadas tanto en su época como en los siglos posteriores, que prueban el enorme éxito que tuvieron sus composiciones por adecuarse a la perfección con lo dispuesto por el concilio de trento respecto a las imágenes sagradas. \n la entrañable imagen de maría aparece con las manos juntas en señal de plegaria y con la mirada dirigida hacia abajo en señal de recogimiento. su figura emerge de un fondo neutro atemporal, de paz y silencio, gracias a una potente iluminación que modela al completo sus volúmenes clásicos y hace vibrar el colorido de sus ropajes. en esta paleta cromática, muy deudora de la del domenichino, cobra un especial protagonismo el blanco de plomo de la túnica, que arropa casi al completo el óvalo del rostro otorgándole una mayor luminosidad, y el potente y lujoso azul ultramar del manto."},"lotNumber":"676","title":{"es":"virgen en oración"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30992/view","tags":["esart_oldmasters","esart","esart_all"],"soldPrice":48000,"lastUpdate":"2026-07-01T01:49:35.014Z","textCase":"lower","currency":"EUR","id":30992},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30993/002/002.jpg"],"artist":{"es":"obrador de zurbarán"},"available":false,"description":{"es":"(s. xvii) \n 83 x 65 cm \n óleo sobre lienzo \n la presente composición de la santa faz o paño de la verónica pertenece a un grupo de obras fechadas en torno a 1631-35 partir del primer ejemplo firmado y fechado de zurbarán de 1631. este modelo, que tuvo notable éxito por el numero de copias y replicas que se conoce, destaca por su peculiaridad, ya que hay elementos que son invención del propio zurbarán, como el rostro difuminado en tonos rojizos en tres cuartos y la forma simétrica de colocar el paño de la verónica sujeto con lacitos y alfileres sobre fondo oscuro. \n en este conjunto de obras, hay diversos grados de intervención del maestro y del obrador. \n se adjunta informe del instituto técnico de expertización y restuaración atribuyendo la obra a zurbarán \n  \n procedencia: \n - colección agustí, barcelona; \n - colección arnaiz, madrid \n  \n bibliografía: \n - caturla, mª. l. y delenda, o., \"francisco de zurbarán\", paris, wildenstein institute, la bibliothèque des arts, 1994. pp. 80- 81, 107, 220, 256 \n - delenda, o., \"francisco de zurbarán. los conjuntos y el obrador. volumen ii\", wildestein institute, fundación arte hispánico, madrid, 2010, p. 384, nº 11 - 42"},"lotNumber":"677","title":{"es":"santa faz, ca. 1630 - 35"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30993/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:31.414Z","textCase":"lower","currency":"EUR","id":30993},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30994/002/002.jpg"],"artist":{"es":"pedro orrente"},"soldDate":"2022-09-28","available":false,"description":{"es":"murcia (1580) / valencia (1645) \n 158 x 112 cm. \n óleo sobre lienzo. \n procedencia: - madrid, colección adolfo de arenaza; madrid, colección particular. \n  \n bibliografía: - angulo íñiguez, d. y pérez sánchez, a.e., historia de la pintura española. escuela toledana de la primera mitad del siglo xvii, madrid, instituto diego velázquez, csic, 1972, p. 334, n.º 337, lám. 252. \n  \n estamos ante una pieza de gran calidad, dentro de la producción orrentiana, en la que se representa el conocido pasaje de san jerónimo escuchando la trompeta del juicio final. el santo, dirige su mirada al cielo contemplando la visión celestial, encarnada en el grupo de ángeles músicos del registro superior. aparece mostrando los rigores de la penitencia en el desierto, y junto a él se pueden observar algunos de sus atributos iconográficos más característicos como: la piedra y la calavera, en alusión a la meditación y la penitencia, el león que pudo amansar al quitarle una espina de la pata, y los pergaminos que aluden tanto a su erudición como a su labor de haber traducido la biblia al latín. \n dentro de la extensa producción del pintor murciano, pérez sánchez subrayó la originalidad de esta obra ya que no se conocen otros ejemplares que repitan esta composición, en la que se hace evidente el paso del pintor por venecia, concretamente el taller de los bassano. esto se aprecia en el paisaje de fondo de sumaria ejecución y que ocupa gran parte de la composición, el celaje tormentoso del fondo, la complacencia en la anatomía de la figura principal y en su paleta cromática, típicamente veneciana, en la que predominan los tonos tostados, sienas, ocres o amarillos terrosos que contrastan con los verdes, rojos y blancos intensos."},"lotNumber":"678","title":{"es":"san jerónimo escuchando la trompeta del juicio 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obra."},"lotNumber":"681","title":{"es":"virgen de la ternura"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30997/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:31.421Z","textCase":"lower","currency":"EUR","id":30997},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30998/002/002.jpg"],"artist":{"es":"escuela flamenca"},"available":false,"description":{"es":"(xvii) \n 117 x 183 cm c/u \n pareja de óleos sobre lienzo"},"lotNumber":"682","title":{"es":"paisaje con rio, puente, campesino y jinetes\" y \"paisaje con campesino y con rio y pueblo al fondo"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30998/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:31.422Z","textCase":"lower","currency":"EUR","id":30998},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/30999/002/002.jpg"],"artist":{"es":"atribuido a frans francken iii"},"available":false,"description":{"es":"amberes, bélgica (1607) / (1667) \n 34 x 44 cm \n óleo sobre cobre"},"lotNumber":"683","title":{"es":"las bodas de caná"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/30999/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:31.424Z","textCase":"lower","currency":"EUR","id":30999},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31000/002/002.jpg"],"artist":{"es":"jacob melchior van herck"},"available":false,"description":{"es":"(activo en amberes 1691-1735) \n 102 x 117 cm \n óleo sobre lienzo"},"lotNumber":"684","title":{"es":"naturaleza muerta con gran vaso con flores, frutas y mono"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31000/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:31.425Z","textCase":"lower","currency":"EUR","id":31000},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31001/002/002.jpg"],"artist":{"es":"anónimo"},"available":false,"description":{"es":"(s.xvii / s.xviii) \n 83 x 102 cm \n óleo sobre lienzo \n con iniciales h\"g.f\" en la parte central"},"lotNumber":"685","title":{"es":"naturaleza muerta con flores"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31001/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:31.427Z","textCase":"lower","currency":"EUR","id":31001},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31002/002/002.jpg"],"artist":{"es":"blas de ledesma"},"soldDate":"2022-09-28","available":false,"description":{"es":"(1556 / 1598) \n 55 x 86,5 cm. \n óleo sobre lienzo. \n este bodegón se encuadra en su estilo, técnica y modelos dentro del conjunto de pinturas que se han atribuido al pintor blas de ledesma. activo en granada entre 1602 y 1614, tan sólo se conoce una obra suya firmada y se sabe muy poco sobre su carrera profesional. todos los elementos presentes en esta naturaleza muerta, así como la forma en la que están dispuestos, encuentran su paralelismo en otras obras que se han atribuido al pintor como es el caso de las aves y ramas del registro superior, el hatillo de espárragos, los níscalos o el frutero en loza blanca que preside la composición en su espacio central."},"lotNumber":"686","title":{"es":"bodegón con frutero, níscalos, cerezas, espárragos, aves y ramas de castaño y encina"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31002/view","tags":["esart_oldmasters","esart","esart_all"],"soldPrice":3800,"lastUpdate":"2026-07-01T01:49:31.428Z","textCase":"lower","currency":"EUR","id":31002},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31003/002/002.jpg"],"artist":{"es":"seguidor de jan baptiste weenix"},"soldDate":"2022-09-28","available":false,"description":{"es":"amsterdam (1621) / vleuten (1660) \n 61 x 51 cm \n óleo sobre lienzo"},"lotNumber":"687","title":{"es":"campesinos en un paisaje con 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\n 165 x 141 cm \n óleo sobre lienzo \n copia de la obra origianal de vicente carducho (15786-1638) pintada hacia 1630- 38 (óleo lienzo, 164 x 146 cm) que apareció a la venta en subastas ansorena (subasta 410,. lote 524, mayo 2021). la obra original sufrió un incendio que daño una parte importante del ángulo superior derecho impidiendo su correcta lectura, ya que la figura de san josé quedó totalmente perdida, por lo que esta antigua copia, de dimensiones prácticamente simlares tiene un gran interés para conocer como fue la obra originalmente"},"lotNumber":"691","title":{"es":"sagrada familia"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31007/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:35.911Z","textCase":"lower","currency":"EUR","id":31007},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31008/002/002.jpg"],"artist":{"es":"antonio gonzález velázquez"},"available":false,"description":{"es":"madrid (1723) / (1794) \n 71 x 47,5 cm. \n óleo sobre lienzo. \n en el ángulo superio derecho, con pigmento blanco inscrito: \"h. 43\". en el ángulo inferior izquierdo etiqueta con número de inventario en tinta \"83\" \n  \n por las características estilísticas y la gama cromática esta obra se puede considerar un estudio preparatorio o una primera idea de una obra de mayores dimensiones realizada por antonio gonzález velázquez. \n es curioso señalar que antonio ponz menciona que en el desaparecido claustro principal del convento de san hermenegildo de carmelitas descalzos había alguna obra de antonio gonzalez velázquez entre las pinturas de la vida de santa teresa, además cita \u201cel borroncillo que hay debajo de los santos doctores que hizo en grande para el convento de las religiosas salesas\u201d (ver ponz, a. \u201cviaje por españa\u201d) su compleja iconografía representa a santa teresa de jesús y a san juan de la cruz como doctores de la orden del carmelo y contemplando a dios padre, al igual que santo tomás de aquino, representado en el ángulo superiro derecho, que ejerció una enorme influencia en ambos como modelo espiritual."},"lotNumber":"692","title":{"es":"visión mística de santa teresa y san juan de la cruz, doctores del carmelo"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31008/view","tags":["esart_oldmasters","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:35.912Z","textCase":"lower","currency":"EUR","id":31008},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31009/002/002.jpg"],"artist":{"es":"anónimo"},"available":false,"description":{"es":"(1ª mitad s.xx) \n 101 x 75 cm \n óieo sobre lienzo \n presenta puntuales deterioros"},"lotNumber":"693","title":{"es":"jarrón con 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profesional; siendo su maestro el pintor valenciano francisco domingo marqués. su dedicación a la escultura se inició desde muy joven cuando, en 1874, se trasladó con su familia madrid. allí inició su aprendizaje en diversos talleres artesanales pero su formación como escultor profesional se completó en roma, a partir del año 1881, ciudad en la que entró en contacto con las fundiciones artísticas más importantes y en la que perfeccionaría sus técnicas y materiales gracias al conocimiento de la estatuaria clásica y moderna y al estudio de la obra de los grandes escultores del momento. \n su producción se caracterizará por su sentido narrativo, minucioso y realista; rompiendo definitivamente con el idealismo de los escultores de la generación anterior. además de su esmerado detallismo, con cualidades casi táctiles y fuertemente expresivas, sus obras tienden a captar el movimiento y los aspectos transitorios y dinámicos de la vida. en ellas encontraremos una variada temática en la que se encuentran motivos taurinos, imágenes religiosas, tipos populares, retratos y monumentos conmemorativos. \n su fama como escultor trascendió fuera de nuestras fronteras, siendo sus obras requeridas desde otros lugares de europa y américa, como la hispanic society. de su talante artístico y calidad humana habla por sí solo el elevado número de importantes cargos públicos que asumió, relacionados con el mundo de la cultura y las bellas artes, como las direcciones de la academia de españa en roma (1917-1919), la general de bellas artes (1917-1931) o la del museo de arte moderno de madrid. del mismo modo, fue miembro de las academias de bellas artes de san fernando de madrid, san carlos de valencia, san luis de zaragoza, san telmo de málaga, san lucas de roma, brera de milán, carrara y parís; y también recibió importantes condecoraciones, como la legión de honor de francia, comendador de la orden de la corona de italia o la gran cruz de alfonso x de españa. \n en la presente subasta hemos querido recordar su importancia con motivo de la celebración del año benlliure, cuando se cumplen 75 años de la desaparición del célebre escultor. en la licitación se presentan diversas obras de su mano, realizadas en diferentes disciplinas y técnicas, que vienen a ponen de manifiesto, una vez más, la elevada calidad de su producción. en su catalogación, queremos dar las gracias por la ayuda prestada a la fundación mariano benlliure y muy en particular a doña lucrecia enseñat benlliure. \n  \n  \n firmado, fechado y dedicado a félix eznarriaga en el ángulo superior derecho. \n  \n espléndido retrato en el que se muestra a la modelo sentada, dirigiendo su mirada al espectador y portando un vestido blanco. la plástica y la iluminación de la obra recuerda muy de cerca obras de su gran amigo, el pintor joaquín sorolla. por la documentación conservada sabemos que este retrato fue pintado en villalba, durante varias sesiones, en la finca conocida como \"los rosales\" propiedad de la familia rodrigañez. el matrimonio rodrigañez mantuvo una buena relación de amistad con mariano benlliure, fomentada gracias a la relación de vecindad que se produjo en esta localidad en la que los benlliure tenían la residencia \"villa genarito\"; cuyo nombre hacía referencia a la actuación de lucrecia arana como primera tiple en \"genaro\"."},"lotNumber":"762","title":{"es":"retrato de emilia rodrigañez y sánchez guerra, 1921"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31078/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:44.055Z","textCase":"lower","currency":"EUR","id":31078},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31079/002/002.jpg"],"artist":{"es":"mariano benlliure"},"soldDate":"2022-09-28","available":false,"description":{"es":"valencia (1862) / madrid (1947) \n 52 x 30 x 50 cm. \n bronce \n firmado, fechado y dedicado a emilia rodrigañez en el lateral derecho de la base. \n  \n tirso timoteo rodrigáñez y mateo sagasta (logroño, 24 de enero de 1853 - madrid, 2 de agosto de 1935), fue abogado, periodista y político español, sobrino del presidente del gobierno y fundador del partido liberal, práxedes mateo sagasta. durante la presidencia de su tío fue ministro de hacienda y también en el periodo comprendido entre el 3 de abril de 1911 y el 12 de marzo de 1912, en el gabinete que presidió josé canalejas. \n entre los cargos desempeñados fue gobernador del banco de españa en tres ocasiones, entre 1910 y 1911, entre 1917 y 1919 y, finalmente, en 1923. allí, en la colección del banco de españa, se conserva un retrato suyo sobre lienzo, realizado por el pintor juan antonio benlliure. \n fue el padre de emilia rodrigañez, a quien está dedicada esta obra y, por tanto, abuelo de la niña mari pepa eznarriaga, a quien apadrinó en su bautismo. posiblemente, este esplendido busto en bronce fue un encargo de su hija al escultor mariano benlliure, cuando falleció el político en el año 1935."},"lotNumber":"763","title":{"es":"retrato de tirso rodrigañez y sagasta, ministro de hacienda y gobernador del banco de españa, 1935"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31079/view","tags":["esart_moderncontemporarysculpture","esart","esart_all"],"soldPrice":6000,"lastUpdate":"2026-07-01T01:49:44.056Z","textCase":"lower","currency":"EUR","id":31079},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31080/002/002.jpg"],"artist":{"es":"mariano benlliure"},"soldDate":"2022-09-28","available":false,"description":{"es":"valencia (1862) / madrid (1947) \n 63 x 37 x 53 cm. \n escayola. \n modelo realizado en escayola y policromado en color terracota para el busto en mármol de emilia rodrigañez sánchez-guerra, mujer del abogado félix eznarriaga, amigo personal de mariano benlliure."},"lotNumber":"764","title":{"es":"retrato de emilia rodrigañez sánchez-guerra, 1941"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31080/view","tags":["esart_moderncontemporarysculpture","esart","esart_all"],"soldPrice":3000,"lastUpdate":"2026-07-01T01:49:44.058Z","textCase":"lower","currency":"EUR","id":31080},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31081/002/002.jpg"],"artist":{"es":"mariano benlliure"},"soldDate":"2022-09-28","available":false,"description":{"es":"valencia (1862) / madrid (1947) \n 44 x 27 x 36 cm. \n escayola. \n modelo en escayola realizado por mariano benlliure para el busto en bronce de la niña mari pepa eznarriaga, cuando tenía dos años de edad. este mismo modelo infantil fue también utilizado por el escultor en otra de sus obras: el cierre del cerramiento del altar del sagrado corazón de jesús, en la iglesia de san ignacio de san sebastián, que terminó en otoño de 1914. este busto en escayola permaneció en el estudio del escultor durante varios años, estando allí documentado en 1935, recibiendo una policromía posterior después de la muerte del artista."},"lotNumber":"765","title":{"es":"retrato de la niña mari pepa eznarriaga, 1914"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31081/view","tags":["esart_moderncontemporarysculpture","esart","esart_all"],"soldPrice":13000,"lastUpdate":"2026-07-01T01:49:44.060Z","textCase":"lower","currency":"EUR","id":31081},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31082/002/002.jpg"],"artist":{"es":"vicente pellicer"},"available":false,"description":{"es":"(activo en valencia, fles. s. xix - ppios. s. xx) \n 53 x 25 x 42 cm \n barro patinado \n firmado y dedicado en su parte frontal \"a los sres/j.juste/ v. pellicer\". fechada y localizada, \"valencia\", en su parte posterior."},"lotNumber":"766","title":{"es":"retrato de caballero, 1885"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31082/view","tags":["esart_moderncontemporarysculpture","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:44.061Z","textCase":"lower","currency":"EUR","id":31082},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31083/002/002.jpg"],"artist":{"es":"vicente pellicer"},"available":false,"description":{"es":"(activo en valencia, fles. s. xix - ppios. s. xx) \n 66 x 20 x 42 cm. \n barro patinado. \n firmado en el lateral izquierdo \"v. pellicer\". presenta pequeños desperfectos."},"lotNumber":"767","title":{"es":"retrato de caballero"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31083/view","tags":["esart_ancientsculpture","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:51.688Z","textCase":"lower","currency":"EUR","id":31083},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31084/002/002.jpg"],"artist":{"es":"aureliano de beruete y moret"},"available":false,"description":{"es":"madrid (1845 / 1912) \n 14,5 x 27cm \n óleo sobre tabla \n firmado en el ángulo inferior derech. al dorso etiqueta de la exposción \"aureliano de beruete\", caja de ahorros de navarra. \n exposiciones: \n \"aureliano de beruete\", caja de ahorros de navarra, centro cultural castillo de maya, pamplona, mayo - junio 1999 \n bibliografía: \n vv.aa., \"aureliano de beruete. 1845 - 1912\", catálogo exposción. obra cultural de la caja de pensiones, madrid 1983, pág. 122, nº 16 (reproducida)"},"lotNumber":"768","title":{"es":"tren en la noche, 1891"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31084/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:51.689Z","textCase":"lower","currency":"EUR","id":31084},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31085/002/002.jpg"],"artist":{"es":"aureliano de beruete y moret"},"soldDate":"2022-09-28","available":false,"description":{"es":"madrid (1845 / 1912) \n 48 x 78 cm \n óleo sobre lienzo \n firmado en el ángulo inferior izquierdo. al dorso en el bastidor anotación a lápiz del propio beruete \"grinderlwald 1906\" y con etiqueta antigua con numeracion 379, perteneciente a la exposción de homenaje a beruete en la casa de sorolla. \n al dorso con etiquetas de la galería multitud (1976) madrid y de la exposición \"aureliano de beruete\", caja de ahorros de navarra \n exposiciones: \n -\"exposición homenaje a aureliano de beruete\", casa estudio de joaquín sorolla, madrid, 1912, nº 379 \n -aureliano de beruete\"caja de ahorros de navarra, centro cultural castillo de maya, pamplona, mayo-junio 1999 \n bibliografía: \n \"aureliano de beruete : 1845-1912\". catálogo exposición. obra social de la caja de pensiones, madrid, 1983. pág. 140, nº cat. 86 (reproducido)"},"lotNumber":"769","title":{"es":"grindelwald,1906"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31085/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"soldPrice":10000,"lastUpdate":"2026-07-01T01:49:51.691Z","textCase":"lower","currency":"EUR","id":31085},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31086/002/002.jpg"],"artist":{"es":"aureliano de beruete y moret"},"available":false,"description":{"es":"madrid (1845 / 1912) \n 36 x 48 cm \n óleo sobre lienzo \n firmado en el ángulo inferior derecho \n al dorso etiqueta de la exposición del artista de 1999 celebrada en a caja de ahorros de navarra"},"lotNumber":"770","title":{"es":"toledo, 1905"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31086/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:51.692Z","textCase":"lower","currency":"EUR","id":31086},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31087/002/002.jpg"],"artist":{"es":"eugenio lucas velázquez"},"soldDate":"2022-09-28","available":false,"description":{"es":"madrid (1817 / 1870) \n 62 x 82 cm. cada uno \n pareja de óleos sobre lienzo. \n firmados en el registro inferior."},"lotNumber":"771","title":{"es":"majas y majos en la taberna\" / \"majas y majos en el palco"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31087/view","tags":["esart_ancientpainting","esart","esart_all"],"soldPrice":5000,"lastUpdate":"2026-07-01T01:49:51.694Z","textCase":"lower","currency":"EUR","id":31087},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31088/002/002.jpg"],"artist":{"es":"escuela española"},"available":false,"description":{"es":"(ppios.s.xx) \n 84 x 62 cm. \n óleo sobre lienzo."},"lotNumber":"772","title":{"es":"goyesca"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31088/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:51.695Z","textCase":"lower","currency":"EUR","id":31088},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31089/002/002.jpg"],"artist":{"es":"eugenio lucas velázquez"},"soldDate":"2022-09-28","available":false,"description":{"es":"madrid (1817 / 1870) \n 26,2 x 18,5 cm \n óleo sobre lienzo"},"lotNumber":"773","title":{"es":"las tentaciones de san antonio"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31089/view","tags":["esart_ancientpainting","esart","esart_all"],"soldPrice":1800,"lastUpdate":"2026-07-01T01:49:51.697Z","textCase":"lower","currency":"EUR","id":31089},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31090/002/002.jpg"],"artist":{"es":"francisco de paula van halen"},"available":false,"description":{"es":"vich (barcelona) (1814) / madrid (1887) \n 140 x 181 cm \n óleo sobre lienzo \n firmado y fechado en la parte inferior izquierda. \n al dorso con etiqueta de la caja general de reparaciones. se presenta en marco moldurado estampillado herraiz"},"lotNumber":"774","title":{"es":"batalla de navas de tolosa, 1852"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31090/view","tags":["esart_ancientpainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:51.698Z","textCase":"lower","currency":"EUR","id":31090},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31091/002/002.jpg"],"artist":{"es":"josé gutiérrez de la vega"},"available":false,"description":{"es":"sevilla (1791) / madrid (1865) \n 113 x 86 cm. \n óleo sobre lienzo. \n firmado en el lateral derecho \"gutiérrez\". \n  \n procedencia: - madrid, antigua colección barba; madrid, colección particular. \n  \n bibliografía: - arias de cossio, a.m., \"josé gutiérrez de la vega. pintor romántico sevillano\", madrid, 1978, pp. 68 y 126, n.º cat. 51, fig. 80."},"lotNumber":"775","title":{"es":"retrato de caballero, c. 1835-1839"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31091/view","tags":["esart_ancientpainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:51.699Z","textCase":"lower","currency":"EUR","id":31091},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31092/002/002.jpg"],"artist":{"es":"vicente castello y amat"},"available":false,"description":{"es":"valencia (1787 / 1860) \n 160 x 98 cm. \n óleo sobre lienzo. \n firmado en la parte inferior derecha: \"vte. castelló fecit\" \n  \n vicente castelló figura entre los discípulos más aventajados de vicente lópez en valencia. artista especialmente prolífico, practicó diferentes géneros como la pintura religiosa, el bodegón y el retrato. es en este último campo en el que se han conservado menos testimonios y lo que hace que esta pintura que aquí presentamos se convierta en algo singular dentro de su abundantísima producción. ossorio recuerda que \u201cpintó infinidad de retratos de las personas más distinguidas\u201d, pero hoy en día tan sólo se tienen localizados el del escultor josé cloosterman, en el museo de bellas artes de valencia, y una pareja de autorretratos, de las colecciones del conde de alto barcilés y lázaro galdiano. el abogado antonio quiles está representado de cuerpo entero y sentado ante su escritorio en un ambiente doméstico. en su composición, colorido y repertorios formales se hace evidente la influencia de su maestro, el pintor vicente lópez."},"lotNumber":"776","title":{"es":"retrato de don antonio quiles, abogado"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31092/view","tags":["esart_ancientpainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:51.701Z","textCase":"lower","currency":"EUR","id":31092},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31093/002/002.jpg"],"artist":{"es":"atribuido a jose gutierrez de la vega"},"available":false,"description":{"es":"sevilla (1791) / madrid (1865) \n 107 x 85 cm. \n óleo sobre lienzo."},"lotNumber":"777","title":{"es":"santa águeda"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31093/view","tags":["esart_ancientpainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:53.397Z","textCase":"lower","currency":"EUR","id":31093},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31094/002/002.jpg"],"artist":{"es":"rafael tejeo"},"soldDate":"2022-09-28","available":false,"description":{"es":"caravaca (murcia) (1798) / madrid (1856) \n 65 x 54 cm. \n óleo sobre lienzo. \n firmado y fechado en el ángulo inferior izquierdo."},"lotNumber":"778","title":{"es":"retrato de caballero, 1849"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31094/view","tags":["esart_ancientpainting","esart","esart_all"],"soldPrice":2000,"lastUpdate":"2026-07-01T01:49:53.399Z","textCase":"lower","currency":"EUR","id":31094},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31095/002/002.jpg"],"artist":{"es":"antonio de brugada vila"},"available":false,"description":{"es":"madrid (1804) / san sebastián (1863) \n 40x 64 cm \n óleo sobre cobre \n firmado y fechado en el ángulo inferior izquierdo"},"lotNumber":"779","title":{"es":"naufragio, 1847"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31095/view","tags":["esart_ancientpainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:53.400Z","textCase":"lower","currency":"EUR","id":31095},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31096/002/002.jpg"],"artist":{"es":"auguste barthélemy glaize"},"available":false,"description":{"es":"montpellier (1807) / parís (1893) \n 99 x 81 cm. cada uno. \n pareja de óleos sobre lienzo. \n firmados y fechados."},"lotNumber":"780","title":{"es":"retrato de caballero, 1854 / \"retrato de dama\", 1832"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31096/view","tags":["esart_ancientpainting","esart","esart_all"],"lastUpdate":"2026-07-01T01:49:53.402Z","textCase":"lower","currency":"EUR","id":31096},{"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31097/002/002.jpg"],"artist":{"es":"leandro ramón garrido"},"soldDate":"2022-09-28","available":false,"description":{"es":"bayona, francia (1868) / grasse, francia (1909) \n 82 x 65 cm \n óleo sobre lienzo \n firmado y fechado en el ángulo inferior derecho"},"lotNumber":"781","title":{"es":"las niñas del pajarito, 1894"},"url":"https://es.bidspirit.com/ui/lotPage/ansorena/source/catalog/auction/26185/lot/31097/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"soldPrice":2200,"lastUpdate":"2026-07-01T01:49:53.403Z","textCase":"lower","currency":"EUR","id":31097},{"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/ansorena/cloned-images/31098/002/002.jpg"],"artist":{"es":"joseph-marius avy"},"available":false,"description":{"es":"marsella, francia (1871) / parís, francia (1939) \n 100 x 120 cm. \n óleo sobre lienzo. \n firmado y fechado ilegible en el ángulo inferior izquierdo."},"lotNumber":"782","title":{"es":"paseo en 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