{"lots":[{"startPrice":450,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19204/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19204/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19204/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19204/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19204/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19204/006/006.jpg"],"soldDate":"2020-12-19","available":false,"description":{"en":"oil lume with glass upper section hand painted with landscapes in shades of gray, nineteenth century, napoleon iii. drum in gilded bronze in pure gold. h 62.5 cm. base cm 14. bell diameter 25.5 cm","it":"lume a petrolio con campana in vetro dipinta a mano con paesaggi nei toni del grigio, xix secolo, napoleone iii. fusto in bronzo dorato in oro zecchino. h cm 62,5. base cm 14. diametro di campana cm 25,5"},"lotNumber":"2","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19204/view","tags":["itHomeDecor_LampsLighting","itHomeDecor","itHomeDecor_all"],"directSalePrice":450,"soldPrice":450,"lastUpdate":"2026-07-19T07:44:39.931Z","textCase":"lower","currency":"EUR","id":19204,"category":{"en":"Art objects","it":"Oggetti d'arte"}},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19205/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19205/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19205/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19205/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19205/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19205/006/006.jpg"],"soldDate":"2020-12-19","available":false,"description":{"en":"oil painting on canvas painting depicting the adoration of the magi, \n giuseppe sciuti (zafferana, february 26, 1834 - rome, 13 march 1911). 60x46 cm, framed cm 70,5x56,5 \n a painting that is foreign to those of the greek-roman classicism. sciuti assumes in this, more domestic tone, less emphatic. \n the madonna with the face of a young sicilian mother, intently watching your sleeping child, conveys a clear moment of intimacy. i admired the wise men are participants in a moment of loving-kindness. \n the draft, a sketch, not subjected to the ornamental design control, is fast and almost instinctive. the lumpy mixture of pigments takes us back to a paint stain, foreign to theatrical practice of large paintings that sciuti loved to conceive. \n the density of the dense brushstroke enhances the luminous effect which combines expertise with chromatic dark spots to lighter ones, with the wise use of white. \n all this brings us back to a setting almost familiar, but of great pictorial quality, which refers to the experiences of florence and naples. \n in the middle frame sicilian barrel of the nineteenth century. asorstudio","it":"olio su tela applicata a tavola raffigurante adorazione dei magi, \n giuseppe sciuti  (zafferana etnea, 26 febbraio 1834 \u2013 roma, 13 marzo 1911). cm 60x46, in cornice cm 70,5x56,5 \n dipinto che è estraneo ai soggetti della classicità greco-romana. sciuti assume in questo, toni più domestici, meno enfatici. \n la madonna dal volto di una giovane madre siciliana, che guarda intensamente il proprio bimbo che dorme, fa trasparire un momento di chiara intimità. i magi ammirati sono partecipi di un momento di benevolenza affettuosa. \n la stesura, un bozzetto, meno sottoposta al controllo dell\u2019ornato disegno, è veloce e quasi istintiva. l\u2019impasto grumoso dei pigmenti ci riporta a una pittura a macchia, estranea alla pratica scenografica dei grandi dipinti che sciuti amava concepire. \n la densità corposa della pennellata esalta l\u2019effetto luministico che con perizia cromatica accosta le macchie scure a quelle più chiare, con l\u2019uso sapiente del bianco. \n il tutto ci riporta a un\u2019ambientazione quasi familiare, ma di grande qualità pittorica , che rimanda alle esperienze di firenze e napoli. \n in cornice mezza canna siciliana del xix secolo. asorstudio"},"lotNumber":"3","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19205/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1200,"soldPrice":1800,"lastUpdate":"2026-07-19T07:44:39.933Z","textCase":"lower","currency":"EUR","id":19205,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19206/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19206/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19206/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19206/004/004.jpg"],"available":false,"description":{"en":"mirror in gilded wood with two candles. 18th/19th century. sculpted and engraved with crowned eagles. coeval mirror. cm 56x54","it":"specchiera in legno dorato a due candele, xviii/xix secolo. scolpite ed intagliate con aquile coronate. specchio coevo. cm 56x54"},"lotNumber":"4","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19206/view","tags":["itHomeDecor_MirrorsWallDecor","itHomeDecor","itHomeDecor_all"],"directSalePrice":400,"lastUpdate":"2026-07-19T07:44:39.935Z","textCase":"lower","currency":"EUR","id":19206,"category":{"en":"Art objects","it":"Oggetti d'arte"}},{"startPrice":400,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19207/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19207/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19207/003/003.jpg"],"soldDate":"2020-12-19","available":false,"description":{"en":"mirror in gilded wood with two candles. 18th/19th century. sculpted and engraved with crowned eagles. coeval mirror. cm 56x54","it":"specchiera in legno dorato a due candele, xviii/xix secolo. scolpite ed intagliate con aquile coronate. specchio coevo. cm 56x54"},"lotNumber":"5","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19207/view","tags":["itHomeDecor_MirrorsWallDecor","itHomeDecor","itHomeDecor_all"],"directSalePrice":400,"soldPrice":400,"lastUpdate":"2026-07-19T07:44:39.936Z","textCase":"lower","currency":"EUR","id":19207,"category":{"en":"Art objects","it":"Oggetti d'arte"}},{"startPrice":1600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19208/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19208/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19208/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19208/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19208/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19208/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19208/007/007.jpg"],"available":false,"description":{"en":"small table old art nouveau by \n louis majorelle , france liberty. in wood with light wood inlays. signed on the right corner of the surface l. majorelle. h 80x85x60 cm","it":"tavolinetto antico art nouveau di \n louis majorelle , francia, periodo liberty. in legno con intarsi in legno chiaro. firmato sull'angolo destro del piano l. majorelle. h cm 80x85x60"},"lotNumber":"6","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19208/view","tags":["itAntiqueVintageFurniture_Tables","itDecorativeArts_ArtNouveauArtDeco","itDecorativeArts","itDecorativeArts_all","itAntiqueVintageFurniture","itAntiqueVintageFurniture_all"],"directSalePrice":1600,"lastUpdate":"2026-07-19T07:44:39.937Z","textCase":"lower","currency":"EUR","id":19208,"category":{"en":"Furniture","it":"Mobili"}},{"startPrice":1600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19209/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19209/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19209/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19209/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19209/005/005.jpg"],"available":false,"description":{"en":"triptych gold background on panel madonna and saints peter and paul ont both sides, sicily, fifteenth century sicilian painter of the circle of roberto di odorisio. on wood with semigotic tips .cm 45 x 43 \n roberto d'oderisio (ca 1335 - ca 1386 naples) oderisio can be considered the most important neapolitan artist on which converges the giotto and the sienese culture. \n the volumetric research and attention to color and light values \u200b\u200bhave been instrumental in its formation, and particularly in the present painting, these elements are obvious, and those that you can call a fourteenth-century descendant of the neapolitan school of giotto. \n he was able to tap into these pictorial knowledge, and make them his own, as giotto and some of his students, including maso di banco, were in naples between 1329-34 for jobs in new castle. \n it absorbs the spatial definition, especially from maso and draws suggestions for his painting, made effective through the establishment of plans of light, which shows off the construction of figures, by means of juxtaposed color values. \n brightness and balanced composition is what prolongs this and in particular by the work in question. \n in the stationery of robert i of anjou, in the first mid fourteenth century, oderisio is cited as the \"pictor familiaris et magister noster\", from this we can deduce the importance he had at the angevin court for its curriculum works. the crucifixion of eboli, at the church of san francesco, is the only signed work has come down to us. \n asorstudio","it":"trittico fondo oro su tavola raffigurante madonna con a latere i santi pietro e paolo, sicilia, xv secolo. pittore siciliano della cerchia di roberto di oderisio. in tavola a punte semigotiche .cm 45 x 43 \n roberto d\u2019oderisio (1335 ca - napoli 1386 ca) può essere considerato il più importante artista napoletano sul quale confluisce la cultura giottesca e senese. \n la ricerca volumetrica e l\u2019attenzione ai valori cromatici e luminosi sono stati determinanti per la sua formazione, e in particolare nel dipinto in esame, questi elementi sono evidenti e tali da poterlo denominare un epigono trecentesco della scuola giottesca napoletana. \n egli poté attingere a tali conoscenze pittoriche, e farle proprie, in quanto giotto e alcuni suoi allievi, tra cui maso di banco, furono a napoli tra il 1329-34 per i lavori di castel nuovo. \n assorbe la definizione spaziale, soprattutto da maso e trae suggerimenti per la propria pittura, resa efficace attraverso la stesura di piani di luce, su cui fare risaltare la costruzione di figure, per mezzo di valori cromatici accostati. \n luminosità e composizione equilibrata è quello che scaturisce da questa impostazione e in particolare dall\u2019opera in oggetto. \n nella cancelleria di roberto i d\u2019angiò, nella prima metà del xiv secolo, oderisio è citato quale \u201cfamiliaris et magister pictor noster\u201d, da ciò si può desumere l\u2019importanza che egli ebbe presso la corte angioina per il suo curriculum di opere. la crocifissione di eboli, presso la chiesa di san francesco, è l\u2019unica opera firmata a noi pervenutaci. \n asorstudio"},"lotNumber":"7","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19209/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1600,"lastUpdate":"2026-07-19T07:44:39.939Z","textCase":"lower","currency":"EUR","id":19209,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19210/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19210/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19210/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19210/004/004.jpg"],"available":false,"description":{"en":"oil painting on copper depicting marina with boats and characters, the eighteenth century, the netherlands. cm 16x20,5. in 24,5x28,5 frame.","it":"dipinto ad olio su rame raffigurante marina con barche e personaggi, xviii secolo, olanda. cm 16x20,5. in cornice 24,5x28,5."},"lotNumber":"8","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19210/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":180,"lastUpdate":"2026-07-19T07:44:39.941Z","textCase":"lower","currency":"EUR","id":19210,"category":{"en":"Ancient painings","it":"Dipinti d'epoca"}},{"startPrice":100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19211/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19211/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19211/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19211/004/004.jpg"],"available":false,"description":{"en":"engraving, dry point, \n salvator rosa (naples 1615-rome 1673) depicting man with stick and two people sitting in one of his shoulders. monogram on the left. from \"different figures.\" \n etching from copper plate, mm140x90. inches frame mm 265x180. excellent copper engraving printed in coeval paper, ii state. the collection of \"different figures\" is undoubtedly the most famous graphic work of salvador rosa, along the era considered a model for young artists and in it are held topics already covered by many engravers like callot, the beautiful and liagno. a letter to his friend ricciardi, dated 1656, can be dated with certainty this series of figurines. 61 incisions models exist, subsequently brought to 72. asorstudio.","it":"incisione ad acquaforte a punta secca, salvator rosa (napoli 1615-roma 1673) raffigurante uomo con bastone e due personaggi seduti di cui uno di spalle. monogramma a sinistra. tratto da \"diverse figure \". incisione all\u2019acquaforte da lastra di rame, mm140x90, in cornice mm 265x180. ottima incisione da rame stampata in carta coeva, di ii stato. la raccolta di \u201cdiverse figure\u201d è senza dubbio l\u2019opera grafica più famosa di salvador rosa, già in epoca considerata un modello per i giovani artisti ed in essa si svolgono temi già trattati da molti incisori quali callot, della bella e liagno. una lettera al proprio amico ricciardi, datata 1656, permette di datare con sicurezza questa serie di figurine. si contano 61 modelli di incisioni successivamente portate a 72. \n \n asorstudio"},"lotNumber":"9","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19211/view","tags":["itArt_EngravingsEtchings","itArt","itArt_all"],"directSalePrice":100,"lastUpdate":"2026-07-19T07:44:39.942Z","textCase":"lower","currency":"EUR","id":19211,"category":{"en":"Engravings and lithographs","it":"Incisioni e litografie"}},{"startPrice":100,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19212/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19212/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19212/003/003.jpg"],"soldDate":"2020-12-19","available":false,"description":{"en":"etching, dry point, by salvator rosa (naples 1615-rome 1673) depicting man with the left stick and sword to right, from \"different figures.\" etching from copper plate, mm140x90, in frame mm 265x180 \n \n monogrammed and numbered left to right 53 (1656/58). excellent copper etching printed in contemporary paper, ii state. the collection of \"different figures\" is undoubtedly the most famous graphic work of salvador rosa times already considered a model for young artists and in it place on topics already covered by many engravers like callot, the beautiful and liagno. a letter to his friend ricciardi dated 1656 allows you to securely date this series of figurines. they count 61 of incisions models subsequently brought to 72. \n \n asorstudio","it":"incisione ad acquaforte a punta secca, salvator rosa (napoli 1615-roma 1673) raffigurante uomo con bastone a sinistra e spada a destra, tratto da \"diverse figure \". incisione all\u2019acquaforte da lastra di rame, mm140x90, in cornice mm 265x180. monogrammata a sinistra e numerata a destra 53(1656/58). \n \n ottima incisione da rame stampata in carta coeva, di ii stato. la raccolta di \u201cdiverse figure\u201d è senza dubbio l\u2019opera grafica più famosa di salvador rosa già in epoca considerata un modello per i giovani artisti ed in essa su svolgono temi già trattati da molti incisori quali callot, della bella e liagno. una lettera al proprio amico ricciardi datata 1656 permette di datare con sicurezza questa serie di figurine. si contano 61 modelli di incisioni successivamente portate a 72. \n \n asorstudio"},"lotNumber":"10","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19212/view","tags":["itArt_EngravingsEtchings","itArt","itArt_all"],"directSalePrice":100,"soldPrice":100,"lastUpdate":"2026-07-19T07:44:39.943Z","textCase":"lower","currency":"EUR","id":19212,"category":{"en":"Engravings and lithographs","it":"Incisioni e litografie"}},{"startPrice":100,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19213/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19213/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19213/003/003.jpg"],"available":false,"description":{"en":"etching, dry point salvator rosa (naples 1615-rome 1673) depicting womancovering her face, taken from \"different figures\" etching from copper plate, mm140x90, in frame mm265x180. monogrammed and numbered left to right 47 (1656/58). \n \n excellent copper etching printed in contemporary paper, ii state. the collection of \"different figures\" is undoubtedly the most famous graphic work of salvador rosa times already considered a model for young artists and in it place on topics already covered by many engravers like callot, the beautiful and liagno. a letter to his friend ricciardi dated 1656 allows you to securely date this series of figurines. they count 61 of incisions models subsequently brought to 72. \n \n asorstudio","it":"incisione ad acquaforte a punta secca salvator rosa (napoli 1615-roma 1673) raffigurante donna che si copre il viso, tratto da \"diverse figure \" incisione all\u2019acquaforte da lastra di rame, mm140x90, in cornice mm 265x180. monogrammata a sinistra e numerata a destra 47(1656/58). \n \n ottima incisione da rame stampata in carta coeva, di ii stato. la raccolta di \u201cdiverse figure\u201d è senza dubbio l\u2019opera grafica più famosa di salvador rosa già in epoca considerata un modello per i giovani artisti ed in essa su svolgono temi già trattati da molti incisori quali callot, della bella e liagno. una lettera al proprio amico ricciardi datata 1656 permette di datare con sicurezza questa serie di figurine. si contano 61 modelli di incisioni successivamente portate a 72. \n \n asorstudio"},"lotNumber":"11","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19213/view","tags":["itArt_EngravingsEtchings","itArt","itArt_all"],"directSalePrice":100,"lastUpdate":"2026-07-19T07:44:39.944Z","textCase":"lower","currency":"EUR","id":19213,"category":{"en":"Engravings and lithographs","it":"Incisioni e litografie"}},{"startPrice":120,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19214/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19214/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19214/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19214/004/004.jpg"],"soldDate":"2020-12-19","available":false,"description":{"en":"etching, stefano della bella (florence 1610- 1664 florence). etching signed on the lower left depicting scenes of everyday life and popular. bottom written pencil pointing to the numbering of the annotated catalog \"de vesme alexande\", 145x135 mm, in frame mm 245x160. devoid of the frame. \n \n good copper etching. schoolboy sculptor giambologna, was an autodidact who began to study the callot which was greatly influenced. it can be considered as a pure graphic of his time as he devoted himself entirely to the etchings and the drawings. well-known in france was an attentive observer of all his italian contemporaries, flemish, french and worked a lot for french printers. rome, florence, paris, saw him work with great success. his works are cataloged in \"de vesme alexande\"","it":"incisione ad acquaforte, stefano della bella ( firenze 1610- 1664 firenze). incisione firmata in basso a sinistra raffigurante scene di vita quotidiana e popolare. in basso a matita scritta che indica la numerazione del catalogo ragionato \u201cde vesme alexande\", mm 145x135, in cornice mm 245x160. buona incisione da rame. \n \n stefano di bella, scolaro del gianbologna scultore, fu un autodidatta che prese a studiare il callot da cui fu molto influenzato. può considerarsi un grafico puro del suo tempo in quanto si dedicò interamente alle opere incisorie ed ai disegni. molto famoso in francia fu attento osservatore di tutti i suoi contemporanei italiani, fiamminghi , francesi e lavorò molto per gli stampatori francesi. roma, firenze, parigi, lo videro operare con gran successo . le sue opere sono catalogate nel \u201c de vesme alexande\u201d  \n \n asorstudio"},"lotNumber":"12","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19214/view","tags":["itArt_EngravingsEtchings","itArt","itArt_all"],"directSalePrice":120,"soldPrice":120,"lastUpdate":"2026-07-19T07:44:40.273Z","textCase":"lower","currency":"EUR","id":19214,"category":{"en":"Engravings and lithographs","it":"Incisioni e 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secolo."},"lotNumber":"29","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19231/view","tags":["itAntiqueVintageFurniture_Tables","itAntiqueVintageFurniture","itAntiqueVintageFurniture_all"],"directSalePrice":1400,"lastUpdate":"2026-07-19T07:44:32.961Z","textCase":"lower","currency":"EUR","id":19231,"category":{"en":"Furniture","it":"Mobili"}},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19232/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19232/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19232/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19232/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19232/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19232/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19232/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19232/008/008.jpg"],"available":false,"description":{"en":"pair 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foglie."},"lotNumber":"30","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19232/view","tags":["itDecorativeArts_Ceramics","itDecorativeArts","itDecorativeArts_all"],"directSalePrice":500,"lastUpdate":"2026-07-19T07:44:32.962Z","textCase":"lower","currency":"EUR","id":19232,"category":{"en":"Furniture","it":"Mobili"}},{"startPrice":3600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19233/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19233/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19233/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19233/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19233/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19233/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19233/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19233/008/008.jpg"],"available":false,"description":{"en":"pair of corner cupboards in rosewood with marquetry and perfili light wood, white marble floor, the early nineteenth century, sicily. h cm 157x70x38.","it":"coppia di angoliere in legno di palissandro con intarsi e perfili in legno chiaro, marmo bianco al piano, inizi xix secolo, sicilia. h cm 157x70x38."},"lotNumber":"31","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19233/view","tags":["itAntiqueVintageFurniture_CupboardsCabinets","itAntiqueVintageFurniture","itAntiqueVintageFurniture_all"],"directSalePrice":3600,"lastUpdate":"2026-07-19T07:44:32.964Z","textCase":"lower","currency":"EUR","id":19233,"category":{"en":"Furniture","it":"Mobili"}},{"startPrice":29000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19234/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19234/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19234/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19234/004/004.jpg"],"available":false,"description":{"en":"oil paint on wood depicting christ taken down. 52x42 cm, attributed \n carlo portelli (loro ciuffenna, 1510 - florence, 1574) . expertis by emilio negro. the piece is enable for exportation, paper included.","it":"olio su tavola raffigurante cristo deposto. cm 52x42, attribuito \n carlo portelli (loro ciuffenna, 1510 \u2013 firenze, 1574). expertis di emilio negro. opera fornita di documento di libera circolazione."},"lotNumber":"32","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19234/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":29000,"lastUpdate":"2026-07-19T07:44:44.099Z","textCase":"lower","currency":"EUR","id":19234,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":14000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19235/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19235/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19235/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19235/004/004.jpg"],"available":false,"description":{"en":"oil painting on canvas depicting the adoration of the shepherds, \n alessio d'elia (san cipriano picentino 1718 post 1770). cm 66,5x127. attribution by prof. nicola spinosa - finarte auction house, auction minerva. \n the painting, allegedly by the painter alessio d'elia by art historian nicola spinosa, could be placed at the mid-eighteenth century, the artistic wake of maestro francesco de mura. \n d'elia was a very popular artist of frescoes created especially for important ecclesiastical commissions, while we find his paintings in many churches in rome and naples. \n distinctive features of his style are the compositional mastery and theatrical wisdom, particularly evident in this painting. \n compared to his master style, in general, and in particular here, they will reveal subtle differences in character, including the joyful vein and folk, apparent in plump faces, in the minute of the shepherds mouths and in an airy dynamism of the bottom, which attenuates ancestry otherwise more classical and monumental. \n the successful composition reveals, at the first impact, choral harmony inspired by the great synergy of the multitude of shapes and elements, all also defined in the most minute detail. \n along the diagonal amplified majestic woman back draped figure, it unfolds a joyous procession of children, young girls and young shepherds that converge towards the holy family, arranged on a symbolic stand of ancient roman ruins, on which rests gently steps the eucaristico lamb , the embodiment of gentleness and innocence. \n the pictorial gesture reveals high and natural, with no jamming and hardness, so confident and expressive that it looks like the work painted in fresco. \n in the spirit of the more mature neapolitan rococo, the figures of angels hover, light and ethereal, in a harmonious triumph.","it":"dipinto ad olio su tela raffigurante adorazione dei pastori, \n alessio d'elia ( san cipriano picentino 1718- post 1770). cm 66,5x127. attribuzione del prof. nicola spinosa. già casa d'aste finarte, minerva auction. \n il dipinto, attribuito al pittore alessio d\u2019elia dallo storico dell\u2019arte nicola spinosa, potrebbe essere collocato alla metà del settecento, sulla scia artistica del maestro francesco de mura. \n d\u2019elia fu un artista molto richiesto e realizzò soprattutto affreschi per importanti committenze ecclesiastiche, mentre troviamo le sue tele in molte chiese romane e napoletane. \n caratteristiche distintive del suo stile sono la maestria compositiva e la sapienza scenografica, particolarmente evidenti in questo dipinto. \n rispetto allo stile del suo maestro, in generale e qui in particolare, si rivelano sottili differenze di carattere, tra cui la vena gioiosa e popolaresca, ravvisabile nei visi paffuti, nelle bocche minute dei pastorelli e in un arioso dinamismo di fondo, che attenua ascendenze altrimenti più classicheggianti e monumentali. \n la riuscita composizione rivela, sin dal primo impatto, un\u2019armonia corale ispirata dalla grandiosa sinergia della moltitudine di figure ed elementi, tutti definiti anche nel più minuto dei dettagli. \n lungo la diagonale amplificata della maestosa figura di donna di schiena drappeggiata, si dispiega una gioiosa processione di putti, giovinette e pastorelli che convergono verso la sacra famiglia, disposta su un simbolico piedistallo di antiche rovine romane, sui cui gradoni poggia dolcemente l\u2019agnello eucaristico, incarnazione della mansuetudine e dell\u2019innocenza. \n il gesto pittorico si rivela alto e naturale, privo di impuntamenti e durezze, talmente sicuro ed espressivo da far sembrare l\u2019opera come dipinta ad affresco. \n secondo lo spirito del più maturo rococò napoletano, le figure di angeli aleggiano, chiare ed eteree, in un armonioso trionfo."},"lotNumber":"33","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19235/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":14000,"lastUpdate":"2026-07-19T07:44:44.100Z","textCase":"lower","currency":"EUR","id":19235,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":25000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19236/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19236/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19236/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19236/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19236/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19236/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19236/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19236/008/008.jpg"],"available":false,"description":{"en":"italian painter of the sixteenth century circle of raphael. madonna with baby jesus and saint john. in the work the cool colors used, buy tonal capabilities for the light that comes at dusk from the opening of the cave: the painting goes to a search for new expressive freedom, as irrefutable renaissance mannerist art. 81x59, oil painting on canvas. opera in the frame. (old attribution to giulio romano prof. edoardo clerici sella, member of the accademia tiberina (roma). ancient collection of the prince boncompagni (sealing wax stamp in the back)","it":"pittore italiano del xvi secolo cerchia di raffaello. madonna con gesù bambino e san giovannino. nell'opera i colori freddi usati, acquistano capacità tonale per la luce che all'imbrunire proviene dall'apertura dell'antro: il dipinto si spinge verso una ricerca di nuova libertà espressiva, esempio inconfutabile dell'arte manierista rinascimentale. 81x59, olio su tela. opera in cornice. (vecchia attribuzione a giulio romano del prof. edoardo clerici sella, membro dell'accademia tiberina (roma ). antica collezione del principe boncompagni ludovisi (timbro in ceralacca sul retro)"},"lotNumber":"34","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19236/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":25000,"lastUpdate":"2026-07-19T07:44:44.102Z","textCase":"lower","currency":"EUR","id":19236,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":13000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19237/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19237/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19237/003/003.jpg"],"available":false,"description":{"en":"oil painting on slate, depicting apollo schooi marsyas, allegedly by \n piero di cosimo (florence, about 1461 - florence, april 12, 1522). cm 29x32. in frame 40x42 cm. thickness mm 10. small gluing in the upper left. \n \n \n the painting is given orally to the painter piero di lorenzo di chimenti, known as piero di cosimo, a pupil of cosimo rosselli, active in florence and rome, where, between 1481 and '82, he worked on the frescoes of the sistine chapel. \n \n \n since no signed his works, nor documented powers, the painter's catalog is based mainly on the testimony of vasari, who also date news on his eccentric temperament and complex. \n \n \n in florence at the turn of the fifteenth and sixteenth centuries, after the death of lorenzo the magnificent in 1492 and the subsequent expulsion of the medici, the short and dramatic republic of savonarola had caused the storm also in art, highlighting a long crisis latent, with significant effects on established artists because of the younger ones, beginning by michelangelo himself, who fled the city, and bartolomeo della porta, and temporarily abandoned painting, joining the dominican friars. \n \n \n the next oligarchic government modeled on that of the venetian republic and backed by filomedicei environments, it promotes recovery of clients, public and private. \n \n \n so not only the artists are no longer forced to move elsewhere, but they are often called home, with the offer of important positions, to contribute their works to revive the prestige of the city and bring prestige to the new republic. \n \n \n the response of the florentine workshops to the new situation is not immediate: the fame as well as the activities of perugino no longer apply in the city; other first floor of the older generation artists such as botticelli and filippino lippi, are no longer able to express new, remaining tied to outdated standards. \n \n \n in this context also it is traditionally traced piero di cosimo, despite the vitality and originality of its proposals and the progressive opening new instances and to the nordic models and leonardeschi. \n \n \n featuring a painting suffused with light and color and rarefied, gave priority to the oil technique on smaller, inspired reworking and in a personal way above artistic suggestions by filippino lippi, ghirlandaio, leonardo and fra bartolomeo. \n \n \n from flemish painting instead draws the refined playing technique, the use of bright colors and realistic rendering of details. \n \n \n the work in question, painted on slate, support especially used in the sixteenth and seventeenth centuries and is mentioned by vasari (the lives of 'the most eminent painters, sculptors and architects of 1550), can be allegedly by the hand of the painter, dall'irrequieto temperament , which manifests itself from time to time in elegiac expressions, pathetic and grotesque that are revealed in his paintings often host mythological subjects. e 'in the case of the tritons and nereids, with satyrs and ichthyocentaurs (1500-1505 approximately), which could therefore to be compared with that schooi apollo marsyas so as to support the hypothesis of a possible allocation to the florentine painter. \n \n \n asorstudio","it":"dipinto ad olio su ardesia, raffigurante apollo che scuoia marsia, attribuito a \n piero di cosimo (firenze, 1461 circa \u2013 firenze, 12 aprile 1522). cm 29x32. in cornice cm 40x42. spessore mm 10. piccola incollatura nell'angolo in alto a sinistra. \n \n \n il dipinto è attribuito oralmente al pittore piero di lorenzo di chimenti, conosciuto come piero di cosimo, allievo di cosimo rosselli, attivo a firenze e roma dove, tra il 1481 e l'82, lavorò agli affreschi della cappella sistina. \n poichè non esistono sue opere firmate, nè attribuzioni documentate, il catalogo del pittore si basa essenzialmente sulle testimonianze del vasari, a cui risalgono anche notizie sul suo temperamento eccentrico e complesso. \n nella firenze a cavallo fra i secoli xv e xvi, successivamente alla scomparsa di lorenzo il magnifico del 1492 e la conseguente cacciata dei medici, la breve e drammatica repubblica di savonarola aveva provocato la tempesta anche nel campo dell'arte, evidenziando una crisi da tempo latente, con effetti sensibili sugli artisti affermati quanto su quelli più giovani, a cominciare dallo stesso michelangelo, che fuggì dalla città, e da bartolomeo della porta, che abbandonò temporaneamente la pittura, unendosi ai frati domenicani. \n il successivo governo oligarchico modellato su quello della repubblica veneziana e sostenuto anche dagli ambienti filomedicei, favorisce la ripresa della committenza, pubblica e privata. \n dunque gli artisti non solo non vengono più spinti a spostarsi altrove, ma sono spesso richiamati in patria, con l'offerta di importanti incarichi, per contribuire con le loro opere a rinvigorire il prestigio della città e dare lustro alla nuova repubblica. \n la risposta delle botteghe fiorentine alla nuova situazione non è tuttavia immediata: la fama come pure l'attività del perugino non hanno più corso nella città; altri artisti di primo piano della vecchia generazione, come botticelli e filippino lippi, non riescono più a esprimere novità, rimanendo legati a canoni superati. \n a questo contesto viene tradizionalmente ricondotto anche piero di cosimo, nonostante la vitalità e originalità delle sue proposte e la progressiva apertura a nuove istanze e ai modelli nordici e leonardeschi. \n caratterizzato da una pittura di luci e colori soffusi e rarefatti, privilegiò la tecnica ad olio su dimensioni ridotte, ispirandosi e rielaborando in maniera personale soprattutto le suggestioni artistiche di filippino lippi, del ghirlandaio, di leonardo e di fra bartolomeo. \n dalla pittura fiamminga trae invece la raffinata tecnica esecutiva, l'uso di colori brillanti e la resa realistica dei particolari. \n l\u2019opera in questione, dipinta su ardesia, supporto utilizzato specialmente nei secoli xvi e xvii e menzionato dal vasari (le vite de\u2019 più eccellenti pittori, scultori e architettori del 1550), può essere ricondotta alla mano del pittore, dall'irrequieto temperamento, che si manifesta di volta in volta in espressioni elegiache, patetiche o grottesche che si palesano nei suoi dipinti ospitanti spesso soggetti mitologici. e' il caso di tritoni e nereidi, con satiri e ittiocentauro (1500-1505 circa), che potremmo pertanto porre a confronto con apollo che scuoia marsia così da avvalorare l\u2019ipotesi di una possibile attribuzione al pittore fiorentino. \n \n asorstudio"},"lotNumber":"35","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19237/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":13000,"lastUpdate":"2026-07-19T07:44:44.103Z","textCase":"lower","currency":"EUR","id":19237,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":140000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19238/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19238/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19238/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19238/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19238/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19238/006/006.jpg"],"available":false,"description":{"en":"rossello di jacopo franchi montefoscoli master (master ristonchi) \n (florence 1376 - 1456 - florence). \"\"enthroned madonna and child with saints\"\". published in the fototeca fondazione federico zeri no. 33256 - 0136. 75 x 42, gold background and tempera on wood for this fine table manifestation of aesthetic art of the early italian renaissance and florentine, which involved scholars of the mid-twentieth century. it is iconography in which the loving harmony that binds the mother to her son - held gently for a side - and the rigorous approach of the three saints in the house on two sides from the central representation, offer the idea of \u200b\u200ba style that has come to fruition.","it":"rossello di jacopo franchi maestro di montefoscoli (maestro ristonchi) \n (firenze 1376 - 1456 firenze). \u201cmadonna in trono con bambino e santi\"\". pubblicata nella fototeca fondazione federico zeri al n. 33256 \u2013 busta 0136. fondo oro e tempera per questa pregiatissima tavola manifestazione dell\u2019apprezzamento estetico dell\u2019arte del primo rinascimento italiano e fiorentino, che ha interessato gli studiosi della metà del xx secolo. si tratta di iconografia in cui la sintonia amorosa che lega la madre al figlio - tenuto dolcemente per un fianco - e la rigorosa impostazione dei tre santi, in schiera su due lati rispetto alla rappresentazione centrale, offrono l\u2019idea di uno stile che è giunto a maturazione. 75x42, fondo oro e tempera su tavola. \n condizioni ottime."},"lotNumber":"38","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19238/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":140000,"lastUpdate":"2026-07-19T07:44:44.105Z","textCase":"lower","currency":"EUR","id":19238,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":13000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19239/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19239/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19239/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19239/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19239/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19239/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19239/007/007.jpg"],"available":false,"description":{"en":"pieter van aelst or coecke pieter van aelst (1502-1550 aalst brussels), alleged artist. madonna with the book and baby jesus. 40x30, oil paint on panel. from wealthy catania family. \"the excellent flemish renaissance painter has lived in italy, where he got to appreciate the art of his contemporaries italian painters. it was a great raphael estimator, which are often exhales, such as this painting, while substantially stayed within his own stylistic and developments. he made an important contribution to the body of the great renaissance art in flanders. designer, painter and publisher of architectural treatises was disputed by the most famous people of his time, charles v, king francis i of france, henry viii of england, cosimo i de 'medici. in this work is evident influence of the italian renaissance style. he starts in the netherlands the transition and the transition from late gothic to renaissance conception. the writings and treatises of sebastiano serlio were the sample. this painting, simple, probably for a private commission is inspired in some way to our lady of constable by raffaelo. in fact, the representation of the madonna and child is rendered in a real and fluid, giving naturalness to the scene. he abolishes the background landscape and figuration focuses on two characters thus giving more strength to the spiritual meaning. shines and is palpable harmony sad and melancholic at the same time a serenity transmitted by the characters, especially in the gaze of mary, who reads the prophecy of the death of jesus, with gentle resignation that the child enjoins the reading pointing with his finger. the forms are well-balanced is the child's gestures indicating and mary, who holds him to life protectively, rlateono happy and redundant scene of harmony. a light that appears to be from a window centered characters and illuminates the painted clothes in a soft and fluid. it was an example for all those olandesi- mannerist painters of the second mid book 500.\"asorstudio","it":"olio su tavola raffigurante madonna con libro, attribuito \n aelst pieter van o pieter coecke van aelst (aalst 1502-1550 bruxelles). cm 37,5x28. in cornice cm 74x 64. \"eccellente pittore rinascimentale fiammingo ha vissuto in italia dove ha avuto modo di apprezzare l'arte dei pittori italiani suoi contemporanei. fu un grande estimatore di raffaello, a cui spesso si inspira, come ad esempio in questo dipinto, seppur sostanzialmente rimane ateo entro canoni e sviluppi stilistici suoi propri. ha dato un contributo importante alla grande arte rinascimentale nelle fiandre. disegnatore, pittore ed editore di trattati di architettura fu conteso dai più famosi personaggi del suo tempo: carlo v, francesco i re di francia, enrico viii d'inghilterra, cosimo i dei medici. in tale opera è evidente l'influenza dei modi rinascimentali italiani. egli avvia nei paesi bassi il passaggio e la transizione dalla concezione tardo gotica a quella rinascimentale. gli scritti e i trattati di sebastiano serlio gli furono di esempio. questo dipinto, semplice, probabilmente per una committenza privata, si ispira in qualche modo alla madonna del connestabile da raffaello. infatti, la rappresentazione della madonna e del bambino è resa in maniera reale e fluida, donando naturalità alla scena. egli abolisce lo sfondo paesaggistico e incentra la figurazione sui due personaggi dando cosi più forza al significato spirituale. traspare ed è palpabile un\u2019armonia mesta e malinconica, allo stesso tempo una serenità trasmessa dai personaggi, soprattutto nello sguardo di maria, che legge la profezia sulla morte di gesù, con dolce rassegnazione mentre il bambino la ingiunge a leggere indicando con il dito. le forme sono ben calibrate e la gestualità del bimbo indicante e della madonna che lo stringe alla vita in maniera protettiva, rendono la scena felice e ridondante di armonia. una luce che sembra provenire da una finestra incentra i personaggi e illumina gli abiti dipinti in maniera morbida e fluida. fu di esempio per tutti quei pittori olandesi- manieristi della seconda metà del 500. 40x30, olio su tavola. provenienza: illustra famiglia catanese.\" asorstudio"},"lotNumber":"39","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19239/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":13000,"lastUpdate":"2026-07-19T07:44:44.106Z","textCase":"lower","currency":"EUR","id":19239,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":40000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19240/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19240/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19240/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19240/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19240/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19240/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19240/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19240/008/008.jpg"],"available":false,"description":{"en":"library- woodwork in solid walnut. 18th century. semi-elliptical shape with stand 90 cm with wooden doors surmounted by double door windows, final hair with trabeation with several rows of moldings. max depth of 470 cm length. width 456 cm h 294 cm please find attached photos. table bar in solid walnut. by accompanying the library. ... cm. \n old and beautiful mobile library-paneling in renaissance neoclassical eighteenth century solid walnut. of calatine origin already located in a prestigious building of caltagirone and now at the notary office, it is a unique example of sicilian cabinet commissioned by noble sicilian family. \n the library is composed of six modules, three on each side, of which the last curved that with a trabeation in head agrees with the opposite side, creating a semi-elliptical shape or a horseshoe. \n each module is composed of a base h 90 cm double wooden door surmounted by a double door showcase h 175 cm from hair to which a trabeation with several rows of moldings, superimposed on a notched frame. the shape projecting overlying assumes an aspect, which is typical of the eighteenth century whose height is 29 cm around the hat. \n number eight fluted columns of the corinthian order, four per side h 175 cm excellent sculptural quality, adorn the side elevations giving volume and dignity to the entire composition of the wooden library. \n the state of the conversation is great, the furniture is disassembled into parts and is available for transportation to any destination. \n the overall measurements are as follows: max depth of 470 cm. width 456 cm h 294 cm depth cm 60. light-door cm measures","it":"antico e magnifico mobile di libreria-boiserie in legno di noce massello di impronta neoclassica rinascimentale, xviii secolo. di origini calatine già sita in palazzo prestigioso di caltagirone e adesso presso studio di notaio, è un esempio unico di ebanisteria siciliana commissionata da nobile famiglia siciliana. \n la libreria è composta da sei moduli, tre per lato, di cui l\u2019ultimo curvo che con una trabeazione in testa si concorda con il lato opposto creando una forma semiellittica o a ferro di cavallo. \n ogni modulo è costituito da un basamento h cm 90 a doppia anta in legno sormontato da una vetrina a doppia anta h cm 175 a cui fa da capello una trabeazione a più ordini di modanature, sovrapposte a una cornice dentellata. la forma sovrastante assume un aspetto aggettante, tipica del xviii secolo, l'altezza è di tutto il cappello è cm 29. \n numero otto colonne di ordine corinzio scanalate, quattro per lato h cm 175 di eccellente qualità scultorea, abbelliscono i prospetti laterali dando volume e decoro a tutta la composizione lignea della libreria. \n lo stato di conversazione è ottimo, il mobile si smonta in più parti ed è disponibile per il trasporto per qualsiasi destinazione. \n le misure complessive: lunghezza max profondità 470 cm. larghezza cm 456. h cm 294. profondità cm 60. misure luce-porta cm \u2026.. tavolo-bancone cm"},"lotNumber":"40","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19240/view","tags":["itAntiqueVintageFurniture_ShelvingStorage","itAntiqueVintageFurniture_SalvageArchitecturalAntiques","itAntiqueVintageFurniture","itAntiqueVintageFurniture_all"],"directSalePrice":40000,"lastUpdate":"2026-07-19T07:44:44.108Z","textCase":"lower","currency":"EUR","id":19240,"category":{"en":"XV - XVIII centuries furniture","it":"Mobili d'Alta Epoca"}},{"startPrice":23000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19241/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19241/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19241/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19241/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19241/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19241/006/006.jpg"],"available":false,"description":{"en":"gold background depicting madonna visiting st. elizabeth and character, \n allegedly by \n roberto d'oderisio (ca 1335 - naples 1386 ca). cm 79x36 \n oderisio can be considered the most important neapolitan artist on which converges the giotto and the sienese culture. \n the volumetric research and attention to color and light values \u200b\u200bhave been instrumental in its formation, and particularly in the present painting, these elements are obvious, and those that you can call a fourteenth-century descendant of the neapolitan school of giotto. \n he was able to tap into these pictorial knowledge, and make them his own, as giotto and some of his students, including maso di banco, were in naples between 1329-34 for jobs in new castle. \n it absorbs the spatial definition, especially from maso and draws suggestions for his painting, made effective through the establishment of plans of light, which shows off the construction of figures, by means of juxtaposed color values. \n brightness and balanced composition is what prolongs this and in particular by the work in question. \n in the stationery of robert i of anjou, in the first mid fourteenth century, oderisio is cited as the \"pictor familiaris et magister noster\", from this we can deduce the importance he had at the angevin court for its curriculum works. the crucifixion of eboli, at the church of san francesco, is the only signed work has come down to us. \n asorstudio","it":"fondo oro raffigurante madonna in visita a santa elisabetta e personaggio, \n attribuito a \n roberto d\u2019oderisio (1335 ca - napoli 1386 ca). cm 79x36 \n oderisio può essere considerato il più importante artista napoletano sul quale confluisce la cultura giottesca e senese. \n la ricerca volumetrica e l\u2019attenzione ai valori cromatici e luminosi sono stati determinanti per la sua formazione, e in particolare nel dipinto in esame, questi elementi sono evidenti e tali da poterlo denominare un epigono trecentesco della scuola giottesca napoletana. \n egli poté attingere a tali conoscenze pittoriche, e farle proprie, in quanto giotto e alcuni suoi allievi, tra cui maso di banco, furono a napoli tra il 1329-34 per i lavori di castel nuovo. \n assorbe la definizione spaziale, soprattutto da maso e trae suggerimenti per la propria pittura, resa efficace attraverso la stesura di piani di luce, su cui fare risaltare la costruzione di figure, per mezzo di valori cromatici accostati. \n luminosità e composizione equilibrata è quello che scaturisce da questa impostazione e in particolare dall\u2019opera in oggetto. \n nella cancelleria di roberto i d\u2019angiò, nella prima metà del xiv secolo, oderisio è citato quale \u201cfamiliaris et magister pictor noster\u201d, da ciò si può desumere l\u2019importanza che egli ebbe presso la corte angioina per il suo curriculum di opere. la crocifissione di eboli, presso la chiesa di san francesco, è l\u2019unica opera firmata a noi pervenutaci. \n asorstudio"},"lotNumber":"41","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19241/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":23000,"lastUpdate":"2026-07-19T07:44:44.109Z","textCase":"lower","currency":"EUR","id":19241,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":8500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19242/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19242/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19242/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19242/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19242/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19242/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19242/007/007.jpg"],"available":false,"description":{"en":"oil painting on canvas depicting the doge's palace in venice, seventeenth / eighteenth century venetian view painter anonymous .cm 70x100, 90x120 cm framed.","it":"dipinto ad olio su tela raffigurante palazzo ducale di venezia, xvii/xviii secolo, anonimo vedutista veneziano .cm 70x100, in cornice cm 90x120."},"lotNumber":"42","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19242/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":8500,"lastUpdate":"2026-07-19T07:44:44.110Z","textCase":"lower","currency":"EUR","id":19242,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":6900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19243/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19243/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19243/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19243/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19243/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19243/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19243/007/007.jpg"],"available":false,"description":{"en":"felice ficherelli , said \"the rest\" (san gimignano 1605-florence 1660), allegedly by70x105 oil painting on canvas, 90x125 frame. mythological scene, arianna saddened by the abandonment of perseus, dionysus consoles and offers the crown with diamonds that form the constellation corona borealis or ariadne. \"the work is pervaded by a subtle sensuality, ancestry furiniana are the skin's softness and handmaid's arianna. arianna saddened by the departure of theseus although melancholy exudes a chastened but voluptuous erotic sense, but yearns for pain. the appropinguarsi opportunist dionysus brings forth a summary of the intentions and feelings of the characters, is to make it appear that the actors recite and emerge as a play. on the scene with their forms from the luminous complexion with the expressed of the faces that express inner emotion, with the amplitude by emphatic movements give life to a work that tells itself, enhanced by artifices pictorial created by the painter, as the shadow areas that ignite the shapes of light. in all this the painter shows affinities with his contemporaries: furini francesco (1603-1641) and cecco bravo (1601-1661), his age. \"studio asor","it":"felice ficherelli , detto \"il riposo\" (s.gimignano 1605-firenze 1660), attrib.70x105 olio su tela, in cornice 90x125. scena mitologica, arianna addolorata per l'abbandono di perseo, dioniso la consola e le offre la corona con i diamanti che costituiranno la corona boreale o costellazione di arianna. \"l'opera è pervasa da una sottilissima sensualità, di ascendenza furiniana sono la morbidezza dell'incarnato di arianna e dell'ancella. arianna addolorata per l'abbandono di teseo sebbene malinconica emana un castigato ma voluttuoso senso erotico, mentre si strugge per il dolore. l'appropinguarsi dell'opportunista dioniso fa scaturire una summa di intenzioni e sentimenti tra i personaggi, si da far sembrare che i protagonisti recitino ed emergono come in una piece teatrale. sulla scena con le loro forme dal carnato luminoso con l'espresse dei volti che esprimono emotività interiore, con l'ampiezza dai movimenti enfatici danno vita ad un'opera che si racconta da sola, impreziosita da artifici pittorici creati dal pittore, come le zone d'ombra che accendono di luce le forme. in tutto questo il pittore mostra affinità con i suoi contemporanei: furini francesco (1603-1641) e cecco il bravo (1601-1661), suoi coetanei.\"studio asor"},"lotNumber":"43","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19243/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":6900,"lastUpdate":"2026-07-19T07:44:44.111Z","textCase":"lower","currency":"EUR","id":19243,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":40000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19244/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19244/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19244/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19244/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19244/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19244/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19244/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19244/008/008.jpg"],"available":false,"description":{"en":"joseph henri françois van lerius (boom 1823 - mechelen 1876). volupté et dévouement (pleasure and devotion). painting signed and dated on the gondola at the bottom left j. van lerius 1857. 140 x295, oil painting on canvas, with 170x325 frame. provenance salon d.van spilbeck, purchased for the collection of the duke van saksen-coburg-gotha in vienna.","it":"joseph henri françois van lerius (boom 1823 \u2013 mechelen 1876). voluptè et dèvouement (voluttà e devozione). dipinto firmato e datato sulla gondola in basso a sinistra j. van lerius 1857. 140 x295, olio su tela, con cornice 170x325. provenienza salon d.van spilbeck, acquistato per la collezione del duca van saksen-coburg-gotha a vienna."},"lotNumber":"44","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19244/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":40000,"lastUpdate":"2026-07-19T07:44:42.099Z","textCase":"lower","currency":"EUR","id":19244,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":140000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19245/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19245/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19245/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19245/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19245/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19245/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19245/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19245/008/008.jpg"],"available":false,"description":{"en":"oil painting on canvas, riberesc painting depicting st. jerome, 17th century. circle of jusepe ribera known as \"spagnoletto\" (xàtiva 1591 \u2013 napoli 1652). cm 78.5 x 64.5 -. a true masterpiece.  \n \n in this work, the caravaggesque naturalism, rendered with rigor in a meticulous manner, especially in the realization of the real datum of the character and of his physical construction, is enriched at the same time by a psychological datum, guilty by the look and gesture of the hand with the finger indicating. all this generates an expressly communicative and not only formal thought. the dense and compact but at the same time fluid pictorial mixture naturally welcomes a simplicity that becomes primary and necessary to give greater strength, and to underline the psychological and spiritual data of the character. the figuration focuses everything on the saint's gaze and face, which makes it all vibrant by a communication of thought, excluding an artificial attitude. in this way, the valencian expertly manages to combine a vigorous caravaggesque naturalism with an intense and expressive portraiture, originating an emotional and vibrant communication. the work may have been done around 1618/20. provenance: gironda d'amico collection from family inheritance deriving from the progenitor bernardo gironda, (1580 naples, 1690) 19th baron of naples.","it":"dipinto riberesco ad olio su tela raffigurante s.girolamo, xvii secolo, cerchia di jusepe de ribera detto lo \"spagnoletto\" (xàtiva 1591 \u2013 napoli 1652) . cm 78,5 x 64,5. vero e proprio capolavoro. in antica cornice.  \n \n in quest'opera, il naturalismo caravaggesco, reso con rigore in maniera minuziosa, soprattutto nella realizzazione del dato reale del personaggio e della suo costruzione fisica, é arricchito allo stesso tempo da un dato psicologico, reo dallo sguardo e della gestualità della mano col dito indicante. tutto questo genera un pensiero espressamente comunicativo e non solo formale. l'impasto pittorico denso e compatto ma allo stesso tempo fluido, accoglie naturalisticamente una semplicità che diventa primaria e necessaria per dare maggiore forza, e sottolineare il dato psicologico e spirituale del personaggio. la figurazione incentra tutto sullo sguardo e sul volto del santo, che rende il tutto vibrante da una comunicazione di pensiero escludendo un artificioso atteggiarsi. in tale modo, il valenziano riesce sapientemente a combinare un vigoroso naturalismo di stampo caravaggesco con una intensa e espressiva ritrattistica, originando una comunicativa emotiva e vibrante. l'opera puó essere stata eseguita intorno al 1618/20.                  \n \n   provenienza: collezione gironda d'amico                        da eredità familiare derivante dal capostipite bernardo gironda, (1580 napoli, 1690) xixº barone di napoli."},"lotNumber":"45","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19245/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":140000,"lastUpdate":"2026-07-19T07:44:42.100Z","textCase":"lower","currency":"EUR","id":19245,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19246/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19246/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19246/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19246/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19246/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19246/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19246/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19246/008/008.jpg"],"available":false,"description":{"en":"voyage pittoresque description ou des royaumes de naples et de sicile. quatrieme volume, contenant the descrition de la sicile, paris 1785 avec approbation et privilege du rol. pristine partie. volume intact in the page numbering, back stamped, original cover partially unglued. conditions: excellent.","it":"voyage pittoresque ou description des royaumes de naples et de sicile. quatrieme volume, contenant la descrition de la sicile, parigi 1785 avec approbation et privilege du rol. primiere partie. volume integro nella numerazione delle pagine, dorso stampigliato, copertina originale ma scollata. condizioni complessivamente ottime."},"lotNumber":"46","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19246/view","tags":["itCollectibles_BooksMagazinesPaper","itCollectibles_all","itCollectibles"],"directSalePrice":12000,"lastUpdate":"2026-07-19T07:44:42.102Z","textCase":"lower","currency":"EUR","id":19246,"category":{"en":"XV - XVIII centuries objects","it":"Oggetti d'Alta Epoca"}},{"startPrice":8500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19247/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19247/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19247/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19247/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19247/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19247/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19247/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19247/008/008.jpg"],"available":false,"description":{"en":"small wooden \"ancona\", ivory and nacre. \n alessandro monteneri (perugia 1832-1920). inside there is a wooden mosaic in a wooden scale depicting the madonna enthroned with child and saint john. signed on the back alessandro monteneri from perugia and dated 1879. h cm 64. width cm 34. depth cm 10 \n \"alessandro monteneri, a well-known master inlayers from perugia, achieved great technical and executive results in the years in which the historicist neo-renaissance style, especially in italy, enjoyed extraordinary success and saw as a main characters, at the national and international exhibitions, a large group of big names: gatti from faenza, the falcini brothers from florence, the gargiullo of naples, the lancetti from siena. \n he took part in several exhibitions: florence (1861), london (1862), vienna (1873) and milan (1881) and worked at the quirinale, in the vatican and for numerous churches in loreto, mantua, perugia and urbino. \n in 1928 he created, in the \"basilica di san paolo fuori le mura\" in rome, the inlaid stalls of the choir, designed by calderini. \n esteemed also skillful restorer, monteneri reached the artistic peak with the realization of the \"stipo per la corona d'italia\", defined as his masterpiece, commissioned by the city of perugia as a gift to be offered to victor emmanuel ii, now preserved in florence, at palazzo pitti. asorstudio","it":"piccola edicola/ancona in legno, avorio e madreperla, \n alessandro monteneri (perugia 1832-1920). all'interno mosaico ligneo in scala assonometrica in legno raffigurante madonna in trono con bambino e san giovannino. firmata sul retro alessandro monteneri di perugia e datata 1879. h cm 64. larghezza cm 34. profondità cm 10 \n \"alessandro monteneri, noto intarsiatore perugino, toccò esiti di grandissimo rilievo, sotto il profilo tecnico ed esecutivo, negli anni in cui lo stile neorinascimentale storicista, specie in italia, conobbe straordinaria auge e vide protagonisti, alle esposizioni nazionali e internazionali, una folta schiera di grandi nomi: il gatti di faenza, i f.lli falcini di firenze, i gargiullo di napoli, il lancetti di siena. \n partecipò a numerose esposizioni, tra cui quelle di firenze (1861), londra (1862), vienna (1873) e milano (1881) ed operò al quirinale, in vaticano e per numerose chiese di loreto, mantova, perugia e urbino. \n nel 1928 realizzò, nella basilica di san paolo fuori le mura a roma, gli stalli intarsiati del coro, su disegni del calderini. \n stimato anche valente restauratore, monteneri raggiunse il culmine artistico con la realizzazione dello \u201cstipo per la corona d\u2019italia\u201d, definito il suo capolavoro, commissionatogli dal municipio di perugia come dono da offrirsi a vittorio emanuele ii, oggi conservato a firenze, presso palazzo pitti. \n in occasione dell\u2019esposizione di milano si scrisse di lui: \u201cè artista che esce dalla folla per il suo valore, per il metodo adoperato nei suoi lavori che differisce da quello di altri artisti congeneri perché, la tarsia da esso usata non è una impiallacciatura, un rivestimento a coloritura superficiale, ma bensì una infinita quantità di pezzi di legni segati divergentemente e poi, in modo verticale insieme, riuniti con perizia e pazienza ammirabile. il monteneri, col suo sistema che gli procurò onori e premi alle esposizioni di firenze, londra, dublino e parigi..., oltre ad eseguire i lavori da lui stesso disegnati, riprodusse con rara perfezione quadri di sommi pittori, nei quali la fusione delle tinte imita al punto da ingannare l\u2019opera del pennello, dando così all\u2019arte nuovi capolavori di mosaico in legno...\u201d. \n l\u2019anconetta a intarsio, custodita entro la raffinata cornice a edicola coeva, posta in opera in alternanza di commesso ligneo ed eburneo, mostra un chiaro parallelo con la pala d\u2019altare detta di santa maria dei fossi, conservata oggi a perugia, nella galleria nazionale dell\u2019umbria. \n l\u2019abilità pittorica virtuosistica di monteneri è riscontrabile nella riproduzione del dipinto di perugino con la vergine in trono, il bambin gesù e san giovannino, ammirabile nella specchiatura centrale. \n l\u2019intento dell\u2019artista, infatti, fu quello di celebrare l\u2019arte rinascimentale umbra, partecipando con quest\u2019opera all\u2019esposizione umbra, tenutasi a perugia nel 1879.\"asorstudio"},"lotNumber":"47","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19247/view","tags":["itArt_Sculpture","itArt","itArt_all"],"directSalePrice":8500,"lastUpdate":"2026-07-19T07:44:42.103Z","textCase":"lower","currency":"EUR","id":19247,"category":{"en":"XV - XVIII centuries objects","it":"Oggetti d'Alta Epoca"}},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19248/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19248/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19248/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19248/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19248/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19248/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19248/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19248/008/008.jpg"],"available":false,"description":{"en":"important diamond, drop-shaped, in white gold ring with baguette diamond dropshaped, central diamond, a modified brilliant, weight 1:31 ct, 6.77x10 dimensions. 12x3.60 mm drop. mm 175x160, total weight gr 4.9","it":"importante diamante a goccia, in anello in oro bianco con baguette di diamanti e diamante centrale a goccia, a brillante modificato, peso 1.31 ct, dimensioni 6.77x10. 12x3.60 mm a goccia. mm 175x160, peso totale gr 4.9"},"lotNumber":"48","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19248/view","tags":["itJewelry_Rings","itJewelry_LooseGemstones","itJewelry","itJewelry_all"],"directSalePrice":6000,"lastUpdate":"2026-07-19T07:44:42.105Z","textCase":"lower","currency":"EUR","id":19248,"category":{"en":"Jewelry","it":"Gioielli"}},{"startPrice":35000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19249/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19249/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19249/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19249/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19249/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19249/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19249/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19249/008/008.jpg"],"available":false,"description":{"en":"oil painting on wood of oak depicting saint rosalia with madonna and christ child and saints peter and paul at the sides, flemish painter of the seventeenth century. reference to the piece by anthony van dyck present at the kunsthistorisches museum (vienna). 43x35, oil paint on oak panel.","it":"dipinto ad olio su tavola di rovere raffigurante santa rosalia con madonna e gesù bambino e santi pietro e paolo a latere, pittore fiammingo del xvii secolo. riferimento alla pala da antoon van dyck presente al kunsthistorisches museum (vienna). 43x35, olio su tavola di rovere."},"lotNumber":"49","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19249/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":35000,"lastUpdate":"2026-07-19T07:44:42.106Z","textCase":"lower","currency":"EUR","id":19249,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":10500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19250/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19250/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19250/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19250/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19250/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19250/006/006.jpg"],"available":false,"description":{"en":"marco antonio bassetti (verona 1586-1630), allegedly by, portrait of man with beard holding a book. 65x55, oil painting on canvas, in a 85x75 frame. \n \n \n \"a student of felice ricci (verona 1539- 1605), he moved to venice where he was influenced by the works of tintoretto, veronese and jacopo bassano, goes to rome around 1615, and knows the paintings of caravaggio. he returned to vaenezia disclaims influences bassaniani and romans and has only praise for the venetian painting, especially for naturists. orbit part of monasteries and convents (1628). in this period his most significant works are the portraits in which, in the opinion of longhi (1959 ), is a value and a dignity rembrandtian, such as to be able to measure with hals and velazquez. he died of plague in verona. the revaluation of bassetti is due in large part to longhi. \"\" studio asor","it":"marco antonio bassetti (verona 1586-1630), attrib. ritratto di uomo con barba con in mano un libro. 65x55, olio su tela, in cornice 85x75. \n \"allievo di felice ricci ( verona 1539- 1605) si trasferisce a venezia dove è influenzato dalle opere di tintoretto, di veronesi e jacopo bassano, va a roma, intorno al 1615, e conosce i dipinti di caravaggio. rientrato a vaenezia declina gli influssi bassaniani e romani ed ha apprezzamenti solo per la pittura veneziana, soprattutto per i naturisti. orbita nell'ambito dei monasteri e dei conventi (1628). in questo periodo le sue opere più apprezzabili sono i ritratti nei quali, a giudizio del longhi (1959), è di un valore e di una dignità rembrandtiana, tale da potersi misurare con hals e velazquez. morì di peste a verona. la rivalutazione del bassetti è dovuta in gran parte al longhi.\"asorstudio"},"lotNumber":"50","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19250/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":10500,"lastUpdate":"2026-07-19T07:44:42.108Z","textCase":"lower","currency":"EUR","id":19250,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19251/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19251/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19251/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19251/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19251/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19251/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19251/007/007.jpg"],"available":false,"description":{"en":"oil paint on canvas depicting st. francis of paola in prayer, \n francesco fracanzano (monopoli, july 9, 1612 - naples, 1656). 99x76 cm. opera-free frame. \n \"the painting is allegedly by the painter who worked in naples in the seventeenth century, francis fracanzano (monopoli, july 9, 1612 - naples, 1656) and represents san francesco di paola in prayer, with the typical iconographic attributes of the saint made by habit, by the book (in which reads in part \"charitas\") with above a skull, located at the bottom and laterally with respect to the figure. the painting has the typical characteristics attributable to fracanzano such as material density full and lumpy, the color of the skin and hands that turns into a reddish, which shows a matrix of caravaggesque naturalism which partly makes its own the teachings of the ribera school but to which he adds the tonal values \u200b\u200band the design of guercino, the carracci as well as the same kidneys. the work is attributable to the period the experience of pictorial fracanzano more contiguous example of ribera. very similar work is exhibited at the museum dubrovinik (croatia), with some differences (shown in parallel in the pr free card with the use of the image for comparison) regarding the position of the book, placed vertically and with squadernate pages, the skull in the background, the composition which seems to have now become more lumpy, accentuating the structure riberesca, the kneeling figure of the saint is seen in its entirety. for the work taken in comparison, all referring to the same author, a need for purely philological, we report a detailed study has shown that \"the second mid seventeenth century, it should be reported on san francesco di paola of dubrovnik, where the resumption of ribereschi characters in the face subsides in the drafting of the soft and ample folds of his habit, covering the entire composition and allow for just such a combination is valid comparison with works by francesco fracanzano, such as the san benedetto di san gregorio armeno and st. paul the hermit church of st. onofrio of old naples, with both the mature production of angelo solimena and the young son francis, particularly with regard to the resumption of the ways of lanfranco \"(in the footsteps of neapolitan painting in croatia seventeenth and eighteenth centuries \n mario alberto pavone - university of palermo). but it should be emphasized that many of the works refer to figures of saints, past the antiques market and contained in private and museum collections, made by francesco fracanzano, have identical expressive setting and similar pictorial and compositional quality, thus confirming the validity of the allocation to the same painter. the framework preserves the original frame of the seventeenth century; it is a very old reintelatura the mid-nineteenth century was maintained that being in good condition was not replaced (neither raised for other purposes). \"we thank the dott.avv. francesco amato for the authoritative opinion.","it":"dipinto ad olio su tela raffigurante san francesco da paola in preghiera, \n francesco fracanzano (monopoli, 9 luglio 1612 \u2013 napoli, 1656). cm 99x76. opera priva di cornice. \n \"la tela è attribuibile al pittore che operò a napoli nel xvii secolo, francesco fracanzano (monopoli, 9 luglio 1612 \u2013 napoli, 1656) e rappresenta san francesco di paola in preghiera, con gli attributi iconografici tipici del santo costituiti dal saio, dal libro (nel quale si legge in parte \u201ccharitas\u201d) con sopra un teschio, posto in basso e lateralmente rispetto alla figura. il dipinto ha i caratteri tipici ascrivibili al fracanzano quali la densità materica piena e grumosa, il colore della pelle e delle mani che vira verso un rossastro, che evidenzia un naturalismo di matrice caravaggesca che in parte fa propri gli insegnamenti della scuola del ribera ma ai quali aggiunge i valori tonali e del disegno del guercino, dei carracci nonché dello stesso reni. l\u2019opera è ascrivibile al periodo dell\u2019esperienza pittorica del fracanzano più contigua all\u2019esempio del ribera. opera molto simile è esposta presso il museo di dubrovinik (croazia), con alcune differenze (riportate in parallelo nella presente scheda con l\u2019utilizzo dell\u2019immagine per raffronto) che riguardano la posizione del libro, messo in verticale e con le pagine squadernate, il teschio in secondo piano, la composizione che sembra essere divenuta ormai più grumosa, accentuando la struttura riberesca, la figura inginocchiata del santo è vista per intero. per la opera presa a raffronto, in tutto riferibile allo stesso autore, per un\u2019esigenza meramente filologica, si segnala un dettagliato studio che ha messo in evidenza che \u201calla seconda metà del seicento, va riferito il san francesco di paola di dubrovnik, dove la ripresa dei caratteri ribereschi nel volto si placa nella stesura delle morbide e ampie pieghe del saio, che coprono l\u2019intera composizione e consentono proprio per tale abbinamento un valido confronto sia con opere di francesco fracanzano, quali con il san benedetto di san gregorio armeno e il san paolo eremita della chiesa di sant\u2019onofrio dei vecchi a napoli, sia con la produzione matura di angelo solimena e con quella giovanile del figlio francesco, soprattutto in merito alla ripresa dei modi del lanfranco\u201d (sulle tracce della pittura napoletana in croazia tra sei e settecento \n di mario alberto pavone \u2013 università di palermo). ma è da sottolineare come molte opere riferite a figure di santi, passate dal mercato antiquario e contenute in collezioni private e museali, realizzate da francesco fracanzano, presentano identica impostazione espressiva e analoghe qualità pittoriche e compositive, ciò confermando la validità dell\u2019attribuzione allo stesso pittore. il quadro conserva il telaio originario del seicento; è stata mantenuta una vecchissima reintelatura della metà dell\u2019ottocento che essendo in buono stato non è stata sostituita (né sollevata per altri scopi). \" si ringrazia il dott.avv. francesco amato per l'autorevole parere."},"lotNumber":"51","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19251/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":12000,"lastUpdate":"2026-07-19T07:44:42.109Z","textCase":"lower","currency":"EUR","id":19251,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":19000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19252/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19252/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19252/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19252/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19252/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19252/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19252/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19252/008/008.jpg"],"available":false,"description":{"en":"emiliano master from the sixteenth century, circle of antonio begarelli (modena 1499-1565). sculpture in terracotta depicting christ carrying the cross. full of the typical dramatic intensity of many bolognese art of 1500s (nicholas ark, guido mazzoni), around the central character of jesus to note a lively dynamism of the figures around him, all characterized by a strong emotional impact. h 60x57 cm, depth 13 cm","it":"maestro emiliano del xvi secolo, cerchia di antonio begarelli (modena 1499-1565). scultura in terracotta raffigurante cristo portatore di croce. carica di intensità drammatica tipica di molta arte bolognese del '500 (niccolò dell'arca, guido mazzoni), attorno al personaggio principale di gesù da notare un acceso dinamismo delle figure che lo attorniano, tutte caratterizzate da un forte impatto emotivo. h cm 60x57, profondità cm 13"},"lotNumber":"52","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19252/view","tags":["itArt_Sculpture","itArt","itArt_all"],"directSalePrice":19000,"lastUpdate":"2026-07-19T07:44:42.111Z","textCase":"lower","currency":"EUR","id":19252,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":19000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19253/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19253/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19253/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19253/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19253/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19253/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19253/007/007.jpg"],"available":false,"description":{"en":"maestro emiliano sixteenth century, circle of antonio begarelli (modena 1499-1565). sculpture in terracotta depicting christ stripped of his garments. upload typical dramatic intensity of many bolognese art of '500 (niccolò dell'arca, guido mazzoni), around the central character of jesus to note a lively dynamism of the figures around him, all characterized by a strong emotional impact. h 60x59 cm, depth 13 cm.","it":"maestro emiliano del xvi secolo, cerchia di antonio begarelli (modena 1499-1565). scultura in terracotta raffigurante cristo spogliato delle vesti. carica di intensità drammatica tipica di molta arte bolognese del '500 (niccolò dell'arca, guido mazzoni), attorno al personaggio principale di gesù da notare un acceso dinamismo delle figure che lo attorniano, tutte caratterizzate da un forte impatto emotivo. h cm 60x59, profondità cm 13."},"lotNumber":"53","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19253/view","tags":["itArt_Sculpture","itArt","itArt_all"],"directSalePrice":19000,"lastUpdate":"2026-07-19T07:44:42.113Z","textCase":"lower","currency":"EUR","id":19253,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":9500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19254/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19254/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19254/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19254/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19254/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19254/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19254/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19254/008/008.jpg"],"available":false,"description":{"en":"oil painting on canvas depicting a view of the tiber with archaeological characters, \n andrea locatelli (rome 1693-1741), allegedly by. from private collection. 56x110 cm. \"painter of landscapes helped to represent the roman countryside as an expression of an ideal of pastoral life, inspiration of a new culture that is different and spreads throughout the century xviii in response to the baroque, considered because of unrest and bad taste. in line with the principles developed in the academic arcadia also pictorially restores a balance between nature and reason, intellect and imagination imaginative (-ut pictura poesis horace). the painting, fruit and expression of the times we live the painter, shows a very rare perspective cut of the tiber, it depicts a locus amoenus, a nature which is an index of a peaceful and serene existence, out of time, aimed at a stable and peaceful and quiet. a still image of a idyllic moment fixed in its existential temporality . pictorially the canvas assumes a balanced register, where the measured spaces are in perfect harmony with the landscape in green matter de nsa but precise. all this scenic plant definitely dughettiana memory comes from a common ductus and consonant with the artists of his time such as paolo anesi (rome 1697.1773) or paolo monaldi (rome 1710-1779). his work is the product of a culture with precise literary and philosophical references of the arcadians circles of his time. \"studio asor","it":"dipinto ad olio su tela raffigurante veduta del tevere a carattere archeologico con personaggi, \n andrea locatelli (roma 1693-1741), attribuito. da collezione privata. cm 56x110. \"pittore di paesaggi contribuì a rappresentare la campagna romana, quale espressione di un ideale di vita pastorale, ispirazione di una nuova cultura che si differenzia e si diffonde per tutto il secolo xviii in risposta al barocco, ritenuto causa di disordini e cattivo gusto. in sintonia con i principi elaborati nell'ambito accademico dell'arcadia si ripristina anche pittoricamente un equilibrio tra natura-ragione, intelletto e fantasia immaginifica (ut pictura poesis-quinto orazio flacco). il dipinto, frutto ed espressione dei tempi che vive il pittore, mostra un taglio prospettico assai raro del tevere, raffigura un locus amoenus, una natura che è indice di una esistenza pacifica e serena, fuori dal tempo, finalizzata a una quiete stabile e tranquilla. un fermo immagine di un momento idilliaco fissato nella sua temporalità esistenziale. pittoricamente la tela assume un registro equilibrato, dove gli spazi misurati sono in perfetta armonia con con il verde paesaggistico in materia densa ma precisa. tutto questo impianto scenico di memoria dughettiana sicuramente deriva da un ductus comune e consono agli artisti del suo tempo quali paolo anesi (roma 1697.1773) o paolo monaldi (roma 1710-1779). la sua opera è il prodotto di una cultura dai precisi riferimenti letterari e filosofici dei circoli arcadici a lui contemporanei.\" asorstusio"},"lotNumber":"54","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19254/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":9500,"lastUpdate":"2026-07-19T07:44:36.566Z","textCase":"lower","currency":"EUR","id":19254,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":9500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19255/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19255/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19255/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19255/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19255/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19255/006/006.jpg"],"available":false,"description":{"en":"oil painting on canvas depicting a view of the tiber with archaeological characters, \n andrea locatelli (rome 1693-1741), allegedly by. from private collection. 56x110 cm. \"painter of landscapes helped to represent the roman countryside as an expression of an ideal of pastoral life, inspiration of a new culture that is different and spreads throughout the century 18th in response to the baroque, considered because of unrest and bad taste. in line with the principles developed in the academic arcadia also pictorially restores a balance between nature and reason, intellect and imagination imaginative (-ut pictura poesis horace). the painting, fruit and expression of the times we live the painter, shows a very rare perspective cut of the tiber, it depicts a locus amoenus, a nature which is an index of a peaceful and serene existence, out of time, aimed at a stable and peaceful and quiet. a still image of a idyllic moment fixed in its existential temporality . pictorially the canvas assumes a balanced register, where the measured spaces are in perfect harmony with the landscape in green matter de nsa but precise. all this scenic plant definitely dughettiana memory comes from a common ductus and consonant with the artists of his time such as paolo anesi (rome 1697.1773) or paolo monaldi (rome 1710-1779). his work is the product of a culture with precise literary and philosophical references of the arcadians circles of his time. \"studio asor","it":"dipinto ad olio su tela raffigurante veduta del tevere a carattere archeologico con personaggi, \n andrea locatelli (roma 1693-1741), attribuito. da collezione privata. cm 56x110. \"pittore di paesaggi contribuì a rappresentare la campagna romana, quale espressione di un ideale di vita pastorale, ispirazione di una nuova cultura che si differenzia e si diffonde per tutto il secolo xviii in risposta al barocco, ritenuto causa di disordini e cattivo gusto. in sintonia con i principi elaborati nell'ambito accademico dell'arcadia si ripristina anche pittoricamente un equilibrio tra natura-ragione, intelletto e fantasia immaginifica (ut pictura poesis-quinto orazio flacco). il dipinto, frutto ed espressione dei tempi che vive il pittore, mostra un taglio prospettico assai raro del tevere, raffigura un locus amoenus, una natura che è indice di una esistenza pacifica e serena, fuori dal tempo, finalizzata a una quiete stabile e tranquilla. un fermo immagine di un momento idilliaco fissato nella sua temporalità esistenziale. pittoricamente la tela assume un registro equilibrato, dove gli spazi misurati sono in perfetta armonia con con il verde paesaggistico in materia densa ma precisa. tutto questo impianto scenico di memoria dughettiana sicuramente deriva da un ductus comune e consono agli artisti del suo tempo quali paolo anesi (roma 1697.1773) o paolo monaldi (roma 1710-1779). la sua opera è il prodotto di una cultura dai precisi riferimenti letterari e filosofici dei circoli arcadici a lui contemporanei.\" .asorstudio"},"lotNumber":"55","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19255/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":9500,"lastUpdate":"2026-07-19T07:44:36.567Z","textCase":"lower","currency":"EUR","id":19255,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":7000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19256/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19256/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19256/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19256/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19256/005/005.jpg"],"available":false,"description":{"en":"oil painting on canvas depicting \"the return of the prodigal son\", the seventeenth century, allegedly by \n giovan battista langetti (genoa, 1635 - venice, 22 october 1676), 93x100 cm. \n the work is allegedly by giovan battista orally langetti (genoa, 1635 - venice, 22 october 1676). few and fragmentary news we hear about his first period of training, but it is conceivable a stay in rome, during which the langetti is active at the workshop of pietro da cortona. in the aftermath, it is likely its presence in naples, where he remained deeply impressed by the vision of works by jusepe de ribera, thus enriching its store of knowledge, made up of reminiscences of the genoese painters joachim asseretos and giovanni benedetto castiglione, and those of flemish rubens and van dyck, which in genoa aveveno stayed and performed several works in the first decades of the seventeenth century. \n by the mid-50s of the century will travel to venice, where he lived for the rest of his life, spending an initial period at the workshop of giovan francesco cassana, as he tells us the artist and writer marco boschini, which in 1660 published the navegar pitoresco charter, the pictorial beauty of venice. \n as evidence of the fame acquired by langetti there are also some commissions arrived from outside venice, such as those coming from florence, by the grand duke ferdinand ii de 'medici, and padua, where he will be active in the church of the dominicans. \n \n the work in question is the return of the episode of the prodigal son, narrated in the parable of jesus, from the gospel according to luke. the compositional cutting, the labeled use of shading, the clear reference to naturalism riberesco, therefore the painting traced back to the years and the atmosphere of the \"of gloomy\" group, which had luck in venice around the middle of '600. the same luigi lanzi coined for langetti the title of prince of gloomy. the award, therefore, could be confirmed by comparing the painting under analysis with the works of certain langetti as the representative of apollo and marsyas, where it seems clear citation of the character depicted back, placed on the far left of the painting, or that representing diogenes and alexander, painting, 1650 and kept at the fondazione querini stampalia in venice.","it":"dipinto ad olio su tela raffigurante \"il ritorno del figlio prodigo\", xvii secolo, attribuito a giovan battista langetti (genova, 1635 \u2013 venezia, 22 ottobre 1676), cm 93x100. \n l'opera è oralmente attribuita a \n giovan battista langetti (genova, 1635 \u2013 venezia, 22 ottobre 1676). poche e frammentarie notizie ci giungono circa il suo primo periodo di formazione, ma è ipotizzabile un soggiorno a roma, durante il quale il langetti è attivo presso la bottega di pietro da cortona. nel periodo immediatamente successivo, è probabile la sua presenza a napoli, dove rimarrà fortemente impressionato dalla visione delle opere di jusepe de ribera, arricchendo così il suo bagaglio conoscitivo, costituito dalle reminiscenze dei pittori genovesi gioacchino assereto e giovan benedetto castiglione, e da quelle dei fiamminghi rubens e van dyck, che a genova aveveno soggiornato ed eseguito numerose opere nei primi decenni del seicento. \n intorno alla metà degli anni '50 del secolo si trasferirà a venezia, dove vivrà per il resto della sua vita, trascorrendo un primo periodo presso la bottega di giovan francesco cassana, secondo quanto ci racconta l'artista e scrittore marco boschini, che nel 1660 pubblicò la carta del navegar pitoresco, sulle bellezze pittoriche di venezia. \n a riprova della fama conquistata dal langetti vi sono anche alcune commissioni giunte da fuori venezia, come quelle provenienti da firenze, da parte del granduca ferdinando ii de' medici, e da padova, dove sarà attivo nella chiesa dei dominicani. \n l'opera in esame rappresenta l'episodio del ritorno del figlio prodigo, narrato nella parabola di gesù, tratto dal vangelo secondo luca. il taglio compositivo, il marcato uso del chiaroscuro, il chiaro rimando al naturalismo riberesco, riconducono dunque il dipinto agli anni e all'atmosfera del \"gruppo dei tenebrosi\", che ebbero fortuna a venezia intorno alla metà del '600. lo stesso luigi lanzi coniò per il langetti l'appellativo di principe dei tenebrosi. l'attribuzione, pertanto, potrebbe trovare conferma confrontando il dipinto preso in analisi con le opere certe del langetti, come quella rappresentante apollo e marsia, dove sembra chiara la citazione del personaggio raffigurato di schiena, posto sull'estrema sinistra del dipinto, o quella raffigurante diogene e alessandro, dipinta nel 1650 e conservata presso la fondazione querini stampalia, a venezia.asorstudio"},"lotNumber":"56","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19256/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":7000,"lastUpdate":"2026-07-19T07:44:36.569Z","textCase":"lower","currency":"EUR","id":19256,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":9000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19257/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19257/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19257/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19257/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19257/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19257/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19257/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19257/008/008.jpg"],"soldDate":"2020-12-19","available":false,"description":{"en":"oil painting on canvas depicting the character with child, 185 cm x 120 cm frame with measures 233 x 167. signed on the lower right maria fortuny i marsal, said \n mariano fortuny (reus, 1838-1874). \n she trained at the workshop domènec soberano and later, in 1953, he attended the school of fine arts in barcelona, \u200b\u200bwhere it is relieved by claudio lorenzale. \n when he began, with religious and private commissions, has been successful and vimc rune scholarship for two years to stay in rome, where in 1858 he became a member of the french academy and san luca, visit naples and knows morelli and painters posillipo school, work travels in morocco in 1860 and soon after also went to paris. \n here you have the opportunity to appreciate and e. fromentin g. louis e. meissonier for exotic and romantic taste. in 1861 he returned to italy and then back to morocco to illustrate the spanish victories of general prim. slo in 1862 he returned to rome, florence and naples where he met school resin and develops a painting on the theme of realism, akin to the macchiaioli whose anti-academic program is oriented towards the study of reality and immediacy of the impression that the 'observation suggests, for realizing a tonal painting in vibrant colors, dipped in a clear light and crisp. his art creates works with an exotic flavor, vibrant touch, dall'accesa richness of color and brushstrokes almost impalpable and smooth. \n notable is the work of which we are concerned and in it are clear all the characters of his painting: brilliant style, highly realistic, that his pictorial imagination summarizes performance with oil, like watercolor piece because of the its lightness. asorstudio","it":"olio su tela raffigurante personaggio con bambino, cm 185 x 120, misure con cornice cm 233 x 167. firmato in basso a destra maria fortuny i marsal, detto \n mariano fortuny (reus, 1838 - 1874). \n la sua formazione avviene presso la bottega domènec soberano e successivamente, nel 1953, frequenta la scuola di belle arti di barcellona, ove è allevio di claudio lorenzale. \n al suo esordii, con committenze religiose e private, riscuote successo e vimc runa borsa di studio di due anni per soggiornare a roma, dove nel 1858 diventa membro dell\u2019accademia di francia e di san luca, visita napoli e conosce morelli ed i pittori della scuola di posillipo, viaggia opera in marocco nel 1860 e subito dopo si reca anche a parigi. \n qui ha modo di apprezzare e. fromentin e g. louis e. meissonier per il gusto esotico e romantico. nel 1861 rientra in italia e poi ritorna in marocco per illustrare le vittorie spagnole del generale prim. slo nel 1862 ritorna a roma, firenze e napoli ove conosce la scuola di resina e sviluppa una pittura sul tema del verismo, affine ai macchiaioli il cui programma anti-accademico è orientato verso lo studio del reale e all\u2019immediatezza dell\u2019impressione che l\u2019osservazione suggerisce, per il realizzo di una pittura tonale dai toni vibranti, immersi in una luce limpida e tersa. la sua pittura realizza opere dal sapore esotico, dal tocco movimentato, dall\u2019accesa ricchezza cromatica e da una pennellata quasi impalpabile e levigata. \n notevole è l\u2019opera di cui ci stiamo occupando e in essa sono evidenti tutti i caratteri del suo dipingere: uno stile brillante, fortemente realistico, che il suo immaginario pittorico compendia con un\u2019esecuzione ad olio, come fosse all\u2019acquerello proprio per la sua leggerezza. asorstudio"},"lotNumber":"57","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19257/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":9000,"soldPrice":9000,"lastUpdate":"2026-07-19T07:44:36.571Z","textCase":"lower","currency":"EUR","id":19257,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":8500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19258/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19258/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19258/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19258/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19258/005/005.jpg"],"available":false,"description":{"en":"painter of the seventeenth century veneto (antonio bellucci, pieve di soligo, 1654 - pieve di soligo, 1726?) susanna and the elders 120x194 oil painting on canvas","it":"pittore veneto del xvii secolo (antonio bellucci, pieve di soligo, 1654 \u2013 pieve di soligo, 1726 ?) susanna e i vecchioni 120x194 olio su tela"},"lotNumber":"58","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19258/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":8500,"lastUpdate":"2026-07-19T07:44:36.572Z","textCase":"lower","currency":"EUR","id":19258,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":14000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19259/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19259/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19259/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19259/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19259/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19259/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19259/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19259/008/008.jpg"],"available":false,"description":{"en":"sculptor of the sixteenth century, pair of wooden sculptures depicting satyrs, important palermitano source. h 72 cm","it":"scultore del xvi secolo, coppia di sculture lignee raffiguranti satiri, provenienza importante palazzo palermitano.h cm 72"},"lotNumber":"59","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19259/view","tags":["itArt_Sculpture","itArt","itArt_all"],"directSalePrice":14000,"lastUpdate":"2026-07-19T07:44:36.573Z","textCase":"lower","currency":"EUR","id":19259,"category":{"en":"XV - XVIII centuries objects","it":"Oggetti d'Alta Epoca"}},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19260/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19260/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19260/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19260/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19260/005/005.jpg"],"available":false,"description":{"en":"wood panel gold background representing madonna with child in her lap and two adoring angels in the margins, sixteenth century, sicily, author unknown. 29,5x35 cm, thickness 2.2 cm. since compared with the madonna and child and angels work at the national museum of palazzo bellomo (syracuse), significant work of the fifteenth transmission period between syracuse and marche culture.","it":"tavola fondo oro raffigurante madonna con bambino in grembo e due angeli adoranti a latere, xvi secolo, sicilia, autore ignoto. cm 29,5x35, spessore cm 2,2. da raffrontare con l\u2019opera madonna con bambino e angeli presso il museo nazionale di palazzo bellomo (siracusa), opera significativa del periodo quattrocentesco di trasmissione tra la cultura siracusana e quella marchigiana. asorstudio"},"lotNumber":"60","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19260/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1500,"lastUpdate":"2026-07-19T07:44:36.575Z","textCase":"lower","currency":"EUR","id":19260,"category":{"en":"XV - XVIII centuries paintings","it":"Dipinti d'Alta Epoca"}},{"startPrice":1300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19261/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19261/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19261/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19261/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19261/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19261/006/006.jpg"],"available":false,"description":{"en":"ancient glass bound to lead with infusion in glass images depicting st chad of mercia, abbot and british bishop. in wooden, large 6 cm h cm 169. width cm 67. backlit. small cracks.","it":"antica vetrata rilegata a piombo con immagini a infusione nel vetro raffigurante san chad di mercia, abate e vescovo britannico. in telaio in legno, larga cm 6. h cm 169. 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91x148x62"},"lotNumber":"121","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19321/view","tags":["itAntiqueVintageFurniture_Chests","itAntiqueVintageFurniture","itAntiqueVintageFurniture_all"],"directSalePrice":1100,"lastUpdate":"2026-07-19T07:44:43.819Z","textCase":"lower","currency":"EUR","id":19321,"category":{"en":"Furniture","it":"Mobili"}},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19322/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19322/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19322/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19322/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19322/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19322/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19322/007/007.jpg"],"available":false,"description":{"en":"tilting 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130x60"},"lotNumber":"123","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19323/view","tags":["itAntiqueVintageFurniture_Tables","itAntiqueVintageFurniture","itAntiqueVintageFurniture_all"],"directSalePrice":400,"lastUpdate":"2026-07-19T07:44:43.822Z","textCase":"lower","currency":"EUR","id":19323,"category":{"en":"Furniture","it":"Mobili"}},{"startPrice":450,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19324/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19324/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19324/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19324/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19324/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19324/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19324/007/007.jpg"],"soldDate":"2020-12-19","available":false,"description":{"en":"console in walnut, early nineteenth century. with foot dolphin, marble floor and central application in brass. h 103x60x125 cm.","it":"console in legno di noce, inizi secolo xix. con piedi a delfino, marmo al piano e applicazione centrale in ottone. h cm 103x60x125."},"lotNumber":"124","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19324/view","tags":["itAntiqueVintageFurniture_Tables","itAntiqueVintageFurniture","itAntiqueVintageFurniture_all"],"directSalePrice":450,"soldPrice":450,"lastUpdate":"2026-07-19T07:44:46.641Z","textCase":"lower","currency":"EUR","id":19324,"category":{"en":"Furniture","it":"Mobili"}},{"startPrice":600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19325/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19325/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19325/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19325/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19325/005/005.jpg"],"available":false,"description":{"en":"gouache with brown ink and white lead on paper depicting nocturnal landscape of the pyramid of cheops. traces of signature and date 1762, at the bottom left \"luxor pyramid of cheops\" 380 x 555 mm","it":"gouache ad inchiostro bruno e biacca su carta raffigurante paesaggio notturno della piramide di cheope. tracce di firma e data 1762, in basso a sinistra \u201cluxor piramide di cheope\u201d 380 x 555 mm"},"lotNumber":"125","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19325/view","tags":["itArt_Watercolors","itArt_Drawings","itArt","itArt_all"],"directSalePrice":600,"lastUpdate":"2026-07-19T07:44:46.642Z","textCase":"lower","currency":"EUR","id":19325,"category":{"en":"Auteur drawings","it":"Disegni 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mm."},"lotNumber":"126","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19326/view","tags":["itArt_EngravingsEtchings","itArt_PrintsLimitedEditions","itArt","itArt_all"],"directSalePrice":950,"lastUpdate":"2026-07-19T07:44:46.644Z","textCase":"lower","currency":"EUR","id":19326,"category":{"en":"Auteur drawings","it":"Disegni d'autore"}},{"startPrice":3800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19327/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19327/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19327/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19327/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19327/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19327/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19327/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19327/008/008.jpg"],"available":false,"description":{"en":"drawing allegedly by \n annibale carracci (bologna 1560-roma 1609)brown ink, depicting odysseus (ulysses) who competes in the stone throwing during games phaeacian youth. mm 610x950. \n the italian painter annibale carracci was born in bologna in 1560. \n if in his first production they notice the influences of bolognese painters bartolomeo cesi, horace samacchini and prospero fontana, once arrived in parma studying correggio and in venice on the veronese and bassano. \n determined to bring the painting out of the anguish of mannerism, founded in bologna in 1582, with his brother agostino, also a painter, the academy of the eager, later known as the incamminati. the works of this period are designed according to an interpretation profoundly classical nature, mediated through the painting of the sixteenth century. reworking various cultural influences, the carracci comes gradually to a clear definition of its classic and naturalist ideal at the same time. \n between 1582 and 1594 works, with the help of agostino and his cousin ludovico, the decoration of palaces fava, magnani and sampieri, and performs many altarpieces for churches of bologna. in 1595 he witnessed its presence in rome to decorate with mythological scenes, the palazzo farnese gallery. a contact with the work of raphael and the ancient art, agostino drew large compositions with classic simplicity and inventive freedom, pursuing a harmonious blend of natural empirical world and classical tradition. \n \n the work under examination is the episode recounted in book viii of the odyssey, in which alcinous, king of the phoenicians, at a meeting, communicate its decision to provide to ulysses, arrived at his palace, a ship that escort home. the king then index of the games in which they participate young phaeacians and odysseus himself who competes in the test launch of the stone, and with the help of athena, ahead of all rivals. \n the attribution to annibale carracci of the test design may be confirmed by comparing it with the preparatory cartoons for the frescoes in the farnese gallery in rome and painted friezes of palazzo fava, of certain attribution to the same author, made between 1597 and 1604. \n i carracci executed many preparatory drawings for this artistic enterprise; the most important collections are kept at the cabinets drawings of the uffizi, dell'albertiana, the louvre and windsor castle. hannibal, experienced designer and refined, with exuberant imagination and extraordinary skill, alternating marble and the revival of ancient statues to life studies. the design is characterized by the bursting vitality and for the strong energy.","it":"disegno attribuito ad \n annibale carracci (bologna 1560-roma 1609)ad inchiostro bruno, raffigurante odisseo (ulisse) che gareggia nel lancio della pietra durante i giochi dei giovani feaci. mm 610x950. \n il pittore italiano annibale carracci nasce a bologna nel 1560. \n se nella sua prima produzione si notano gli influssi dei pittori bolognesi bartolomeo cesi, orazio samacchini e prospero fontana, una volta giunto a parma studia il correggio e a venezia il veronese e i bassano. \n deciso a portare la pittura fuori dalle angustie del manierismo, nel 1582 fonda a bologna, insieme al fratello agostino, anch\u2019egli pittore, l'accademia dei desiderosi, detta poi degli incamminati. le opere di questo periodo sono concepite secondo un'interpretazione profondamente classica della natura, mediata attraverso la pittura del cinquecento. rielaborando varie ascendenze culturali, il carracci giunge progressivamente a una chiara definizione del suo ideale classico e naturalista nello stesso tempo. \n tra il 1582 e il 1594 lavora, con l'aiuto di agostino e del cugino ludovico, alla decorazione dei palazzi fava, magnani e sampieri, ed esegue molte pale d'altare per chiese bolognesi. nel 1595 è testimoniata la sua presenza a roma per decorare, con scene mitologiche, la galleria di palazzo farnese. a contatto con l'opera di raffaello e l'arte antica, il carracci elaborò le grandi composizioni con semplicità classica e libertà inventiva, perseguendo un'armoniosa sintesi tra mondo naturale empirico e tradizione classica. \n \n l\u2019opera presa in esame rappresenta l\u2019episodio narrato dal libro viii dell\u2019odissea, in cui alcinoo, re dei feaci, durante un\u2019assemblea, comunica la sua decisione di fornire ad ulisse, giunto presso il suo palazzo, una nave che lo scorti in patria. il re successivamente indice dei giochi ai quali partecipano i giovani feaci e lo stesso odisseo che gareggia nella prova del lancio della pietra e, grazie all\u2019aiuto di atena, sbaraglia tutti gli avversari. \n l\u2019attribuzione ad annibale carracci del disegno in esame potrebbe trovare conferma confrontandolo con i cartoni preparatori per gli affreschi della galleria farnese di roma e dei fregi affrescati di palazzo fava, di attribuzione certa allo stesso autore, realizzati tra il 1597 e il 1604. \n i carracci eseguirono moltissimi disegni preparatori per questa impresa artistica; i nuclei più importanti sono conservati presso i gabinetti disegni degli uffizi, dell\u2019albertiana, del louvre e del castello di windsor. annibale, esperto e raffinato disegnatore, con esuberante fantasia e straordinaria perizia, alternava la riproposizione di marmi e statue antiche agli studi dal vero. il disegno si caratterizza per la vitalità prorompente e per la forte energia."},"lotNumber":"127","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19327/view","tags":["itArt_Drawings","itArt","itArt_all"],"directSalePrice":3800,"lastUpdate":"2026-07-19T07:44:46.645Z","textCase":"lower","currency":"EUR","id":19327,"category":{"en":"Auteur drawings","it":"Disegni d'autore"}},{"startPrice":950,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19328/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19328/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19328/003/003.jpg"],"available":false,"description":{"en":"ink drawing depicting a sepia and white lead preparation of the pile for the funeral of patroclo, the circle tiepolo (1696-1770). 425 x 310 mm","it":"disegno raffigurante preparazione della pila per i funerali di patroclo con achille che fa disporre la pira funeraria, cerchia di tiepolo (1696-1770). disegno ad inchiostro a seppia e biacca, 425 x 310 mm"},"lotNumber":"128","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19328/view","tags":["itArt_Drawings","itArt","itArt_all"],"directSalePrice":950,"lastUpdate":"2026-07-19T07:44:46.646Z","textCase":"lower","currency":"EUR","id":19328,"category":{"en":"Auteur drawings","it":"Disegni d'autore"}},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19329/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19329/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19329/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19329/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19329/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19329/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19329/007/007.jpg"],"available":false,"description":{"en":"drawing allegedly by \n guido reni (bologna 1575- bologna 1642) portraying the immaculate conception, with angels. 305 x 498 mm","it":"disegno raffigurante immacolata concezione con angeli, \n guido reni (bologna 1575- bologna 1642) attribuito. 305 x 498 mm"},"lotNumber":"129","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19329/view","tags":["itArt_Drawings","itArt","itArt_all"],"directSalePrice":3000,"lastUpdate":"2026-07-19T07:44:46.648Z","textCase":"lower","currency":"EUR","id":19329,"category":{"en":"Auteur drawings","it":"Disegni d'autore"}},{"startPrice":2800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19330/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19330/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19330/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19330/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19330/005/005.jpg"],"available":false,"description":{"en":"drawing allegedly by \n guido reni (bologna bologna 1575- 1642), blood of vergellata paper with transparent watermark depicting particularly the fathers of the church dispute (altarpiece, present at the hermitage museum in st. petersburg). 425 x 294 mm","it":"disegno a sanguigna raffigurante particolare della disputa dei padri della chiesa, \n guido reni (bologna 1575- bologna 1642) attribuito. disegno a sanguigna su carta vergellata con filigrana trasparente, particolare della pala di altare presente al museo hermitage di san pietroburgo. 425 x 294 mm"},"lotNumber":"130","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19330/view","tags":["itArt_Drawings","itArt","itArt_all"],"directSalePrice":2800,"lastUpdate":"2026-07-19T07:44:46.649Z","textCase":"lower","currency":"EUR","id":19330,"category":{"en":"Auteur drawings","it":"Disegni 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make room for scenes of real life and portraiture. his participation in the \u201cambulanti\u201d group confirms his choice to open up to european pictorial innovations. despite this, his paintings will never abandon theirs clarity in the description of his subjects. \n \n asorstudio","it":"disegno a inchiostro grigio su carta vergellata raffigurante tre personaggi, attribuibile a ilya repin , mm 134x144 \n \n conosciuto come uno dei massimi esponenti dell\u2019arte russa a cavallo tra xix e xx secolo, nasce in ucraina per poi spostarsi successivamente a san pietroburgo dove studia all\u2019accademia imperiale di belle arti. i primi anni della sua carriera artistica sono caratterizzati da una pittura di stampo accademico che viene piano piano abbandonato grazie ai molteplici viaggi che gli permettono di conoscere le più nuove innovazioni pittoriche, in particolare quelle apportate dagli impressionisti francesi. i colori della sua tavolozza prendono una nuova vivacità, luminosità e la 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tempera on paper depicting bevagna metamorphosis, 2003 \n colombotto enrico rosso (turin, 1925 - casale monferrato, 2013). cm 51x37. signed on the lower right, theme and technique on the back, which was published in the exhibition catalog \"blurring 2003\" towards the art editions, held at the galleria civica d'arte di spoleto from 28.06.2003 to 15.08.2003, page 19.","it":"dipinto a tempera su carta bevagna raffigurante metamorfosi, 2003 di \n colombotto rosso enrico (torino, 1925 \u2013 casale monferrato, 2013). cm 51x37. firmato in basso a destra, sigla e tecnica sul retro, pubblicata sul catalogo della mostra \u201cstemperando 2003\u201d verso l\u2019arte edizioni, tenutasi presso la galleria civica d\u2019arte di spoleto dal 28.06.2003 al 15.08.2003, pagina 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raffigurante composizione astratta di \n vincenzo balsamo (brindisi, 1935-2017). cm 34x34. firmato e datato 1996 sul retro. numero dell\u2019archivio 137-b. certificato d\u2019autenticità toluian."},"lotNumber":"188","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19388/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":600,"lastUpdate":"2026-07-19T07:44:55.549Z","textCase":"lower","currency":"EUR","id":19388,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e 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pigmenti su cartoncino cotone gr. 520 \"lenzuola trittico dada\u2026 \" cm 55,5x37,5. \n maurizio galimberti . edizione 1/5. archivio nordest n°3053. certificato di garanzia e autenticità meeting art. pubblicato sul catalogo \u201cpolaroid venezia by maurizio galimberti\u201d, edizioni contrasto, 2008, pag. 142 e 143."},"lotNumber":"190","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19390/view","tags":["itArt_Photography","itArt","itArt_all"],"directSalePrice":400,"lastUpdate":"2026-07-19T07:44:55.552Z","textCase":"lower","currency":"EUR","id":19390,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e 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art."},"lotNumber":"191","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19391/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":300,"soldPrice":300,"lastUpdate":"2026-07-19T07:44:55.554Z","textCase":"lower","currency":"EUR","id":19391,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e contemporanea"}},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19392/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19392/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19392/003/003.jpg"],"available":false,"description":{"en":"oil painting on paper mounted on canvas raff. abstract composition \"summer landscape\". \n salvatore provino (bagheria, 1943). cm 40x60. signed on the lower left. pictures of the general picture of 0058/2001 works. warranty certificate and authenticity meeting art. certificate of authenticity of photos with the artist's signature.","it":"dipinto ad olio su carta applicata su tela raff. composizione astratta \u201cpaesaggio estivo\u201d. \n salvatore provino (bagheria, 1943). cm 40x60. firmato in basso a sinistra. archivio fotografico generale delle opere su foto 0058/2001. certificato di garanzia e autenticità meeting art. certificato d\u2019autenticità su foto con la firma dell\u2019artista."},"lotNumber":"192","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19392/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":400,"lastUpdate":"2026-07-19T07:44:55.555Z","textCase":"lower","currency":"EUR","id":19392,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e 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un theme de saenredam, \n cesare peverelli (milano 1922-parigi 2000). cm 27x3, in cornice 50x40, autentica su foto firmata dall\u2019artista"},"lotNumber":"194","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19394/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":500,"lastUpdate":"2026-07-19T07:44:51.977Z","textCase":"lower","currency":"EUR","id":19394,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e contemporanea"}},{"startPrice":600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19395/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19395/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19395/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19395/004/004.jpg"],"available":false,"description":{"en":"mixed media on black paper depicting musical score, giuseppe chiari (florence 1926-2007), 50x70 cm, signed on the lower right, authentic artist of photos","it":"tecnica mista su cartoncino nero raffigurante spartito musicale, giuseppe chiari (firenze 1926-2007). cm 50x70. firmata in basso a destra, autentica dell\u2019artista su foto"},"lotNumber":"195","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19395/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":600,"lastUpdate":"2026-07-19T07:44:51.978Z","textCase":"lower","currency":"EUR","id":19395,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e 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ca"},"lotNumber":"196","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19396/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":350,"lastUpdate":"2026-07-19T07:44:51.980Z","textCase":"lower","currency":"EUR","id":19396,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e contemporanea"}},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19397/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19397/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19397/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19397/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19397/005/005.jpg"],"available":false,"description":{"en":"oil painting on canvas depicting still life, carlo levi (turin, 1902 - rome, 1975). cm 37x45","it":"dipinto ad olio su tela raffigurante natura morta, carlo levi (torino, 1902 \u2013 roma, 1975). cm 37x45"},"lotNumber":"197","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19397/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":1200,"lastUpdate":"2026-07-19T07:44:51.981Z","textCase":"lower","currency":"EUR","id":19397,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e contemporanea"}},{"startPrice":3400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19398/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19398/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19398/003/003.jpg"],"available":false,"description":{"en":"oil painting on canvas depicting the landscape, alfredo chighine (milan, pisa 1914- 1974). cm 30x40. signed and dated 1966 on the back. provenance dorotheum vienna.","it":"dipinto ad olio su tela raffigurante paesaggio, alfredo chighine (milano, 1914- pisa, 1974). cm 30x40. firmato e datato 1966 su retro. provenienza dorotheum di vienna."},"lotNumber":"198","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19398/view","tags":["itArt_OilAcrylicpaintingsMixedMedia","itArt","itArt_all"],"directSalePrice":3400,"lastUpdate":"2026-07-19T07:44:51.982Z","textCase":"lower","currency":"EUR","id":19398,"category":{"en":"Modern and contemporary art paintings","it":"Dipinti d'arte moderna e 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ancestors and his property. his paintings and his watercolors, depicting evocative landscapes of sicily or forms of abstract expressionism, have landed in the us, many european countries and its large work is exhibited in the pavilion of cardiology of the hospital in catania. there is a growing audience of fans who visit his house and his garden art in mascalucia, where he lives and works. \n those of bonajuto are glimpses, denoting landscapes of the subjective dimension of a concrete and metaphorical vision of great expressive value. each of the elements represented, both natural and architectural, are monograms that contain the essence of a life aesthetic and psychological that lead the viewer into that dreamlike dimension that allows you to escape from the world while inhabiting. the use of warm colors is denoting the artist's desire to show the object for what it is, dully lit from within, the beautiful etna visions that make the idea of \u200b\u200bthe will of bonajuto to paint the matter that it is giving form, in continuous change.","it":"dipinto a tecnica mista su tela raffigurante etna, salvatore bonajuto (catania1963). cm 30x40. firmato sul retro salvatore bonajuto 2020. opera priva della cornice. salvatore bonajuto nasce a catania nel 1963, alla fine degli anni settanta, partecipa alle sue prime esposizioni collettive con lavori a carboncino e con opere pittoriche a partire dagli anni ottanta. negli anni novanta vince un premio durante un'estemporanea di pittura organizzata dal comune di mascalucia (ct) ed una sua opera viene acquisita dal comune stesso. nel 2001 restaura e restituisce alla pubblica fruizione la cappella bonajuto, bizantina, ereditata dai suoi avi e di sua proprietà. le sue pitture e i suoi acquerelli, che ritraggono suggestivi paesaggi di sicilia o forme di espressionismo astratto, sono approdate negli usa, in molti paesi europei e una sua opera di grandi dimensioni é esposta nel padiglione di cardiologia del policlinico di catania. è in crescita il pubblico di estimatori che visitano la sua casa ed il suo giardino d'arte a mascalucia, dove lui vive e lavora. \n quelli di bonajuto sono scorci, paesaggi denotativi della dimensione soggettiva di una visione concreta e metaforica di grande valore espressivo. ognuno degli elementi rappresentati, siano essi naturali o architettonici, sono monogrammi che racchiudono l\u2019essenza di un vissuto estetico e psicologico che conducono il fruitore in quella dimensione onirica che consente di fuggire dal mondo pur abitandolo. l\u2019uso di colori caldi è denotativo della volontà dell\u2019artista di mostrarci l\u2019oggetto per quello che è, sordamente illuminato dall\u2019interno, bellissime le visioni dell\u2019etna che rendono l\u2019idea della volontà di bonajuto di dipingere la materia che si sta dando forma, in continuo 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that contain the essence of a life aesthetic and psychological that lead the viewer into that dreamlike dimension that allows you to escape from the world while inhabiting. the use of warm colors is denoting the artist's desire to show the object for what it is, dully lit from within, the beautiful etna visions that make the idea of \u200b\u200bthe will of bonajuto to paint the matter that it is giving form, in continuous change.","it":"dipinto ad acrilico su tela raffigurante matera \u201ci sassi\u201d, salvatore bonajuto (catania1963).cm 40x30. firmato sul retro salvatore bonajuto. salvatore bonajuto nasce a catania nel 1963, alla fine degli anni settanta, partecipa alle sue prime esposizioni collettive con lavori a carboncino e con opere pittoriche a partire dagli anni ottanta. negli anni novanta vince un premio durante un'estemporanea di pittura organizzata dal comune di mascalucia (ct) ed una sua opera viene acquisita dal comune stesso. nel 2001 restaura e restituisce alla pubblica fruizione la cappella bonajuto, bizantina, ereditata dai suoi avi e di sua proprietà. le sue pitture e i suoi acquerelli, che ritraggono suggestivi paesaggi di sicilia o forme di espressionismo astratto, sono approdate negli usa, in molti paesi europei e una sua opera di grandi dimensioni é esposta nel padiglione di cardiologia del policlinico di catania. è in crescita il pubblico di estimatori che visitano la sua casa ed il suo giardino d'arte a mascalucia, dove lui vive e lavora. \n quelli di bonajuto sono scorci, paesaggi denotativi della dimensione soggettiva di una visione concreta e metaforica di grande valore espressivo. ognuno degli elementi rappresentati, siano essi naturali o architettonici, sono monogrammi che racchiudono l\u2019essenza di un vissuto estetico e psicologico che conducono il fruitore in quella dimensione onirica che consente di fuggire dal mondo pur abitandolo. l\u2019uso di colori caldi è denotativo della volontà dell\u2019artista di mostrarci 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massimo 2 and date 1953. labels of exhibitions. \"international recognition for the artist came to the venice biennale of 1956 with the grand prize for sculpture, his drawings and sculptures reflect an ideal of beauty through shapely shapes, elongated and well provided is reported to a mannerism archaic of the fontainebleau school. his reference point can be considered the sculptor pericle fazzini. \n in his graphics, perfect formal brief, clear, elegant and decided we find the essence of everything that is done in sculpture, bronze filled, the woman's body is his constant inspiration, in all its representations. \n his creative wisdom, however, is applicable to many other works, such as the monument to pinocchio in collodi, the doors of the cathedral of orvieto, and the reliefs for the church s.g. baptist in campi byzantium. \n present in many museums: tate gallery - london; hermitage - st. petersburg; pushkin museum - moscow; hakone open-air museum- japan; vatican museums - rome. \"studio asor","it":"emilio greco (catania, 1913-roma, 1995). nudo di donna. 49x35, disegno a china su carta. firmato a destra e siglato roma. sul retro altro disegno accennato e scritta : largo di villa massimo 2 e data 1953. etichette di mostre. \"il riconoscimento internazionale per l\u2019artista si ebbe alla biennale di venezia del 1956 con il gran premio per la scultura, i suoi disegni e le sue sculture rispecchiano un ideale di bellezza che attraverso forme tornite, allungate e ben fornite si riportano ad un manierismo arcaico della scuola di fontainebleau. suo punto di riferimento può considerarsi lo scultore pericle fazzini. \n nella sua grafica, perfetta sintesi formale, netta, elegante e decisa ritroviamo l\u2019essenza di tutto ciò che viene realizzato nelle forme plastiche, piene del bronzo, il corpo della donna costituisce la sua costante ispirazione, in tutte le sue figurazioni. \n la sua sapienza creativa, comunque si applica a numerose altre opere, quali il monumento a 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in egitto. \n al ritorno a parigi fu nominato direttore dei musei di francia e fu il primo organizzatore e direttore del louvre."},"lotNumber":"491","url":"https://it.bidspirit.com/ui/lotPage/artlarosa/source/catalog/auction/12923/lot/19689/view","tags":["itArt_EngravingsEtchings","itArt","itArt_all"],"directSalePrice":140,"lastUpdate":"2026-07-19T07:45:24.412Z","textCase":"lower","currency":"EUR","id":19689,"category":{"en":"Engravings and lithographs","it":"Incisioni e litografie"}},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19690/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/artlarosa/cloned-images/19690/002/002.jpg"],"available":false,"description":{"en":"etching on beautiful golden aged wood frame taken from journey to the low and high egypt. illustrated by. denon. florence, giuseppe tofani editions, 1808, depicting the table: 3 view of corsica left the port of bastia right not pictured gulf of st. fiorenzo.215 x 365 mm","it":"incisione in bella cornice di legno invecchiato dorato tratte dal viaggio nel basso ed alto egitto. illustrato dal. denon. firenze, giuseppe tofani edizioni, 1808, raffigurante la tav:a3 veduta della corsica settentrionale a sinistra porto della bastia a destra non raffigurato golfo di san fiorenzo.215 x 365 mm.vivant dominique denon (chalon-sur-saône 1747- paris 1825) \n fu alla corte di luigi xv dove ebbe diversi incarichi ufficiali per catalogazione e conservazione di beni artistici. \n seguì l\u2019ambasciatore di francia, il conte clermont d\u2019amboise, a napoli e qui eseguì parte delle illustrazioni del viaggio storico pittoresco dell\u2019abate saint-non. condannato a morte durante la rivoluzione francese, fu salvato dalla ghigliottina dal david. \n con l\u2019avvento dell\u2019impero fu vicino a napoleone che lo volle con sè in egitto dove eseguì le illustrazioni per la spedizione in egitto. \n al ritorno a parigi fu nominato direttore dei 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