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(total) 41 x 36,5 cm \n notas: \u201cnaõ eraõ de qualidade as cousas que trazia entre mãos o esforçado princepe dom afonso henriquez, q lhe consentissem tomar muyto repouso, nem os pensamentos occupados na grãdeza do negocio presente davaõ lugar a se poder quietar, & tomar alivio. e assim para divertir de algum modo aquella moléstia, lançou maõ de huã biblia sagrada, a qual tinha em sua tenda, & começando a ler por ella, a primeyra cousa q encontrou foy a vitoria de gedeaõ, insigne capitaõ do povo judaico, o qual com trezentos soldados rompeo os quatro reys madianitas, & seus exércitos, passando à espada cento & vinte mil homens, sem outros muytos que morrèraõ no alcance. alegre o infante com taõ bom encontro, & tomado desta vitoria pronostico feliz da que esperava, se confirmou mays na resolução de dar batalha, & com o coraçaõ inflamado, & olhos postos em o ceo rompeo nestas palavras. bem sabeis vós meu senhor iesu christo, que per vosso serviço, & pela exaltação de vosso santo nome emprendi ei esta guerra contra vossos inimigos; 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(escultura) 32,5 cm; (total) 113 cm","en":"polychrome wood sculpture \n brazilian rosewood base and cross with gilt carvings and silver applications en relief \n portuguese \n 18th c. \n restoration on the gilding \n unmarked silver, pursuant to decreto-lei no. 120-2017, of 15 september - art. 2, paragraph 2, point c) \n dim. - (escultura) 32,5 cm; (total) 113 cm"},"estimateMax":900,"lotNumber":"234","title":{"pt":"cristo crucificado","en":"crucified christ"},"url":"https://pt.bidspirit.com/ui/lotPage/cml/source/catalog/auction/8576/lot/20751/view","tags":["ptArt_Sculpture","ptArt_all","ptArt"],"directSalePrice":600,"soldPrice":700,"lastUpdate":"2026-07-28T01:53:39.166Z","textCase":"lower","estimate":"\u20ac600 - \u20ac900","internalCatalogNumber":"234","currency":"EUR","id":20751,"category":{"pt":"Antiguidades e Obras de Arte\\Escultura","en":"Sculpture"},"estimateMin":600},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/cml/cloned-images/20752/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/cml/cloned-images/20752/003/003.jpg"],"available":false,"description":{"pt":"escultura em terracota policromada \n portuguesa \n séc. xviii/xix \n braço colado, falta de um dedo \n dim. - 37,5 cm","en":"painted terracotta sculpture \n portuguese \n 18th/19th c. \n glued arm, a finger missing \n dim. - 37,5 cm"},"estimateMax":750,"lotNumber":"235","title":{"pt":"são joão baptista menino","en":"saint john the baptist"},"url":"https://pt.bidspirit.com/ui/lotPage/cml/source/catalog/auction/8576/lot/20752/view","tags":["ptArt_Sculpture","ptArt_all","ptArt"],"directSalePrice":500,"lastUpdate":"2026-07-28T01:53:39.167Z","textCase":"lower","estimate":"\u20ac500 - \u20ac750","internalCatalogNumber":"235","currency":"EUR","id":20752,"category":{"pt":"Antiguidades e Obras de Arte\\Escultura","en":"Sculpture"},"estimateMin":500},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/cml/cloned-images/20753/001/001.jpg"],"available":false,"description":{"pt":"escultura em madeira policromada, prateada e dourada \n portuguesa \n séc. xviii \n falta de três dedos, pequenos defeitos, faltas na decoração \n dim. - (total) 86 cm","en":"polychrome, silvered and gilt wooden sculpture \n portuguese \n 18th c. \n three fingers missing, minor defects, fault on decoration \n dim. - (total) 86 cm"},"estimateMax":3000,"lotNumber":"236","title":{"pt":"são joão baptista menino","en":"saint john the baptist as a child"},"url":"https://pt.bidspirit.com/ui/lotPage/cml/source/catalog/auction/8576/lot/20753/view","tags":["ptArt_Sculpture","ptArt_all","ptArt"],"directSalePrice":2000,"lastUpdate":"2026-07-28T01:53:39.169Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","internalCatalogNumber":"236","currency":"EUR","id":20753,"category":{"pt":"Antiguidades e Obras de Arte\\Escultura","en":"Sculpture"},"estimateMin":2000},{"startPrice":800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/cml/cloned-images/20754/001/001.jpg"],"artist":{"pt":"domingos sequeira - 1768-1837","en":"domingos sequeira - 1768-1837"},"available":false,"description":{"pt":"tinta da china sobre papel \n não assinada \n dim. - 21 x 15,5 cm \n notas: \"ao centro vemos três retratos de perfil do conde e da condessa de redondo (2ºs marqueses de borba) e do seu filho mais velho. ao longo dos anos, domingos sequeira trabalhou diversas vezes para esta família. por volta de 1817 desenhou um grande retrato onde surgem as três gerações familiares, avós, pais e a extensa prole dos filhos, além de outras duas senhoras da família, todos alinhados de perfil (leilão palácio do correio velho, 2008). este apontamento parece ser um estudo prévio para esta idade, onde ainda só regista três retratos mas onde se reconhecem distintamente os traços de d. fernando, 2º marquês de borba, que sequeira retratou pelo menos em três ocasiões distintas. na parte superior da folha, existem ainda seis croquis de um grupo constituído por mulher com criança, possivelmente estudos para um virgem com menino e a meio da folha, um estudo de nu masculino sentado sobre um estrado. a restante área da folha encontra-se preenchida com contas aritméticas, lendo-se entre elas a palavra \u2018deve\u2019. a folha apresenta três dos lados com corte regular e um dos lados (à esquerda) com corte irregular com aparência de ter pertencido originalmente a um caderno ou álbum. este desenho contendo simples esquissos ou 'pensamentos', atesta a forma com o artista ia elaborando as suas ideias, trabalhando muitas vezes, simultaneamente, em mais de um projecto.\" lisboa, 18 de novembro de 2019 alexandra gomes markl","en":"india ink on paper \n unsigned \n dim. - 21 x 15,5 cm \n \n notes: \"in the center we see 3 profile portraits of the count and countess of redondo (2nd marquises of borba) and their eldest son. over the years, domingos sequeira has worked several times for this family. around 1817 he drew in a large portrait where the three family generations, grandparents, parents and the extensive offspring of the children appear, in addition to two other ladies of the family, all lined up in profile (auction correio velho, 2008). this note seems to be a previous study for this age, where it still only registers 3 portraits but where the traits of d. fernando, 2nd marquis of borba, who sequeira portrayed at least on 3 different occasions are clearly recognized. at the top of the sheet, there are still six sketches of a group consisting of a woman with child, possibly studies for a virgo with child and in the middle of the sheet, a study of the male sitting on a pallet. the remaining area of \u200b\u200bthe sheet is filled with arithmetic estimates, with the word 'owes' among them. the sheet has 3 sides with regular trimming and one side (left) with irregular trimming that looks like it originally belonged to a notebook or album. this drawing containing simple sketches or 'thoughts', attests to the way in which the artist worked out his ideas, often working simultaneously on more than one project.\" lisbon, november 18, 2019 alexandra gomes markl"},"estimateMax":1200,"lotNumber":"237","title":{"pt":"estudo para retrato de família dos condes de redondo e marqueses de borba","en":"study for family portrait of the counts of redondo and marquises of borba"},"url":"https://pt.bidspirit.com/ui/lotPage/cml/source/catalog/auction/8576/lot/20754/view","tags":["ptArt_Designs","ptArt_all","ptArt"],"directSalePrice":800,"lastUpdate":"2026-07-28T01:53:39.170Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,200","internalCatalogNumber":"237","currency":"EUR","id":20754,"category":{"pt":"Antiguidades e Obras de Arte\\Pintura","en":"Painting"},"estimateMin":800},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/cml/cloned-images/20755/001/001.jpg"],"available":false,"description":{"pt":"carvão e giz sobre papel \n atribuível a josé da cunha taborda (1766-1836) \n dim. - 25 x 19,5 cm \n notas: \"embora não assinado nem datado, este belo estudo para uma figura do deus mercúrio, representado em meio-corpo, é atribuível a josé da cunha taborda (1766-1836), um dos pintores que trabalham na decoração do palácio da ajuda. a tipologia usada na representação da figura é aliás muito próxima da que surge numa das sobreportas de sua autoria, da denominada salinha dos cães, deste palácio. a técnica de preparação da folha de papel branco com um preparo prévio a tinta azul-acinzentada, ajusta-se ao que era comum na altura, de forma a melhor valorizar qualquer simples estudo a lápis preto, permitindo fazer sobressair os realces luminosos do giz branco. a escassez de papel colorido (de importação), durante o período das invasões francesas, em que esta folha deverá ter sido desenhada conduziu frequentemente de novo os artistas à utilização deste método arcaico.\" lisboa, 18 de novembro de 2019 alexandra gomes markl","en":"charcoal and chalk drawing on paper \n attributable to josé da cunha taborda (1766-1836) \n dim. - 25 x 19,5 cm \n \n notes: \"although neither signed nor dated, this beautiful study for a figure of the god mercury, represented in half body, is attributable to josé da cunha taborda (1766-1836), one of the painters who work on the decoration of the ajuda palace. the typology used in the representation of the figure is, in fact, very close to that which appears in one of the doors' upper parts of his authorship, the so-called salinha dos cães (little chamber of the hounds), of this palace. the technique of preparing the white paper sheet with a previous preparation in blue-gray ink, adjusts to what was common at the time, in order to improve the value of any simple black pencil study, allowing to enhance the bright highlights of the white chalk. the scarcity of coloured (import) paper, during the period of the french invasions, in which this sheet must have been drawn, often led artists to use this archaic method again.\" lisbon, november 18, 2019 alexandra gomes markl"},"estimateMax":600,"lotNumber":"238","title":{"pt":"mercúrio","en":"mercury"},"url":"https://pt.bidspirit.com/ui/lotPage/cml/source/catalog/auction/8576/lot/20755/view","tags":["ptArt_Designs","ptArt_all","ptArt"],"directSalePrice":400,"lastUpdate":"2026-07-28T01:53:39.172Z","textCase":"lower","estimate":"\u20ac400 - \u20ac600","internalCatalogNumber":"238","currency":"EUR","id":20755,"category":{"pt":"Antiguidades e Obras de Arte\\Pintura","en":"Painting"},"estimateMin":400},{"startPrice":800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/cml/cloned-images/20756/001/001.jpg"],"artist":{"pt":"gregório francisco de queirós - 1768-1845","en":"gregório francisco de queirós - 1768-1845"},"soldDate":"2020-03-09","available":false,"description":{"pt":"carvão e giz sobre papel \n assinado e datado de 1780 (?) \n dim. - 27,5 x 21 cm \n notas: \"a dúvida na decifração do último algarismo da data \u2013 que aparenta ser 1780 ou 1784 \u2013 não impede que se considere esta folha como o mais antigo trabalho escolar que se conservou do importante gravador gregório francisco de queiroz (1768-1845) \u2013 um dos abridores de chapas de metal que maior nome deram à arte da gravura no nosso país, no dizer de ernesto soares \u2013 então com apenas 12 ou 16 anos, consoante a interpretação da data. a biografia do artista diz-nos que estes anos correspondem à sua entrada como aprendiz na aula de gravura da impressão régia (1781-1787), onde foi discípulo de joaquim carneiro da silva que se encarregava igualmente de ministrar os fundamentos do desenho aos seus pupilos. como era habitual no sistema de ensino seguido no século xviii, os alunos começavam nos primeiros anos de aprendizagem do desenho por copiar gravuras antes de passarem à cópia de gessos. no caso desta folha devemos estar perante um exercício de cópia de gravura. na colecção de desenho do mnaa conservam-se mais alguns estudos da fase inicial de aprendizagem deste gravador embora este, aparentemente, seja o mais recuado de que temos conhecimento.\" lisboa, 18 de novembro de 2019 alexandra gomes markl","en":"charcoal and chalk drawing on paper \n signed and dated 1780 (?) \n dim. - 27,5 x 21 cm \n \n notes: \"the doubt in deciphering the last digit of the date - which appears to be 1780 or 1784 - does not prevent this sheet from being considered as the oldest schoolwork that was kept by the important engraver gregório francisco de queiroz (1768-1845) - one of the openers of metal plates that gave the art of engraving the biggest name in our country, in the words of ernesto soares - then only 12 or 16 years old, depending on the interpretation of the date. the artist's biography tells us that these years correspond to his entry as an apprentice in the engraving class of royal engraving (1781-87), where he was a disciple of joaquim carneiro da silva who was also in charge of teaching the fundamentals of drawing to his pupils. as was usual in the education system followed in the 18th century, students started in the first years of learning drawing by copying engravings before moving on to plaster copying. in the case of this sheet, we must be faced with an engraving copy exercise. in the mnaa (national museum of ancient art) design collection there are some more studies from the initial learning phase of this engraver, although this is apparently the most old that we are aware of.\" lisbon, november 18, 2019 alexandra gomes markl"},"estimateMax":1200,"lotNumber":"239","title":{"pt":"estudo de uma mão sobre um seio feminino","en":"study of a hand on a female breast"},"url":"https://pt.bidspirit.com/ui/lotPage/cml/source/catalog/auction/8576/lot/20756/view","tags":["ptArt_Designs","ptArt_all","ptArt"],"directSalePrice":800,"soldPrice":1200,"lastUpdate":"2026-07-28T01:53:39.174Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,200","internalCatalogNumber":"239","currency":"EUR","id":20756,"category":{"pt":"Antiguidades e Obras de Arte\\Pintura","en":"Painting"},"estimateMin":800},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/cml/cloned-images/20757/001/001.jpg"],"artist":{"pt":"henrique pousão - 1859-1884 e outros autores","en":"henrique pousão - 1859-1884 e outros autores"},"available":false,"description":{"pt":"\"o beijo de judas\" de henrique pousão - tinta da china e lápis sobre papel segundo o original de ary scheffer (1795-1858); outros desenhos e autorias com as seguintes descrições: \n 1. carvão sobre papel, assinatura não identificada, datado de 1978 2. tinta da china, assinatura não identificada, datado de 1878 3. carvão sobre papel, assinado moura (provavelmente eduardo de moura) e datado de 1878 4. carvão sobre papel, não assinado 5. técnica mista sobre papel, assinatura não identificada 6. tinta da china sobre papel, assinatura não identificada, datado de 8-1-78 7. carvão sobre papel, assinatura não identificada, datado de 1878 8. tinta da china sobre papel, assinado maria augusta santos e datado de 1878 9. carvão sobre papel, assinado alfredo queiroz e datado de 1877 10. carvão sobre papel, assinado antónio josé da costa (1840-1929) e datado de 1878 11. carvão sobre papel, assinatura não identificada 12. carvão sobre papel, assinatura não identificada 13. carvão sobre papel, assinado a. s. nogueira 14. carvão sobre papel, assinatura não identificada 15. estudo - \"margarida (de saboia), duquesa de mântua, vice-rainha de portugal em 1640\", tinta da china sobre papel, assinada moreira 16. \"typos d'estimação\", carvão sobre papel, assinatura não identificada, datado de porto 1878 17. tinta da china sobre papel, assinatura não identificada 18. carvão sobre papel, assinatura não identificada, datado de 1828 19. \"miguel angelo buonarroti\", carvão sobre papel, não assinado 20. henrique pousão 21. carvão sobre papel, assinado alfredo queiroz e datado de 1878 22. técnica mista sobre papel, assinada novaes 23. carvão sobre papel, assinatura não identificada \n portugueses \n séc. xix (4º quartel) \n quase todos datados de 1877 ou 1878, a maior parte das folhas da mesma dimensão do álbum, outras menores coladas em folhas da dimensão do álbum \n dim. - (folha) 41 x 31 cm","en":"indian ink, pencil and charcoal on paper \n indian ink by henrique pousão representing \"the kiss of judas\" according to the original by ary scheffer (1795-1858), indian ink and pencil on paper, other drawings and authorship with the following descriptions: 1. charcoal on paper, unidentified signature, dated 1978 2. indian ink, unidentified signature, dated 1878 3. charcoal on paper, signed moura (probably eduardo de moura) and dated 1878 4. charcoal on paper, unsigned 5. mixed technique on paper, unidentified signature 6. indian ink on paper, unidentified signature, dated january 8, 1878 7. charcoal on paper, unidentified signature, dated 1878 8. indian ink on paper, signed maria augusta santos and dated 1878 9. charcoal on paper, signed alfredo queiroz and dated 1877 10. charcoal on paper, signed antónio josé da costa (1840-1929) and dated 1878 11. charcoal on paper, unidentified signature 12. charcoal on paper, unidentified signature 13. charcoal on paper, signed as nogueira 14. charcoal on paper, unidentified signature 15. study - 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