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bellas artes de granada de 1917 a 1956 y propietario del lienzo, donde manifiesta que risueño es el autor y precisa la procedencia. así, esta pintura y las otras dos mencionadas sirvieron de fondo pictórico a un cristo de talla que se alzaba en una capilla de la iglesia de san gil de granada. concretamente, dicho montaje artístico se vinculaba a un retablo dedicado al cristo de la expiración y via sacra, el cual será desmontado con el derribo del inmueble en 1868 causando la posterior dispersión de las piezas. las pinturas y el cristo, un crucificado al estilo de alonso de mena que preside hoy la sacristía de la iglesia de santa ana, formaban una escena de calvario, siendo la tela ahora exhibida la coronación del mismo. su acomodo dentro de la arquitectura del retablo y su relación con las restantes bienes es posible visualizarlo gracias a tres estampas devocionales granadinas fechadas una en 1730 y las otras en 1779, de las que existen ejemplares en el museo casa de los tiros. en el lienzo se percibe la impronta de media circunferencia que testimonia su primitiva estructura faltando, no obstante, el cierre de los extremos que se hallan recortados. dichas faltas anulan una parte del dibujo de las masas de nubles y alteran, asimismo, la posición descentrada que tuvo la figura de dios padre y la paloma del espíritu santo. como es típico en la pintura de risueño, el entonación policroma es esencialmente rojiza. sin estridencias, se contrapone al azul de la esfera y a loa blancos del ropaje. magnífico resultado resulta el juego de luz y sombras que procura a la pintura una atmósfera de misterio y milagro. técnica de claroscuro que acentúa la corporeidad de los personajes e introduce una sensación de profundidad a la escena. encomiable resulta también la plasticidad volumétrica de las figuras estando proveídas de una gran fuerza, movimiento y expresividad. se adjunta informe de restauración de d. josé maría rodríguez-acosta márquez. __________________________________________________ __________________________________________________ __________________________________________________ ______________________________ exposiciones: \"inéditos del barroco granadino | pintura y escultura de colecciones particulares\" organizada por cajagranada fundación y fundación cajasol del 28 de enero al 11 de abril de 2021. bibliografía: vv.aa. catálogo de la exposición \"pintores románticos en la españa del xix\". caja granada y cajasol, 2021. reproducido en pág. 70. procedencia: granada, colección familia martínez de victoria. \n \n medidas: 78 x 147 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre lienzo"},"lotNumber":"55","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17888/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":15000,"lastUpdate":"2026-07-01T06:06:13.471Z","textCase":"lower","currency":"EUR","id":17888},{"startPrice":500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17889/001/001.jpg"],"artist":{"es":"atribuido a juan del castillo (1590 - 1640)"},"soldDate":"2022-03-09","available":false,"description":{"es":"medidas: 46 x 29 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre 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lienzo"},"lotNumber":"57","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17890/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":500,"soldPrice":600,"lastUpdate":"2026-07-01T06:06:13.474Z","textCase":"lower","currency":"EUR","id":17890},{"startPrice":15000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17891/001/001.jpg"],"artist":{"es":"maestro de alzira (activo en valencia, s. xvi)"},"soldDate":"2022-03-09","available":false,"description":{"es":"con marco arquitectónico de 116 x 131 cm. probablemente procedente de retablo. \n \n medidas: 95 x 97 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre 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lienzo"},"lotNumber":"62","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17895/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":260,"lastUpdate":"2026-07-01T06:06:14.168Z","textCase":"lower","currency":"EUR","id":17895},{"startPrice":2400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17896/001/001.jpg"],"artist":{"es":"escuela italiana, s. xvii"},"available":false,"description":{"es":"medidas: 45 x 71 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre lienzo"},"lotNumber":"63","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17896/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2400,"lastUpdate":"2026-07-01T06:06:14.171Z","textCase":"lower","currency":"EUR","id":17896},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17897/001/001.jpg"],"artist":{"es":"escuela sevillana, s. xvii"},"available":false,"description":{"es":"medidas: 157 x 204 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre lienzo"},"lotNumber":"64","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17897/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T06:06:14.173Z","textCase":"lower","currency":"EUR","id":17897},{"startPrice":28000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17898/001/001.jpg"],"artist":{"es":"francisco de herrera el viejo (sevilla, h. 1590-madrid, h. 1654)"},"available":false,"description":{"es":"obra temprana de herrera que debió ser realizada, según apunta d. enrique valdivieso, entre 1615 y 1620, momento en le que su pintura abandona el manierismo de su formación, orientándose hacia un marcado naturalismo. representa al santo en primer plano, sosteniendo al niño jesús sobre un amplio paisaje. al fondo del mismo se representa en segundo plano una curiosa escena de la vida de san antonio que constituye uno de sus milagros más importantes: la restitución de un pie que un joven se había cortado a sí mismo tras haber golpeado a su madre. el santo se apiadó de él y, tras ser bendecido, recupero el pie. se adjunta certificado de d. enrique valdivieso. \n \n medidas: 195 x 126 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre lienzo"},"lotNumber":"65","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17898/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":28000,"lastUpdate":"2026-07-01T06:06:14.175Z","textCase":"lower","currency":"EUR","id":17898},{"startPrice":24000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17899/001/001.jpg"],"artist":{"es":"escuela italiana, s. xvii"},"soldDate":"2022-03-09","available":false,"description":{"es":"siguiendo modelos de la obra original realizada hacia 1517 por rafael sanzio (urbino, 1483 - roma, 1520) que se conserva en el museo del prado de madrid. marco en madera tallada, dorada y policromada realizado a partir de fragmentos de retablo. \n \n medidas: 105 x 78,5 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre tabla"},"lotNumber":"66","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17899/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":24000,"soldPrice":24000,"lastUpdate":"2026-07-01T06:06:14.176Z","textCase":"lower","currency":"EUR","id":17899},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17900/001/001.jpg"],"artist":{"es":"escuela italiana, s. xvii"},"available":false,"description":{"es":"medidas: 90 x 116 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre lienzo"},"lotNumber":"67","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17900/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T06:06:14.178Z","textCase":"lower","currency":"EUR","id":17900},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17901/001/001.jpg"],"artist":{"es":"escuela sevillana, s. xvii"},"soldDate":"2022-03-09","available":false,"description":{"es":"precisa restauración. \n \n medidas: 191 x 125 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre lienzo"},"lotNumber":"68","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17901/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"soldPrice":4600,"lastUpdate":"2026-07-01T06:06:14.179Z","textCase":"lower","currency":"EUR","id":17901},{"startPrice":600,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17902/001/001.jpg"],"artist":{"es":"círculo de frans francken ii (amberes, 1581-1642)"},"soldDate":"2022-03-09","available":false,"description":{"es":"esta obra sigue los modelos de la obra de frans franken (amberes, 1581-1642) conservada en la j. paul getty museum de los ángeles. presenta pérdidas en la capa pictórica. \n \n medidas: 56 x 72,5 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre 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cobre"},"lotNumber":"70","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17903/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":700,"soldPrice":1500,"lastUpdate":"2026-07-01T06:06:14.182Z","textCase":"lower","currency":"EUR","id":17903},{"startPrice":600,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17904/001/001.jpg"],"artist":{"es":"escuela flamenca, s. xvii"},"soldDate":"2022-03-09","available":false,"description":{"es":"presenta pérdidas en la capa pictórica. \n \n medidas: 56 x 72,5 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre 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lienzo"},"lotNumber":"73","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17906/view","tags":["esart_ancientpainting","esart_oldmasters","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T06:06:12.004Z","textCase":"lower","currency":"EUR","id":17906},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17907/001/001.jpg"],"artist":{"es":"escuela española, fns. s. xvi"},"soldDate":"2022-03-09","available":false,"description":{"es":"medidas: 104 x 99,5 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre lienzo"},"lotNumber":"74","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17907/view","tags":["esart_ancientpainting","esart_oldmasters","esart","esart_all"],"directSalePrice":2000,"soldPrice":2000,"lastUpdate":"2026-07-01T06:06:12.011Z","textCase":"lower","currency":"EUR","id":17907},{"startPrice":3200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17908/001/001.jpg"],"artist":{"es":"siguiendo modelos italianos del s. xvi"},"available":false,"description":{"es":"medidas: 52,5 x 40 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre lienzo adherido a tabla"},"lotNumber":"75","url":"https://es.bidspirit.com/ui/lotPage/isbilyasubastas/source/catalog/auction/20987/lot/17908/view","tags":["esart_ancientpainting","esart_oldmasters","esart","esart_all"],"directSalePrice":3200,"lastUpdate":"2026-07-01T06:06:12.013Z","textCase":"lower","currency":"EUR","id":17908},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/isbilyasubastas/cloned-images/17909/001/001.jpg"],"artist":{"es":"seguidor de luis de morales (1509 - 1586)"},"available":false,"description":{"es":"las distintas versiones del tipo iconográfico de la piedad, son una constante en la obra de morales y de sus seguidores, y no son pocas las versiones que de ella conocemos. la presente obra, nos muestra una imagen de la virgen en su dolor. resulta inusual que la virgen no lleva un manto de color azul cubriéndole la cabeza, que sería lo habitual, sino que, en este caso, es de color marrón. luis de morales, también añadió tonos azul verdosos en las túnicas de las vírgenes de algunas de sus composiciones de la piedad más conocidas, como la \u201cmater dolorosa\u201d que se exhibe en la catedral de santa maría de toledo, que es un óleo sobre pizarra. asimismo, cabría la posibilidad, de que la escena represente a alguna de las mujeres que acompañan a la virgen en las composiciones de esta iconografía siendo la obra que nos ocupa un fragmento, pero la violenta iluminación del rostro, sugiere un personaje principal. en la pintura que nos ocupa destacan características muy típicas de la obra del pintor manierista nacido en badajoz. el colorido sombrío y los tonos oscuros que juegan con el marcado movimiento de los contornos, sugiriendo el mismo efecto tridimensional de una talla. también es algo bastante típico en la obra del círculo del divino, la ausencia de paisajes traseros en las numerosas versiones que sobre este momento realiza, con la intención de focalizar el interés del espectador en la escena principal sin elementos que distraigan de lo verdaderamente importante. existe una obra, conservada en el metropolitan de nueva york, que está adjudicada a seguidor de luis de morales, y que presenta características similares a ésta que nos ocupa. a su vez, encontramos otra similitud muy interesante, en lo que a la posición de la cabeza se refiere, en \u201clamentación ante cristo muerto\u201d del museo de salamanca. para finalizar, también podemos añadir que morales también pintó alguna obra sobre lienzo, tal y como encontramos en un texto de diego de dueñas en el que se le adjudican obras hechas sobre este material. \n \n medidas: 38 x 29,5 cm \n \n tipo de objeto: pintura antigua y s. xix \n \n técnica: óleo sobre lienzo pegado a 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niño. de esta manera, el resto de la composición queda prácticamente en total penumbra, vislumbrándose vagamente el piso ajedrezado sobre el que éste apoya sus pies descalzos. de su mano conocemos obras como \u201cjael y sísara\u201d (national gallery of ireland, dublín), en la que el pintor incorpora novedosas referencias italianizantes, que recuerdan a artistas como cecco da caravaggio; o el \u201ccamino del calvario\u201d, conservado en la colegiata de talavera de la reina (toledo), donde combina elementos clasicistas con figuras de clara referencia caravaggiesca. justificados quedan los elogios que dedicaron al artista escritores como lázaro díaz del valle, que habló de las excelencias de sus pinceles, o lope de vega, que le incluyó en su laurel de apolo, estimando que \u201cjuntos llegaron a la cumbre hermosa, / surcando varios mares, / vicencio (carducho), eugenio (cajés), núñez y lanchares\u201d. asimismo sus colegas carducho y cajés afirmaron en 1627 que núñez era artista de 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de 2010. es probable que vermiglio naciera en milán alrededor de 1587 y llegara a roma bien joven. en 1604 está documentado en el taller romano del poco conocido adriano di monteleone. el primer trabajo documentado del artista, la incredulidad de santo tomás en san tommaso dei cenci a roma (firmado y fechado en 1612), es una de las primeras y más audaces muestras del nuevo idioma naturalista. no en vano en su obra está muy presente la influencia de su coetáneo caravaggio. este rostro de la joven santa mártir no parece datar de este periodo inicial en roma, sino del periodo inmediatamente posterior, a su regreso a lombardía (h. 1620-1621), momento en el que vermiglio se adapta rápidamente a la reforma de la iconografía sagrada promovida por el cardenal federigo borromeo con la fundación de la academia ambrosiana. borromeo promulgó la representación de imágenes claras y didácticas que evocaran cierta calma emocional, tal y como se aprecia en el semblante de santa margarita. a comparar 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