{"lots":[{"startPrice":100000,"sold":false,"available":false,"description":{"en":"wu hufan (1894\u20131968), originally named wan, with courtesy name dongzhuang, art names qian'an and yiyan, and studio name meijing shuwu, was a native of wu county (now suzhou), jiangsu province. born into a family of renowned painters and calligraphers, he was the grandson of wu dacheng. wu hufan was a pivotal figure in 20th-century chinese painting and calligraphy, excelling in poetry, calligraphy, painting, and seal carving, with particular mastery in painting and connoisseurship. his painting style drew from the traditions of the song and yuan dynasties while incorporating strengths from ming and qing masters. his landscape paintings are characterized by meticulous brushwork and exquisite coloration, blending classical foundations with a distinct personal style. he is celebrated as a grand synthesizer of the southern school of painting, with masterpieces such as wonderful peaks piercing the clouds and snow over dongguan and pu showcasing a profound, majestic, yet elegantly refined charm. in calligraphy, wu integrated styles from masters like mi fu and zhao mengfu, achieving a vigorous and free-spirited elegance that complemented his painting style. he was also a distinguished connoisseur of chinese art, renowned for his expertise in authenticating ancient paintings. his extensive collection included treasures such as the remaining mountain segment of dwelling in the fuchun mountains. his contributions to the preservation and study of traditional chinese painting and calligraphy were immense. additionally, wu hufan was dedicated to nurturing younger artists, mentoring numerous students and exerting a lasting influence on the art world. he was one of the leading figures of the shanghai school during the republican period."},"lotNumber":"1","title":{"en":"the heart sutra album,by wu hufan"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17200/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.821Z","textCase":"lower","details":{"en":"28×24cm 0.6sq.ft."},"currency":"JPY","id":17200},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"zhao shuru (1874\u20131945), originally named runxiang, with the courtesy names xianchen and shuru, later changed to shouhui, and self-styled as ernuluo laoren in his later years, was from yin county (modern-day ningbo, zhejiang). he was a prominent scholar and seal carver during the republic of china era, excelling in poetry, calligraphy, painting, and seal engraving. in painting, he was particularly skilled in horse painting, inheriting the techniques of song dynasty artist li gonglin and yuan dynasty artist zhao mengfu, while also incorporating western painting methods from lang shining. in calligraphy, he excelled in cursive, seal, and clerical scripts, with his regular script and running script influenced by zhao mengfu and zhao zhiqian, while his seal script was inspired by li si and li yangbing, and his clerical script drew from the styles of the han dynasties. in seal carving, he combined the strengths of both zhejiang and anhui schools, greatly influenced by the qin and han dynasties. his research and development of song and yuan-style round red seals made significant contributions. he was one of the \"five great schools of seal carving in the republic of china\" and carved approximately one thousand seals throughout his life."},"lotNumber":"2","title":{"en":"calligraphy album,by zhao shu ru"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17201/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.824Z","textCase":"lower","details":{"en":"38×27cm 1.1sq.ft.×6p"},"currency":"JPY","id":17201},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"jincheng (1878 \u2013 september 6, 1926), courtesy name gongbei, also known as gongbei, original name shaocheng, and pseudonym beilou, junzhang, and ouhu, was born in wuxing county, zhejiang province. he was skilled in landscape, flower, and bird painting, and was also proficient in seal carving, cursive script, and inscription. in addition, he had a deep understanding of classical literature. jincheng authored works such as oulü shicao (notes of oulü), beilou lunhua (beilou\u2019s thoughts on painting), and huaxue jiangyi (lectures on painting theory)."},"lotNumber":"3","title":{"en":"calligraphy,by jin cheng"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17202/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.826Z","textCase":"lower","details":{"en":"74×48.5cm 3.2sq.ft."},"currency":"JPY","id":17202},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"yuan xikang (b. 1965) is an influential contemporary chinese artist and sculptor, born in lanzhou, gansu province. a graduate of the central academy of fine arts in sculpture, he is renowned for integrating traditional chinese aesthetics with western modern art forms, particularly through large-scale public sculptures and installations. yuan specializes in using materials such as metal and stone to explore the interaction between nature and human civilization, developing a unique visual language that blends abstraction and expressive imagery. his long-standing focus on ecological issues and cultural heritage is reflected in his modern reinterpretation of traditional symbols, earning him recognition as a \"mediator between eastern philosophy and contemporary visual expression.\" notable works include traces of wind at the beijing olympic park, mountains and rivers dancing at the shanghai world expo park, and the installation series whispers of ecology. yuan has participated in international exhibitions including the venice biennale (chinese pavilion, 2019) and the guangzhou triennial (2018), with works collected by institutions such as the national art museum of china and the asian art museum of san francisco. he received the \"outstanding contribution to chinese public art\" award in 2016 and was commissioned by the un environment programme in 2020 to create the ecological installation earth concerto, leveraging art to promote global environmental awareness. his theoretical work sculpture and site (2017) is widely used as a textbook in art academies."},"lotNumber":"4","title":{"en":"set of four hanging scrolls: calligraphy,by yuan xikang"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17203/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.828Z","textCase":"lower","details":{"en":"105×31.5cm 2.9sq.ft.×4"},"currency":"JPY","id":17203},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"guan mianjun (1871-1933), courtesy name yaoqin and art name boheng, was a prominent political figure and railway pioneer in late qing and early republican china. he was also a significant art collector and calligrapher. although better known for his political and railway contributions, guan mianjun also had a notable presence in the arts. he was an avid connoisseur and collector of paintings and calligraphy, amassing an impressive collection of precious works dating from the song and yuan dynasties onward. most notably, his collection included the only surviving autograph work by the renowned tang dynasty poet du mu\u2014poem for zhang haohao\u2014on which he affixed his collector's seals, playing a role in the preservation of this national treasure. furthermore, guan was a highly skilled calligrapher, a talent honed through his classical education and success in the imperial examinations. his calligraphy style was upright, refined, and powerful. his artistic legacy is visibly embedded in public infrastructure\u2014he inscribed the station names for several stops along the beijing-baotou railway line, such as qinglongqiao station and baoziwan station, merging practical function with artistic expression."},"lotNumber":"5","title":{"en":"a set of six calligraphic scrolls, by guan mianjun"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17204/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.830Z","textCase":"lower","details":{"en":"167.5×40cm 12sq.ft.×6"},"currency":"JPY","id":17204},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"pan linggao (1867\u20131954), courtesy name xijiu, was from anxin, hebei. he passed the imperial examination in the 20th year of the guangxu reign and was awarded the title of jinshi. he was appointed as an editor at the hanlin academy. after the xinhai revolution, he served as the governor of gansu province. in 1922, disillusioned by corruption in the government, he resigned and returned to his hometown, later moving to tianjin and beijing, where he enjoyed writing poetry and calligraphy. pan linggao was highly skilled in calligraphy, particularly in regular script and running script, and was known for his mastery of small-sized characters. his style was elegant and refined, with a balance of softness and strength, simplicity yet profound depth. he developed his own unique style, and during his time, he was often compared to tan yankai, with the phrase \"southern tan, northern pan\" being used to describe their calligraphy. his calligraphy was known as the \"pan style.\""},"lotNumber":"6","title":{"en":"calligraphy,by pan linggao"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17205/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.832Z","textCase":"lower","details":{"en":"83×28.5cm 2.1sq.ft."},"currency":"JPY","id":17205},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"lin sanzhi (november 20, 1898 \u2013 december 6, 1989), born lin, also known as yilin, with the courtesy name sanzhi and various other pseudonyms such as \"three fools,\" \"left ear,\" and \"elder of the river,\" was born in jiangpu county, nanjing (now pukou district, nanjing), jiangsu province, and his ancestral hometown was in qike song village, wujiang town, he county, anhui province. he was a poet and painter, particularly renowned for his mastery of cursive calligraphy."},"lotNumber":"7","title":{"en":"calligraphy,by lin sanzhi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17206/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.833Z","textCase":"lower","details":{"en":"137×29.5cm 3.6sq.ft."},"currency":"JPY","id":17206},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"zhou huijun (1939\u20132021), a native of zhenhai, zhejiang, was an outstanding contemporary calligrapher. she served as vice chairperson of the chinese calligraphers association and chairperson of the shanghai calligraphers association.  trained by renowned masters such as shen yinmo and bai jiao, she excelled in running and cursive scripts, blending the traditions of model-book learning and stele studies. her brushwork was vigorous and powerful, with dynamic and rhythmic compositions. her masterpiece, *running script copybook \u2014 selected poems of lu xun*, has had a profound influence. she was honored with awards such as the \"china calligraphy orchid pavilion award \u2014 lifetime achievement award.\""},"lotNumber":"8","title":{"en":"calligraphy,by zhou huijun"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17207/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.835Z","textCase":"lower","details":{"en":"143×35.5cm 4.5sq.ft."},"currency":"JPY","id":17207},{"startPrice":20000,"sold":false,"available":false,"description":{"en":"jiang dongshu (1923\u20132008), courtesy name wenzao and art name dongpo shidu (attendant reader of dongpo), was a native of lishui, zhejiang. a renowned contemporary calligrapher and scholar, he excelled in multiple script styles, with particular mastery in regular script (kaishu) and clerical script (lishu).  his regular script drew inspiration from jin and tang dynasty masters such as yan zhenqing and liu gongquan, while also incorporating the charm of northern wei stele inscriptions. his style is dignified and substantial yet retains a sense of vitality, with rigorously structured characters that brim with life. in clerical script, he traced back to the essence of han dynasty lishu, infusing it with his personal understanding to create a powerful, robust brushwork and an archaic, classical spirit.  additionally, his running script (xingshu) is free-flowing and graceful, and his cursive script (caoshu) is unrestrained and bold. together, these styles reflect his profound traditional foundation and unique artistic personality."},"lotNumber":"9","title":{"en":"calligraphy,byjiang dongshu"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17208/view","directSalePrice":20000,"lastUpdate":"2026-01-14T09:15:02.837Z","textCase":"lower","details":{"en":"105×33cm 3.1sq.ft."},"currency":"JPY","id":17208},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"lin sanzhi (1898\u20131989), originally named lin yilin, with the courtesy name sanzhi and art names such as sanchi and zuo er (left ear), was a native of jiangpu, jiangsu (now part of nanjing), though his ancestral roots were in he county, anhui.  he was an outstanding calligrapher of the 20th century, renowned particularly for his cursive script (caoshu), which earned him the title \"sage of cursive script.\" his early calligraphy was influenced by huang tingjian and wang duo, and he later immersed himself in the classical traditions of wang xizhi, wang xianzhi, and other jin and tang masters. in his later years, he synthesized these influences into a distinctive personal style: his brushwork was vigorous and seasoned, his lines alternating between dry and moist, with rich variations in ink tonality. the structure of his characters was uniquely fluid and dynamic, conveying a vivid, natural energy that elevated the lyrical and artistic expression of calligraphy to new heights.  beyond calligraphy, lin was also accomplished in painting and poetry, earning the reputation of \"master of the three perfections\" (poetry, calligraphy, and painting). his painting style, influenced by huang binhong, emphasized expressive brushwork and artistic conception, while his poetry was simple yet profound, often reflecting his insights on life and art. his published works include *collected poems of lin sanzhi* (*san zhi shi cao*) and *collected calligraphy of lin sanzhi* (*lin sanzhi shufa ji*). his calligraphic artistry has had a profound impact on contemporary calligraphy, and he is widely regarded as the \"foremost master of cursive script in modern times.\""},"lotNumber":"10","title":{"en":"calligraphy,by lin sanzhi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17209/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.838Z","textCase":"lower","details":{"en":"106×31.3cm 2.9sq.ft."},"currency":"JPY","id":17209},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"luo zhenyu (1866\u20131940), with courtesy names shuyun and shuyan, art name xuetang, and late-age pseudonym zhen song lao ren (old man of the steadfast pine), was a native of huai'an, jiangsu province, though his ancestral roots were in shangyu, zhejiang. a renowned modern scholar, he excelled in fields such as epigraphy, paleography, and archaeology. as the foremost of the \"four great scholars of oracle bone studies\" (甲骨四堂), luo made exceptional contributions to the research of oracle bone inscriptions, the preservation of ming and qing archives, and the collation of dunhuang manuscripts. his extensive body of work has had a profound and lasting impact on chinese academia."},"lotNumber":"11","title":{"en":"calligraphy hanging scroll,by luo zhenyu"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17210/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.840Z","textCase":"lower","details":{"en":"92.5×28.3cm 2.3sq.ft."},"currency":"JPY","id":17210},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"liu bingsen (august 1937 - february 15, 2005), courtesy name shuan, pseudonym haicun, and known as liu wushi during his childhood, was born in shanghai with ancestral roots in wuqing, tianjin. liu bingsen was renowned for his calligraphy, particularly in the styles of clerical script (隶书) and regular script (楷书), and was also skilled in running script (行书) and cursive script (草书). he began with the regular script of the tang dynasty and later turned to the han clerical script, developing a unique style known as \"liu-style clerical script\" (刘体隶书), characterized by a balance of solid strength and elegant fluidity. his regular script followed the tradition of yan zhenqing and also incorporated influences from the wei stele style. liu placed great emphasis on the foundational education of calligraphy, and his works were frequently displayed in domestic and international exhibitions. his publications have sold over two million copies, making a significant contribution to the exchange, popularization, and development of calligraphy."},"lotNumber":"12","title":{"en":"calligraphy,by liu bingsen"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17211/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.842Z","textCase":"lower","details":{"en":"68×44cm 2.9sq.ft."},"currency":"JPY","id":17211},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"wu hufan (1894\u20131968), originally named wu xun, with the courtesy name dongzhuang and art name hufan, was a native of suzhou, jiangsu. he was a renowned modern chinese painter, calligrapher, and connoisseur, as well as a key representative of the \"shanghai school\" of art.  specializing in landscape painting, wu was deeply influenced by dong yuan, juran, and the \"four masters of the yuan dynasty,\" while also incorporating elements of the song imperial academy style. his works are known for their lush elegance, refined coloring, and a harmonious blend of classical charm and innovative expression. he was hailed as a \"leading master of modern painting.\" wu was also accomplished in calligraphy, particularly in running and regular scripts, characterized by rounded and graceful strokes.  with profound expertise in the authentication of ancient paintings and calligraphy, wu hufan amassed an extensive collection of art, including treasured pieces such as \"dwelling in the fuchun mountains\" (remaining mountain scroll). he mentored many talented artists, including xu bangda, and played a significant role in the preservation and development of modern chinese painting and calligraphy. his representative works include \"clouds over mountains\" and \"pine wind and vine moon.\""},"lotNumber":"13","title":{"en":"landscape in blue and green ,by wu hufan (qing dynasty)"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17212/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.843Z","textCase":"lower","details":{"en":"101×41cm 3.7sq.ft."},"currency":"JPY","id":17212},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"shen yinmo (1883-1971), born in wuxing, zhejiang under original name junmo, was a paramount calligrapher, scholar and poet of modern china. after studying in japan, he served as professor at peking university and president of beiping university. specializing in regular and running scripts, he rooted his style in the two wangs (wang xizhi and wang xianzhi) while integrating tang dynasty techniques and jin dynasty lyricism, creating a distinctive clear and elegant manner. his calligraphy demonstrates exquisite brushwork and refined structure, particularly seen in masterpieces like poems from danjing lodge and su shi's ci poems. committed to calligraphy education, he authored theoretical works including calligraphic treatises and glimpses of two wangs' calligraphy, systematically organizing brushwork theory. he was hailed as \"key figure in modern revival of model-book study\". as deputy director of central research institute of culture and history and first chairman of chinese calligraphy and seal cutting research association, he profoundly influenced the传承与发展 of new china's calligraphic art."},"lotNumber":"14","title":{"en":"twelve pages of letters,by shen yinmo"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17213/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.845Z","textCase":"lower","details":{"en":"23.5×13cm 0.28sq.ft."},"currency":"JPY","id":17213},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"liang shuming (1893-1988), born in guilin, guangxi with original name huanding and courtesy name shouming, was a renowned modern chinese thinker, philosopher and educator, among the early representatives of modern new confucianism. devoting his life to reconstructing confucian thought for modernity and exploring cultural paths for china, he proposed the \"rural reconstruction theory\" advocating cultural revival and educational reform to address social issues. his philosophical system integrated chinese and western thought, with his masterpiece eastern and western cultures and their philosophies providing the first systematic comparison of cultural differences while emphasizing confucianism's modern relevance. after 1949, he maintained intellectual independence despite political criticism, producing later works like the human mind and life and essentials of chinese culture. hailed as \"the last great confucian\", he chaired the council of chinese culture academy and profoundly influenced contemporary new confucian development."},"lotNumber":"15","title":{"en":"one page of a letter,by liang shuming"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17214/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.847Z","textCase":"lower","details":{"en":"25.7×19.5cm 0.45sq.ft."},"currency":"JPY","id":17214},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"hong yi (1880\u20131942), secular name li shutong, was a native of pinghu, zhejiang, and a renowned modern artist, educator, and buddhist scholar.  in his early years, he pioneered new trends in art, music, and drama, introducing western art education to china. he composed timeless pieces such as *farewell* and founded the spring willow society, which marked the beginning of modern chinese theater. in 1918, he ordained as a buddhist monk, taking the dharma name yan yin. he devoted himself to the study of the nanshan vinaya school and became its eleventh patriarch.  his calligraphy developed a unique style\u2014after his ordination, it embodied a meditative, ethereal quality. throughout his life, he seamlessly integrated art and buddhism, leaving a profound and lasting legacy."},"lotNumber":"16","title":{"en":"pair of hanging scrolls: calligraphic couplets in regular script - hongyi (1880-1942), republic period"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17215/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.849Z","textCase":"lower","details":{"en":"129.5×17.8cm 2.0sq.ft."},"currency":"JPY","id":17215},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"sun yat-sen, as a great pioneer of china's democratic revolution, established his historical status primarily in the fields of politics and social reform. however, his insights and practices in art also reflect his profound humanistic cultivation and aesthetic pursuit. although he was not a professional artist, his calligraphy possesses distinct characteristics: the structure of his characters is rigorous, the brushstrokes are powerful, and a sense of unwavering integrity is contained within a style of unadorned simplicity. works such as his inscriptions \"天下为公\" (the world belongs to the public) and \"博爱\" (universal love) not only conveyed revolutionary ideals but also condensed his personal character and the spirit of the era into the ink brush, becoming cultural symbols that integrate ideology and artistry. furthermore, in promoting social change, sun yat-sen attached great importance to the educational function and cultural cohesion of art, advocating for the use of forms like drama and music to enlighten the people and foster unity. for instance, he supported the promotion of modern spoken drama, believing that art was a vital means of shaping the national spirit. thus, sun yat-sen's achievements in art lie not in the quantity of his creations but rather in his perception of art as a vehicle for national rejuvenation and intellectual enlightenment. with a broad vision, he endowed art with a mission of the times, thereby expanding the connotations of revolutionary practice on a cultural level."},"lotNumber":"17","title":{"en":"benevolence, by sun yat-sen"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17216/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.851Z","textCase":"lower","details":{"en":"painting frame: 90×54cm\npainting core:72.5×35.5cm 2.3sq.ft."},"currency":"JPY","id":17216},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"li kuchan (1899\u20131983), originally named li ying, with courtesy names chaosan and ligong, was a native of gaotang, shandong. he was an outstanding modern chinese ink painter and art educator, best known for his bird-and-flower paintings, though he also excelled in landscapes and figure painting. a student of qi baishi, li kuchan integrated influences from ming and qing masters such as xu wei and bada shanren to develop a powerful, vigorous, and expressive style. his brushwork is bold and unrestrained, with strong, seasoned strokes\u2014particularly in depictions of eagles, herons, cranes, and other birds. his subjects are rendered with both anatomical accuracy and vivid spirit, often embodying resilience and dignity, reflecting his deep admiration for the national character. as an art educator, li taught for many years at the central academy of fine arts and other institutions. he emphasized the importance of inheriting the essence of chinese painting and advocated that \u201cart should serve life.\u201d he mentored numerous young artists and played a key role in modern art education. his works were frequently exhibited both in china and abroad, and collections such as li kuchan\u2019s paintings have been published. li kuchan laid important groundwork for the development and popularization of modern chinese freehand bird-and-flower painting."},"lotNumber":"18","title":{"en":"waterfowl sporting lotus pond, by li kuchan"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17217/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.852Z","textCase":"lower","details":{"en":"99.5×33.5cm 2.9sq.ft.\n247×40cm 8.8sq.ft"},"currency":"JPY","id":17217},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"pan tianshou (1897\u20131971), originally named tian shou, with the courtesy name dayi and art name shouzhe, was a native of ninghai, zhejiang. he was an outstanding modern chinese ink painter and art educator, recognized as one of the \u201cfour great masters of 20th-century chinese painting\u201d, alongside wu changshuo, qi baishi, and huang binhong. pan excelled in bird-and-flower and landscape paintings, and was also skilled in figure painting. he was particularly known for his depictions of eagles, mynas, pines, and rocks. early in his career, he studied the styles of ming and qing masters such as xu wei and bada shanren, later developing a highly personal approach informed by his deep observation of nature. his compositions are strikingly bold and often unconventional, skillfully using contrast between solid and void to create dynamic tension. his brushwork is vigorous and powerful, complemented by ink washes that are both intense and subtly moist. his overall style is monumental and imposing, reflecting his artistic principle of \u201cstrengthening the bone\u201d (强其骨), which emphasizes structural force and resilient spirit. throughout his life, pan was deeply committed to art education. he taught at institutions such as the zhejiang academy of fine arts (now china academy of art) and advocated that \u201cchinese and western painting should maintain their distance.\u201d he emphasized preserving the essence of traditional chinese painting while nurturing new generations of artists. his contributions were instrumental in shaping modern chinese ink art and establishing its educational framework."},"lotNumber":"19","title":{"en":"boundless spring view, by pan tianshou"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17218/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.854Z","textCase":"lower","details":{"en":"98×33cm 3.2sq.ft.\n245×39cm 8.5sq.ft."},"currency":"JPY","id":17218},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"zhang ding (may 19, 1917 \u2013 february 21, 2010), also known as tashan, was born in heishan, liaoning. he was a renowned contemporary chinese painter, cartoonist, muralist, calligrapher, crafts artist, art educator, and art theorist."},"lotNumber":"20","title":{"en":"snowy landscape,by zhang ding"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17219/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.856Z","textCase":"lower","details":{"en":"68×68cm 4.1sq. ft."},"currency":"JPY","id":17219},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"song wenzhi (october 28, 1919 \u2013 1999), from taicang, jiangsu, was a renowned modern landscape painter and a leading representative of the new nanjing school. he is regarded as one of the \"eight masters of contemporary landscape painting\" and is also known by the nickname \"song taihu.\""},"lotNumber":"21","title":{"en":"sailing boats on the lake tai,by song wenzhi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17220/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.857Z","textCase":"lower","details":{"en":"57×32cm 1.6sq.ft."},"currency":"JPY","id":17220},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"fu baoshi (october 5, 1904 \u2013 september 29, 1965), born in nanchang, jiangxi, with ancestral roots in xinyu, jiangxi, was originally named changsheng. he also used the pseudonym \"baoshi zhai master.\" he was an outstanding modern chinese painter, art historian, calligrapher, and art educator, renowned as a representative figure of \"new landscape painting\" in china. fu baoshi studied in japan in his early years, and upon returning to china, he taught at central university. after 1949, he served as a professor at nanjing normal university and later as the director of the jiangsu chinese painting academy. in painting, fu was known for his landscape and figure works. in middle age, he developed the \"baoshi stroke,\" characterized by free and bold brushwork, with a powerful and imposing style. he was particularly skilled in depicting scenes of waterfalls, springs, and misty landscapes. in his later years, he focused on large-scale works, showcasing a strong and vigorous spirit. his figure paintings, particularly of ladies and high scholars, featured ancient and refined imagery."},"lotNumber":"22","title":{"en":"the west wind blows down a crimson rain,by fu baoshi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17221/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.859Z","textCase":"lower","details":{"en":"29×24cm 0.6sq.ft."},"currency":"JPY","id":17221},{"startPrice":1000000,"sold":false,"available":false,"description":{"en":"the four members of the aisin gioro family, pu quan, pu zuo, pu yi, and pu ru, are considered the representative figures of chinese painting and calligraphy from the late qing royal pu family. together, they are known as the \"four pus.\" below are brief introductions to each of them: pu quan (1913\u20131991): known by the courtesy name songchuang and the pen name xuexi, pu quan was a descendant of the manchu qing royal family and a renowned painter and calligrapher in modern china. he was a painter at the beijing painting academy and a member of both the chinese artists association and the chinese calligraphers association. he was the great-great-grandson of the daoguang emperor and was part of the \"four talents of the pu family,\" alongside his brothers pu yi, pu zuo, and pu ru. his works include flower and bird painting models. pu zuo (1918\u20132001): a manchu artist and the cousin of puyi, the last emperor of china. pu zuo was a distinguished member of the chinese painting research society and was known as one of the \"eight great masters of tianjin\" alongside figures like sun qifeng. he specialized in painting horses and was well-known for his pu zuo painting collection. pu yi (1893\u20131966): a modern well-known calligrapher and painter, pu yi was one of the main founders of the \"songfeng painting society\" and was part of the \"three talents of the pu family\" along with his brothers pu quan and pu zuo. he excelled in landscape and horse paintings and was greatly influenced by the \"two wang\" style in calligraphy. his works have been collected by museums and art galleries worldwide. pu ru (1896\u20131963): known by the courtesy name xinshi and the pseudonym xishan yishi, pu ru was a renowned calligrapher, painter, and collector in modern china. he was often compared to zhang daqian in the south and was called \"zhang of the south, pu of the north.\" pu ru was also renowned for his artistic mastery alongside wu hufan and was regarded as one of the \"four masters of the republic of china\" with jin cheng, zhang daqian, and chen shaomei. his expertise spanned poetry, calligraphy, painting, and more, with significant achievements in landscapes, flowers, birds, and calligraphy."},"lotNumber":"23","title":{"en":"landscape (four hanging scrolls),by pu quan, pu zhuo, pu ru, pu ru"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17222/view","directSalePrice":1000000,"lastUpdate":"2026-01-14T09:15:02.862Z","textCase":"lower","details":{"en":"painting frame: 117×35cm×4\npainting core: 96.5×24cm 2sq.ft.×4"},"currency":"JPY","id":17222},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"zhang daqian (may 10, 1899 \u2013 april 2, 1983) was a renowned chinese painter from neijiang, sichuan province. his original name was zhengquan, which he later changed to yuan. he also adopted the art name daqian and had various other titles, such as daqian jushi (great recluse) and xiali gang ren (man from lower li port), and his studio was named dafeng tang. zhang daqian's life was filled with legendary episodes. he embarked on his artistic journey early, moving to japan in 1917 to study dyeing and weaving, but returned to china in 1919. upon his return, he became a disciple of zeng xi and li ruiqing, two prominent scholars and artists of the time. zhang is best known for his exceptional skills in chinese ink painting, particularly landscapes and flowers, and his versatility in adapting traditional techniques. he is widely regarded as one of the most significant chinese painters of the 20th century, with a style that evolved over his lifetime. he blended both traditional chinese painting techniques and elements of western art. his later works were heavily influenced by ming and qing dynasty styles, and he is especially known for his mastery of splashed-ink painting (泼墨画). zhang daqian is also renowned for his calligraphy and his significant role in the revival of the ming-qing painting tradition in the 20th century. his contributions to chinese modern art and his ability to bridge the past with the present solidified his reputation as a major figure in both china and the international art community."},"lotNumber":"24","title":{"en":"splashed-ink landscape,by zhang daqian"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17223/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.864Z","textCase":"lower","details":{"en":"painting frame: 90.5×45.5cm\npainting core:70.5×37cm 2.3sq. ft."},"currency":"JPY","id":17223},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"guan shanyue (1912 - 2000), whose original name was guan zepei, was from yangjiang, guangdong province. he was a famous traditional chinese painter and educator in china. his works integrate chinese and western painting techniques. while retaining the charm of brushwork and ink in traditional chinese painting, they also incorporate elements such as light and shadow and composition from western painting. he was adept at depicting natural and social themes from a grand perspective. his works are magnificent in momentum, profound in artistic conception, with a strong sense of the times and a distinct personal style."},"lotNumber":"25","title":{"en":"peaks rising above the clouds', by guan shanyue"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17224/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.865Z","textCase":"lower","details":{"en":"69×44cm 2.7sq.ft."},"currency":"JPY","id":17224},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"pu yi (1893\u20131966), also known by the courtesy names xuezai and xuezhai, and the pseudonym songfeng zhu ren, was a manchu from the zhenglan banner. he was the great-grandson of the daoguang emperor, the grandson of prince dunqin (yizhi), and the eldest son of the beile zaiying. he inherited the title of the fushan beizi duke at a young age and was a cousin of the last emperor, pu yi, through their shared great-grandfather. pu yi was well-versed in literature, history, and poetry from an early age. he was a man of many talents, particularly passionate about calligraphy and painting. he was known for his landscapes, flowers, birds, figures, and horses, with a particular skill in painting orchids. his landscape paintings demonstrated refined brushwork, and his depictions of feathers and animals, influenced by lang shining, were marked by a clear, elegant style."},"lotNumber":"26","title":{"en":"landscape,by pu yi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17225/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.867Z","textCase":"lower","details":{"en":"115×31.5cm 3.4sq.ft."},"currency":"JPY","id":17225},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"zhu qizhan (1892\u20131996), a native of taicang, jiangsu, was a renowned modern chinese painter celebrated for his landscapes and flower-and-bird paintings, as well as his calligraphy.  his artistic style integrated chinese and western techniques. in his early years, he followed traditional methods, while his later works evolved into a bold, vigorous, and unrestrained manner. characterized by powerful brushwork and vivid, daring use of color, he developed a distinctive personal style. his artistry was often described as \"uninhibited and sincere, revealed through aged brushstrokes.\" representative works include \"pine and rock\" and \"plum, orchid, bamboo, and chrysanthemum.\"  dedicated to artistic creation and education throughout his life, zhu served as a standing committee member of the shanghai artists association. in his later years, he was awarded the \"shanghai literature and art lifetime achievement award.\" his influence on the development of modern chinese painting remains profound."},"lotNumber":"27","title":{"en":"landscape,zhu qizhan"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17226/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.869Z","textCase":"lower","details":{"en":"133×67cm 8.0sq.ft."},"currency":"JPY","id":17226},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"wu qingxia (1910\u20132008), also named deshu, with art names longcheng nüshi (gentlewoman of dragon city) and zhuanxiangge zhu (master of seal-scent studio), was a native of changzhou, jiangsu. a renowned female painter in modern chinese art, she excelled in detailed brushwork (工笔) depicting fish and aquatic plants, wild geese, beautiful women, as well as landscapes. she was an important representative of the \u201cshanghai school\u201d (海派) of painting and was affectionately known as \u201cwu of the carps\u201d (鲤鱼吴). wu qingxia\u2019s artistic achievements are comprehensive and refined. she began painting as a child, showing exceptional talent across landscapes, bird-and-flower subjects, and figure painting. she was most famous for her carp\u2014vivid and spirited, rendered with a masterful combination of ink and color that captures the texture of the fish and the shimmer of water, creating a unique and recognizable style. her paintings of reeds and wild geese are free and lyrical, evoking a sense of vast natural freedom, while her ladies are elegantly detailed, blending classical charm from the tang and song dynasties with modern aesthetics. she carried on the tradition of the shanghai school, integrating northern china\u2019s realism with the moist elegance of southern styles. her use of color was bright yet refined, and her compositions were clever and full of vitality. in her later years, her work became more simplified and powerful. as an outstanding female artist of 20th-century china, wu qingxia, with her sustained creativity and distinct personal style, made significant contributions to the inheritance and innovation of chinese painting."},"lotNumber":"28","title":{"en":"symbols of fertility and longevity on fan mount,by wu qingxia"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17227/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.871Z","textCase":"lower","details":{"en":"51.5cm×18cm 0.8sq.ft."},"currency":"JPY","id":17227},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"he tianjian (1891-1977) was a renowned modern chinese landscape painter from wuxi, jiangsu province. initially studying under wu changshuo and other shanghai school masters, he developed a unique style blending the monumental grandeur of northern school painting with the lyrical elegance of southern traditions. he emphasized sketching from nature, traveling extensively to sacred mountains like huangshan and huashan. his works are characterized by vigorous brushwork and expressive ink wash, particularly known for his \"cloud-water technique\". as council member of chinese artists association and vice-president of shanghai chinese painting academy, his masterpieces including waiting for the clear river and cloud sea of huangshan are collected by the national art museum of china. his 1962 painting anthology and theoretical work autobiographical account of learning landscape painting remain important educational references. kong xiaoyu (1899-1984) was a celebrated modern flower-and-bird painter from she county, anhui province. inheriting the boneless technique of yun nantian while incorporating strengths of ren bonian and xugu, he became famous for his accessible \"antique objects paintings\" (bogu). his works often featured bronze vessels, ancient pottery, and fruits arranged in exquisite compositions with bright colors, combining scholarly refinement with vibrant vitality. participating in the establishment of shanghai chinese painting academy in 1954, his representative works like antique objects and new year's offerings were frequently presented as state gifts. devoting his later years to teaching, he nurtured numerous artists including his son kong borong. kong revitalized traditional still-life painting and significantly influenced modern shanghai school flower-and-bird painting."},"lotNumber":"29","title":{"en":"he tianjian's landscape, kong xiaoyu's flower fan surface"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17228/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.872Z","textCase":"lower","details":{"en":"different sizes"},"currency":"JPY","id":17228},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"tang luming (1804-1874) was a renowned late qing dynasty painter, celebrated for his exquisite depictions of beautiful women and vibrant flower-and-fruit paintings. born into an artistic family\u2014his father, tang yifen, was a celebrated painter and poet\u2014tang luming developed a refined and elegant style. his works, characterized by their graceful figures and delicate use of color, are considered representative of the period's figure painting and secured his reputation as a significant artist of his time. his younger brother, tang jinjie, was likewise a talented painter who carried forward and enhanced the family's esteemed artistic legacy. he specialized in flower paintings, demonstrating a fresh, vibrant style and a masterful command of the brush that reflected his own innate talent and skill. while historical records about him are less extensive than those of his elder brother, obscuring his fame to a degree, tang jinjie was nevertheless a respected artist of his day with a distinct artistic voice. he remains an integral and valued member of the illustrious tang family artistic tradition."},"lotNumber":"30","title":{"en":"painting by tang luming with calligraphy by jin jiedi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17229/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.874Z","textCase":"lower","details":{"en":"25.5cm×25.5cm 0.5sq.ft. ft.32.5×25.5cm 0.7sq.ft."},"currency":"JPY","id":17229},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"qi baishi (january 1, 1864 \u2013 september 16, 1957) was of han ethnicity, originally from suozhou, anhui province, and was born in xiangtan, hunan province (now xiangtan, hunan). his original name was chunzhi, later changed to huang, and his courtesy name was binsheng, with the art names baishi or baishi weng. he was a renowned chinese modern calligrapher, painter, seal carver, and poet. in his early years, he worked as a carpenter, later making a living by selling his paintings. after the age of 57, he settled in beijing. qi baishi was known for his mastery in painting flowers, birds, insects, fish, landscapes, and figures. his brushwork was bold and rich, his colors vivid and bright, his forms simple yet lively, and his artistic conception was sincere and unpretentious. he advocated that the charm of painting lies in the balance between \"what resembles and what doesn't resemble.\""},"lotNumber":"31","title":{"en":"lotus flower，by qi baishi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17230/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.876Z","textCase":"lower","details":{"en":"125×29.5cm 3.3sq.ft."},"currency":"JPY","id":17230},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"qi baishi (january 1, 1864 \u2013 september 16, 1957) was of han ethnicity, originally from suozhou, anhui province, and was born in xiangtan, hunan province (now xiangtan, hunan). his original name was chunzhi, later changed to huang, and his courtesy name was binsheng, with the art names baishi or baishi weng. he was a renowned chinese modern calligrapher, painter, seal carver, and poet. in his early years, he worked as a carpenter, later making a living by selling his paintings. after the age of 57, he settled in beijing. qi baishi was known for his mastery in painting flowers, birds, insects, fish, landscapes, and figures. his brushwork was bold and rich, his colors vivid and bright, his forms simple yet lively, and his artistic conception was sincere and unpretentious. he advocated that the charm of painting lies in the balance between \"what resembles and what doesn't resemble.\""},"lotNumber":"32","title":{"en":"longevity peaches,by qi baishi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17231/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.878Z","textCase":"lower","details":{"en":"132×32.5cm 3.96sq.ft."},"currency":"JPY","id":17231},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"qi baishi (january 1, 1864 \u2013 september 16, 1957) was of han ethnicity, originally from suozhou, anhui province, and was born in xiangtan, hunan province (now xiangtan, hunan). his original name was chunzhi, later changed to huang, and his courtesy name was binsheng, with the art names baishi or baishi weng. he was a renowned chinese modern calligrapher, painter, seal carver, and poet. in his early years, he worked as a carpenter, later making a living by selling his paintings. after the age of 57, he settled in beijing. qi baishi was known for his mastery in painting flowers, birds, insects, fish, landscapes, and figures. his brushwork was bold and rich, his colors vivid and bright, his forms simple yet lively, and his artistic conception was sincere and unpretentious. he advocated that the charm of painting lies in the balance between \"what resembles and what doesn't resemble.\""},"lotNumber":"33","title":{"en":"wisteria flower,by qi baishi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17232/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.879Z","textCase":"lower","details":{"en":"102×34.8cm 3.1sq.ft."},"currency":"JPY","id":17232},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"liu haisu (1896 - 1994), originally named pan, with the courtesy name jifang and the pseudonym haiweng, was born in changzhou, jiangsu. he was a prominent chinese modern and contemporary painter, oil painter, calligrapher, art educator, and art historian. liu haisu was one of the pioneers of modern chinese painting, and he was instrumental in bridging traditional chinese art with western art techniques. he was an advocate for the reform of chinese art education, serving as a professor at various institutions and contributing to the establishment of art schools. his work covered a wide range of styles, including traditional chinese ink painting, oil painting, and calligraphy, and he became an influential figure in shaping the development of modern chinese art."},"lotNumber":"34","title":{"en":"lotus,by liu haisu"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17233/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.881Z","textCase":"lower","details":{"en":"138×68cm 8.4sq.ft."},"currency":"JPY","id":17233},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"li xiong cai (may 15, 1910 \u2013 december 19, 2001) was born in zhaoqing, guangdong province, with ancestral roots in gaoyao, guangdong. he graduated from the guangzhou lie feng art school and was a prominent figure in contemporary chinese traditional painting and art education, representing the lingnan school of painting. in 1926, li studied under gao jianfu and, the following year, joined the chunshui academy of painting. in 1932, he went to japan to study at the tokyo school of fine arts. after returning to china, he taught at various universities, eventually serving as a professor and vice president of the guangzhou academy of fine arts. he was also a member of the national committee of the chinese people's political consultative conference. li was known for his large-scale landscape paintings and was skilled in painting flowers, birds, and insects. his works were noted for their grandiose and distinctive style. he revolutionized traditional landscape painting by altering the conventional half-face treatment of color and using a gradual shading technique. his style became known as \"li's landscape painting.\""},"lotNumber":"35","title":{"en":"orchid and stone,by li xiongcai"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17234/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.882Z","textCase":"lower","details":{"en":"136.5×68.5cm 8.4sq.ft."},"currency":"JPY","id":17234},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"yang shanshen (1913 - 2004), styled liuzhai, was born in taishan, guangdong. he was one of the outstanding contemporary chinese painters and a prominent representative of the lingnan school of painting. along with guan shanyue, li xiongcai, and zhao shaoang, he is regarded as one of the \"four masters of the lingnan school\" or the \"second generation of the four lingnan masters.\" yang shanshen had a well-rounded artistic education and excelled in landscapes, flowers and birds, and figure painting. he adopted both chinese and western influences in his creations, emphasizing life sketching and adhering to the lingnan painting school's spirit of \"combining chinese and western elements, integrating ancient and modern techniques.\" his style blended traditional brushwork with western artistic techniques, based on life sketching and following nature. yang created a unique personal style, with a wide range of subjects, varied forms, innovative compositions, and a combination of refined and bold brushwork. his animal paintings covered diverse subjects, while his figure paintings effectively utilized traditional techniques, particularly the \"eighteen methods of brushwork.\" his landscape works displayed both large and small freehand styles."},"lotNumber":"36","title":{"en":"pine and eagle,by yang shanshen"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17235/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.884Z","textCase":"lower","details":{"en":"136×67.5cm 8.2sq.ft."},"currency":"JPY","id":17235},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"liu haisu (1896\u20131994), originally named pan, courtesy name jifang, and art name haisu, was a native of changzhou, jiangsu. a pioneering figure in modern chinese art education, he was a renowned painter and art educator. he founded the shanghai painting and fine arts institute (later renamed shanghai fine arts college) and introduced live figure drawing to china, advocating for modern art education and promoting the modernization and east-west integration of chinese art. liu haisu\u2019s artistic achievements spanned both eastern and western traditions. his oil paintings, influenced by post-impressionism, are known for their bold colors and vigorous brushwork. in chinese ink painting, he excelled in splashed ink and color techniques, particularly in landscapes, wielding the brush with power and grandeur. in his later years, his works grew even more intense and expressive, blending traditional freehand style with western expressionism. his repeated trips to mount huangshan inspired some of his most majestic and distinctive landscape compositions. his calligraphy, similarly unrestrained and forceful, complemented his painting style. as a key pioneer in modern chinese art, liu haisu dedicated his life to the ideal of \u201cartistic revolution.\u201d he educated generations of artists and left a profound impact on the history of modern chinese art and art education."},"lotNumber":"37","title":{"en":"peony: symbol of wealth and honor - liu haisu (1896-1994)"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17236/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.886Z","textCase":"lower","details":{"en":"87.5×47cm 3.7sq.ft."},"currency":"JPY","id":17236},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"huang huanwu (september 1906 \u2013 july 1985), whose original name was han, courtesy name huanwu, and later known as hansi, was a renowned artist from xinhui, guangdong. his paintings were highly regarded for their \"meticulous study of traditional chinese art, excelling in a variety of subjects, especially in flower-and-bird painting and landscape painting, with exceptional technique and vivid, lifelike depictions.\" his works were innovative, combining ink and color painting techniques to achieve beauty in mood, color, composition, and imagery. his style is often described as \"perfectly capturing both form and spirit, vibrant with life, fresh and elegant, appealing to both refined and popular tastes.\""},"lotNumber":"38","title":{"en":"red bamboo,by huang huanwu"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17237/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.888Z","textCase":"lower","details":{"en":"110×54cm 5.3sq.ft."},"currency":"JPY","id":17237},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"pan tianshou (march 14, 1897 \u2013 september 5, 1971), courtesy name dayi, also known by his self-pseudonym ah shou, was born in ninghai, zhejiang. he was a renowned modern chinese painter and art educator. in his early years, he was named tianshou and studied under renowned masters such as jing hengyi and li shutong. he served as a professor and president at the national art college, a professor and president at zhejiang academy of fine arts, and the chairman of the zhejiang artists association. he was also the vice-chairman of the china artists association and a member of the chinese federation of literary and art circles. in 1958, he was appointed as an honorary academician of the russian academy of arts. pan was skilled in expressive flower-and-bird painting and landscape painting, occasionally painting figures. he also excelled in calligraphy, poetry, and seal cutting. his expressive flower-and-bird style was initially influenced by wu changshuo and later by shi tao and the \"eight eccentrics of yangzhou.\" his painting style is bold, majestic, and ancient, with powerful composition that captivates the viewer and a strong sense of modernity. he, along with wu changshuo, qi baishi, and huang binhong, is regarded as one of the \"four great masters of chinese painting\" in the 20th century."},"lotNumber":"39","title":{"en":"orchid,by pan tianshou"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17238/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.890Z","textCase":"lower","details":{"en":"30.5×24cm 0.6sq.ft."},"currency":"JPY","id":17238},{"startPrice":20000,"sold":false,"available":false,"description":{"en":"xiao shu (born 1935 in beijing), originally named han mingkui, endured a childhood marked by adversity. after losing his parents during the japanese invasion of china, he became an orphan in the 1940s. despite these hardships, he developed a profound passion for traditional chinese culture and arts. deeply influenced by the renowned guqin master guan pinghu, he taught himself classical poetry, literature, calligraphy, and painting amidst a life of solitude and struggle. in the 1950s, xiao shu had the opportunity to meet and learn from literary figures such as shen congwen, as well as master painters including li keran, li kuchan, hu peiheng, fu baoshi, and li xiongcai. under their mentorship, he achieved remarkable accomplishments in poetry, calligraphy, and painting. his poetry is distinguished by its unique style and heartfelt emotion. in calligraphy, he mastered multiple scripts, blending archaic simplicity with vigorous, distinctive brushwork. his paintings cover a wide range of subjects\u2014landscapes, bird-and-flower compositions, and figure paintings\u2014all executed with dynamic, expressive strokes and profound artistic conception."},"lotNumber":"40","title":{"en":"bamboo,by xiao shu"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17239/view","directSalePrice":20000,"lastUpdate":"2026-01-14T09:15:02.892Z","textCase":"lower","details":{"en":"99×22.5cm 2.0sq.ft."},"currency":"JPY","id":17239},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"yan bolong (1898\u20131955), born yunlin, courtesy name bolong (known by his courtesy name), with the pseudonym changbai bu yi, was a manchu of the plain yellow banner, from beijing. he was a renowned flower-and-bird painter of the beijing-tianjin school during the republic of china era. yan was versatile in painting landscapes, figures, flowers, birds, and animals, but he was particularly skilled in flower-and-bird painting. early in his career, his style was influenced by wang mengbai, retaining the lingering charm of the \"eight masters\" and new luo styles. in his later years, he gradually moved away from the styles of his predecessors, incorporating his own brushwork and synthesizing the flower-and-bird painting methods of the song, yuan, ming, and qing dynasties. this led to the development of his unique \"jiangong daixie\" style in flower-and-bird painting."},"lotNumber":"41","title":{"en":"wisteria and parrots ,by yan bolong"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17240/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.894Z","textCase":"lower","details":{"en":"137×39cm 4.8sq.ft."},"currency":"JPY","id":17240},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"qi gong (july 26, 1912 \u2013 june 30, 2005), courtesy name yuanbai (also written as yuanbo), and art name yuanbei jushi, was of manchu ethnicity, born in beijing. he was a renowned contemporary chinese scholar, educator, poet, calligrapher, painter, and cultural relics appraiser. qi gong is recognized for his profound contributions to chinese classical studies and his expertise in literature, art, and cultural heritage."},"lotNumber":"42","title":{"en":"grapes,by qi gong"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17241/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.896Z","textCase":"lower","details":{"en":"68×45cm 2.7sq. ft."},"currency":"JPY","id":17241},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"pu ru (1896-1963), courtesy name xinyu and self-titled xihang yishi (hermit of western hills), was a grandson of prince gong of the qing dynasty. a renowned scholar-painter of modern china, he was celebrated alongside zhang daqian as \"zhang of the south and pu of the north\" and with wu hufan as \"wu of the south and pu of the north\". immersed in the imperial art collection since childhood, he mastered classics and poetry while developing a distinctive literati painting style rooted in song and yuan traditions. his landscapes exhibit ethereal brushwork and subtle ink tones, particularly excelling in small-scale landscapes and architectural paintings. masterpieces like cold jade hall landscape album and visiting friends in autumn mountains combine the precipitous grandeur of northern school with the lyrical elegance of southern style. after moving to taiwan in 1949, he taught at taiwan normal university and published scholarly works including commentaries on four books and cold jade hall painting theories. his legacy is honored as \"the last beacon of chinese literati painting\"."},"lotNumber":"43","title":{"en":"heart sutra in the form of a pagoda with buddha images\nby pu ru (xishan yishi)"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17242/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.897Z","textCase":"lower","details":{"en":"95×52.5cm 4.4sq.ft."},"currency":"JPY","id":17242},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"chen shifa (1921\u20132007), originally named chen yong and with the courtesy name shifa, was a native of songjiang, shanghai. he was renowned for his bird-and-flower and figure paintings, while also excelling in landscapes. in his early years, he studied under masters of the shanghai school such as ren bonian and wu changshuo, later integrating elements of folk art and western painting to develop a distinctive personal style. his brushwork was free-spirited and dynamic, with vibrant and lively colors, often imbued with a decorative charm and playful appeal. his figure paintings frequently depicted ethnic minority themes, brimming with vitality and everyday authenticity. committed to both innovation and tradition in painting, chen actively participated in numerous important domestic and international exhibitions. his work played a significant role in the evolution and modernization of contemporary chinese painting, and he contributed substantially to the popularization and exchange of artistic culture."},"lotNumber":"44","title":{"en":"amusing scene of ducks among lotus pods,by chen shifa"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17243/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.899Z","textCase":"lower","details":{"en":"79×34.5cm 2.4sq.ft."},"currency":"JPY","id":17243},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"wang xuetao (1903\u20131982) was a renowned modern chinese flower-and-bird painter. his works covered a wide range of subjects, with exquisite compositions and vivid representations that were both lively and elegant, full of charm in brushwork. in 1979, his flower-and-bird volume became the first art book in the rongbaozhai series. in 1973, he created the famous \"two-tone peony painting\" (originally titled \"thousand beauties in various postures\") for rongbaozhai's new storefront screen. liu jiu'ou (1918\u20131983) was a distinguished animal and figure painter in modern chinese art history, recognized for his achievements in both fields."},"lotNumber":"45","title":{"en":"white rabbit and radish,by wang xue tao and liu jiyou"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17244/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.901Z","textCase":"lower","details":{"en":"71×34cm 2.1sq.ft."},"currency":"JPY","id":17244},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"liu wenxi (1933\u20132019), a native of shengzhou, zhejiang, was a leading master of chinese figure painting, a representative of the \"zhejiang school of figure painting,\" and the founder of the loess school of painting. he was renowned for portraying people from northern shaanxi, with a bold and vigorous style rich in regional characteristics. his representative works include *chairman mao and the shepherd* and *four generations under one roof*. he also created the portrait of mao zedong featured on the fifth series of the renminbi and was awarded the china art award \u2013 lifetime achievement award."},"lotNumber":"46","title":{"en":"shaanbei girl,by liu wenxi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17245/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.904Z","textCase":"lower","details":{"en":"68.5×44.5cm 2.7sq.ft."},"currency":"JPY","id":17245},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"gao made (1917-2007) was a renowned modern chinese ink wash painter specializing in theatrical subjects, born in nanjing, jiangsu province. initially working as cartoonist, he later focused on depicting traditional opera characters from peking and kunqu operas using expressive ink wash techniques. he developed a distinctive style that captured iconic roles such as du liniang, zhang fei, and monkey king with both formal precision and contemporary flair. his masterpieces include series like the peony pavilion, crossroads, and havoc in heaven. awarded the golden monkey honorary prize for chinese cartoons in 1993, his works are collected by the national art museum of china and jiangsu art museum. publications such as gao made's theatrical figure painting and painting and talking about opera document his legacy, celebrated as \"a poet capturing stage souls with ink wash\"."},"lotNumber":"47","title":{"en":"gao ma de's dramatic figures"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17246/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.906Z","textCase":"lower","details":{"en":"50×36cm 1.6sq.ft."},"currency":"JPY","id":17246},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"wu changshuo (1844\u20131927), originally named jun, with courtesy name changshuo and alternative art names such as foulu and kutie, was a native of anji, zhejiang province. he excelled in painting, calligraphy, and seal carving. his seal script drew inspiration from the stone drum inscriptions, characterized by its vigorous and rustic grandeur. in painting, he specialized in bird-and-flower subjects, incorporating seal script techniques into his brushwork to create a style that was both bold and richly colored. he was a leading figure of the shanghai school of painting. his seal carving blended han dynasty seal styles with ancient script forms, achieving a weathered, archaic simplicity. with numerous disciples, wu exerted a profound and lasting influence on modern chinese art, making exceptional contributions to its development."},"lotNumber":"48","title":{"en":"flowers,by wu changshuo"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17247/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.908Z","textCase":"lower","details":{"en":"46.3×176.5cm 7.3sq.ft."},"currency":"JPY","id":17247},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"wu changshuo (1844\u20131927), originally named jun, with the courtesy name changshuo (by which he was later widely known), and pseudonyms such as fou lu and ku tie, was a native of anji, zhejiang province. he was a master of painting, calligraphy, and seal carving in the late qing dynasty and early republican period, as well as the first president of the xiling seal society. his art synthesized strengths from various traditions. in calligraphy, he excelled in seal and clerical scripts, drawing inspiration from the stone drum inscriptions. his brushwork was vigorous and forceful, forming a distinctive personal style. in painting, he focused primarily on bird-and-flower subjects, excelling particularly in depicting plum blossoms, orchids, bamboo, chrysanthemums, peonies, and lotuses. his works are characterized by bold, heavy ink application and bright, intense colors, pioneering a new direction for the \"shanghai school\" of painting and exerting a profound influence on modern chinese art. in seal carving, he integrated poetry, calligraphy, and painting into his compositions, breaking away from conventions established since the qin and han dynasties. his knife technique was powerful and expressive, with compositions that were daring and unconventional, earning him the reputation as a \"titan of seal art.\" throughout his life, he produced an extensive body of work, including published collections such as fou lu ji and fou lu yin cun. his artistic philosophy emphasized \"painting the spirit, not the form,\" highlighting the fusion of natural inspiration and personal emotion. he remains a landmark figure in the history of modern chinese art."},"lotNumber":"49","title":{"en":"peony,by wu changshuo"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17248/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.910Z","textCase":"lower","details":{"en":"136×31.5cm 3.8sq.ft."},"currency":"JPY","id":17248},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"wu changshuo (august 1, 1844 \u2013 november 29, 1927), originally named jun, also known as junqing, with the courtesy name changshuo, and other pseudonyms such as cangshi, cangshi, lao cang, and lao fu, was born in zhangwu village, xiaofeng county, zhejiang (now anji county, huzhou). he was a renowned chinese painter, calligrapher, and seal engraver during the late qing dynasty and the early republic of china. wu was a prominent figure of the \"houhai school\" and the first president of the xiling seal society in hangzhou. wu changshuo was celebrated for his mastery in traditional chinese painting, calligraphy, and seal carving. his work is known for its bold brushwork, vivid color palette, and emphasis on the use of ancient chinese aesthetics. wu played a key role in the development of modern chinese seal carving and was an influential figure in the cultural circles of his time. his artistic achievements made him one of the most revered figures in chinese art history."},"lotNumber":"50","title":{"en":"longevity peaches,by wu changshuo"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17249/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.912Z","textCase":"lower","details":{"en":"84.5×40cm 3.0sq.ft."},"currency":"JPY","id":17249},{"startPrice":1000000,"sold":false,"available":false,"description":{"en":"wu changshuo (1844\u20131927), originally named jun, with the courtesy name changshuo (by which he was later widely known), and pseudonyms such as fou lu and ku tie, was a native of anji, zhejiang province. he was a master of painting, calligraphy, and seal carving in the late qing dynasty and early republican period, as well as the first president of the xiling seal society. his art synthesized strengths from various traditions. in calligraphy, he excelled in seal and clerical scripts, drawing inspiration from the stone drum inscriptions. his brushwork was vigorous and forceful, forming a distinctive personal style. in painting, he focused primarily on bird-and-flower subjects, excelling particularly in depicting plum blossoms, orchids, bamboo, chrysanthemums, peonies, and lotuses. his works are characterized by bold, heavy ink application and bright, intense colors, pioneering a new direction for the \"shanghai school\" of painting and exerting a profound influence on modern chinese art. in seal carving, he integrated poetry, calligraphy, and painting into his compositions, breaking away from conventions established since the qin and han dynasties. his knife technique was powerful and expressive, with compositions that were daring and unconventional, earning him the reputation as a \"titan of seal art.\" throughout his life, he produced an extensive body of work, including published collections such as fou lu ji and fou lu yin cun. his artistic philosophy emphasized \"painting the spirit, not the form,\" highlighting the fusion of natural inspiration and personal emotion. he remains a landmark figure in the history of modern chinese art."},"lotNumber":"51","title":{"en":"a still life after zhao wumen, by wu changshuo"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17250/view","directSalePrice":1000000,"lastUpdate":"2026-01-14T09:15:02.914Z","textCase":"lower","details":{"en":"51×29cm 1.3sq.ft."},"currency":"JPY","id":17250},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"wu changshuo (1844 - 1927), originally named jun and also known as junqing, styled changshuo. he also signed his name as cangshi or cangshi (there are different interpretations of the characters). he had numerous other names, with cangshuo, laocang and laofou being among the more common ones. he was a native of zhangwu village, xiaofeng county, zhejiang province (now in anji county, huzhou city). he was a famous traditional chinese painter, calligrapher and seal engraver during the late qing dynasty and the republic of china period. he was a representative figure of the \"later hai school\" and the first president of the xiling seal art society in hangzhou."},"lotNumber":"52","title":{"en":"apricot flowers,by wu changshuo"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17251/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.915Z","textCase":"lower","details":{"en":"144×32.5cm 4.2sq.ft."},"currency":"JPY","id":17251},{"startPrice":800000,"sold":false,"available":false,"description":{"en":"wu changshuo (1844\u20131927), originally named jun, with the courtesy name changshuo (by which he was later widely known), and pseudonyms such as fou lu and ku tie, was a native of anji, zhejiang province. he was a master of painting, calligraphy, and seal carving in the late qing dynasty and early republican period, as well as the first president of the xiling seal society. his art synthesized strengths from various traditions. in calligraphy, he excelled in seal and clerical scripts, drawing inspiration from the stone drum inscriptions. his brushwork was vigorous and forceful, forming a distinctive personal style. in painting, he focused primarily on bird-and-flower subjects, excelling particularly in depicting plum blossoms, orchids, bamboo, chrysanthemums, peonies, and lotuses. his works are characterized by bold, heavy ink application and bright, intense colors, pioneering a new direction for the \"shanghai school\" of painting and exerting a profound influence on modern chinese art. in seal carving, he integrated poetry, calligraphy, and painting into his compositions, breaking away from conventions established since the qin and han dynasties. his knife technique was powerful and expressive, with compositions that were daring and unconventional, earning him the reputation as a \"titan of seal art.\" throughout his life, he produced an extensive body of work, including published collections such as fou lu ji and fou lu yin cun. his artistic philosophy emphasized \"painting the spirit, not the form,\" highlighting the fusion of natural inspiration and personal emotion. he remains a landmark figure in the history of modern chinese art."},"lotNumber":"53","title":{"en":"peony,by wu changshuo"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17252/view","directSalePrice":800000,"lastUpdate":"2026-01-14T09:15:02.917Z","textCase":"lower","details":{"en":"106.5×30cm 2.8sq.ft."},"currency":"JPY","id":17252},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"wu changshuo (august 1, 1844 \u2013 november 29, 1927), originally named jun, also known as junqing, with the courtesy name changshuo, and other pseudonyms such as cangshi, cangshi, lao cang, and lao fu, was born in zhangwu village, xiaofeng county, zhejiang (now anji county, huzhou). he was a renowned chinese painter, calligrapher, and seal engraver during the late qing dynasty and the early republic of china. wu was a prominent figure of the \"houhai school\" and the first president of the xiling seal society in hangzhou. wu changshuo was celebrated for his mastery in traditional chinese painting, calligraphy, and seal carving. his work is known for its bold brushwork, vivid color palette, and emphasis on the use of ancient chinese aesthetics. wu played a key role in the development of modern chinese seal carving and was an influential figure in the cultural circles of his time. his artistic achievements made him one of the most revered figures in chinese art history."},"lotNumber":"54","title":{"en":"a pair of calligraphic scrolls by wu changshuo, featuring a seven-character couplet written in seal script"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17253/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.919Z","textCase":"lower","details":{"en":"134.5×33.5cm 4.05sq.ft×2"},"currency":"JPY","id":17253},{"startPrice":1000000,"sold":false,"available":false,"description":{"en":"wu changshuo (1844\u20131927), originally named jun, with courtesy name changshuo and alternative art names such as foulu and kutie, was a native of anji, zhejiang province. he excelled in painting, calligraphy, and seal carving. his seal script drew inspiration from the stone drum inscriptions, characterized by its vigorous and rustic grandeur. in painting, he specialized in bird-and-flower subjects, incorporating seal script techniques into his brushwork to create a style that was both bold and richly colored. he was a leading figure of the shanghai school of painting. his seal carving blended han dynasty seal styles with ancient script forms, achieving a weathered, archaic simplicity. with numerous disciples, wu exerted a profound and lasting influence on modern chinese art, making exceptional contributions to its development."},"lotNumber":"55","title":{"en":"wu changshuo's calligraphy couplets"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17254/view","directSalePrice":1000000,"lastUpdate":"2026-01-14T09:15:02.921Z","textCase":"lower","details":{"en":"148.5×38.3cm 5.1sq.ft.×2"},"currency":"JPY","id":17254},{"startPrice":5000000,"sold":false,"available":false,"description":{"en":"wu changshuo (1844\u20131927), originally named jun, with courtesy name changshuo and alternative art names such as foulu and kutie, was a native of anji, zhejiang province. he excelled in painting, calligraphy, and seal carving. his seal script drew inspiration from the stone drum inscriptions, characterized by its vigorous and rustic grandeur. in painting, he specialized in bird-and-flower subjects, incorporating seal script techniques into his brushwork to create a style that was both bold and richly colored. he was a leading figure of the shanghai school of painting. his seal carving blended han dynasty seal styles with ancient script forms, achieving a weathered, archaic simplicity. with numerous disciples, wu exerted a profound and lasting influence on modern chinese art, making exceptional contributions to its development."},"lotNumber":"56","title":{"en":"1917, by wu changshuo, seal script calligraphy of the stone drums"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17255/view","directSalePrice":5000000,"lastUpdate":"2026-01-14T09:15:02.923Z","textCase":"lower","details":{"en":"136.7×41cm 5.0sq.ft."},"currency":"JPY","id":17255},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"li hongzhang (1823\u20131901), originally named zhangtong, courtesy names jianfu and shaoquan, later art name yisou, was a native of hefei, anhui. a leading statesman of the late qing dynasty, he founded and commanded the anhui army (huai army) and the beiyang fleet, was a key leader of the westernization movement, and served as viceroy of zhili and minister of beiyang trade. he was also appointed a grand secretary of the wenhua hall. while li hongzhang\u2019s achievements lay primarily in military, diplomatic, and modernization efforts rather than the arts, he was a highly skilled calligrapher, especially in running and regular scripts. his style drew from masters such as yan zhenqing and su shi, characterized by vigorous and steady brushwork, broad and dignified structure, and a composed, majestic tone\u2014reflecting his own formidable and expansive presence. his handwriting survives mostly in memorials to the throne, personal letters, inscribed plaques, and colophons, often dealing with state affairs, blending practicality with artistic expression. as a pivotal figure in late qing history, his calligraphy not only exemplifies the cultural refinement of a traditional scholar-official but also offers a distinctive perspective into his career and inner world, making it representative of the calligraphic practice of late qing literati and officials."},"lotNumber":"101","title":{"en":"pair of hanging scrolls: imperial couplet in traced gold on vermilion paper ,by li hongzhang (1823-1901), qing dynasty"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17256/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.925Z","textCase":"lower","details":{"en":"175.5×41cm×2 6.4sq.ft."},"currency":"JPY","id":17256},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"zeng guofan (1811\u20131872), courtesy name bohan and art name disheng, was a native of xiangxiang, hunan. a prominent official in the late qing dynasty, he founded the xiang army and was a pioneer in china's early modernization efforts. although his artistic accomplishments are often overshadowed by his political and military achievements, zeng was highly skilled in calligraphy and classical prose. he practiced calligraphy diligently from a young age, excelling in regular and running scripts. drawing influence from ouyang xun, yan zhenqing, and northern stele traditions, his style is rigorous, forceful, and structurally robust\u2014valuing moral vigor over superficial elegance, reflecting his own steadfast and uncompromising character. his theory of calligraphy emphasized \u201ca stubborn, unyielding spirit in brushwriting,\u201d evident in the vigorous and straightforward energy of his strokes. as a key later representative of the tongcheng school of classical prose, his writings are profound, solemn, and blend reason with emotion. his family letters and diaries, in particular, have had enduring influence, revealing both his deep erudition and the moral worldview of a confucian scholar-official. although not primarily remembered as an artist, his calligraphy and literary style embody the cultural resilience and intellectual ideals of late qing literati during a time of profound transformation."},"lotNumber":"102","title":{"en":"calligraphy,by zeng guofan"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17257/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.927Z","textCase":"lower","details":{"en":"91×56cm 4.5sq.ft."},"currency":"JPY","id":17257},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"yang shoujing (1839\u20131915), with the courtesy name xingwu and the art name linsu laoren (old man nearing su[zhou]), was a native of yidu, hubei province. a renowned scholar and artist of the late qing and early republican periods, he excelled in calligraphy, mastering various scripts with particular distinction in running and regular scripts. he advocated for equal reverence toward both stele inscriptions and modelbook calligraphy, as exemplified in his influential work *essentials of calligraphy* (《書舉要》). as a cultural envoy to japan, he brought a vast collection of碑拓 (rubbings of stele inscriptions) and significantly promoted the art of chinese calligraphy, contributing profoundly to the transformation of japanese calligraphy (書道). his legacy remains enduring in east asian calligraphic traditions."},"lotNumber":"103","title":{"en":"four-line calligraphic handscroll in running script,by yang shoujing"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17258/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.929Z","textCase":"lower","details":{"en":"123.5×51.2cm 5.6sq.ft."},"currency":"JPY","id":17258},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"dong qichang (1555\u20131636), courtesy name xuanzai, with art names such as si bai and xiangguang jushi, was a native of huating (present-day songjiang, shanghai). a master calligrapher and painter of the ming dynasty, he excelled in regular, running, and cursive scripts, drawing inspiration from wang xizhi and yan zhenqing. his style was elegantly refined and subtly vibrant, forming a distinctive manner often praised as \"yan's bone structure and zhao's grace\" (顏骨趙姿).  in painting, he proposed the \"theory of northern and southern schools,\" categorizing landscape painting into two traditions and championing the southern school of literati painting. his landscapes were influenced by dong yuan and ju ran, characterized by sparse, understated brushwork and an ethereal, tranquil atmosphere. his ideas profoundly shaped late ming and qing dynasty painting.  dong was also a noted theorist, with works such as *essays from the painting-meditation studio* (《畫禪室隨筆》) reflecting his deep engagement with both practice and theory. as a leading figure in the ming art world, his contributions to calligraphy, painting, and artistic discourse remain influential."},"lotNumber":"104","title":{"en":"classical calligraphy by dong qichang"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17259/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.931Z","textCase":"lower","details":{"en":"266×29.5cm 7.0sq.ft."},"currency":"JPY","id":17259},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"wang ze (1759-1842), courtesy name runsheng, art names ziqing and later guanzhai, was a native of wuhu, anhui, and a renowned calligrapher and painter of the qing dynasty. in his early years, he studied under shao shitang and huang yue. after attaining the jinshi degree in the sixth year of the jiaqing reign (1801), he held various official positions, including compiler of the hanlin academy and adjuster of the wuying hall. during his tenure as a regional official, he gained recognition for his effective governance in flood control and disaster relief. in his later years, he returned to his hometown and devoted himself to calligraphy and painting. his landscape paintings inherited the style of xiao yuncong from the xin'an school while incorporating the brushwork techniques of dong qichang and wang jian. together with huang yue, he was celebrated as one of the \"two elders of wuhu.\" his calligraphy achieved profound mastery, and his works are preserved in the stone inscriptions collected by the chaozhou museum. he also contributed to public welfare initiatives, such as the establishment of the fengbei charity granary. after his death, a statue was erected in his honor at the dicui pavilion on zhe hill."},"lotNumber":"105","title":{"en":"hanging scroll:running script (xingshu) calligraphy\nby wang zhe (chinese, 1592-1652)\nming dynasty"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17260/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.933Z","textCase":"lower","details":{"en":"64×43.7cm 2.5sq.ft."},"currency":"JPY","id":17260},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"ji yun (1724\u20131805), courtesy name xiaolan and chunfan, later art names shiyun and guanyi daoren, was a native of xian county, zhili (present-day cangzhou, hebei). a renowned scholar, writer, and high official of the qianlong and jiaqing periods of the qing dynasty, he rose to become minister of rites and associate grand secretary. he is best known as the chief editor of the siku quanshu (complete library of the four treasuries), and was honored as \u201ca literary patriarch of his time\u201d (一代文宗). ji yun\u2019s outstanding achievements lie primarily in academic compilation and literary creation. under his direction, the siku quanshu\u2014the largest collection of books in ancient china\u2014was completed, representing an monumental effort to preserve and systematize classical texts. his biji (笔记, notebook) fiction yuewei caotang biji (notes from the thatched abode of close observations) is written in a simple yet profound style, using tales of spirits and ghosts to satirize society and expound confucian principles. often compared\u2014yet contrasted in purpose\u2014with pu songling\u2019s strange tales from a chinese studio, it became a model of qing dynasty biji literature. his poetry and prose, marked by wit and wisdom, were collected in posthumous works of lord ji wenda. although not primarily known as a calligrapher, his brushwork was elegant, refined, and scholarly, particularly in running and regular scripts. as a representative scholar of the qian-jia school, his intellectual vision, cultural leadership, and literary accomplishments profoundly influenced the academic and philosophical development of the mid-qing and later periods."},"lotNumber":"106","title":{"en":"hanging scroll mounted fan calligraphy with qianlong imperial poem on sprinkled-gold paper ,by ji yun"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17261/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.935Z","textCase":"lower","details":{"en":"48.2×15.8cm 0.6sq.ft."},"currency":"JPY","id":17261},{"startPrice":3000000,"sold":false,"available":false,"description":{"en":"emperor gaozong of the qing dynasty, qianlong (1711\u20131799), born hongli of the aisin gioro clan, was the fourth son of emperor yongzheng and was born at the prince yong's mansion. qianlong exerted considerable influence in the realms of calligraphy and painting. his calligraphy, primarily in running and cursive scripts, was characterized by a refined and elegant style, subtle yet profound, with a rounded, vigorous, and robust brushwork that echoed the charm of wang xizhi\u2019s tradition, whom he greatly admired. in painting, he often created works in the *xieyi* (freehand) style, employing concise and restrained brushstrokes that conveyed a scholarly, literary aura. qianlong was an avid collector and connoisseur of calligraphy and painting. under his reign, the imperial court amassed an enormous collection of masterpieces from previous dynasties, nearly exhausting the surviving works of jin, tang, song, and yuan masters. he treasured the *three rarities*\u2014*letter on a clear day after snowfall*, *mid-autumn letter*, and *boyuan letter*\u2014housed in the hall of three rarities (\"sanxi tang\"). however, his judgment as a connoisseur was not infallible; for instance, he mistakenly identified the ziming version of *dwelling in the fuchun mountains* as the authentic one and inscribed it extensively with colophons. additionally, qianlong commissioned the compilation of *the pearl forest of the secret hall* (*midian zhulin*) and *precious collection of the stone moat* (*shiqu baoji*), which meticulously documented the imperial collection of calligraphy and painting. these works have provided rich and invaluable materials for later studies on the history, authentication, and provenance of chinese calligraphy and painting, contributing significantly to the preservation and development of this cultural heritage."},"lotNumber":"107","title":{"en":"hanging scroll: imperial calligraphy inscribed by the qianlong emperor, qing dynasty"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17262/view","directSalePrice":3000000,"lastUpdate":"2026-01-14T09:15:02.937Z","textCase":"lower","details":{"en":"153.5×73cm 10.0sq.ft."},"currency":"JPY","id":17262},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"emperor qianlong (1711\u20131799), born aisin-gioro hongli, was the sixth emperor of the qing dynasty, reigning under the era name qianlong. he held supreme power longer than any other ruler in chinese history and was a monarch with profound cultural ambition and artistic engagement. qianlong\u2019s achievements and influence in the arts extended far beyond his personal creations. an avid collector, he extensively acquired ancient and contemporary masterpieces of painting and calligraphy, bringing the qing imperial collection to its peak. he commissioned major catalogues such as the shiqu baoji (秘殿珠林石渠宝笈) and xiqing gujian (西清古鉴) to systematically document the palace\u2019s artistic treasures. he passionately practiced calligraphy, modeling his style on masters like zhao mengfu and dong qichang. although his brushwork is often regarded as somewhat conventional, he produced a vast number of works, with his inscriptions appearing on countless historical paintings and throughout palace gardens and halls. he was also a prolific poet, leaving behind over 40,000 poems. he strongly promoted the development of decorative arts, showing particular fondness for jade, porcelain, and court painting, fostering what became known as the \u201cqianlong style\u201d\u2014characterized by opulent detail and exquisite craftsmanship. while his artistic taste is sometimes criticized as overly elaborate, his legacy in cultural preservation, art patronage, and the history of collecting remains profoundly significant."},"lotNumber":"108","title":{"en":"fortune,by qianlong emperor"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17263/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.939Z","textCase":"lower","details":{"en":"83×82cm 6.1sq.ft."},"currency":"JPY","id":17263},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"emperor tongzhi (1856\u20131875), born aisin-gioro zaichun, was the tenth emperor of the qing dynasty, reigning under the era name tongzhi. his rule was largely dominated by the regency of the empress dowagers cixi and ci\u2019an, a period historically termed the \"tongzhi restoration\". tongzhi ascended the throne as a child and died young, leaving few records of personal artistic activities. however, during his short reign, artistic traditions within the qing court were maintained. court painting and craftsmanship continued, with ceramics produced for occasions such as the imperial wedding\u2014known as \u201ctongzhi wedding porcelain\u201d\u2014featuring festive and auspicious decorations reflective of the era. due to the gradual decline of the dynasty, court artistry during this period showed less innovation than in previous reigns, largely adhering to established conventions."},"lotNumber":"109","title":{"en":"longevity,by tongzhi emperor"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17264/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.941Z","textCase":"lower","details":{"en":"166×76cm 11sq.ft."},"currency":"JPY","id":17264},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"emperor qianlong (1711\u20131799), born aisin-gioro hongli, was the sixth emperor of the qing dynasty, reigning under the era name qianlong. he held supreme power longer than any other ruler in chinese history and was a monarch with profound cultural ambition and artistic engagement. qianlong\u2019s achievements and influence in the arts extended far beyond his personal creations. an avid collector, he extensively acquired ancient and contemporary masterpieces of painting and calligraphy, bringing the qing imperial collection to its peak. he commissioned major catalogues such as the shiqu baoji (秘殿珠林石渠宝笈) and xiqing gujian (西清古鉴) to systematically document the palace\u2019s artistic treasures. he passionately practiced calligraphy, modeling his style on masters like zhao mengfu and dong qichang. although his brushwork is often regarded as somewhat conventional, he produced a vast number of works, with his inscriptions appearing on countless historical paintings and throughout palace gardens and halls. he was also a prolific poet, leaving behind over 40,000 poems. he strongly promoted the development of decorative arts, showing particular fondness for jade, porcelain, and court painting, fostering what became known as the \u201cqianlong style\u201d\u2014characterized by opulent detail and exquisite craftsmanship. while his artistic taste is sometimes criticized as overly elaborate, his legacy in cultural preservation, art patronage, and the history of collecting remains profoundly significant."},"lotNumber":"110","title":{"en":"imperial couplet in gold on yellow ground, inscribed by the qianlong emperor"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17265/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.943Z","textCase":"lower","details":{"en":"134.5×32cm×2 3.8sq.ft."},"currency":"JPY","id":17265},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"prince su (shanqi) (1866\u20131922), of the aisin-gioro clan, courtesy name aitang and art name ousuiting zhu, was a prominent imperial clansman and high official of the late qing dynasty, having inherited the title of prince su. shanqi played a significant role in the political reforms of the late qing, serving as minister of civil affairs and minister of mongolian and tibetan affairs. he actively promoted the modernization of the police system, urban administration, and judiciary. after the fall of the qing, he refused to accept the new republic and devoted himself to the royalist restoration efforts as part of the imperial restoration society (宗社党). although his artistic achievements are less renowned than his political career, he was an avid practitioner of calligraphy and painting, with particular skill in calligraphy. his style was rooted in the model-book tradition (帖学 tiexue) and reflected the influence of the refined qing court style (馆阁体 guangeti). his writing is upright, elegant, and precisely executed, with a scholarly grace characteristic of literate nobility. as a qing imperial kinsman, his calligraphic works exemplify the cultural refinement and aesthetic tastes of the late qing aristocracy."},"lotNumber":"111","title":{"en":"calligraphy hanging scroll,by prince suqing"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17266/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.945Z","textCase":"lower","details":{"en":"124.5×34cm 3.8sq.ft."},"currency":"JPY","id":17266},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"empress dowager cixi (1835\u20131908), also known as the west dowager empress, of the yehe nara clan, was a consort of the xianfeng emperor, mother of the tongzhi emperor, and the de facto ruler of the late qing empire. though best known for her political influence, cixi was also deeply involved in art patronage and cultural activities. she dominated artistic taste within the qing court, showing particular fondness for peking opera, painting, and decorative arts. she frequently commissioned court painters to produce works aligned with her preferences\u2014often rich and auspicious themes such as flowers and mythical creatures, rendered in a lavish and detailed manner. while many calligraphic and painting works bearing her name were executed by court artists, they reflected her ornate aesthetic sensibility. she also promoted peking opera, organizing frequent performances and forming what became known as \u201ccixi\u2019s opera troupe.\u201d in her later years, she developed an interest in photography, leaving behind a significant collection of court portraits. her artistic engagements served both as personal refinement and as a medium of cultural and political expression in the late qing era."},"lotNumber":"112","title":{"en":"calligraphy,by empress dowager cixi"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17267/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.947Z","textCase":"lower","details":{"en":"108×24.5cm 2.3sq.ft."},"currency":"JPY","id":17267},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"yi bingshou (1754\u20131815), courtesy name zusi and art name moqing, was a native of ninghua, fujian. a renowned calligrapher, poet, and representative figure of the \u201cqian-jia school\u201d during the qing dynasty. yi bingshou\u2019s artistic achievement is most prominently reflected in his calligraphy, particularly in clerical script (隸書 lishu), for which he is honored as the \u201cforemost master of clerical script in the qing dynasty\u201d. his style integrated the robust simplicity of han-dynasty steles such as the hengfang stele and zhangqian stele, along with the grandeur of yan zhenqing\u2019s regular script. he developed a highly distinctive approach: his characters are squared-up, full, and imposing, with heavy yet even strokes that eliminate unnecessary detail. while largely omitting the decorative flairs (波磔 bozhe) typical of clerical script, his writing conveys a profound archaic spirit and monumental dignity, rich in epigraphic gravitas. breaking away from the delicate, graceful style of earlier qing calligraphy influenced by model-letters (帖学 tiexue), yi drew inspiration from bronze and stone inscriptions, opening new artistic possibilities in clerical script and greatly influencing the later stele school movement (碑学 beixue). in addition to calligraphy, he also skillfully painted plum blossoms and bamboo in an elegant and refined manner and was an accomplished poet, with works such as liuchun caotang shichao (poetry draft from the hall of retaining spring) surviving today."},"lotNumber":"113","title":{"en":"an assembly of scholar's accoutrements, by yi bing shou (yi moqing)"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17268/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.949Z","textCase":"lower","details":{"en":"69.5×30cm 1.8sq.ft.\n238×30cm 6.4sq.ft.\n161×33cm 4.7sq.ft."},"currency":"JPY","id":17268},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"wang shimin (1592\u20131680), courtesy name xunzhi, art names yanke and xilu laoren, was a native of taicang, jiangsu. a renowned painter of the late ming and early qing dynasties, he was the foremost of the \u201cfour wangs\u201d (wang shimin, wang jian, wang hui, and wang yuanqi) and is often mentioned alongside wu wei and dong qichang as a leading representative of orthodox painting in the early qing period. specializing in landscape painting, wang shimin received early guidance from dong qichang and modeled his work after the yuan master huang gongwang. he later incorporated elements from ni zan, wu zhen, and other great painters, developing a distinct personal style. his brushwork was vigorous and robust, with ink washes that were deep yet lucid. he often employed hemp-fiber texture strokes (披麻皴, pima cun) to depict mountains and rocks, while his trees were rendered with rich layers and subtle variation. his compositions are balanced and serene, exuding a classical elegance. though many of his works paid homage to past masters, they also revealed his own artistic sensibility, infused with a profound literati spirit. born into an official family, wang later withdrew from public life to devote himself to painting. not only was he a highly accomplished artist, but he also mentored younger painters such as wang yuanqi, exerting a lasting influence on the development of qing dynasty landscape painting. works like cloudy valleys and misty beaches and range upon range of mountains have been passed down through generations and remain important references for the study of early qing painting."},"lotNumber":"114","title":{"en":"delightful journey at spring mountains,by wang shimin"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17269/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.951Z","textCase":"lower","details":{"en":"76.8×26cm 1.8sq.ft.\n197.5×31cm 5.5sq.ft\n116.8×34cm 3.5sq.ft"},"currency":"JPY","id":17269},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"huang shen (1687\u20131772), courtesy name gongshou and art name yingpiaozi (often shortened to yingpiao), was a native of ninghua, fujian. a highly distinctive artist among the \u201ceight eccentrics of yangzhou\u201d during the qing dynasty, he was best known for his figure painting, though he also excelled in landscapes and bird-and-flower subjects. huang shen\u2019s artistic achievement is most outstanding in his figure paintings. his depictions are vivid and expressive, often focusing on ordinary people at the bottom of society\u2014fishermen, beggars, and the poor\u2014capturing their expressions and moments of life with simplified, bold brushwork, reflecting deep humanistic concern. his ink technique was daring and vigorous, with dynamic, unpredictable lines and innovative compositions that broke conventional rules. while rooted in the tradition of freehand expression, he developed a strong personal style, integrating calligraphic energy into painting and creating a unique \u201ccalligraphic painting\u201d manner. though his works may appear casually executed, they masterfully balance form and spirit, full of charm and vitality. as a representative of the yangzhou school, huang shen challenged the delicate, meticulous style favored by the court, revitalizing freehand figure painting and exerting a lasting influence on later chinese art."},"lotNumber":"115","title":{"en":"travelers on a spring outing, by huang shen (huang yingpiao)"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17270/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.954Z","textCase":"lower","details":{"en":"86×31cm 2.4sq.ft.\n77.5×31cm 2.1sq.ft.\n107×35cm 3.3sq.ft."},"currency":"JPY","id":17270},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"wang shigu (1632\u20131717), born wang hui, courtesy name shigu, and also known by art names such as gengyan sanren and wumu shanren, was a native of changshu, jiangsu. an outstanding painter of the late ming and early qing dynasties, he was one of the \"four wangs\" and, along with wu li and yun shouping, was also ranked among the \"six masters of the early qing period\". renowned for his landscape paintings, he was honored as the \"sage of painting\". specializing in landscape art, wang studied in his early years under wang jian and wang shimin, and extensively learned from the masters of the five dynasties, song, yuan, and ming periods\u2014including shen zhou and wen zhengming. he skillfully integrated the strengths of both the northern and southern schools of painting. his brushwork was highly versatile, ranging from delicate and refined to vigorous and majestic, while his use of ink was flexible and his coloring bright and lively. his style uniquely combined the serene elegance of jiangnan (south of the yangtze) scenery with the grandeur of northern landscapes, reflecting a comprehensive synthesis of traditional techniques. in his later years, wang was commissioned by the kangxi emperor to lead the creation of the \"kangxi emperor's southern inspection tour\" scrolls, a masterpiece that greatly impressed the art world. he also nurtured many younger painters and played a pivotal role in promoting the development of landscape painting in the qing dynasty, contributing profoundly to the flourishing of early qing art."},"lotNumber":"116","title":{"en":"landscape for reclusive fishing in misty waves, by wang hui (wang shigu)"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17271/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.956Z","textCase":"lower","details":{"en":"98.5×30cm 2.6sq.ft.\n175×31cm 4.8sq.ft.\n152×34.5cm 4.7sq.ft"},"currency":"JPY","id":17271},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"ignaz sichelbart (1708\u20131780), also known by his chinese name ai qimeng and courtesy name xing'an, was a bohemian (present-day czech republic) jesuit missionary and painter. he served as an important court painter during the qianlong reign of the qing dynasty and is recognized as one of the \u201cthree great western painters\u201d of the court, alongside giuseppe castiglione and jean-denis attiret. sichelbart excelled in figure and animal painting, particularly renowned for his depictions of horses. his technique blended western realism with traditional chinese brushwork: he emphasized perspective, anatomical accuracy, and light-shadow effects, resulting in highly three-dimensional and meticulously detailed representations. at the same time, he incorporated elements of chinese line art and color aesthetics, developing a distinctive hybrid style. as a court artist, he produced significant works such as ten fine horses and the nine elders of xiangshan under imperial commission, often collaborating with castiglione. sichelbart played a key role in fostering artistic exchange and integration between chinese and western painting traditions at the qing court."},"lotNumber":"117","title":{"en":"horses in a spring meadow, by ai qimeng (ignatius sichelbarth)"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17272/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:02.958Z","textCase":"lower","details":{"en":"102×48cm 3.3sq.ft.\n192×48cm 8.2sq.ft\n188×51cm 8.6sq.ft"},"currency":"JPY","id":17272},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"xi gang (1746-1803), originally named gang, with courtesy names tiesheng and chunzhang, and art names such as luokan and dieyezi, was a native of she county (now part of anhui province) who resided by the west lake in hangzhou, zhejiang province. a master of poetry, calligraphy, painting, and seal carving, xi gang excelled in various calligraphic styles, including seal script, clerical script, running script, and cursive script. his regular script was influenced by chu suiliang, while his ancient clerical script exhibited exceptional elegance and freedom. in painting, he specialized in landscapes, flowers, orchids, and bamboo, developing a refined, unrestrained, and lucid style. his seal carving, rooted in the qin and han traditions, drew inspiration from ding jing while incorporating innovative developments. as one of the \"eight masters of xiling,\" xi gang\u2019s serene and classical artistry exerted a profound influence on later generations of artists."},"lotNumber":"118","title":{"en":"secluded dwelling by a river village, by xi gang"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17273/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.964Z","textCase":"lower","details":{"en":"66×22.5cm 1.3sq.ft.\n176×22.5cm 3.5sq.ft.\n149×25.7cm 3.4sq.ft."},"currency":"JPY","id":17273},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"hongren (1610\u20131664), born with the surname jiang and given name tao, courtesy name liuqi, became a monk and adopted the religious name hongren, along with art names such as jianjiang, wuzhi, and meihua guná. a native of she county, anhui, he excelled in landscape painting and was the founding figure of the xin\u2019an school of painting. along with zha shibiao, sun yi, and wang zhirui, he was ranked as one of the \u201cfour great masters of xin\u2019an\u201d, and is also considered one of the \u201cfour monk artists of the early qing dynasty\u201d. in his early years, he studied the style of the yuan dynasty master ni zan, later integrating his personal experiences of the huangshan and wuyi mountains into his art. his brushwork was firm and sharp, reminiscent of bent iron, often outlining angular and crystalline rock forms. he employed minimal textural strokes, instead using light ink washes and skillful blank space to create a distinctive style marked by clarity, elegance, and a profound sense of solitude. having become a monk after the fall of the ming dynasty, hongren channeled his emotions into painting. his works blend classical inspiration with strong personal expression, exerting a lasting influence on the development of chinese landscape art."},"lotNumber":"119","title":{"en":"a set of four landscapes, by hongren (buddhist monk)"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17274/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:02.969Z","textCase":"lower","details":{"en":"108×33.5cm 3.2sq.ft.×4"},"currency":"JPY","id":17274},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"jin shiheng , courtesy name ziyou, was active during the tongzhi to guangxu periods of the qing dynasty and is a figure of international significance in the history of chinese yixing zisha art. a man of many talents, he was skilled in poetry, calligraphy, painting, seal carving, and engraving, but he was particularly accomplished in the realm of zisha clay art. he excelled in crafting yixing teapots and utilitarian vessels, blending literati aesthetics with practical function in a distinctive style. jin\u2019s most outstanding contribution lies in his role as a pioneer who systematically introduced yixing zisha techniques and aesthetic principles abroad. in 1879, at the invitation of potters from tokoname, japan, he traveled there to teach core zisha skills\u2014most notably the \u201cda shentong\u201d technique, a fundamental method of shaping clay by paddling slabs into form. he also brought clay-engraving decoration techniques to japan. this knowledge transfer significantly advanced the japanese ceramics industry, profoundly influencing the evolution of tokoname-yaki (tokoname ware) by integrating essence of chinese zisha artistry, which helped shape its distinctive craft system. as a result, jin is revered as a \u201cfounding master of ceramic art\u201d and remains an iconic figure in the history of sino-japanese cultural and technical exchange."},"lotNumber":"120","title":{"en":"a set of four scrolls of landscape,by jin shiheng"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17275/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.970Z","textCase":"lower","details":{"en":"171×89cm 13.7sq.ft.×4"},"currency":"JPY","id":17275},{"startPrice":1000000,"sold":false,"available":false,"description":{"en":"zheng banqiao (1693\u20131765), originally named zheng xie, with the courtesy name kerou and the art name banqiao, was a native of xinghua, jiangsu. he was a renowned painter, calligrapher, and writer of the qing dynasty, as well as a central figure among the \"eight eccentrics of yangzhou.\" his artistic style was highly distinctive. in painting, he excelled particularly in orchids, bamboo, and rocks, with ink bamboo being his most refined subject. he advocated that \"the idea must precede the brush, and the meaning should linger after the painting is completed.\" his brushwork was free yet vigorous\u2014his bamboo stalks upright and jointed, the leaves finely spaced\u2014capturing not only the form of bamboo but also embodying the spirit of a noble scholar and an aloof character. in calligraphy, he blended clerical script with running and regular scripts, creating his own unique style known as \"six-and-a-half part script.\" his strokes varied in length and density, combining strength and softness, breaking away from traditional conventions and forming a highly personal manner."},"lotNumber":"121","title":{"en":"a set of four scrolls of plum orchid bamboo chrysanthemum, by zheng banqiao"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17276/view","directSalePrice":1000000,"lastUpdate":"2026-01-14T09:15:02.972Z","textCase":"lower","details":{"en":"181.5×39.8cm 6.5sq.ft.×4"},"currency":"JPY","id":17276},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"the secret door to immortal years'scroll,by anonymous"},"lotNumber":"122","title":{"en":"the secret door to immortal years'scroll,by anonymous"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17277/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.974Z","textCase":"lower","details":{"en":"175×94cm 14.8sq.ft."},"currency":"JPY","id":17277},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"pair of figures paintings, anonymous, qing dynasty"},"lotNumber":"123","title":{"en":"pair of figures paintings,\nanonymous, qing dynasty"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17278/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.976Z","textCase":"lower","details":{"en":"67.5×22.5cm 1.3sq.ft.×2"},"currency":"JPY","id":17278},{"startPrice":1000000,"sold":false,"available":false,"description":{"en":"jiang pu (1708\u20131761), courtesy name zhifu and art name hengxuan, was a native of changshu, jiangsu. a prominent court painter, scholar-official, and political figure of the mid-qing dynasty, he was the son of the grand secretary jiang tingxi. inheriting his family's artistic tradition, jiang pu excelled particularly in bird-and-flower painting. his style was meticulous and orderly, characterized by rich colors and a strong interest in lifelike representation (写生, xiesheng). he inherited and developed the distinctive jiang style of flower-and-bird painting established by his father, and his talent was highly appreciated by the qianlong emperor, making him one of the representative court painters of his time. his works were often used for palace decoration or bestowed as imperial gifts to meritorious officials. beyond his artistic achievements, jiang pu also reached the highest echelons of government. he obtained the jinshi degree in 1730 and rose to the position of grand secretary of the eastern cabinet (dongge daxueshi) alongside minister of revenue. he was a key advisor to the qianlong emperor and was posthumously honored with the title \"wenke\" (文恪). due to his dual accomplishments in both art and politics, jiang pu is regarded as a highly successful exemplar of the qing dynasty's \"scholar-official painter\" (词臣画家, cichen huajia) tradition."},"lotNumber":"124","title":{"en":"qing dynasty,peony symbol of wealth and honor ,by jiang pu"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17279/view","directSalePrice":1000000,"lastUpdate":"2026-01-14T09:15:02.978Z","textCase":"lower","details":{"en":"179.5×87.5cm 14sq.ft."},"currency":"JPY","id":17279},{"startPrice":8000000,"sold":false,"available":false,"description":{"en":"wen zhengming (1470\u20131559), also known by his art name hengshan jushi, was a native of changzhou (present-day suzhou, jiangsu province). he was one of the \"four masters of wu\" and one of the \"four great talents of jiangnan.\" excelling in landscape painting, his works are often categorized into \"detailed wen\" (meticulously refined and elegant) and \"bold wen\" (vigorous and unrestrained). he was also skilled in bird-and-flower painting. in calligraphy, he mastered small regular script with precision and grace, while his running script was free and natural. among his representative works are the thatched hut of true appreciation and ode to the lute. with numerous disciples, wen zhengming stands as a defining figure of ming dynasty literati art."},"lotNumber":"125","title":{"en":"hanging scroll:landscape bywen zhengming ,ming dynasty"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17280/view","directSalePrice":8000000,"lastUpdate":"2026-01-14T09:15:02.980Z","textCase":"lower","details":{"en":"96.5×45.5cm 3.9sq.ft."},"currency":"JPY","id":17280},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"shi tao (c. 1642\u20131707), born zhu ruoji, also known by his art names shi tao, monk bitter gourd (kugua heshang), and da dizi, was a painter active during the late ming and early qing dynasties.  breaking free from conventional techniques, he advocated \"gathering inspiration from countless extraordinary peaks to create sketches,\" emphasizing the importance of learning from nature. his brushwork was unrestrained and vigorous, characterized by a majestic and uniquely profound artistic conception. he excelled particularly in landscape painting but was also accomplished in bird-and-flower and figure subjects. as one of the \"four monk artists of the early qing dynasty,\" shi tao exerted a profound and lasting influence on later generations of chinese painters."},"lotNumber":"126","title":{"en":"hanging scroll: landscape by shitao (1642-1707), provenance: lin family collection, rui'an, zhejiang"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17281/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.982Z","textCase":"lower","details":{"en":"105.5×36.5cm 3.4sq.ft."},"currency":"JPY","id":17281},{"startPrice":1000000,"sold":false,"available":false,"description":{"en":"wang jingming (1688\u20131721), courtesy name dansi and art name weixian, was a calligrapher and painter from jiading, jiangsu (now part of shanghai) during the qing dynasty. he achieved the highest honor in the imperial examination (zhuangyuan) in 1721 and was appointed a compiler in the hanlin academy, earning deep appreciation from the kangxi emperor for his literary and artistic talent. a disciple of wang yuanqi, one of the \u201cfour wangs\u201d of the orthodox school, wang jingming inherited the tradition of the loudong painting style. his landscape works are known for their refined elegance, subtle ink tones, and scholarly charm. characterized by meticulous composition, delicate brushwork, and clear coloring, he excelled particularly in album leaves and handscrolls, embodying the aesthetic ideals of literati painting. although he died young with limited works surviving, he remains an important representative of the orthodox landscape painting tradition in the early qing dynasty."},"lotNumber":"127","title":{"en":"peaks above the clouds, by wang jingming"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17282/view","directSalePrice":1000000,"lastUpdate":"2026-01-14T09:15:02.984Z","textCase":"lower","details":{"en":"158×72.5cm 10.3sq.ft."},"currency":"JPY","id":17282},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"fang cong (dates of birth and death unknown), courtesy names huangshan and youhuang, with the art name shidian, was a native of zhejiang. he excelled in landscape painting, drawing inspiration from the ancient master huang gongwang and studying under zhang zongcang, becoming a third-generation inheritor of wang yuanqi's artistic style. his brushwork balanced strength and softness, depicting majestic mountains and lush forests. by combining dry-ink texture strokes with wet-ink washes, he created deeply atmospheric compositions. his use of color was subtle and fresh, embodying a unique sense of classical elegance. fang cong served long-term in the imperial court and was an important court painter during the qianlong era. many of his works were created by imperial order, often in collaboration with artists such as giuseppe castiglione (lang shining). his pieces were extensively documented in the imperial catalogues \"shiqu baoji: continuation\" and \"third compilation,\" with forty-eight works officially recorded. fang cong made significant contributions to the development and flourishing of qing dynasty court painting."},"lotNumber":"128","title":{"en":"qing dynasty,reclusion in the deep mountains, by fang cong"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17283/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.986Z","textCase":"lower","details":{"en":"117×49cm 5.1sq.ft."},"currency":"JPY","id":17283},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"zheng banqiao (1693\u20131765), originally named zheng xie, with the courtesy name kerou and the art name banqiao, was a native of xinghua, jiangsu. he was a renowned painter, calligrapher, and writer of the qing dynasty, as well as a central figure among the \"eight eccentrics of yangzhou.\" his artistic style was highly distinctive. in painting, he excelled particularly in orchids, bamboo, and rocks, with ink bamboo being his most refined subject. he advocated that \"the idea must precede the brush, and the meaning should linger after the painting is completed.\" his brushwork was free yet vigorous\u2014his bamboo stalks upright and jointed, the leaves finely spaced\u2014capturing not only the form of bamboo but also embodying the spirit of a noble scholar and an aloof character. in calligraphy, he blended clerical script with running and regular scripts, creating his own unique style known as \"six-and-a-half part script.\" his strokes varied in length and density, combining strength and softness, breaking away from traditional conventions and forming a highly personal manner."},"lotNumber":"129","title":{"en":"bamboo,by zheng banqiao"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17284/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.988Z","textCase":"lower","details":{"en":"143.5×74cm 9.6sq.ft."},"currency":"JPY","id":17284},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"yun bing (dates of birth and death unknown), styled qingyu, with the alias haoru and lanling nushi, also known as nannan nushi, was from wujin (modern-day changzhou, jiangsu). she was a descendant of the yun nantian family, part of the \"four kings, wu, and yun\" of the early qing dynasty, and the second daughter of yun zhonglong, as well as the great-granddaughter of yun nantian. from a young age, she dedicated herself to the creation of flower-and-bird paintings, studying yun nantian\u2019s works and drawing inspiration from nature."},"lotNumber":"130","title":{"en":"flowers,by yun bing"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17285/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.990Z","textCase":"lower","details":{"en":"61×31.5cm 1.7sq.ft."},"currency":"JPY","id":17285},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"xie shichen (also known as xie sizhong, chu xian) was a renowned ming dynasty painter, born in changzhou (modern-day suzhou, jiangsu province). he was active during the first half of the 16th century and lived to the age of 81. in addition to being skilled in poetry, he was a proficient calligrapher and excelled in seal script. as a landscape artist, xie shichen was heavily influenced by wu zhen and shen zhou, two leading figures of the wu school. he introduced slight changes to their style while blending elements from both the zhe school and wu school. his unique painting style is marked by bold brushstrokes, light and subtle use of color, and the occasional use of figures in his landscapes, which added a graceful and harmonious quality to his works. he was particularly celebrated for his water scenes, such as rivers, lakes, and seas, which were considered masterpieces of the genre. his works were described as having a sense of gutsiness and were noted for their expansive and fluid nature. art critics remarked that his compositions, particularly his long-scroll landscapes with towering peaks, flowed with a natural, uninhibited energy, with an ability to capture the grandiosity of nature with ease and mastery."},"lotNumber":"131","title":{"en":"landscape,by xie shichen"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17286/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.992Z","textCase":"lower","details":{"en":"142×63cm 8.04sq.ft."},"currency":"JPY","id":17286},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"xiao yuncong (1596\u20131673), styled chimu, with the aliases mosi, wumen dao ren, and meishi dao ren, and later known as zhongshan laoren in his later years, was from gushou (modern-day dangtu, anhui). he was a painter during the late ming and early qing dynasties and is recognized as the founder of the gushou school of painting."},"lotNumber":"132","title":{"en":"landscape,by xiao yuncong,ming dynasty"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17287/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.994Z","textCase":"lower","details":{"en":"144×40.5cm 5.2sq.ft."},"currency":"JPY","id":17287},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"wu hufan (1894\u20131968), originally named wan, with courtesy name dongzhuang, art names qian'an and yiyan, and studio name meijing shuwu, was a native of wu county (now suzhou), jiangsu province. born into a family of renowned painters and calligraphers, he was the grandson of wu dacheng. wu hufan was a pivotal figure in 20th-century chinese painting and calligraphy, excelling in poetry, calligraphy, painting, and seal carving, with particular mastery in painting and connoisseurship. his painting style drew from the traditions of the song and yuan dynasties while incorporating strengths from ming and qing masters. his landscape paintings are characterized by meticulous brushwork and exquisite coloration, blending classical foundations with a distinct personal style. he is celebrated as a grand synthesizer of the southern school of painting, with masterpieces such as wonderful peaks piercing the clouds and snow over dongguan and pu showcasing a profound, majestic, yet elegantly refined charm. in calligraphy, wu integrated styles from masters like mi fu and zhao mengfu, achieving a vigorous and free-spirited elegance that complemented his painting style. he was also a distinguished connoisseur of chinese art, renowned for his expertise in authenticating ancient paintings. his extensive collection included treasures such as the remaining mountain segment of dwelling in the fuchun mountains. his contributions to the preservation and study of traditional chinese painting and calligraphy were immense. additionally, wu hufan was dedicated to nurturing younger artists, mentoring numerous students and exerting a lasting influence on the art world. he was one of the leading figures of the shanghai school during the republican period."},"lotNumber":"133","title":{"en":"landscape in blue and green - wu hufan (qing dynasty)"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17288/view","directSalePrice":500000,"lastUpdate":"2026-01-14T09:15:02.995Z","textCase":"lower","details":{"en":"135.5×33.3cm 4.0sq.ft."},"currency":"JPY","id":17288},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"shi xi (1612-1692), originally named kuncan, with the pen name jieqiu and the pseudonyms shi xi and bai tu, was a renowned painter during the late ming and early qing dynasties. born in changde, hunan province, he is often referred to alongside shi tao as the \"two stones\" and is recognized as one of the \"four buddhist painters of the early qing dynasty\". he was particularly skilled in landscape painting, characterized by its rugged and dense style, with profound and intricate themes."},"lotNumber":"134","title":{"en":"shixi landscape painting"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17289/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:02.998Z","textCase":"lower","details":{"en":"123.5×41cm 4.5sq.ft."},"currency":"JPY","id":17289},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"song huizong zhao ji (1082\u20131135), also known as xuanhe master, was the eighth emperor of the song dynasty and a renowned calligrapher and painter. zhao jie developed court painting, gathered a large number of painters, established the xuanhe painting academy, and nurtured outstanding artists such as wang ximeng. the works he organized and compiled, including \"xuanhe calligraphy collection,\" \"xuanhe painting compendium,\" and \"xuanhe ancient objects illustration,\" are invaluable historical resources in the study of art history. his self-created calligraphic style, known as \"xiu jin ti,\" is highly regarded in later generations."},"lotNumber":"135","title":{"en":"song huizong's painting of an eagle"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17290/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:03Z","textCase":"lower","details":{"en":"152×45cm 61sq.ft."},"currency":"JPY","id":17290},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"jiao bingzhen (active late 17th to early 18th century) was a renowned court painter during the kangxi reign of the qing dynasty, born in jining, shandong province. specializing in figure painting, architectural painting, and landscapes, he mastered western perspective techniques, blending chinese and european artistic styles to become a key representative of early western-influenced art in china. employed at the imperial painting academy (ruyiguan), he enjoyed the patronage of emperor kangxi. jiao's work maintained the precision of traditional chinese gongbi (meticulous brushwork) while innovatively incorporating western chiaroscuro and perspective methods, creating a distinctive east-west fusion. his masterpieces include pictures of tilling and weaving and beauties, with the former series featuring poems by emperor kangxi himself, serving as valuable visual records of qing agricultural society. these works were widely circulated domestically and influenced other east asian arts such as japanese ukiyo-e. jiao's artistic practice revitalized qing court painting and established him as a pivotal figure in early sino-western artistic exchange."},"lotNumber":"136","title":{"en":"flower and bird,by jiao bingzhen,kangxi period,qing dynasty"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17291/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:03.002Z","textCase":"lower","details":{"en":"121×63cm 6.8sq.ft."},"currency":"JPY","id":17291},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"qing dynasty spring palace album, eight leaves"},"lotNumber":"137","title":{"en":"qing dynasty spring palace album, eight leaves"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17292/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:03.004Z","textCase":"lower","details":{"en":"29.8×21.2cm 0.5sq.ft."},"currency":"JPY","id":17292},{"startPrice":100000,"sold":false,"available":false,"description":{"en":"an album leaf with a rubbing of autobiography by huai su"},"lotNumber":"138","title":{"en":"an album leaf with a rubbing of autobiography by huai su"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17293/view","directSalePrice":100000,"lastUpdate":"2026-01-14T09:15:03.005Z","textCase":"lower","details":{"en":"32×19.8cm 0.5sq.ft."},"currency":"JPY","id":17293},{"startPrice":200000,"sold":false,"available":false,"description":{"en":"han dynasty shimen inscription rubbing"},"lotNumber":"139","title":{"en":"han dynasty shimen inscription rubbing"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17294/view","directSalePrice":200000,"lastUpdate":"2026-01-14T09:15:03.007Z","textCase":"lower","details":{"en":"196×178cm 31.3sq.ft."},"currency":"JPY","id":17294},{"startPrice":80000,"sold":false,"available":false,"description":{"en":"a mahaprajnaparamita sutra tablet"},"lotNumber":"140","title":{"en":"a mahaprajnaparamita sutra tablet"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17295/view","directSalePrice":80000,"lastUpdate":"2026-01-14T09:15:03.008Z","textCase":"lower","details":{"en":"painting frame:l36cm w20.2cm 0.6sq.ft.\npainting frame:l24.7cm w8.6cm 0.19sq.ft."},"currency":"JPY","id":17295},{"startPrice":50000,"sold":false,"available":false,"description":{"en":"mandala"},"lotNumber":"141","title":{"en":"mandala"},"url":"https://bx.bidspirit.com/ui/lotPage/kirinauction/source/catalog/auction/70279/lot/17296/view","directSalePrice":50000,"lastUpdate":"2026-01-14T09:15:03.010Z","textCase":"lower","details":{"en":"119×86cm 9.2sq.ft."},"currency":"JPY","id":17296},{"startPrice":500000,"sold":false,"available":false,"description":{"en":"deng shiru (1743\u20131805), originally named yan, courtesy name shiru, later changed to wanbo and art names such as wanbai shanren and jiyou daoren, was a native of huaining, anhui (now anqing). he was an accomplished calligrapher, seal carver, painter, and philologist of the qing dynasty, widely regarded as the founder of the \"deng school\" of seal carving. deng excelled in all four major script types of chinese calligraphy, with a particular mastery of seal and clerical scripts. his seal script 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