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1636)"},"estimateMax":27000,"lotNumber":"26","title":{"en":"italian landscape, 17th century flemish school","es":"\"paisaje genovés\", escuela flamenca del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17226/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:38:05.984Z","textCase":"lower","estimate":"\u20ac18,000 - \u20ac27,000","currency":"EUR","id":17226,"estimateMin":18000},{"startPrice":7000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17227/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17227/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17227/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17227/004/004.jpg"],"available":false,"description":{"en":"oil on canvas, measures 80 x 90 (with frame)","es":"óleo sobre lienzo, medidas 80 x 90 (con marco)"},"estimateMax":10500,"lotNumber":"27","title":{"en":"still life, italian school of the 18th century","es":"bodegón, escuela itqliana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17227/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":7000,"lastUpdate":"2026-07-01T16:38:05.986Z","textCase":"lower","estimate":"\u20ac7,000 - \u20ac10,500","currency":"EUR","id":17227,"estimateMin":7000},{"startPrice":10000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17228/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17228/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17228/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17228/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17228/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17228/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17228/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17228/008/008.jpg"],"available":false,"description":{"en":"oil on panel, with carved and polychrome wood frame, measures 70 x 56 cm","es":"óleo sobre tabla, con marco en madera tallada y policromada, medidas 70 x 56 cm"},"estimateMax":15000,"lotNumber":"28","title":{"en":"the resurrection of christ, hispano-flemish school of the 16th c., circle of pedro de campaña","es":"\"la resurrección de cristo\", escuela hispano-flamenca del s. xvi, círculo de pedro de campaña"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17228/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":10000,"lastUpdate":"2026-07-01T16:38:05.988Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac15,000","currency":"EUR","id":17228,"estimateMin":10000},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17229/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17229/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17229/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17229/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17229/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17229/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17229/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17229/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17229/009/009.jpg"],"available":false,"description":{"en":"oil on canvas. francesco solimena, who had started humanistic studies, saw his career determined by the profession of his father, the painter angelo solimena. he began as an assistant to the latter, but the true influence of his early training was the painting of luca giordano, of whom he was a friend, pietro da cortona and lanfranco, and mattia preti, whose palette of dark and somber tones exerted a strong attraction in his work. in 1674 he had settled in naples, where he lived all his life, hardly ever leaving the city, despite the numerous commissions he carried out for various european courts, including the spanish through his relationship with carlos de borbón, the future carlos iii of spain. of the works of its early period, it is necessary to highlight the frescoes in the sacristy of the church of san paolo maggiore (1689-1690), in which the clear and luminous style derived from giordano is still evident. in later years, the color darkens, the artist attracted by the works of the neapolitan tenebrists, giving his painting a greater emotional and dramatic density. in those first decades of the 18th century, he was the undisputed teacher in naples, with a workshop in which artists of notable importance, such as pietro del pò, giaquinto or giuseppe bonito, were trained. solimena painted for the most important neapolitan churches, such as san paolo maggiore, san domenico maggiore, san filippo neri ai gerolamini or the gesù nuovo, and her easel paintings on religious or mythological themes, as well as portraits (mena, m .: catalog of drawings, vii, italian drawings of the 18th and 19th centuries, museo del prado, 1990, p. 136). total measurements:","es":"óleo sobre lienzo. francesco solimena, que había iniciado estudios humanísticos, vio determinada su carrera por la profesión de su padre, el pintor angelo solimena. comenzó como ayudante de éste, pero la verdadera influencia de su formación temprana fue la pintura de luca giordano, de quien era amigo, de pietro da cortona y lanfranco, y de mattia preti, cuya paleta de tonalidades oscuras y sombrías ejerció una fuerte atracción en su obra. en 1674 se había establecido en nápoles, donde residió toda su vida, sin apenas moverse de la ciudad, a pesar de los numerosos encargos que realizó para diversas cortes europeas, entre ellas la española a través de su relación con carlos de borbón, el futuro carlos iii de españa. de las obras de su período temprano, hayque destacar los frescos de la sacristía de la iglesia de san paolo maggiore (1689-1690), en los que es aún evidente el estilo claro y luminoso que deriva de giordano. en los años posteriores, el colorido se ensombrece, atraído el artista por las obras de los tenebristas napolitanos, dando a su pintura una mayor densidad emocional y dramática. fue en esos primeros decenios del siglo xviii el maestro indiscutido en nápoles, con un taller en el que se formaron artistas de notable importancia, como pietro del pò, giaquinto o giuseppe bonito. solimena pintó para las más importantes iglesias napolitanas, como san paolo maggiore, san domenico maggiore, san filippo neri ai gerolamini o el gesù nuovo, y fueron también numerosos sus cuadros de caballete de tema religioso o mitológico, así como los retratos (mena, m.: catálogo de dibujos, vii, dibujos italianos del siglo xviii y del siglo xix, museo del prado, 1990, p. 136). medidas totales: 143 x 102 cm, con marco."},"estimateMax":12000,"lotNumber":"29","title":{"en":"in the manner of francesco solimena, \"immaculate conception\", italian school of the 17th - 18th century","es":"a la manera de francesco solimena, \"inmaculada conceopción\", escuela italiana del s. xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17229/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":8000,"lastUpdate":"2026-07-01T16:38:05.989Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":17229,"estimateMin":8000},{"startPrice":5000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17230/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17230/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17230/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17230/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17230/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17230/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, re-woven, measures: 98 x 78 cm","es":"óleo sobre lienzo, reentelado, medidas: 98 x 78 cm"},"estimateMax":7500,"lotNumber":"30","title":{"en":"portrait of venetian lady, venetian school of the 18th century","es":"\"retrato de dama veneciana\", escuela veneciana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17230/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T16:38:05.991Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac7,500","currency":"EUR","id":17230,"estimateMin":5000},{"startPrice":7000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17231/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17231/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17231/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17231/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17231/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17231/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17231/007/007.jpg"],"soldDate":"2021-10-19","available":false,"description":{"en":"oil on canvas, re-entwined. (rome, h. 1575-1616). italian painter and printmaker. his training takes place mainly in rome, where he is interested in both the examples of classical antiquity and the naturalism of caravaggio. in 1598 he was already in spain, and in 1601 he was in pamplona. in june 1603 he appears as one of the signatories of the petition for the establishment of an artistic academy in madrid. probably three of the works on the prado correspond to this first spanish stage: christ crucified, saint francis receiving the stigmata and saint christopher. between 1603 and 1604 he found himself in italy again, but in 1605 he returned to spain, where he remained until 1607, the year of his final return to rome, where he would remain until his death. his stays in spain provided him with a clientele that continues to demand orders from him even after his return to italy; this is how the works for the valladolid monastery of porta coeli are understood. in them, borgianni carries out canvases of clear caravaggian descent, an influence that was felt in the roman painter especially from 1604, and despite the personal differences between the two artists. in 1610 he was appointed a member of the academy of the virtuosi of the roman pantheon. there are four borgianni canvases in the prado museum's inventories. crucified christ comes from the museum of the trinity, while saint francis receiving the stigmata and saint christopher are modern acquisitions, from 1984 and 1988, respectively. reference bibliography: wethey, harold edwin, \"orazio borgianni in italy and spain\", the burlington magazine, london, 1964, pp. 147-159. longhi, roberto, \"orazio borgianni\" [1919], edizione delle opere complete, florence, sansoni, 1961, t. i, pp. 111-128. francischi osti, o., \"il testamento di orazio borgianni\", quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \"un'opera primitiva di orazio borgianni\", critica d'arte, florence, 1936, pp. 141-142. pérez sánchez, alfonso e., italian painting of the seventeenth century in spain, madrid, fundación valdecilla, 1965, pp. 240-24. total measurements (without frame): 133 x 98 cm quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \"un'opera primitiva di orazio borgianni\", critica d'arte, florence, 1936, pp. 141-142. pérez sánchez, alfonso e., italian painting of the seventeenth century in spain, madrid, fundación valdecilla, 1965, pp. 240-24. total measurements (without frame): 133 x 98 cm quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \"un'opera primitiva di orazio borgianni\", critica d'arte, florence, 1936, pp. 141-142. pérez sánchez, alfonso e., italian painting of the seventeenth century in spain, madrid, fundación valdecilla, 1965, pp. 240-24. total measurements (without frame): 133 x 98 cm","es":"óleo sobre lienzo, reentelado. (roma, h. 1575-1616). pintor y grabador italiano. su formación se desarrolla fundamentalmente en roma, donde se interesa tanto por los ejemplos de la antigüedad clásica como por el naturalismo de caravaggio. en 1598 ya se encuentra en españa, y en 1601 está en pamplona. en junio de 1603 aparece como uno de los firmantes de la petición para el establecimiento de una academia artística en madrid. probablemente a esta primera etapa española corresponden tres de las obras del prado: cristo crucificado, san francisco recibiendo los estigmas y san cristóbal. entre 1603 y 1604 se encuentra de nuevo en italia, pero en 1605 vuelve a españa, donde permanece hasta 1607, año de su definitivo regreso a roma, donde ya se quedará hasta su muerte. sus estancias en españa le proporcionaron una clientela que le sigue demandando encargos incluso tras su regreso a italia; de este modo se entienden las obras para el monasterio vallisoletano de porta coeli. en ellas, borgianni lleva a cabo unos lienzos de clara ascendencia caravaggiesca, una influencia que se dejó sentir en el pintor romano especialmente a partir de 1604, y a pesar de las diferencias personales entre los dos artistas. en 1610 es nombrado miembro de la academia de los virtuosos del panteón. hay cuatro lienzos de borgianni en los inventarios del museo del prado. cristo crucificado proviene del museo de la trinidad, mientras que san francisco recibiendo los estigmas y san cristóbal son adquisiciones modernas, de 1984 y 1988, respectivamente. bibliografía de referencia: wethey, harold edwin, \"orazio borgianni en italia y españa\", the burlington magazine, londres, 1964, págs. 147-159. longhi, roberto, \"orazio borgianni\" [1919], edición de las obras completas, florencia, sansoni, 1961, t. yo, págs. 111-128. francischi osti, o., \"el testamento de orazio borgianni\", quaderni di emblema, miscellanea / 2, bergamo, 1973, págs. 97-102. bottari, stefano, \"una obra primitiva de orazio borgianni\", crítico de arte, florencia, 1936, pp. 141-142. pérez sánchez, alfonso e., pintura italiana del siglo xvii en españa, madrid, fundación valdecilla, 1965, pp. 240-24. medidas totales (sin marco): 133 x 98 cm quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \"una obra primitiva de orazio borgianni\", crítico de arte, florencia, 1936, pp. 141-142. pérez sánchez, alfonso e., pintura italiana del siglo xvii en españa, madrid, fundación valdecilla, 1965, pp. 240-24. medidas totales (sin marco): 133 x 98 cm quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \"una obra primitiva de orazio borgianni\", crítico de arte, florencia, 1936, pp. 141-142. pérez sánchez, alfonso e., pintura italiana del siglo xvii en españa, madrid, fundación valdecilla, 1965, pp. 240-24. medidas totales (sin marco): 133 x 98 cm"},"estimateMax":10500,"lotNumber":"31","title":{"en":"san gregory magnus, in the manner of orazio borgianni, italian school of the 17th century","es":"\"san gregorio magno\", a la manera de orazio borgianni, escuela italiana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17231/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":7000,"soldPrice":8500,"lastUpdate":"2026-07-01T16:38:09.444Z","textCase":"lower","estimate":"\u20ac7,000 - 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\u20ac10,500","currency":"EUR","id":17232,"estimateMin":7000},{"startPrice":5500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17233/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17233/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17233/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17233/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17233/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17233/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17233/007/007.jpg"],"available":false,"description":{"en":"polychrome wood sculpture, measures: 101 x 40 x 34","es":"escultura en madera policromada, medidas: 101 x 40 x 34"},"estimateMax":8250,"lotNumber":"33","title":{"en":"santa apolonia, castilian school of the 17th century","es":"\"santa apolonia\", escuela castellana del s. xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17233/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":5500,"lastUpdate":"2026-07-01T16:38:09.456Z","textCase":"lower","estimate":"\u20ac5,500 - 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he had made the dome in 1753 of the cathedral of zaragoza according to the sketches of the neapolitan-, bayeu is in the first stage of his artistic production one of the most outstanding exponents of spanish late-baroque painting. with the coming of mengs, bayeu became his most faithful follower assimilating neoclassical principles. the figures appear in contained postures, the colors are local and their way of lighting surpasses the strong contrasts of the chiaroscuro of their first stage. bayeu unites the formal rigor of mengs with the technique and pictorial resources of giaquinto. while his finished works are cool and academic, his sketches reveal his late-baroque streak, where he works with fast, flowing touches and rich, luscious colors. measurements: 41.5 x 56 cm bayeu became his most faithful follower assimilating the neoclassical principles. the figures appear in contained postures, the colors are local and their way of lighting surpasses the strong contrasts of the chiaroscuro of their first stage. bayeu unites the formal rigor of mengs with the technique and pictorial resources of giaquinto. while his finished works are cool and academic, his sketches reveal his late-baroque streak, where he works with fast, flowing touches and rich, luscious colors. measurements: 41.5 x 56 cm bayeu became his most faithful follower assimilating the neoclassical principles. the figures appear in contained postures, the colors are local and their way of lighting surpasses the strong contrasts of the chiaroscuro of their first stage. bayeu unites the formal rigor of mengs with the technique and pictorial resources of giaquinto. while his finished works are cold and academic, his sketches reveal his late-baroque streak, where he works with fast, flowing touches and rich, luscious colors. measurements: 41.5 x 56 cm while his finished works are cool and academic, his sketches reveal his late-baroque streak, where he works with fast, flowing touches and rich, luscious colors. measurements: 41.5 x 56 cm while his finished works are cool and academic, his sketches reveal his late-baroque streak, where he works with fast, flowing touches and rich, luscious colors. measurements: 41.5 x 56 cm","es":"óleo sobre lienzo, adjunta informe de josé manuel arnáiz, según el autor, realizado hacia 1722, en el cuadro se representa en primer plano al infante carlos clemente ante los dos emisferios símbolo del poder imperial, el cetro y el león. francisco bayeu (zaragoza, 1734-madrid, 1795) inició su carrera en zaragoza en el taller del pintor de origen bohemio juan andrés merklein y en las clases de dibujo de josé luzán martínez. bayeu regresó entonces a su ciudad natal, donde realizó varios encargos para iglesias y conventos, entre ellos la cartuja de aula dei. anton raphael mengs lo reclamó en 1762 para que le ayudara en la decoración del palacio nuevo. gracias a las intervenciones de mengs, el aragonés colaboró en numerosas empresas decorativas para los reales sitios, que le valieron el nombramiento de pintor de cámara en 1767. trabajó principalmente como pintor de frescos, y realizó en 1768 el de la bóveda de la sala de conversación del cuarto de los príncipes de asturias decorada con el tema hércules en el olimpo. bayeu compaginó sus obligaciones en la corte con diferentes encargos, que le ofrecen las autoridades de zaragoza a continuación se le encomendó la decoración de la capilla real en el palacio de aranjuez. después de la partida de mengs en 1777 a roma, francisco bayeu asumió todas las obligaciones que ha"},"estimateMax":22500,"lotNumber":"91","title":{"en":"attributed to francisco bayeu, \"presentation of the infante carlos clemente, son of carlos iv and maría luisa de parma\"","es":"atribuído a francisco bayeu, \"presentación del infante carlos clemente, hijo de carlos iv y maría luisa de parma\""},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17291/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":15000,"soldPrice":10000,"lastUpdate":"2026-07-01T16:38:07.569Z","textCase":"lower","estimate":"\u20ac15,000 - 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granada, 1724), son of the sculptor bernardo de mora, was trained in his workshop together with pedro de mena and alonso cano. it was the latter who marked him decisively much more than his father or mena. in 1669, two years after cano's death, he went to madrid, where he worked with sebastián de herrera barnuevo, who had also been a disciple of alonso cano. in 1672 he was appointed chamber sculptor of carlos ii until 1680 who left madrid and returned permanently to granada. with a very complex and introverted personality, when his wife died and not having had children, he was left alone and became depressed. his sculpture travels parallel to his state of mind and creating an imagery of deep feeling, of infinite sensitivity that shows an inner pain, collected, intimate, in a state of absence of the worldly thing, quite possibly the sculptor is representing us the state of his own soul in dolorosas as the virgen de la soledad from the güell collection, today in the colegio de san gregorio de valladolid, or the virgen de los dolores of the church of santa ana de granada. he made a very measured sculpture, minimalist in the expressive and in the polychromy that he had learned from cano, but which he executed with less virtuosity and greater austerity in a very personal style of great artistic efficiency. measurements: 61 cm or the virgen de los dolores of the church of santa ana de granada. he made a very measured sculpture, minimalist in the expressive and in the polychromy that he had learned from cano, but which he executed with less virtuosity and greater austerity in a very personal style of great artistic efficiency. measurements: 61 cm or the virgen de los dolores of the church of santa ana de granada. he made a very measured sculpture, minimalist in the expressive and in the polychromy that he had learned from cano, but which he executed with less virtuosity and greater austerity in a very personal style of great artistic efficiency. measurements: 61 cm","es":"excepcional talla en madera policromada. josé de mora (baza, granada, 1642 - granada, 1724), hijo del escultor bernardo de mora, se formó en su taller junto a pedro de mena y alonso cano. fue este último el que le marcó de forma decisiva mucho más que su progenitor o mena. en 1669 y a los dos años del fallecimiento de cano, marchó a madrid, donde trabajó con sebastián de herrera barnuevo, que también había sido discípulo de alonso cano. en 1672 fue nombrado escultor de cámara de carlos ii hasta 1680 que abandona madrid y regresa de forma definitiva a granada. de personalidad muy compleja e introvertida, al morir su esposa y no habiendo tenido hijos quedó en soledad y se adentró la depresión.transita su escultura paralela a su estado anímico y creando una imaginería de hondo sentimiento, de sensibilidad infinita que muestran una pena interior, recogida, intima, en estado de ausencia de la cosa mundana, muy posiblemente el escultor nos está representando el estado de su propia alma en dolorosas como la virgen de la soledad de la colección güell, hoy en el colegio de san gregorio de valladolid, o la virgen de los dolores de la iglesia de santa ana de granada.\n realizó una escultura muy medida, minimalista en lo expresivo y en la policromía que había aprendido de cano, pero que el ejecutó con menos virtuosismo y mayor austeridad en un estilo muy personal de gran eficacia artística. medidas: 61 cm"},"estimateMax":18000,"lotNumber":"101","title":{"en":"san francis of assisi , granada school from the 17th century, attributed to josé de mora","es":"\"san francisco de asís\", escuela granadina del siglo xvii, atribuído a josé de mora"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17301/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T16:38:23.124Z","textCase":"lower","estimate":"\u20ac12,000 - 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18th century","es":"\"magdalena penitente\", posiblemente italia, siglo xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17302/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:38:23.126Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac6,750","currency":"EUR","id":17302,"estimateMin":4500},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17303/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17303/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17303/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17303/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17303/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17303/006/006.jpg"],"available":false,"description":{"en":"exceptional carving in polychrome \"huamanga\" stone. measurements: 66 cm. alt.","es":"excepcional talla en piedra huamanga. medidas: 66 cm. alt."},"estimateMax":4500,"lotNumber":"103","title":{"en":"virgen de la candelaria mexican colonial school, 18th century","es":"virgen de la candelaria escuela colonial mexicana, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17303/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:38:23.128Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,500","currency":"EUR","id":17303,"estimateMin":3000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17304/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17304/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17304/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17304/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17304/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17304/006/006.jpg"],"available":false,"description":{"en":"important marble sculpture: 65 cm alt.","es":"importante escultura en mármol: 65 cm alt."},"estimateMax":5500,"lotNumber":"104","title":{"en":"putto, italy, 16th - 17th centuries","es":"\"putto\", italia, siglos xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17304/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:38:23.130Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac5,500","currency":"EUR","id":17304,"estimateMin":3500},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17305/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17305/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17305/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17305/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17305/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17305/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17305/007/007.jpg"],"available":false,"description":{"en":"large oil on canvas, with a donation inscription in the name of the master félix de la vega, knight of the order of santiago.","es":"gran óleo sobre lienzo, con inscripción de donación a nombre del maestre félix de la vega, caballero de la orden de santiago."},"estimateMax":27000,"lotNumber":"105","title":{"en":"san francis of assisi, mexican colonial school from the 18th century","es":"san francisco de asís, escuela colonial mexicana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17305/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:38:23.136Z","textCase":"lower","estimate":"\u20ac18,000 - \u20ac27,000","currency":"EUR","id":17305,"estimateMin":18000},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17306/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17306/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17306/003/003.jpg"],"available":false,"description":{"en":"oil on panel, measurements (with frame): 80 x 60 cm","es":"óleo sobre tabla, medidas (con marco): 80 x 60 cm"},"estimateMax":9000,"lotNumber":"106","title":{"en":"ecce homo, possibly spanish school of the 17th century","es":"\"ecce homo\", escuela posiblemente española del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17306/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T16:38:23.145Z","textCase":"lower","estimate":"\u20ac6,000 - \u20ac9,000","currency":"EUR","id":17306,"estimateMin":6000},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17307/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17307/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17307/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17307/004/004.jpg"],"available":false,"description":{"en":"in cedar and rosewood, with tortoiseshell inlays, measures: 37.5 x 16.5 x 17.","es":"en cedro y palosanto, con incrustaciones de carey, medidas: 37,5 x 16,5 x 17."},"estimateMax":1800,"lotNumber":"107","title":{"en":"casket, turkey, 18th century","es":"cofre turco, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17307/view","tags":["esinternational_middleeastern","esinternational","esinternational_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:38:23.162Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,800","currency":"EUR","id":17307,"estimateMin":1200},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17308/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17308/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17308/003/003.jpg"],"available":false,"description":{"en":"measurements: 24 x 22 x 12 cm","es":"medidas: 24 x 22 x 12 cm"},"estimateMax":1800,"lotNumber":"108","title":{"en":"rare ceramic lion from talavera, spain, 18th century","es":"raro león en cerámica de talavera, españa, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17308/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:38:23.166Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,800","currency":"EUR","id":17308,"estimateMin":1200},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17309/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17309/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17309/003/003.jpg"],"available":false,"description":{"en":"measurements: 24.5 x 20 x 12 cm","es":"medidas: 24,5 x 20 x 12 cm"},"estimateMax":1350,"lotNumber":"109","title":{"en":"ceramic lion from talavera, spain, possibly ruiz de luna, 19th - 20th century","es":"león en cerámica de talavera, españa, posiblemente ruiz de luna, siglo xix - xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17309/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:38:23.171Z","textCase":"lower","estimate":"\u20ac900 - \u20ac1,350","currency":"EUR","id":17309,"estimateMin":900},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17310/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17310/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17310/003/003.jpg"],"available":false,"description":{"en":"measurements: 10 x 7 cm","es":"medidas: 10 x 7 cm"},"estimateMax":2250,"lotNumber":"110","title":{"en":"micromosaic, possibly vatican workshops, italy, 19th century","es":"micromosaico, pociblemente talleres vaticanos, italia, siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17310/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:38:23.173Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,250","currency":"EUR","id":17310,"estimateMin":1500},{"startPrice":6500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17311/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17311/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17311/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17311/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17311/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17311/006/006.jpg"],"available":false,"description":{"en":"with eight painted ivory plates representing members of the nobility, measures: 13 x 16 x 14 cm","es":"con ocho placas en marfil pintado representando a miembros de la nobleza, medidas: 13 x 16 x 14 cm"},"estimateMax":9750,"lotNumber":"111","title":{"en":"french jewelery box in gilded silver from the 18th century, louis xv period","es":"joyero francés en plata dorada del siglo xviii, periodo luis xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17311/view","tags":["esdecorativearts_silver","esdecorativearts_ivory","esdecorativearts_all","esdecorativearts"],"directSalePrice":6500,"lastUpdate":"2026-07-01T16:38:22.521Z","textCase":"lower","estimate":"\u20ac6,500 - 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córdoba 1757) belonging to one of the most important lineages of andalusian baroque artists, duque cornejo, represents the greatest exponent and culmination of the schools seville and granada in baroque sculpture. in addition to being a sculptor of carvings, he will work as an architect of altarpieces, fundamentally making the design or layout, and also learning about his works in painting and engraving. he is considered the most outstanding imager and engraver of the 18th century in andalusia. important factors converge in his figure, such as a rich training in various artistic disciplines, which allow him not to dedicate himself exclusively to carving; and the culmination of the idea of","es":"excepcional relieve en madera dorada y policromada. posiblemente realizado para coronar un altar. sobrino de de pedro y luisa roldán, y formado en su taller, pedro duque cornejo (sevilla 1678 \u2013 córdoba 1757) perteneciente a una de las estirpes de artistas más importantes del barroco andaluz, duque cornejo, representa el máximo exponente y culmen de las escuelas sevillana y granadina en la escultura barroca. además de escultor de tallas va a trabajar como arquitecto de retablos, fundamentalmente realizando el diseño o traza, y también conociendose obras suyas en pintura y grabado. se le considera el imaginero y entallador más destacado del siglo xviii en andalucía. en su figura confluyen factores importantes, como es una rica formación en varias disciplinas artísticas, que le permiten no dedicarse exclusivamente a la talla; y la culminación de la idea de artista que ejerce las tres artes, que está presente en la tradición andaluza desde la figura singular de alonso cano. conocedor de su propia valía, siempre tuvo un alto concepto de sí mismo, e intentó por ello la consecución del título de escultor de cámara del rey, que no logró nunca, aunque sí que obtuvo el de escultor de la reina, así como privilegio de hidalguía, concedido por la real chancillería de granada en 1751. dejó muestra de su trabajo por gran parte de andalucía, fundamentalmente sevilla, granada y córdaba, y también trabajo en madrid. sus esculturas se van a caracterizar por las poses afectadas y el impulso barroco conseguido con las grandes ondulaciones de las telas, en sus retablos va a ser constante la aparición del estípite, como elemento definitorio de las arquitecturas. bibliografía de referencia: a. pleguezuelo herández, \u201cnuevos datos sobre la vida y obra de pedro duque cornejo\u201d archivo hispalense: revista histórica, literaria y artística, tomo 67, nº 205, 1984, pp. 179-188; j. roda peña, \u201ctres esculturas de pedro duque cornejo para el oratorio de san felipe neri de sevilla\u201d atrio: revista de historia del arte, nº 8-9, pp. 240-243; \u201cpedro duque cornejo en la capilla sacramental de la parroquia de san bernardo\u201d boletín de las cofradías de sevilla (b.c.s.), nº 496, 2000, pp. 76-81; \u201ca propósito de los crucifijos de pedro duque cornejo: dos nuevas versiones en umbrete y chucena\u201d l.a., nº 19, 2006, pp. 215-229; j. l. romero torres, \u201cdocumentación sobre las santas justa y rufina, de la catedral hispalense, obras del escultor pedro duque cornejo\u201d tercer congreso español de historia del arte, sevilla, 1980, pp. 44 y ss.; r. mª. salazar fernández, \u201cun grabado de santa maría del subsidio: primera obra firmada de pedro duque cornejo\u201d l.a., nº 9, 1996, pp. 359-364; j. valverde madrid, \u201cel escultor sevillano duque cornejo\u201d b.b.a., nº 1, 1973, pp. 141-190; \u201cpedro duque cornejo, proyectista\u201d b.b.a., nº 7, 1979, pp. 77-84. medidas: 60 x 76 cm"},"estimateMax":18000,"lotNumber":"139","title":{"en":"immaculate conception, granada school of the 17th - 18th century, attributed to pedro duque cornejo","es":"\"inmaculada concepción\", escuela granadina del siglo xvii - xviii, atribuído a pedro duque cornejo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17339/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T16:38:24.675Z","textCase":"lower","estimate":"\u20ac12,000 - \u20ac18,000","currency":"EUR","id":17339,"estimateMin":12000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17340/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17340/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17340/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17340/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17340/005/005.jpg"],"available":false,"description":{"en":"exquisite pair of finely carved gilt bronze plates, with spanish silver frames from the 18th century. possibly they were formerly part of tabernacle doors. measurements: 35.5 x 22 cm","es":"exquisita pareja de planchas en bronce dorado finamente cinceladas, con marcos españoles en plata del siglo xviii. posiblemente forrmaran parte de puertas de sagrario. medidas: 35.5 x 22 cm"},"estimateMax":5500,"lotNumber":"140","title":{"en":"ecce homo and dolorosa, probably north italian school, 16th century","es":"\"ecce homo y dolorosa\", probablemente escuela del norte de italia, siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17340/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:38:24.680Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac5,500","currency":"EUR","id":17340,"estimateMin":3500},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17341/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17341/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17341/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17341/004/004.jpg"],"available":false,"description":{"en":"bearing rose coat of arms, finely decorated in famille rose enamel, good condition, without hairs and with some side wear, another example in the v&a museum. identical plate in the royal collections published by howard, 1974, p. 243. measurements: 20 cm. diameter approx. provenance: spanish private collection.","es":"decorados en esmalte familia rosa, buen estado, sin pelos y con algunos desgastes laterales, otro ejemplo en el v&a museum. plato idéntico en las colecciones reales publicado por howard, 1974, p. 243. medidas: 20 cm. diámetro aprox. procedencia: colección particular española."},"estimateMax":3500,"lotNumber":"141","title":{"en":"pair of chinese export porcelain plates for the english market, circa 1735, china, 18th century, yongzheng period","es":"pareja de platos en porcelana china para la exportación con escudo de armas rose, circa 1735, china, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17341/view","tags":["esinternational_chinese","esinternational","esinternational_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:38:26.372Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,500","currency":"EUR","id":17341,"estimateMin":2500},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17342/010/010.jpg"],"available":false,"description":{"en":"in porcelain, enameled \"blue bleu\" and with fine vine motifs on a golden background in the center, due to its exceptional quality, it would be an example very possibly made by the imperial manufactory of vienna, being customary for the habsburg dynasty to give with delicate porcelain pieces to members of royal families in the rest of europe or as diplomatic gifts. attached methacrylate cabinet and gilt wood base. very good condition: without hairlines or restorations, small losses. provenance: spanish noble collection, measures: 12x30 cm","es":"en porcelana, esmaltada \"bleu celeste\" y con finos motivos de vid sobre fondo dorado en el centro, por su excepcional calidad, se trataría de un ejemplo muy posiblemente realizado por la manufactura imperial de viena, siendo habitual por parte de la dinastía habsburgo obsequiar con delicadas piezas de porcelana a miembros de familias reales del resto de europa o como regalos diplomáticos. muy buen estado, sin pelos ni restauraciones. adjunta vitrina en metacrilato y base en madera dorada. procedencia: colección nobiliaria española, medidas 12x30 cm."},"estimateMax":12000,"lotNumber":"142","title":{"en":"exceptional porcelain centerpiece, vienna imperial manufacture, 19th century, circa 1810","es":"excepcional centro de mesa en porcelana de la manufactura imperial de viena, siglo xix, circa 1810"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17342/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":8000,"lastUpdate":"2026-07-01T16:38:26.374Z","textCase":"lower","estimate":"\u20ac8,000 - 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20th mentury, mark and period of guangxu (1875 - 1908).","es":"fina pareja de platos chinos, marca y periodo guangxu, siglo xix - xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17343/view","tags":["esinternational_chinese","esinternational","esinternational_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:38:26.381Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac2,700","currency":"EUR","id":17343,"estimateMin":1800},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17344/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17344/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17344/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17344/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17344/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17344/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17344/007/007.jpg"],"available":false,"description":{"en":"cardinal carlos de borja centellas ponce de león (1664-1733), son of the 9th duke of gandía, was one of the most influential figures in spain in the first half of the 18th century and senior chaplain to felipe v. the certificate issued by didier bonart dated july 4, 1980 in rome where he attributes the work to andrea procaccini, measures: 76 x 58 cm.","es":"el cardenal carlos de borja centellas ponce de león (1664-1733), hijo del ix duque de gandía, fue uno de los personajes más influyentes de españa en la primera mitad del siglo xviii y capellán mayor de felipe v.el certifficado emitido por didier bonart datada el 4 de julio de 1980 en roma donde atribuye la obra a andrea procaccini, medidas: 76 x 58 cm."},"estimateMax":9000,"lotNumber":"144","title":{"en":"portrait of cardinal carlos de borja, attributed to andrea procaccini, italian, 18th century","es":"retrato del cardenal carlos de borja, atribuído a andrea procaccini, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17344/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T16:38:26.390Z","textCase":"lower","estimate":"\u20ac6,000 - \u20ac9,000","currency":"EUR","id":17344,"estimateMin":6000},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17345/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17345/002/002.jpg"],"available":false,"description":{"en":"in mahogany wood and fruit and rosewood marquetry. dimensions: 77 x 73 x 51 cm","es":"en madera de caoba y marquetería de frutal y palosanto. dimensiones: 77 x 73 x 51 cm"},"estimateMax":450,"lotNumber":"145","title":{"en":"important mallorcan corner, carlos iv period, spain, 18th century","es":"importante rinconera mallorquina periodo carlos iv, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17345/view","tags":["esfurniture_tables","esfurniture_all","esfurniture"],"directSalePrice":300,"lastUpdate":"2026-07-01T16:38:26.393Z","textCase":"lower","estimate":"\u20ac300 - \u20ac450","currency":"EUR","id":17345,"estimateMin":300},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17346/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17346/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17346/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17346/004/004.jpg"],"artist":{"es":"pierre garnier"},"available":false,"description":{"en":"\"still life\", signed pierre garnier, still life with flowers and vase from the 19th century measurements: 55 x 38 cm","es":"bodegon con flores y jarron del siglo xix. medidas: 55x38"},"estimateMax":450,"lotNumber":"146","title":{"en":"\"still life\", signed pierre garnier","es":"\"bodegón\", firmado pierre garnier, bodegon con flores y jarron del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17346/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T16:38:26.395Z","textCase":"lower","estimate":"\u20ac300 - \u20ac450","currency":"EUR","id":17346,"estimateMin":300},{"startPrice":1800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17347/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17347/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17347/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17347/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17347/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17347/006/006.jpg"],"soldDate":"2021-10-15","available":false,"description":{"en":"signed and dated in the upper right. born in chiasso, a swiss commune in the canton of ticino near the border with italy, pietro sarto moved to paris in 1947, where he remained until 1959. there he learned the trade of engraving with albert flocon, mathematician, philosopher and writer , a former bauhaus student, who taught him to use curvilinear perspective: flocon considered that the viewer was not in front of a landscape, but participated in it. this concept guided much of pietro sarto's work. in 1977 sarto created, together with the william cuendet family (who donated their collection of dürer and rembrandt etchings), the \"fondation william cuendet & atelier de saint-prex\" with which he developed the exhibition \"anatomie de la couleur\", presented in paris at the bibliothèque nationale de france, and then in lausanne at the olympic museum (1996). as engraving was only one of the facets of his life, he tirelessly continued his activity as a painter. after realizing that his place was switzerland, he permanently moved to lausanne. there he held his first solo exhibition, which led to another series of shows: at the galerie de l'entr'acte; in neuchâtel, at the galerie ditesheim, in geneva, at the galerie jacques benador and in avenches, at the galerie du château. measurements: 79 x 101 cm which gave way to another series of exhibitions: at the galerie de l'entr'acte; in neuchâtel, at the galerie ditesheim, in geneva, at the galerie jacques benador and in avenches, at the galerie du château. measurements: 79 x 101 cm which gave way to another series of exhibitions: at the galerie de l'entr'acte; in neuchâtel, at the galerie ditesheim, in geneva, at the galerie jacques benador and in avenches, at the galerie du château. measurements: 79 x 101 cm","es":"firmado y fechado en el ángulo superior derecho. nacido en chiasso, comuna suiza del cantón del tesino cercano a la frontera con italia, pietro sarto se trasladó a parís en el año 1947, donde permaneció hasta el año 1959. allí aprendió el oficio del grabador con albert flocon, matemático, filósofo y escritor, antiguo alumno de la bauhaus, que le enseñó a utilizar la perspectiva curvilínea: flocon consideraba que el espectador no estaba delante de un paisaje, sino que participaba en él. este concepto guió gran parte de la obra de pietro sarto. en 1977 sarto creó, junto a la familia de william cuendet (que donó su colección de grabados de durero y rembrandt), la \"fondation william cuendet & atelier de saint-prex\" con la que desarrolló la exposición \"anatomie de la couleur\", presentada en parís en la bibliothèque nationale de france, y luego en lausana en el museo olímpico (1996). siendo el grabado sólo una de las facetas de su vida, prosiguió incansablemente su actividad como pintor. tras comprender que su lugar era suiza, se trasladó definitivamente a lausana. allí realizó su primera exposición individual, que dio paso a otra serie de muestras: en la galerie de l'entr'acte; en neuchâtel, en la galerie ditesheim, en ginebra, en la galerie jacques benador y en avenches, en la galerie du château. medidas: 79 x 101 cm."},"estimateMax":2700,"lotNumber":"147","title":{"en":"pietro sarto (chiasso, ticino, switzerland, 1930). \"landscape\", 2001","es":"pietro sarto (chiasso, tesino, suiza, 1930). \"paisaje\", 2001"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17347/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1800,"soldPrice":3000,"lastUpdate":"2026-07-01T16:38:26.401Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac2,700","currency":"EUR","id":17347,"estimateMin":1800},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17348/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17348/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17348/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17348/004/004.jpg"],"available":false,"description":{"en":"\"don\" fink (duluth, minessotta, 1923) studied at the art students league and at the academie julien. he was born in duluth, minnesota, but later moved to europe where he established himself as an artist. he first settled in paris where he was a member of the \"\" jeune ecole de paris \"\" (with appel, debre, hundertwasser, tapies, dumitresco, messagier, zanartu, etc.) to end up living in barcelona. \n don fink was born in duluth (minnesota, usa) on september 1, 1923. he was initially educated at the walker art school in minneapolis and continued at the arts students league in new york, where he strongly focused on abstract expressionism. he was called up in world war ii and after graduating and holding various exhibitions in the us he moved to live in paris in 1952 where he remained until 1977, the year he settled in our country until his death in 2010. \n museums: \n whitney museum of american art \n university of michigan museum of art \n institute of contemporary art, madrid. dimensions: 80 x 90 cm","es":"don fink (duluth, minessotta, 1923) estudió en la art students league y en la academie julien. nació en duluth, minnesota, pero luego se mudó a europa donde se estableció como artista. primero se estableció en parís donde fue miembro de la \"jeune ecole de paris\" (con appel, debre, hundertwasser, tapies, dumitresco, messagier, zanartu, etc.) para acabar viviendo en barcelona.\n don fink nace en duluth (minnesota, eeuu) el 1 de septiembre de 1923. se forma inicialmente en la walker art school de minneapolis y continúa en la arts students league de nueva york donde se ubica con fuerza en el expresionismo abstracto. es llamado a filas en la ii guerra mundial y tras licenciarse y realizar diversas exposiciones en eeuu se traslada a vivir a paris en 1952 donde permanece hasta 1977, año en que se instala en nuestro pais hasta su fallecimiento en 2010.\n museos:\n museo whitney de arte americano\n museo de arte de la universidad de michigan\n instituto de arte contemporáneo, madrid. dimensiones: 80 x 90 cm"},"estimateMax":1500,"lotNumber":"148","title":{"en":"don fink (minessotta, 1923 - 2010), \"untitled\", 2004","es":"don fink (minessotta, 1923 - 2010), \"sin título\", 2004"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17348/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:38:26.404Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,500","currency":"EUR","id":17348,"estimateMin":1000},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17349/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17349/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17349/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17349/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17349/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17349/006/006.jpg"],"available":false,"description":{"en":"guglielmo della porta (ca. 1500\u20131577) was an italian architect and sculptor of the mannerist era. born into a renowned family related to the arts and crafts of stone. his father, giovanni battista della porta, stood out as a sculptor. he did his apprenticeship in the workshop of his uncle giovanni giacomo della porta in genoa. work with him on the construction of the milan cathedral. around 1530 he was entrusted with the task of reproducing some works by leonardo da vinci. back in genoa, he perfected his drawing technique under the orders of the master perin del vaga, with whom he worked at the palazzo doria. around 1537 he moved to rome, where he came into contact with sebastiano del piombo, who recommended him to miguel ángel. he worked on the legs of hercules farnese, a sculpture found without his legs. plays: altar in the chapel of saint peter and saint paul in the cathedral of genoa, 1534-1537. a triumphal arch with a niche that welcomes an enthroned christ flanked by two apostles. bust of paulo iii, multiple versions. one of them, ca. 1547, in white and yellow marble, is exhibited in the museum of capodimonte, naples. tomb of paul iii, in bronze and marble (st. peter's basilica), 1549-1575. christ measurements: 19 x 18 cm. cross measurements: 42 x 24 cm","es":"guglielmo della porta (ca. 1500\u20131577) fue un arquitecto y escultor italiano de la época manierista. nacido en el seno de una renombrada familia relacionada con los artes y oficios de la piedra. su padre, giovanni battista della porta, destacó como escultor. realizó el aprendizaje en el taller de su tío giovanni giacomo della porta"},"estimateMax":4500,"lotNumber":"149","title":{"en":"workshop of guiglielmo della porta, italy, 16th century, christ in silver","es":"cristo en plata, taller de guiglielmo della porta, italia, siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17349/view","tags":["esart_ancientsculpture","esdecorativearts_silver","esart","esdecorativearts_all","esart_all","esdecorativearts"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:38:26.409Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac4,500","currency":"EUR","id":17349,"estimateMin":2500},{"startPrice":6500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17350/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17350/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17350/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17350/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17350/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17350/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17350/007/007.jpg"],"soldDate":"2021-10-14","available":false,"description":{"en":"dimensions: 33.5 x 21 cm","es":"dimesiones: 33,5 x 21 cm"},"estimateMax":8500,"lotNumber":"150","title":{"en":"limoges cross in enamel, 13th century","es":"cruz de limoges en esmalte, siglo xiii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17350/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":6500,"soldPrice":6500,"lastUpdate":"2026-07-01T16:38:26.415Z","textCase":"lower","estimate":"\u20ac6,500 - \u20ac8,500","currency":"EUR","id":17350,"estimateMin":6500},{"startPrice":4500,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17351/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17351/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17351/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17351/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17351/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17351/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17351/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17351/009/009.jpg"],"soldDate":"2021-11-04","available":false,"description":{"en":"oil on canvas. josé campeche jordán (1751 - 1809) is the first puerto rican artist internationally recognized outside the island and considered by many to be one of the best representatives of rococo in america. son of a \u201cliberto\u201d slave father and a canarian mother, campeche studies latin and philosophy in the dominicans of san juan, puerto rico. there are around 300 documented works, most of them of religious content, and among them, we highlight the altar of the cathedral of san juan. references: \"josé campeche, witness to the city\", institute of puerto rican culture, cuadernos de cultura nº 12 \". provenance: from the descendants of rafael conti flores., private collection, madrid. measurements: 46 x 38 cm","es":"óleo sobre lienzo. josé campeche jordán (1751 - 1809) es el primer artista puertorriqueño reconocido en la internacionalmente fuera de la isla y considerado por muchos como uno de los mejores representantes del rococó en américa. de padre esclavo liberto y madre canaria, campeche cursa latín y filosofía en los dominicos de san juan, puerto rico. existen alrededor de 300 obras documentadas, la mayoría de contenido religioso, y entre ellas, destacamos el altar mayor de la catedral de san juan. referencias: \"josé campeche, testigo de la ciudad\", instituto de cultura puertorriqueña, cuadernos de cultura nº 12\". procedencia: antigua colección conti flores, madrid. medidas: 46 x 38 cm"},"estimateMax":6500,"lotNumber":"151","title":{"en":"de campeche, josé, \"virgen de las mercedes\", puerto rican colonial school, 18th century","es":"de campeche, josé, \"virgen de las mercedes\", escuela colonial puertorriqueña del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17351/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":4500,"soldPrice":6500,"lastUpdate":"2026-07-01T16:38:25.333Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac6,500","currency":"EUR","id":17351,"estimateMin":4500},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17352/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17352/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17352/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17352/004/004.jpg"],"available":false,"description":{"en":"dimensions: 30 x 18 cm","es":"dimensiones: 30 x 18 cm"},"estimateMax":1350,"lotNumber":"152","title":{"en":"pietà in carved wood, castilian school of the 16th century","es":"piedad en madera tallada, escuela castellana del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17352/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:38:25.338Z","textCase":"lower","estimate":"\u20ac900 - \u20ac1,350","currency":"EUR","id":17352,"estimateMin":900},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17353/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17353/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17353/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17353/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17353/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/17353/006/006.jpg"],"available":false,"description":{"en":"in pear wood, measures: 40 x 16 cm","es":"en madera de peral, medidas: 40 x 16 cm"},"estimateMax":1800,"lotNumber":"153","title":{"en":"pietà, probably galician school from the 16th century","es":"piedad, escuela probablemente gallega del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/17702/lot/17353/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:38:25.341Z","textCase":"lower","estimate":"\u20ac1,200 - 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