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(barcelona, 1678-1755). muy importante obra trinitaria donde encontramos, en el plano inferior, a san félix de valois y a san juan de la mata, fundadores de la santa orden trinitaria, en los planos izquierdo y derecho respectivamente. en el plano intermedio, observamos a un ángel custodio liberando a dos esclavos cristianos rodeados de ángeles. rematando el conjunto, en el plano superior, observamos a dios padre junto a jesucristo y el espíritu santo coronando la obra. fue discípulo del pintor antonio viladomat y amplió estudios viajando a parís. fue académico de la academia de bellas artes de san fernando de madrid y miembro del colegio de pintores de barcelona. junto con su hermano manuel tramulles, también pintor, fueron los principales promotores de la primera escuela pública de arte en barcelona en el año 1747, precursora de la actual escuela de la lonja. realizó diversos dibujos de las fiestas y cabalgatas que se organizaron en barcelona en 1759 para la recepción en la ciudad de carlos iii con motivo de su coronación com rey. procedencia: importante colección particular española. bibliografía de referencia: tomo19 (2004). la gran enciclopèdia en català (en catalán). barcelona, edicions 62. isbn 84-297-5447-4."},"estimateMax":18000,"lotNumber":"7","title":{"en":"large trinitarian allegory canvas, representing san juan de la mata and san félix de valois, catalan school of the 18th century, in the manner of francesc tramulles (barcelona 1722-1773)","es":"gran alegoría trinitaria, representando a san juan de la mata y san félix de valois, escuela catalana del xviii, a la manera de francesc tramulles (barcelona 1722-1773)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20746/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":5000,"soldPrice":7500,"lastUpdate":"2026-07-01T16:44:15.605Z","textCase":"lower","estimate":"\u20ac12,000 - 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xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20752/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:44:12.964Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":20752,"estimateMin":1500},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20753/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20753/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20753/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20753/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20753/005/005.jpg"],"available":false,"description":{"en":"carved, gilded and polychrome wood carving. measurements: 58 x 22 x 15 cm","es":"talla en madera tallada, dorada y policromada. medidas: 58 x 22 x 15 cm"},"estimateMax":2400,"lotNumber":"14","title":{"en":"musician angel, 17th century spanish school","es":"ángel músico, escuela española del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20753/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:44:12.966Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac2,400","currency":"EUR","id":20753,"estimateMin":1800},{"startPrice":3200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20754/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20754/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20754/003/003.jpg"],"available":false,"description":{"en":"carved, gilded and polychrome wood carving. measurements: 46 x 17 x 10 cm","es":"talla en madera tallada, dorada y policromada. medidas: 46 x 17 x 10 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madera policromada, medidas: 64 x 107 x 53"},"estimateMax":1200,"lotNumber":"37","title":{"en":"rare tibetan chest, 17th - 18th century","es":"raro baúl tibetano, siglo xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20776/view","tags":["esfurniture_chests","esfurniture_all","esfurniture"],"directSalePrice":600,"lastUpdate":"2026-07-01T16:44:19.701Z","textCase":"lower","estimate":"\u20ac900 - \u20ac1,200","currency":"EUR","id":20776,"estimateMin":900},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20777/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20777/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20777/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20777/004/004.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: framed measurements: 36 x 31, canvas measurements: 26 x 20 cm","es":"óleo sobre lienzo, medidas enmarcado: medidas enmarcado: 36 x 31, medidas lienzo: 26 x 20 cm"},"estimateMax":1500,"lotNumber":"38","title":{"en":"colonial madonna, probably new spain school of the 18th century","es":"madonna colonial, escuela probablemente novohispana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20777/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T16:44:19.703Z","textCase":"lower","estimate":"\u20ac1,000 - 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bolognese or florentine master of the 17th century. the first represents \"the inspiration of saint matthew\" next to the angel, and next to him we find saint mark, next to the lion. finely gilded on the original polychromy, obtaining a reflection effect under the light. copper measures: 23 x 17 cm. framed measurements: 26 x 22 cm. provenance: important private collection, spain.","es":"pareja de óleos sobre cobre, vivamente policromados y sobredorados. maestro boloñés o florentino del siglo xvii. el primero, representa \"la inspiración de san mateo\" junto al ángel, y, a su lado nos encontramos a san marcos, junto al león. finamente dorados sobre la policromía de origen obteniendo un efecto reflejo bajo la luz. medidas cobres: 23 x 17 cm. medidas enmarcados: 26 x 22 cm. procedencia: importante colección particular, españa."},"estimateMax":12000,"lotNumber":"39","title":{"en":"exceptional pair of coppers representing saint matthew and saint mark, italian school of the 17th century","es":"excepcional pareja de cobres representando a san mateo y san marcos, escuela italiana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20778/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":5500,"lastUpdate":"2026-07-01T16:44:19.705Z","textCase":"lower","estimate":"\u20ac8,000 - 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measurements: 85 x 108 cm","es":"óleo sobre lienzo, medidas enmarcado: 72 x 98. medidas lienzo: 85 x 108 cm"},"estimateMax":12000,"lotNumber":"40","title":{"en":"tavern scene, signed \"d. teniers fec.?\", 17th century flemish school","es":"escena de taberna, firmado \"¿d. teniers fec.?\", escuela flamenca del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20779/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:44:19.706Z","textCase":"lower","estimate":"\u20ac10,000 - \u20ac12,000","currency":"EUR","id":20779,"estimateMin":10000},{"startPrice":600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20780/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20780/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20780/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20780/004/004.jpg"],"available":false,"description":{"en":"engraving proof of author 3/4 with repaints by hand. engraved measurements: 69 x 96 cm. from a family that emigrated to argentina, castillo returned to europe in 1957. after passing through vigo, he settled in madrid, where he soon came into contact with the art critic josé maría moreno galván, who admired his work and introduced him to madrid's artistic circles. . in 1958 he began to sell his drawings at the biosca gallery, and the painter antonio saura himself bought several of them. the following year he exhibits his works on paper and watercolors at the altamira gallery in madrid. little by little he will opt for the engraving technique, which will finally be his main means of expression, although he will alternate it with painting. in 1960 he is selected for the são paulo biennial in brazil. from then on he will exhibit his work internationally, in galleries and museums in new york, san francisco, tokyo, paris, lisbon, turin, hannover, dusseldorf and geneva. he participated in the venice biennale in 1964 and 1976, and in 1970 he had a solo exhibition at the nationalgalerie in berlin, the first major exhibition dedicated, in a museum, to a specific period of his career. she won prizes such as the international drawing (1964) and painting (1975) of darmstadt, the city of pontevedra (1994), and the live culture of plastic arts (2006). he currently resides and works in ibiza. you can see the work of jorge castillo at the museum of fine arts in lausanne, the juan march foundation, the national galleries in edinburgh and berlin, the museums of modern art in san francisco and vitoria, the kunsthalle in bremen, the albertina in vienna, the national library of spain and the guggenheim in new york,","es":"grabado prueba de autor 3/4 con repintes a mano. medidas grabado: 69 x 96 cm. de familia emigrada a la argentina, castillo regresó a europa en 1957. tras pasar por vigo se instala en madrid, donde pronto entra en contacto con el crítico de arte josé maría moreno galván, quien admira su trabajo y le introduce en los círculos artísticos madrileños. en 1958 empieza a vender sus dibujos en la galería biosca, y el propio pintor antonio saura compra varios de ellos. al año siguiente expone sus trabajos sobre papel y acuarelas en la galería altamira de madrid. poco a poco se irá decantando por la técnica del grabado, que será finalmente su principal medio de expresión, aunque lo alternará con la pintura. en 1960 es seleccionado para la bienal de são paulo en brasil. a partir de entonces expondrá su obra internacionalmente, en galerías y museos de nueva york, san francisco, tokio, parís, lisboa, turín, hannover, dusseldorf y ginebra. participa en la bienal de venecia en 1964 y 1976, y en 1970 realiza una exposición individual en la nationalgalerie de berlín, la primera gran exposición dedicada, en un museo, a un periodo concreto de su carrera. obtuvo premios como los internacionales de dibujo (1964) y de pintura (1975) de darmstadt, el ciudad de pontevedra (1994), y el cultura viva de las artes plásticas (2006). actualmente reside y trabaja en ibiza. se puede contemplar obra de jorge castillo en el museo de bellas artes de lausana, la fundación juan march, las galerías nacionales de edimburgo y berlín, los museos de arte moderno de san francisco y vitoria, la kunsthalle de bremen, el albertina de viena, la biblioteca nacional de españa y el guggenheim de nueva york, entre otros."},"estimateMax":1500,"lotNumber":"41","title":{"en":"\"compositions\", engraving proof of author, 3/4, jorge del castillo (pontevedra, 1933)","es":"\"composiciones\", grabado prueba de autor, 3/4, jorge del castillo (pontevedra, 1933)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20780/view","tags":["esart_graphicworksetchinglithography","esart","esart_all"],"directSalePrice":600,"lastUpdate":"2026-07-01T16:44:14.251Z","textCase":"lower","estimate":"\u20ac1,200 - 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filipino, escuela de hispano filipina del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20781/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":700,"lastUpdate":"2026-07-01T16:44:14.253Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,800","currency":"EUR","id":20781,"estimateMin":1200},{"startPrice":650,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20782/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20782/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20782/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20782/004/004.jpg"],"available":false,"description":{"en":"measurements: 96 x 20 cm. provenance: private collection, spain.","es":"medidas: 96 x 20 cm. procedencia: colección particular, españa."},"estimateMax":1500,"lotNumber":"43","title":{"en":"spanish horse mouth sword, 17th century","es":"espada española boca de caballo, siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20782/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":650,"lastUpdate":"2026-07-01T16:44:14.255Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":20782,"estimateMin":1200},{"startPrice":950,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20783/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20783/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20783/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20783/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20783/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20783/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20783/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20783/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20783/009/009.jpg"],"available":false,"description":{"en":"with finely \"diamond\" ball beads by hand around the entire hilt. measurements: 92 x 12 cm. provenance: private collection, spain.","es":"con cuentas de bolas finamente \"adiamantadas\" a mano alrededor de toda la empuñadura. medidas: 92 x 12 cm. procedencia: colección particular, españa."},"estimateMax":4500,"lotNumber":"44","title":{"en":"very rare \"diamond-plated\" officer's sword, toledo, 17th century","es":"muy rara espada de oficial \"adiamantada\", toledo, siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20783/view","tags":["escollectibles_militaria","escollectibles_all","escollectibles"],"directSalePrice":950,"lastUpdate":"2026-07-01T16:44:14.257Z","textCase":"lower","estimate":"\u20ac3,500 - 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55, canvas measurements: 75 x 65 cm","es":"óleo sobre lienzo pegado a tabla. medidas enmarcado: 65 x 55, medidas lienzo: 75 x 65 cm"},"estimateMax":3000,"lotNumber":"45","title":{"en":"the arrest of christ, murcian school of the 18th century","es":"el prendimiento de cristo, escuela murciana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20784/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1600,"lastUpdate":"2026-07-01T16:44:14.258Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":20784,"estimateMin":2000},{"startPrice":1600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20785/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20785/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20785/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20785/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20785/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20785/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20785/007/007.jpg"],"available":false,"description":{"en":"oil on canvas. framed measurements: 56 x 49, canvas measurements: 38 x 31 cm","es":"óleo sobre lienzo. medidas enmarcado: 56 x 49, medidas lienzo: 38 x 31 cm"},"estimateMax":3000,"lotNumber":"46","title":{"en":"saint anthony of padua with the christ child, circle of francesco de mura (naples, 1696-1782)","es":"san antonio de padua con el niño jesús, círculo de francesco de mura (nápoles, 1696-1782)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20785/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1600,"lastUpdate":"2026-07-01T16:44:14.260Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":20785,"estimateMin":2000},{"startPrice":5500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20786/010/010.jpg"],"available":false,"description":{"en":"oil on board. framed measurements: 69 x 54, table measurements: 57 x 42 cm","es":"óleo sobre tabla. medidas enmarcado: 69 x 54, medidas tabla: 57 x 42 cm"},"estimateMax":12000,"lotNumber":"47","title":{"en":"the arrest of christ, circle of luis morales \"el divino\", 16th century","es":"el prendimiento de cristo, círculo de luis morales \"el divino\", siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20786/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":5500,"lastUpdate":"2026-07-01T16:44:14.262Z","textCase":"lower","estimate":"\u20ac8,000 - 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en bronce de virgen con niño en brazos, siguiendo modelos flamencos del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20962/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:44:44.564Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":20962,"estimateMin":3000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20963/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20963/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20963/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20963/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/20963/005/005.jpg"],"available":false,"description":{"en":"alabaster relief, possibly mexico or peru. with traces of polychromy and gold, measurements: 24 x 23 x 6 cm","es":"relieve en alabastro, posiblemente méxico o perú. con restos de policromía y dorado, medidas: 24 x 23 x 6 cm"},"estimateMax":7000,"lotNumber":"224","title":{"en":"archangel with saint john, spanish or spanish colonial school of the 16th - 17th century","es":"arcángel con san juanito, escuela española o colonial del siglo xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/20963/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:44:44.565Z","textCase":"lower","estimate":"\u20ac6,000 - 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skull. it is a work belonging to the 'vanitas' genre, which has the purpose of remembering the fragility of life and the brevity of existence. this particular work belongs to the so-called 'nascendo morimur' (\"just as we are born, so we die\"), in which a baby or small child jesus is usually depicted next to a skull or some other reminder of death. the author, the italian sculptor giovanni battista morelli, was chamber sculptor to the king of spain from 1664, working for felipe iv and carlos ii. reference bibliography: agulló, mercedes, and pérez sánchez, alfonso e.: «juan bautista morelli», spanish art archive, vol. xlix, no. 194, madrid, 1976, p. 109-120. measurements: 26 x 47 x 21 cm","es":"en terracota policromada, escultura en terracota del escultor italiano giovanni battista morelli que representa a un niño pequeño durmiendo junto a una calavera. se trata de una obra perteneciente al género de las 'vanitas', que tiene la finalidad de recordar la fragilidad de la vida y la brevedad de la existencia. esta obra en concreto pertenece al llamado 'nascendo morimur' («así como nacemos, morimos»), en el que generalmente se representa a un bebé o un niño jesús pequeño junto a una calavera o algún otro recordatorio de la muerte. el autor, el escultor italiano giovanni battista morelli, fue escultor de cámara del rey de españa desde 1664, trabajando para felipe iv y carlos ii. bibliografía de referencia: agulló, mercedes, y pérez sánchez, alfonso e.: «juan bautista morelli», archivo español de arte, vol. xlix, n.º 194, madrid, 1976, pp. 109-120. medidas: 26 x 47 x 21 cm"},"estimateMax":25000,"lotNumber":"225","title":{"en":"sleeping child jesus, giovanni battista morelli (rome, ? \u2013 madrid, 1669), italian school of the 17th century","es":"niño jesús dormido, giovanni battista morelli (roma, ? \u2013 madrid, 1669), escuela italiana del siglo 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measures: 175 x 153 cm. she graduated in fine arts from the ucm 1990. in 1986 she presented her work in the first prize of the vi moratalaz plastic arts contest, madrid. the following year she presented her first solo show at the exhibition hall of the la lonja cultural center, madrid. rosa maroto (painting, engraving, photography, artist's books and installations) has followed a line of growth until she has achieved a place among the representative figures of contemporary art. she participates in the cba workshops in madrid; she has done group shows in madrid, bologna (italy), la paz (bolivia), oviedo, saint petersburg (russia) or argentina; art fairs such as arcale, salamanca or estampa, madrid; and in competitions, obtaining various awards, as the unique prize of the vi contest popular university of torrejón de ardoz (madrid). his individual exhibitions have focused on madrid, guadalajara, oviedo, toledo and munich (germany), to date making twenty individual exhibitions in spain and europe. rosa maroto's work is represented in the bullfighting museum, in madrid; national library of spain; college of notaries of madrid, ramón pérez de ayala library of asturias, oviedo; popular university of torrejón de ardoz; guadalajara provincial council; museum of salta in argentina, museum of contemporary art of ciudad real, in the volpe stessens foundation, buenos aires in argentina, castillo de larres drawing museum. sabinanigo, huesca. caja murcia foundation. madrid. museum of contemporary art of calviá. majorca, balearic islands. cervantes museum. the toboso. toledo, among others.","es":"firmado y fechado en 2002, óleo sobre lienzo. medidas lienzo: 175 x 153 cm. licenciada en bellas artes por la ucm 1990. en 1986 dio a conocer su obra en el primer premio del vi certamen de artes plásticas de moratalaz, madrid. al año siguiente presenta la primera individual en la sala de exposiciones del centro cultura la lonja, madrid. rosa maroto (pintura, grabado, fotografía, libros de artista e instalaciones) ha llevado una línea de crecimiento hasta conseguir un sitio entre las figuras representativas del arte actual. participa en los talleres del cba de madrid; ha realizado colectivas en madrid, bolonia (italia), la paz (bolivia), oviedo, san petersburgo (rusia) o argentina; ferias de arte como arcale, salamanca o estampa, madrid; y en certámenes, consiguiendo diversos galardones, como el premio único del vi certamen universidad popular de torrejón de ardoz (madrid). sus muestras individuales se han centrado en madrid, guadalajara, oviedo, toledo y múnich (alemania) realizando hasta la fecha una veintena de exposiciones individuales en españa y europa. la obra de rosa maroto está representada en el museo taurino, de madrid; biblioteca nacional de españa; colegio de notarios de madrid, biblioteca de asturias ramón pérez de ayala, oviedo; universidad popular de torrejón de ardoz; diputación de guadalajara; museo de salta de argentina, museo de arte contemporáneo de ciudad real, en fundación volpe stessens, buenos aires en argentina, museo de dibujo castillo de larres. sabiñanigo, huesca. fundación caja murcia. madrid. museo de arte contemporáneo de calviá. mallorca, baleares. museo cervantino. el toboso. toledo, entre otras."},"estimateMax":6000,"lotNumber":"302","title":{"en":"saint cecilia, rosa maroto (madrid, 1966)","es":"santa cecilia, rosa maroto (madrid, 1966)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21041/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:44:57.204Z","textCase":"lower","estimate":"\u20ac5,000 - 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at the v contest unipublic in madrid. his work, with calm material content, is close to that of fega or patiño, above all, in the establishment of an elaborate pictorial scene, in which accidents occur, and in which plastic language links are established between abstraction and figuration. alternating mixed techniques and, above all, using collage profusely, de blas seeks the alternation of languages \u200b\u200bfrom simulation, obtaining effects of warm transparencies in the harmonic succession of deconstructed structures. the monographic exhibitions of him at the detursa gallery in madrid stand out.","es":"firmado y fechado en 1998, técnica mixta sobre lienzo. medidas lienzo: 162 x 130 cm. madrid, 1958 pintor español. con estudios de bellas artes en la universidad complutense de madrid, donde es profesor de pintura. en 1992, obtiene el premio de pintura del ayuntamiento de alcorcón, madrid, en 1999, es artista invitado en la akademie schloss solitude de stuttgart, y en 2000, recibe el tercer premio en el v certamen unipublic de madrid. su obra, de reposado contenido matérico, es cercana a la de fega o patiño, sobre todo, en el establecimiento de una elaborada escena pictórica, en la cual ocurren accidentes, y en la que se establecen vínculos de lenguaje plástico entre la abstracción y la figuración. alternando técnicas mixtas y, sobre todo, utilizando el collage con profusión, de blas, busca al alternancia de lenguajes desde la simulación, obteniendo efectos de cálidas transparencias en la sucesión armónica de estructuras deconstruidas. destacan sus exposiciones monográficas en la galería detursa de madrid."},"estimateMax":4000,"lotNumber":"303","title":{"en":"\"arts of the dream\", mariano de blas ortega (madrid, 1958)","es":"\"artes del sueño\", mariano de blas ortega (madrid, 1958)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21042/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:44:57.206Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":21042,"estimateMin":3000},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21043/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21043/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21043/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21043/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21043/005/005.jpg"],"available":false,"description":{"en":"signed and dated in 1997, mixed technique on canvas. canvas measures: 182 x 130 cm. individual exhibitions: 1984, eureka gallery, madrid; 1994 la tarterie gallery, madrid; 1997 milan gallery, form or gesture, madrid; 2000 dasto gallery, oviedo; 2003 house of brazil, (madrid); 2016 casa de la rioja (madrid), among others.","es":"firmado y fechado en 1997, técnica mixta sobre lona. medidas lienzo: 182 x 130 cm. exposiciones individuales: 1984, galería eureka, madrid; 1994 galería la tarterie, madrid; 1997 galería milán, forma o gesto, madrid; 2000 galería dasto, oviedo; 2003 casa do brasil, (madrid); 2016 casa de la rioja (madrid), entre otras."},"estimateMax":6500,"lotNumber":"304","title":{"en":"\"alternatives\", manuel amaro (córdoba, 1950)","es":"\"alternativas\", manuel amaro (córdoba, 1950)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21043/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:44:57.208Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac6,500","currency":"EUR","id":21043,"estimateMin":4500},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21044/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21044/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21044/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21044/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21044/005/005.jpg"],"available":false,"description":{"en":"signed and dated in 2011. acrylic on canvas. canvas measures: 120 x 146 cm. madrid artist who has been immersed in the art world for more than three decades. recognized above all in the south of spain, roy innovatively and concisely captures his most visceral sensations on his canvases. considered one of the most prominent artists in malaga, he has exhibited his work throughout the peninsula. but his large format canvases have been exhibited in portugal, germany and england, among others. individual exhibitions: 2005, exhibition hall, chinchilla, ronda, málaga; 2006, cortijo miraflores museum in marbella, malaga. municipal hall of coin, malaga. municipal hall of mijas, malaga; 2008 museum of the isthmus. the line of the conception, cadiz. unicaja room. s. francisco, cadiz. cuenca provincial council; 2011 vta3 marbella gallery, malaga. a chewing gum in the heel gallery. assembly of extremadura mérida, march 2011. provincial council of cáceres, february 2011. forum castelo branco, january 2011; 2012: tomas y valiente cultural center, fuenlabrada, madrid, cortijo miraflores museum in marbella, malaga, convent of santo domingo, ronda, malaga, ebe la polaca, marbella, malaga, rey juan carlos university. i madrid, among others.","es":"firmado y fechado en 2011. acrílico sobre lienzo. medidas lienzo: 120 x 146 cm. artista madrileño que lleva más de tres décadas inmerso en el mundo del arte. reconocido sobre todo en el sur de españa, roy plasma de forma innovadora y concisa sus sensaciones más viscerales en sus lienzos. considerado como uno de los artistas más destacados de málaga, ha expuesto su trabajo por toda la península. pero sus lienzos de gran formato han sido expuestos en portugal, alemania e inglaterra, entre otros. exposiciones individuales: 2005, sala de exposiciones, chinchilla, ronda, málaga; 2006, museo cortijo miraflores de marbella, málaga. sala municipal de coín, málaga. sala municipal de mijas, málaga; 2008 museo del istmo. la línea de la concepción, cádiz. sala unicaja. s. francisco, cádiz. diputación de cuenca; 2011 galería vta3 marbella, málaga. galería un chicle en el tacón. asamblea de extremadura mérida, marzo 2011. diputación de cáceres, febrero 2011. forum castelo branco, enero 2011; 2012: centro cultural tomas y valiente, fuenlabrada, madrid, museo cortijo miraflores de marbella, málaga, convento de santo domingo, ronda, málaga, ebe la polaca, marbella, málaga, universidad rey juan carlos. i madrid, entre otros."},"estimateMax":4000,"lotNumber":"305","title":{"en":"sorgola, roy anglada (madrid, 1955)","es":"sorgola, roy anglada (madrid, 1955)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21044/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:44:57.210Z","textCase":"lower","estimate":"\u20ac3,000 - 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1958)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21045/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:44:57.211Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":21045,"estimateMin":3000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21046/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21046/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21046/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21046/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21046/005/005.jpg"],"available":false,"description":{"en":"signed and dated 1992, carved wood. canvas measures: 65 x 30 x 20 cm. individual exhibitions: 1984, eureka gallery, madrid; 1994 la tarterie gallery, madrid; 1997 milan gallery, form or gesture, madrid; 2000 dasto gallery, oviedo; 2003 house of brazil, (madrid); 2016 casa de la rioja (madrid), among others.","es":"firmado y fechado en 1992, madera tallada. medidas lienzo: 65 x 30 x 20 cm. exposiciones individuales: 1984, galería eureka, madrid; 1994 galería la tarterie, madrid; 1997  galería milán, forma o gesto, madrid; 2000 galería dasto, oviedo; 2003 casa do brasil, (madrid); 2016 casa de la rioja (madrid), entre otras."},"estimateMax":4000,"lotNumber":"307","title":{"en":"wood sculpture, manuel amaro (córdoba, 1950)","es":"escultura en madera, manuel amaro (córdoba, 1950)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21046/view","tags":["esart_moderncontemporarysculpture","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:44:57.213Z","textCase":"lower","estimate":"\u20ac3,000 - 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(1961, madrid, spain)","es":"\"bodegón del juguete\"; \"don nadie\", alejandro aguilar soria (1961, madrid, españa)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21047/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:44:57.215Z","textCase":"lower","estimate":"\u20ac5,000 - 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francisco barbón"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21048/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":400,"lastUpdate":"2026-07-01T16:44:57.216Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,200","currency":"EUR","id":21048,"estimateMin":800},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21049/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21049/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21049/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21049/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21049/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21049/006/006.jpg"],"available":false,"description":{"en":"signed and dated in 2002, mixed technique on canvas. canvas measures: 100 x 81 cm. madrid, 1958 spanish painter. he studied fine arts at the complutense university of madrid, where he is a professor of painting. in 1992, he received the painting prize from the city council of alcorcón, madrid, in 1999, he was a guest artist at the akademie schloss solitude in stuttgart, and in 2000, he received the third prize at the v contest unipublic in madrid. his work, with calm material content, is close to that of fega or patiño, above all, in the establishment of an elaborate pictorial scene, in which accidents occur, and in which plastic language links are established between abstraction and figuration. alternating mixed techniques and, above all, using collage profusely, de blas seeks the alternation of languages \u200b\u200bfrom simulation, obtaining effects of warm transparencies in the harmonic succession of deconstructed structures. the monographic exhibitions of him at the detursa gallery in madrid stand out.","es":"firmado y fechado en 2002, técnica mixta sobre lienzo. medidas lienzo: 100 x 81 cm. madrid, 1958 pintor español. con estudios de bellas artes en la universidad complutense de madrid, donde es profesor de pintura. en 1992, obtiene el premio de pintura del ayuntamiento de alcorcón, madrid, en 1999, es artista invitado en la akademie schloss solitude de stuttgart, y en 2000, recibe el tercer premio en el v certamen unipublic de madrid. su obra, de reposado contenido matérico, es cercana a la de fega o patiño, sobre todo, en el establecimiento de una elaborada escena pictórica, en la cual ocurren accidentes, y en la que se establecen vínculos de lenguaje plástico entre la abstracción y la figuración. alternando técnicas mixtas y, sobre todo, utilizando el collage con profusión, de blas, busca al alternancia de lenguajes desde la simulación, obteniendo efectos de cálidas transparencias en la sucesión armónica de estructuras deconstruidas. destacan sus exposiciones monográficas en la galería detursa de madrid."},"estimateMax":2500,"lotNumber":"310","title":{"en":"\"battle of faces\", mariano de blas (born in madrid, 1958)","es":"\"batalla de rostros\", mariano de blas (nacido en madrid, 1958)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21049/view","tags":["esart_mixedmedia","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:44:57.218Z","textCase":"lower","estimate":"\u20ac1,500 - 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cm"},"estimateMax":5000,"lotNumber":"311","title":{"en":"\"black and night i\", manuel martin, circa 2009","es":"\"black and night i\", manuel martín, circa 2009"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21050/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:44:58.373Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac5,000","currency":"EUR","id":21050,"estimateMin":4000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21051/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21051/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21051/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21051/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21051/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21051/006/006.jpg"],"available":false,"description":{"en":"acrylic on canvas. signed and dated on the reverse. canvas measures: 130 x 97 cm. manuel bouzo (ourense, 1946) studied architecture at the superior technical school of architecture of madrid and psychology at the faculty of philosophy and letters of the complutense university between 1964 and 1970. he participated for the first time in a collective exhibition in 1981 and two years later he does it alone at the berri gallery in ibiza. he studied forging at the school of applied arts and crafts of this city between 1983 and 1985. developing a work that some have called metaphysical painting of austere color spaces flood his works, paintings like dreams. in 1998 he received a painting scholarship from the ministry of foreign affairs for the spanish academy in rome and in 2003 the botín foundation gave him the opportunity to carry out a project in india, pooja: the link with the sacred. his work has been acquired by important foundations and museums, especially at the national level, but also in the united states and india, and has been awarded various prizes, among which the one for artistic creation of the community of madrid in 2005 stands out.","es":"acrílico sobre lienzo. firmado y fechado en el reverso. medidas lienzo: 130 x 97 cm. manuel bouzo (ourense, 1946) estudia arquitectura en la escuela técnica superior de arquitectura de madrid y psicología en la facultad de filosofía y letras de la universidad complutense entre 1964 y 1970. participa por primera vez en una exposición colectiva en 1981 y dos años después lo hace en solitario en la galería berri de ibiza. realiza estudios de forja en la escuela de artes y oficios aplicados de esta ciudad entre 1983 y 1985. desarrollando una obra que algunos han denominado pintura metafísica de austeros espacios de color inundan sus obras, pinturas como sueños. en 1998 recibe una beca de pintura del ministerio de asuntos exteriores para la academia de españa en roma y en 2003 la fundación botín le da la posibilidad de realizar un proyecto en la india, pooja: el nexo con lo sagrado. su obra ha sido adquirida por importantes fundaciones y museos, sobre todo a nivel nacional, pero también es estados unidos y la india, y ha sido galardonada con diversos premios, entre los que destaca el de creación artística de la comunidad de madrid en 2005."},"estimateMax":6500,"lotNumber":"312","title":{"en":"\"kurt's visit\", manuel bouzo (ourense, 1946)","es":"\"la visita de kurt\", manuel bouzo (ourense, 1946)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21051/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:44:58.377Z","textCase":"lower","estimate":"\u20ac4,500 - 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gallery la ferrière, ciria has traced a long career marked by numerous exhibitions and awards. in recent years, his artistic line has acquired a wide international projection through his individual exhibitions at the herzliya museum of contemporary art in tel aviv, israel (2002), state tretyakov gallery museum in moscow, russia (2004), museum national museum of poland, warsaw (2004), manuel felguérez museum of abstract art in zacatecas, mexico (2005),","es":"óleo sobre lienzo. firmado y fechado en el reverso. medidas lienzo: 146 x 114 cm. josé manuel ciria es considerado uno de los artistas más destacados de su generación y una figura central en el heterogéneo panorama de la pintura española de las tres últimas décadas. desde que en 1984 realizara su primera muestra individual en la galería parisina la ferrière, ciria ha trazado una amplia trayectoria jalonada por numerosas exposiciones y premios. en los últimos años, su línea artística ha adquirido una amplia proyección internacional a través de sus muestras individuales en el museo de arte contemporáneo de herzliya en tel aviv, israel (2002), museo estatal galería tretyakov en moscú, rusia (2004), museo nacional de polonia, varsovia (2004), museo de arte abstracto manuel felguérez en zacatecas, méxico (2005), kunsthalle museo centro de arte pasquart en berna, suiza (2005), museo de arte contemporáneo ateneo de yucatán en mérida, méxico (2006), museo nacional de bellas artes de buenos aires, argentina (2007), museo de arte contemporáneo de santiago de chile (2009), instituto valenciano de arte moderno (ivam) (2011), museo nacional de arte contemporáneo (mnac) bucarest, rumanía (2012), museo raúl anguiano (mura) guadalajara, méxico (2012), museo de arte moderno (mamba) buenos aires, argentina (2013), entre otros."},"estimateMax":8500,"lotNumber":"313","title":{"en":"jose manuel ciria (manchester, 1960)","es":"josé manuel ciria (manchester, 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canvas measures: 65 x 80 cm. josé manuel ciria is considered one of the most outstanding artists of his generation and a central figure in the heterogeneous panorama of spanish painting in the last three decades. since in 1984 he held his first solo show at the parisian gallery la ferrière, ciria has traced a long career marked by numerous exhibitions and awards. in recent years, his artistic line has acquired a wide international projection through his individual exhibitions at the herzliya museum of contemporary art in tel aviv, israel (2002), state tretyakov gallery museum in moscow, russia (2004), museum national museum of poland, warsaw (2004), manuel felguérez museum of abstract art in zacatecas, mexico (2005),","es":"óleo sobre lienzo. firmado y fechado en el reverso. medidas lienzo: 65 x 80 cm. josé manuel ciria es considerado uno de los artistas más destacados de su generación y una figura central en el heterogéneo panorama de la pintura española de las tres últimas décadas. 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international institutions such as arco, the thyssen-bornemisza in madrid, gavlak, metta, marta cervera and la fábrica. his pieces are also part of numerous private collections internationally. jorge cardarelli reviews the modern painting of the historical vanguards within abstract expressionism and the aesthetics and thought of the east are present in his works. his theme questions and raises concerns about love, ego, detachment, life and death.","es":"técnica mixta sobre plafón de táblex. firmado y fechado en el reverso, circa 2004. medidas tabla: 100 x 80 cm. jorge cardarelli (san sebastián, 1971) estudió arquitectura interior y arte en el art institute de chicago, en sotheby\u2019s y christie\u2019s en londres. ha expuesto su trabajo en museos, ferias e instituciones nacionales e internacionales como arco, el thyssen-bornemisza de madrid, gavlak, metta, marta cervera y la fábrica. sus piezas también forman parte de numerosas colecciones privadas internacionalmente. jorge cardarelli revisa la pintura moderna de las vanguardias históricas dentro del expresionismo abstracto y la estética y pensamiento de oriente están presentes en sus obras. su temática cuestiona y plantea versan en torno al amor, al ego, al desapego, la vida y la muerte. actitudes vitales en las que el artista comunica como un espejo para invitar al espectador a la auto reflexión de sus propios límites o libertades raptadas."},"estimateMax":4500,"lotNumber":"315","title":{"en":"\"shunshui circus\", jorge cardarelli (san sebastian, 1971)","es":"\"shunshui circus\", jorge cardarelli (san sebastián, 1971)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21054/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:44:58.382Z","textCase":"lower","estimate":"\u20ac3,500 - 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on canvas, signed v. mahu. framed measurements: 72 x 98 cm. canvas measures: 58 x 84 cm. victor mahu (born antwerp, 10-23-1647 (st. jacob's church), fl 1689 - 1700) was a flemish painter active in antwerp, specializing in genre painting. he is best known for his genre scenes of drinkers, card and board game players, dancers, musicians, peasants, cooks, and maids set in tavern or kitchen interiors. little is known about the life of victor mahu. his father was the antwerp painter cornelis mahu (1613-1689), who was a versatile artist who practiced many genres, including still lifes, genre paintings, and seascapes, and showed a very high level of craftsmanship in his compositions. . victor mahu trained under his father and was accepted as a master at the guild of saint luke in antwerp in 1689/1690. he was active in antwerp until 1700, the year in which he died. victor mahu is known for his genre scenes of drinkers, card and board game players, dancers, musicians, peasants, cooks and maids, set in tavern or kitchen interiors. his genre paintings are strongly influenced by those of his father, whose work was close to that of adriaen brouwer, adriaen van ostade and david teniers the younger. provenance: private collection, south of spain. whose work was close to that of adriaen brouwer, adriaen van ostade and david teniers the younger. provenance: private collection, south of spain. whose work was close to that of adriaen brouwer, adriaen van ostade and david teniers the younger. provenance: private collection, south of spain.","es":"óleo sobre lienzo, firmado v. mahu. medidas enmarcado: 72 x 98 cm. medidas lienzo: 58 x 84 cm. victor mahu (nacido en amberes, 23-10-1647 (iglesia de san jacobo), fl 1689 - 1700) fue un pintor flamenco activo en amberes, especializado en la pintura de género. es conocido sobre todo por sus escenas de género de bebedores, jugadores de cartas y de juegos de mesa, bailarines, músicos, campesinos, cocineros y sirvientas situados en interiores de tabernas o cocinas. poco se sabe de la vida de victor mahu. su padre fue el pintor de amberes cornelis mahu (1613-1689), que fue un artista versátil que practicó muchos géneros, incluyendo bodegones, pinturas de género y paisajes marinos, y mostró un nivel muy alto de artesanía en sus composiciones. victor mahu se formó con su padre y fue aceptado como maestro en el gremio de san lucas de amberes en 1689/1690. estuvo activo en amberes hasta 1700, año en el que murió. victor mahu es conocido por sus escenas de género de bebedores, jugadores de cartas y de juegos de mesa, bailarines, músicos, campesinos, cocineros y criadas, colocados en interiores de tabernas o cocinas. sus pinturas de género están fuertemente influenciadas por las de su padre, cuya obra estaba próxima a la de adriaen brouwer, adriaen van ostade y david teniers el joven. procedencia: colección particular, sur de españa."},"estimateMax":4500,"lotNumber":"331","title":{"en":"tavern interior scene, victor mahu (antwerp, 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in stone, burgundy, xv - xvi centuries","es":"virgen en piedra, borgoña, siglos xv - xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21071/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:45:05.572Z","textCase":"lower","estimate":"\u20ac4,500 - 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catalán, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21072/view","tags":["esfurniture_desks","esfurniture_all","esfurniture"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:45:05.573Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,500","currency":"EUR","id":21072,"estimateMin":2500},{"startPrice":600,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21074/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21074/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21074/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21074/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21074/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21074/006/006.jpg"],"soldDate":"2022-04-07","available":false,"description":{"en":"with 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direct reference to the canonical gospels, its origin should be traced in the female convents of the rhine area around the 14th century. small terracotta sculptures of strong expressiveness called vesperbild (in allusion to the vespers of good friday, the canonical hour when christ was taken down from the cross and placed in his mother's arms) were created. from this origin the theme spread throughout the rest of europe as it perfectly connected with the spirit of the devotio moderna that dominated the 15th century and was adopted by the confraternities of the passion that flourished at the end of the middle ages, later becoming an image frequently used for funerary chapels. it united the idea of maternity with that of death, referring, in addition, to the protective character of mary (and therefore, linked to the virgin of mercy) who acted as intercessor between men and the divinity. a similar example preserved in the museum of decorative arts in frankfurt. 21 x 19 x 6 cm.","es":"excepcional escultura en alabastro tallado, con restauración en la parte torácica y en pierna derecha de la figura de cristo. a finales de la edad media se desarrolló un tema que tendría una amplia repercusión posterior: la piedad. en él aparece la virgen recogiendo sobre sus piernas el cuerpo de cristo muerto. sin referencia directa a los evangelios canónicos su origen habría que rastrearlo en los conventos femeninos de a zona del rin en torno al siglo xiv. se crearon así pequeñas esculturas en terracota de fuerte expresividad denominadas vesperbild (en alusión a las vísperas del viernes santo, hora canónica en la que cristo fue desclavado de la cruz y puesto en brazos de su madre). a partir de este origen el tema se extendió por el resto de europa pues conectaba perfectamente con el espíritu de la devotio moderna que dominó el siglo xv y fue adoptado por las cofradías pasionarias que florecieron a final de la edad media, convirtiéndose después en una imagen frecuentemente utilizada para las capillas funerarias. se unía en ella la idea de maternidad con la de la muerte, refiriéndose, además, al carácter protector de maría (y por ello, vinculada a la virgen de la misericordia) que actuaba como intercesora entre los hombres y la divinidad. a destacar um ejemplo similar conservado en el museo de artes decorativas de frankfurt. 21 x 19 x 6 cm."},"estimateMax":12000,"lotNumber":"336","title":{"en":"important alabaster pietà, german school of the 14th - 15th centuries","es":"importante piedad en alabastro, escuela alemana de los siglos xiv - xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21075/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":7500,"lastUpdate":"2026-07-01T16:45:05.578Z","textCase":"lower","estimate":"\u20ac10,000 - 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\u20ac2,500","currency":"EUR","id":21094,"estimateMin":1800},{"startPrice":5000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21095/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21095/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21095/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21095/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21095/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21095/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21095/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21095/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21095/009/009.jpg"],"available":false,"description":{"en":"oil on canvas, framed. with the poem \"life is a dream\" by pedro calderón de la barca. we are faced with an interesting composition framed in the theme with the theme of vanitas, widespread throughout most of europe during the fifteenth to eighteenth centuries, the allegories \"finis gloriae mundi\" (the end of worldly glories) and \"in ictu oculi\u201d (in the blink of an eye) illustrate the thought of miguel de mañara, renovator of the brotherhood of holy charity, as he left it written in his book of truth, in addition to completing the iconographic program of the chapel, made up of the holy burial of the main altarpiece and the series of \"works of mercy\" painted by murillo, with which they form a coherent whole. nevertheless, the macabre of its subject matter\u2014and the strong personality of the painter\u2014were detrimental to his posthumous fame and made it easy for any painting showing a decomposing corpse or the severed head of a saint to be attributed to him, even if they were paintings of poor quality. turned into a \"painter of the dead\", as enrique romero de torres called him, all the gloomy and repulsive matters seemed to suit him, while with romantic overtones the rivalry with murillo, his contemporary, was enlarged and deepened, by supposing valdés an angry and arrogant temperament opposed to the peaceful character of his rival. measurements: 108 x 69 even if it was subpar quality paints. turned into a \"painter of the dead\", as enrique romero de torres called him, all the gloomy and repulsive matters seemed to suit him, while with romantic overtones the rivalry with murillo, his contemporary, was enlarged and deepened, by supposing valdés an angry and arrogant temperament opposed to the peaceful character of his rival. measurements: 108 x 69 even if it was subpar quality paints. turned into a \"painter of the dead\", as enrique romero de torres called him, all the gloomy and repulsive matters seemed to suit him, while with romantic overtones the rivalry with murillo, his contemporary, was enlarged and deepened, by supposing valdés an angry and arrogant temperament opposed to the peaceful character of his rival. measurements: 108 x 69","es":"óleo sobre lienzo, enmarcado. con poema \u201cla vida es sueño\u201d de pedro calderón de la barca. nos encontramos ante una interesante composición enmarcada en la temática con el tema de la vanitas, muy extendido por la mayor parte de europa durante los siglos xv al xviii, las alegorías \u201cfinis gloriae mundi\u201d (el fin de las glorias mundanas) e \u201cin ictu oculi\u201d (en un abrir y cerrar de ojos) ilustran el pensamiento de miguel de mañara, renovador de la hermandad de la santa caridad, según lo dejó escrito en su libro de la verdad, además de completar el programa iconográfico de la capilla, integrado por el santo entierro del retablo mayor y la serie de las «obras de misericordia» pintadas por murillo, con las que forman un conjunto coherente. no obstante, lo macabro de su asunto \u2014y la fuerte personalidad del pintor\u2014 resultaron perjudiciales para su fama póstuma y facilitaron que se le acabase atribuyendo cualquier pintura en la que apareciese un cadáver en descomposición o la cabeza cortada de un santo, incluso si se trataba de pinturas de calidad ínfima. convertido en «pintor de los muertos», como lo llamó enrique romero de torres, parecían convenirle todos los asuntos lúgubres y repulsivos, al tiempo que con tintes románticos se agrandaba y hacía más profunda la rivalidad con murillo, su contemporáneo, al suponerse a valdés un temperamento iracundo y soberbio opuesto al pacífico carácter de su rival. medidas: 108 x 69"},"estimateMax":12000,"lotNumber":"356","title":{"en":"vanitas, 17th century sevillian school, attributable to juan valdés leal (seville, 1622-1690)","es":"vánitas, escuela sevillana del siglo xvii, atribuíble a juan valdés leal (sevilla, 1622-1690)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21095/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T16:45:04.958Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":21095,"estimateMin":8000},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21096/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21096/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21096/003/003.jpg"],"available":false,"description":{"en":"oil on canvas: 43 x 35 cm. pair of preparatory author canvases for the original work preserved in the xàtiva museum of fine arts. measurements: 55 x 86 cm. (valencia, 1772-madrid, 1850). spanish painter. born in valencia on september 19, 1772, he began his artistic training as a disciple of the franciscan antonio de villanueva at the academy of san carlos in valencia, an institution where he won the first-class prize in 1789 with the canvas king hezekiah showing off of his riches (museo de bellas artes de valencia san pío v), endowed with 40 pesos and a pension to study in madrid. already at court, the following year he won first place in the san fernando academy contest with the painting the catholic monarchs receiving an embassy from the king of fez (san fernando academy, madrid), and there he assimilates with extraordinary fidelity the academic teachings inherited from mengs fundamentally through mariano salvador maella, from whom vicente lópez picks up the baroque and colorful sense of his compositions and the taste for drawing, precise and analytical, as a method of prior study of his paintings, being equally dazzled by the baroque lavishness of luca giordano's frescoes. reference bibliography: díez garcía, josé luis, vicente lópez (1772-1850). life and work, madrid, hispanic art foundation, 1999. being equally dazzled by the baroque lavishness of luca giordano's frescoes. reference bibliography: díez garcía, josé luis, vicente lópez (1772-1850). life and work, madrid, hispanic art foundation, 1999. being equally dazzled by the baroque lavishness of luca giordano's frescoes. reference bibliography: díez garcía, josé luis, vicente lópez (1772-1850). life and work, madrid, hispanic art foundation, 1999.","es":"óleo sobre lienzo: 43 x 35 cm. pareja de lienzos de autor preparatorios para la obra original conservada en el museo de bellas artes de xàtiva. medidas: 55 x 86 cm. (valencia, 1772-madrid, 1850). pintor español. nace en valencia el 19 de septiembre de 1772, inició su formación artística como discípulo del franciscano antonio de villanueva en la academia de san carlos de valencia, institución en la que obtuvo en 1789 el premio de primera clase con el lienzo el rey ezequías haciendo ostentación de sus riquezas (museo de bellas artes de valencia san pío v), dotado con 40 pesos y una pensión para estudiar en madrid. ya en la corte, consigue al año siguiente el primer puesto en el concurso de la academia de san fernando con el cuadro los reyes católicos recibiendo una embajada del rey de fez (academia de san fernando, madrid), y allí asimila con extraordinaria fidelidad las enseñanzas académicas heredadas de mengs a través fundamentalmente de mariano salvador maella, de quien vicente lópez recoge el sentido barroco y colorista de sus composiciones y el gusto por el dibujo, preciso y analítico, como método de estudio previo de sus pinturas, quedando igualmente deslumbrado por la fastuosidad barroca de los frescos de luca giordano. bibliografía de referencia: díez garcía, josé luis, vicente lópez (1772-1850). vida y obra, madrid, fundación arte hispánico, 1999."},"estimateMax":1800,"lotNumber":"357","title":{"en":"vicente lópez portaña (valencia 1772-madrid 1850), preparatory portrait of general francisco javier rocaberti dameto de bellpuig","es":"vicente lópez portaña (valencia 1772-madrid 1850), retrato preparatorio del general francisco javier rocaberti dameto de bellpuig"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21096/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:45:04.960Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":21096,"estimateMin":1500},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21097/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21097/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21097/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21097/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21097/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21097/006/006.jpg"],"available":false,"description":{"en":"in polychrome wood, published \u201crevista del instituto camón aznar, no. 93, 2004, pages 97-102\u201d. dimensions: 117 x 88 (christ) and 139 x 95 cm (cross)","es":"en madera policromada, publicado \u201crevista del instituto camón aznar, núm. 93, 2004, páginas 97-102\u201d. dimensiones: 117 x 88 (cristo) y 139 x 95 cm (cruz)"},"estimateMax":18000,"lotNumber":"358","title":{"en":"large corpus christi carving, 15th century, alejo vahía workshop","es":"gran cristo crucificado, siglo xv, taller de alejo vahía"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21097/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":8000,"lastUpdate":"2026-07-01T16:45:04.962Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac18,000","currency":"EUR","id":21097,"estimateMin":15000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21098/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21098/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21098/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21098/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21098/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21098/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21098/007/007.jpg"],"available":false,"description":{"en":"in polychrome wood, virgin measures: 70 x 26","es":"en madera policromada, medidas virgen: 70 x 26"},"estimateMax":4000,"lotNumber":"359","title":{"en":"immaculate virgin, valladolid school of the 16th century, circle of gregorio fernández","es":"virgen inmaculada, escuela vallisoletana del siglo xvi, círculo de gregorio fernández"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21098/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:45:04.963Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":21098,"estimateMin":3000},{"startPrice":600,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21099/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21099/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21099/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21099/004/004.jpg"],"soldDate":"2022-04-07","available":false,"description":{"en":"dimensions: 30 x 18 cm","es":"dimensiones: 30 x 18 cm"},"estimateMax":1200,"lotNumber":"360","title":{"en":"pietà in carved wood, castilian school of the 16th century","es":"piedad en madera tallada, escuela castellana del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21099/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":600,"soldPrice":600,"lastUpdate":"2026-07-01T16:45:04.965Z","textCase":"lower","estimate":"\u20ac900 - \u20ac1,200","currency":"EUR","id":21099,"estimateMin":900},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21100/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21100/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21100/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21100/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21100/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21100/006/006.jpg"],"available":false,"description":{"en":"guglielmo della porta (ca. 1500\u20131577) was an italian architect and sculptor of the mannerist era. he was born into a renowned family related to the arts and crafts of stone. his father, giovanni battista della porta, was noted as a sculptor. he apprenticed in the workshop of his uncle giovanni giacomo della porta. reference bibliography: \"aleardo noli, le grandi famiglie di porlezza. i \"della porta\", sul site del comune di porlezza","es":"guglielmo della porta (ca. 1500\u20131577) fue un arquitecto y escultor italiano de la época manierista. nacido en el seno de una renombrada familia relacionada con los artes y oficios de la piedra. su padre, giovanni battista della porta, destacó como escultor. realizó el aprendizaje en el taller de su tío giovanni giacomo della porta. bibliografía de referencia: \"aleardo noli, le grandi famiglie di porlezza. i \"della porta\", sul sito del comune di porlezza"},"estimateMax":6000,"lotNumber":"361","title":{"en":"christ in silver, workshops of guiglielmo della porta, italy, 16th century","es":"cristo en plata, talleres de guiglielmo della porta, italia, siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21100/view","tags":["esdecorativearts_silver","esart_ancientsculpture","esart","esdecorativearts_all","esart_all","esdecorativearts"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:45:05.650Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":21100,"estimateMin":4000},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21101/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21101/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/21101/003/003.jpg"],"available":false,"description":{"en":"signed and dated between the legs of king baltasar: \"pedro lópez facieba - 1608\". oil on canvas, measurements: 139 x 111 cm. pedro lópez was a painter and gilder from toledo, a disciple of el greco. there are several documents in which he appears as a gilder or painter in collaboration with other artists, the first of them dated 1598. in 1605 he was rejected by the illescas hospital to carry out the work of appraisal of his altarpiece since they alleged that it was official by el greco, a fact that confirms ceán's idea that he was a disciple of the cretan master, so we assume that the bulk of his artistic work is done under the signature of el greco. although only one documented work of his painted in 1608 is known, which is another \"adoration of the kings\" preserved today in the chapter house of the archbishopric of toledo that comes from the church of el salvador but was previously in the cloister of the neighboring convent of the trinitarians. although in it the influence of el greco is not noticed, but rather a relationship with what was typical of el escorial at the time in the style of carvajal with small venetian features similar to those of bartolomé carducho but in a drier and more linear tone. all the documents point to our artist among the imagery painters more than among the brush painters, although in the work that concerns us today and the one preserved in el salvador, he does not seem to perform badly on the canvas. pedro lópez represents the adoration of the magi, passage from the gospel of matthew (mt 2-12) in the book of the new testament. the epiphany is one of the oldest representations in the artistic world in which it is narrated how some magi followed a bright star to worship and bring gifts to the child jesus. according to tradition, gaspar, melchor and baltasar (according to certain beliefs they represent the three ages of man and the three continents known until the fifteenth century to europe, asia, and africa, respectively) arrived on a horse, a camel and an elephant (or in three camels depending on the country) bringing with them gold, frankincense and myrrh. as the central figure of the scene within classical architecture, we find the seated virgin. she wears a red robe and a blue cloak that wraps around her body. with the serene face of a young woman and whitish complexion, she covers her head with a white veil and gently holds the little newborn on her lap. the baby jesus appears standing and naked covered by a transparent white gauze. the presence of the three kings of the east celebrates the birth of the savior. to the right of the virgin, we find king melchior prostrated in reverence who has placed the crown on the ground to emphasize the divine hierarchy of jesus. behind him, king gaspar is standing and, on the other side, baltasar. all three wear striking and colorful clothing. in the background, under a dark sky, a page holds three camels that poke their heads behind the architecture. on one step, we find a legend that reads: \u201csvbtvvm praesidivm confvgimvs sancta dei genitriz nrãs / depraecaciones ne despicias innecesitatibvs\u201d. the fact that the quality of this adoration is much higher than the one we have mentioned previously (signed by pedro lópez himself and with the same date), which is in the church of el salvador in toledo, can lead us to think that , for reasons of price, time, or demands of the commission, since the donors have their portraits taken, very possibly our canvas was part of a larger work such as the central painting of the altarpiece of a sepulchral chapel. the work was professionally restored in 2008 by d. mariano nieto pérez, restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection. it can lead us to think that, for reasons of price, time, or demands of the commission, since the donors have their portraits taken, very possibly our canvas was part of a larger work such as the central painting of the altarpiece of a sepulchral chapel . the work was professionally restored in 2008 by d. mariano nieto pérez, restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection. it can lead us to think that, for reasons of price, time, or demands of the commission, since the donors have their portraits taken, very possibly our canvas was part of a larger work such as the central painting of the altarpiece of a sepulchral chapel . the work was professionally restored in 2008 by d. mariano nieto pérez, restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection. restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection. restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection.","es":"signed and dated between the legs of king baltasar: \"pedro lópez facieba - 1608\". oil on canvas, measurements: 139 x 111 cm. pedro lópez was a painter and gilder from toledo, a disciple of el greco. there are several documents in which he appears as a gilder or painter in collaboration with other artists, the first of them dated 1598. in 1605 he was rejected by the illescas hospital to carry out the work of appraisal of his altarpiece since they alleged that it was official by el greco, a fact that confirms ceán's idea that he was a disciple of the cretan master, so we assume that the bulk of his artistic work is done under the signature of el greco. although only one documented work of his painted in 1608 is known, which is another \"adoration of the kings\" preserved today in the chapter house of the archbishopric of toledo that comes from the church of el salvador but was previously in the cloister of the neighboring convent of the trinitarians. although in it the influence of el greco is not noticed, but rather a relationship with what was typical of el escorial at the time in the style of carvajal with small venetian features similar to those of bartolomé carducho but in a drier and more linear tone. all the documents point to our artist among the imagery painters more than among the brush painters, although in the work that concerns us today and the one preserved in el salvador, he does not seem to perform badly on the canvas. pedro lópez represents the adoration of the magi, passage from the gospel of matthew (mt 2-12) in the book of the new testament. the epiphany is one of the oldest representations in the artistic world in which it is narrated how some magi followed a bright star to worship and bring gifts to the child jesus. according to tradition, gaspar, melchor and baltasar (according to certain beliefs they represent the three ages of man and the three continents known until the fifteenth century to europe, asia, and africa, respectively) arrived on a horse, a camel and an elephant (or in three camels depending on the country) bringing with them gold, frankincense and myrrh. as the central figure of the scene within classical architecture, we find the seated virgin. she wears a red robe and a blue cloak that wraps around her body. with the serene face of a young woman and whitish complexion, she covers her head with a white veil and gently holds the little newborn on her lap. the baby jesus appears standing and naked covered by a transparent white gauze. the presence of the three kings of the east celebrates the birth of the savior. to the right of the virgin, we find king melchior prostrated in reverence who has placed the crown on the ground to emphasize the divine hierarchy of jesus. behind him, king gaspar is standing and, on the other side, baltasar. all three wear striking and colorful clothing. in the background, under a dark sky, a page holds three camels that poke their heads behind the architecture. on one step, we find a legend that reads: \u201csvbtvvm praesidivm confvgimvs sancta dei genitriz nrãs / depraecaciones ne despicias innecesitatibvs\u201d. the fact that the quality of this adoration is much higher than the one we have mentioned previously (signed by pedro lópez himself and with the same date), which is in the church of el salvador in toledo, can lead us to think that , for reasons of price, time, or demands of the commission, since the donors have their portraits taken, very possibly our canvas was part of a larger work such as the central painting of the altarpiece of a sepulchral chapel. the work was professionally restored in 2008 by d. mariano nieto pérez, restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection. it can lead us to think that, for reasons of price, time, or demands of the commission, since the donors have their portraits taken, very possibly our canvas was part of a larger work such as the central painting of the altarpiece of a sepulchral chapel . the work was professionally restored in 2008 by d. mariano nieto pérez, restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection. it can lead us to think that, for reasons of price, time, or demands of the commission, since the donors have their portraits taken, very possibly our canvas was part of a larger work such as the central painting of the altarpiece of a sepulchral chapel . the work was professionally restored in 2008 by d. mariano nieto pérez, restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection. restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection. restorer conservator of the spanish historical heritage institute (iphe) madrid. provenance: important spanish private collection."},"estimateMax":35000,"lotNumber":"362","title":{"en":"\"adoration of the magi\" pedro lópez (toledo, 1598-1623)","es":"\"adoración de reyes\" pedro lópez (toledo, 1598-1623)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/21403/lot/21101/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:45:05.652Z","textCase":"lower","estimate":"\u20ac25,000 - 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