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xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22235/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:46:07.048Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,000","currency":"EUR","id":22235,"estimateMin":1500},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22236/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22236/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22236/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22236/004/004.jpg"],"available":false,"description":{"en":"studio dossier by d. josé arnaiz attached. oil on copper, framed measurements: 53 x 45 cm, copper measurements: 14 x 11 cm. born in valencia on september 19, 1772, he began his artistic training as a disciple of the franciscan antonio de villanueva at the academy of san carlos in valencia, an institution where he won the first class prize in 1789 with the canvas king hezekiah showing off of his riches (museum of fine arts of valencia san pío v), endowed with 40 pesos and a pension to study in madrid. already at court, the following year he won first place in the san fernando academy competition with the painting the catholic monarchs receiving an embassy from the king of fez (san fernando academy, madrid), and there he assimilated with extraordinary fidelity the academic teachings inherited from mengs fundamentally through mariano salvador maella, from whom vicente lópez picks up the baroque and colorful sense of his compositions and the taste for drawing, precise and analytical, as a method of prior study of his paintings, being equally dazzled by the baroque lavishness of the frescoes by luca giordano and corrado giaquinto, that he contemplates in real places, and that will decisively influence the aesthetic language of his compositions. returning to his hometown in 1792 as a prestigious painter, he carried out numerous commissions in those years, especially religious paintings and murals for valencian churches, as well as portraits, monument projects and a large number of drawings to engrave, remaining in valencia during the war of independence, a time when, in addition to making the full-length portrait of ferdinand vii with the habit of the order of carlos iii (valencia city council and játiva municipal museum, valencia), he will portray marshal soult and other french soldiers on several occasions. the portrait style of vicente lópez, respectful and objective with his characters, captured with a personal sense of realism -inherited from the valencian naturalist tradition, through the canvases of ribalta and ribera-, together with his extraordinary mastery in reproducing the qualities of the fabrics and the sumptuousness of the jewels and tinsel, made fernando vii claim the valencian artist at court on july 26, 1814, naming him his first court painter on march 1 of the following year. since then he will become the most requested painter of the wealthy aristocracy and bourgeoisie of madrid, alternating his work at the palace with his teaching activity, official positions and his private commissions. in 1818 he painted the spectacular allegory of the donation of the casino to queen isabel of braganza by the madrid city council (prado), contributing decisively in those years to the project of the royal museum of paintings, appointed by the crown to select and restore the paintings that they had to constitute it, and whose artistic direction he would assume from 1823. three years later he made his superb portrait the painter francisco de goya y lucientes (prado), without a doubt, his best-known work and the most emblematic effigy of the aragonese painter, destined for the gallery of contemporary artists of the museum. director of the decorative program of the royal palace of madrid, in 1828 he painted the allegory of the institution of the order of carlos iii for one of its ceilings, multiplying his portrait activity in those years. in 1831 he finished the portrait of ferdinand vii with the habit of the order of the golden fleece for the embassy of spain to the holy see, perhaps the most imposing and overwhelming effigy of this monarch, while his very personal style gradually accommodated to the formal language , not to the spirit, of the thriving romanticism of the elizabethan era. he was a draftsman until a few days before his death, when he finished the portrait of general narváez (museo de bellas artes de valencia san pío v), and died in madrid on july 22, 1850. reference bibliography: díez garcía, josé luis , vicente lopez (1772-1850). life and work, madrid,","es":"se adjunta informe de d. josé arnáiz. óleo sobre cobre, medidas enmarcado: 53 x 45 cm, medidas cobre: 14 x 11 cm. nacido en valencia el 19 de septiembre de 1772, inició su formación artística como discípulo del franciscano antonio de villanueva en la academia de san carlos de valencia, institución en la que obtuvo en 1789 el premio de primera clase con el lienzo el rey ezequías haciendo ostentación de sus riquezas (museo de bellas artes de valencia san pío v), dotado con 40 pesos y una pensión para estudiar en madrid. ya en la corte, consigue al año siguiente el primer puesto en el concurso de la academia de san fernando con el cuadro los reyes católicos recibiendo una embajada del rey de fez (academia de san fernando, madrid), y allí asimila con extraordinaria fidelidad las enseñanzas académicas heredadas de mengs a través fundamentalmente de mariano salvador maella, de quien vicente lópez recoge el sentido barroco y colorista de sus composiciones y el gusto por el dibujo, preciso y analítico, como método de estudio previo de sus pinturas, quedando igualmente deslumbrado por la fastuosidad barroca de los frescos de luca giordano y ­corrado giaquinto, que contempla en los sitios reales, y que influirán de manera decisiva en el lenguaje estético de sus composiciones. vuelto en 1792 a su ciudad natal como pintor de prestigio, realiza en esos años numerosos encargos, sobre todo cuadros religiosos y conjuntos murales para iglesias valencianas, además de retratos, proyectos de monumentos y gran cantidad de dibujos para grabar, permaneciendo en valencia durante la guerra de la independencia, época en la que, además de realizar el retrato de cuerpo entero de fernando vii con el hábito de la orden de carlos iii (ayuntamiento de valencia y museo municipal de játiva, valencia), retratará en varias ocasiones al mariscal soult y a otros militares franceses. el estilo retratístico de vicente lópez, respetuoso y objetivo con sus personajes, captados con un personal sentido realista -heredado de la tradición naturalista valenciana, a través de los lienzos de ribalta y ribera-, junto a su extraordinaria maestría en la reproducción de las calidades de los tejidos y en la suntuosidad de las joyas y oropeles, hicieron que el 26 de julio de 1814 fernando vii reclamara al artista valenciano a la corte, nombrándole el 1 de marzo del año siguiente su primer pintor de cámara. desde entonces se convertirá en el pintor más solicitado de la aristocracia y burguesía adinerada madrileñas, alternando su trabajo en palacio con su actividad docente, los puestos oficiales y sus encargos particulares. en 1818 pinta la espectacular alegoría de la donación del casino a la reina isabel de braganza por el ayuntamiento de madrid (prado), contribuyendo decisivamente en esos años al proyecto del real museo de pinturas, designado por la corona para seleccionar y restaurar los cuadros que habían de constituirlo, y cuya dirección artística asumirá desde 1823. tres años después realiza su soberbio retrato el pintor francisco de goya y lucientes (prado), sin duda, su obra más conocida y la efigie más emblemática del pintor aragonés, con destino a la galería de artistas contemporáneos del museo. director del programa decorativo del palacio real de madrid, pinta en 1828 para uno de sus techos la alegoría de la institución de la orden de carlos iii, multiplicándose en esos años su actividad retratística. en 1831 termina el retrato de fernando vii con el hábito de la orden del toisón de oro para la embajada de españa ante la santa sede, quizá la efigie más imponente y sobrecogedora de este monarca, mientras que su personalísimo estilo se va acomodando al lenguaje formal, que no al espíritu, del pujante romanticismo de la época isabelina. siendo dibujante hasta pocos días antes de su muerte, en que concluye el retrato del general narváez (museo de bellas artes de valencia san pío v), y fallece en madrid el 22 de julio de 1850. bibliografía de referencia: díez garcía, josé luis, vicente lópez (1772-1850). vida y obra, madrid, fundación arte hispánico, 1999."},"estimateMax":10000,"lotNumber":"226","title":{"en":"virgin with child in arms, 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with jesus and saint john, italian school of the xvi - xvii centuries","es":"virgen maría junto a jesús y san juanito, escuela italiana de los siglos xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22258/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:46:05.440Z","textCase":"lower","estimate":"\u20ac5,000 - 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david teniers el joven"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22259/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2250,"lastUpdate":"2026-07-01T16:46:05.442Z","textCase":"lower","estimate":"\u20ac3,000 - 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attributed to josé de arellano (madrid, 1654 - 1714) by d. enrique valdivieso, who describes them in his study as \"characteristic works of the madrid school of the second half of the nineteenth century xvii. due to the compositional arrangement of the flowers, the details of their drawing and their contrasting chromatism, they are works that can be considered as belonging to the painter josé de arellano\" a report by d. enrique valdivieso gonzález from june 2015 is attached. measurements: 56 x 58 cm framed, canvas measurements: 51 x 44 cm","es":"pareja de floreros en jarrones de cristal\" óleos sobre lienzo. atribuídos a josé de arellano (madrid, 1654 - 1714) por d. enrique valdivieso, quien los describe en su estudio como \"obras características de la escuela madrileña de la segunda mitad del siglo xvii. por la disposición compositiva de las flores, los pormenores de su dibujo y por su contrastado cromatismo son obras que pueden considerarse como pertenecientes al pintor josé de arellano\" se adjunta informe de d. enrique valdivieso gonzález de junio de 2015. medidas: 56 x 58 cm enmarcados, medidas lienzos: 51 x 44 cm"},"estimateMax":30000,"lotNumber":"250","title":{"en":"very important pair of still lifes, attributed to josé de arellano (madrid, 1654 - 1714), spanish school of the 17th century","es":"muy importante pareja de bodegones, atribuídos a josé de arellano (madrid, 1654 - 1714), escuela española del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22260/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":20000,"lastUpdate":"2026-07-01T16:46:05.444Z","textCase":"lower","estimate":"\u20ac25,000 - 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verdugo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22261/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2750,"lastUpdate":"2026-07-01T16:46:05.446Z","textCase":"lower","estimate":"\u20ac3,500 - 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on canvas, framed measurements: 85 x 74 cm, canvas measurements: 67 x 55 cm (each). born in jerez de la frontera, a disciple of the school of seville and later of the higher school of madrid, from 1874 he attended the open exhibition in the former platería de martínez with many of his works; in the same year he was awarded for a drawing of his in the contest opened by the newspaper la illustration. in the national exhibition of 1876 he presented two types of bullfighters, two landscapes of torrelodones and a composition painting the return to the home. the cadiz exhibition of 1879 brought his painting a dance inside a harem, for which he was awarded a gold medal. in the same year he brought to the paris salon the portrait of a lady and another of an old man.","es":"óleos sobre lienzo, medidas enmarcados: 85 x 74 cm, medidas lienzos: 67 x 55 cm (cada uno). pintor natural de jerez de la frontera, discípulo de la escuela de sevilla y más tarde de la escuela superior de madrid.\u200b a partir de 1874 concurrió con muchos de sus trabajos a la exposición abierta en la antigua platería de martínez; en el mismo año fue premiado por un dibujo suyo en el certamen abierto por el periódico la ilustración.\u200b en la exposición nacional de 1876 presentó dos tipos de toreros, dos paisajes de torrelodones y un cuadro de composición la vuelta al hogar.\u200b a la exposición de cádiz de 1879 llevó su cuadro un baile en el interior de un harem, por el que fue premiado con medalla de oro.\u200b en el mismo año llevó al salón de parís el retrato de una señora y otro de un anciano.\u200b en el salón de 1880 expuso su lienzo representando a camilo desmoulins arengando al pueblo en el palacio real.\u200b más adelante realizó un retrato de ángel fernández de los ríos.\u200b bibliografía de referencia: \"ossorio y bernard, manuel (1883-1884). «cala y moya (d. josé de)». galería biográfica de artistas españoles del siglo xix. madrid: imprenta de moreno y rojas\"."},"estimateMax":3000,"lotNumber":"255","title":{"en":"important pair of orientalist scenes, 19th century spanish school, signed josé cala de moya (jerez de la frontera, august 30, 1850, around 1891)","es":"importante pareja de escenas orientalistas, escuela española del siglo xix, firmados josé cala de moya (jerez de la frontera, 30 de agosto de 1850, alrededor de 1891)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22265/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1000,"soldPrice":4750,"lastUpdate":"2026-07-01T16:46:13.718Z","textCase":"lower","estimate":"\u20ac2,000 - 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in arms, 16th century northern italian school","es":"virgen con niño en brazos, escuela del norte de italia del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22266/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":8500,"lastUpdate":"2026-07-01T16:46:13.720Z","textCase":"lower","estimate":"\u20ac9,000 - \u20ac9,500","currency":"EUR","id":22266,"estimateMin":9000},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22267/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22267/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22267/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22267/004/004.jpg"],"available":false,"description":{"en":"oil on board, framed measurements: 60 x 41 cm, board measurements: 42 x 24 cm.","es":"óleo sobre tabla, medidas enmarcado: 60 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xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22268/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":600,"soldPrice":3250,"lastUpdate":"2026-07-01T16:46:13.724Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":22268,"estimateMin":1500},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22269/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22269/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22269/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22269/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22269/005/005.jpg"],"available":false,"description":{"en":"oil on board, framed measurements: 40 x 33 cm, board measurements: 23 x 19 cm.","es":"óleo sobre tabla, medidas enmarcado: 40 x 33 cm, medidas tabla: 23 x 19 cm."},"estimateMax":2500,"lotNumber":"259","title":{"en":"lady with mantilla, signed r. carazo, 19th century spanish school","es":"dama con mantilla, firmado r. carazo, escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22269/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:46:13.725Z","textCase":"lower","estimate":"\u20ac2,000 - 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of their surnames. he having participated on several occasions in the national exhibition of fine arts (spain) between 1858 and 1878, presenting canvases of still lifes, floral ensembles and fruit bowls. in the exhibition held in jerez de la frontera in 1856 he participated with two canvases on costumbrista themes entitled: preparations for a great meal and table revolt. his works can be seen at the malaga museum, a city with which he was closely linked, and in private collections such as the bellver collection in seville.","es":"óleo sobre lienzo, medidas enmarcado: 125 x 108 cm, medidas lienzo: 114 x 99 cm. josé maría murillo y bracho (sevilla, 1827 - málaga, 1882) fue un pintor sevillano discípulo de antonio maría esquivel, también se le conoce como josé maría bracho y murillo debido a su costumbre de firmar las obras invirtiendo el orden de los apellidos. habiendo participado en varias ocasiones en la exposición nacional de bellas artes (españa) entre los años 1858 y 1878, 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siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22285/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:46:08.725Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac5,500","currency":"EUR","id":22285,"estimateMin":5000},{"startPrice":350,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22286/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22286/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22286/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22286/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22286/005/005.jpg"],"soldDate":"2022-05-16","available":false,"description":{"en":"pastel on paper glued to canvas, framed measurements: 93 x 77 cm, canvas measurements: 79 x 64 cm","es":"pastel sobre papel pegado a lienzo, medidas enmarcado: 93 x 77 cm, medidas lienzo: 79 x 64 cm"},"estimateMax":1200,"lotNumber":"276","title":{"en":"important lady portrait, 18th century french school","es":"importante retrato de dama, escuela francesa del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22286/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":350,"soldPrice":3250,"lastUpdate":"2026-07-01T16:46:08.726Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,200","currency":"EUR","id":22286,"estimateMin":1000},{"startPrice":5000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22287/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22287/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22287/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22287/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22287/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22287/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22287/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 112 x 80 cm, canvas measurements: 82 x 51 cm. rafael senet y pérez (seville, 1856-ibidem, 1926), was a spanish painter and watercolourist known for his landscapes of venice and other costumbrista and oriental themes. he studied at the school of fine arts in seville with teodoro aramburu, joaquín domínguez bécquer and eduardo cano. after a brief season in madrid, in 1880, and with the help of the banker ramón de ibarra, he traveled to rome where he fell under the influence of josé villegas cordero. in italy he traveled painting in the south of the peninsula and in veneto. for the return of fishing in naples he was awarded a second medal at the national fine arts in 1884. that same year he achieved the same award at the munich international. he was also present at the exhibition of the center for watercolourists in barcelona and at the fifth international exhibition of fine arts in 1907. senet pérez was linked to the group of landscape artists from alcalá de guadaira, led by emilio sánchez perrier. a painter from venice, many of his works are in private english collections, the vast majority of them sold by the london dealer arthur tooth. reference bibliography: valdivieso gonzález, enrique, the sevillian painting of the 19th century, seville, 1981, p. 130. the vast majority of them marketed by the london dealer arthur tooth. reference bibliography: valdivieso gonzález, enrique, the sevillian painting of the 19th century, seville, 1981, p. 130. the vast majority of them marketed by the london dealer arthur tooth. reference bibliography: valdivieso gonzález, enrique, the sevillian painting of the 19th century, seville, 1981, p. 130.","es":"óleo sobre lienzo, medidas enmarcado: 112 x 80 cm, medidas lienzo: 82 x 51 cm. rafael senet y pérez (sevilla, 1856-ibídem, 1926), fue un pintor y acuarelista español conocido por sus paisajes de venecia y otros temas costumbristas y orientales. realizando estudios en la escuela de bellas artes de sevilla con teodoro aramburu, joaquín domínguez bécquer y eduardo cano. tras una breve temporada en madrid, en 1880, y con la ayuda del banquero ramón de ibarra, viajó a roma donde cayó bajo la influencia de josé villegas cordero. en italia viajó pintando por el sur de la península y por el veneto. por el regreso de la pesca en nápoles se le concedió una segunda medalla en la nacional de bellas artes de 1884. ese mismo año logró igual galardón en la internacional de múnich. también estuvo presente en la exposición del centro de acuarelistas de barcelona y en la quinta muestra internacional de bellas artes de 1907. senet pérez estuvo vinculado al grupo de paisajistas de alcalá de guadaira, liderado por emilio sánchez perrier. pintor de venecia, muchas de sus obras están en colecciones particulares inglesas, la gran mayoría de ellas comercializadas por el marchante londinense arthur tooth. bibliografía de referencia: valdivieso gonzález, enrique, la pintura sevillana del siglo xix, sevilla, 1981, p. 130."},"estimateMax":6000,"lotNumber":"277","title":{"en":"young girl shellfishing, 19th century spanish school, signed rafael senet","es":"joven muchacha mariscando, escuela española del siglo xix, firmado rafael senet"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22287/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T16:46:08.728Z","textCase":"lower","estimate":"\u20ac5,500 - 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cm"},"estimateMax":600,"lotNumber":"278","title":{"en":"country scene, signed carey morris, 20th century english school","es":"escena campestre, firmado carey morris, escuela inglesa del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22288/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":100,"soldPrice":400,"lastUpdate":"2026-07-01T16:46:08.730Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":22288,"estimateMin":500},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22289/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22289/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22289/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22289/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22289/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22289/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22289/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 56 x 47 cm, canvas measurements: 42 x 33 cm","es":"óleo sobre lienzo, medidas enmarcado: 56 x 47 cm, medidas lienzo: 42 x 33 cm"},"estimateMax":1500,"lotNumber":"279","title":{"en":"traveler family playing the zanfona, 19th century spanish school, signed portillo","es":"familia zíngara tocando el zanfona, escuela española del siglo xix, firmado portillo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22289/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:46:08.732Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":22289,"estimateMin":1200},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22290/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22290/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22290/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22290/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22290/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22290/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22290/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 48 x 36 cm, canvas measurements: 42 x 30 cm. painter and musician. at an early age he learned the family craft trades from him. he was studying latin and philosophy at the royal convent of the dominican fathers. between 1776 and 1778 he was related to the spanish court painter luis paret y alcázar, who arrived on the island exiled by king carlos iii. he was a self-taught and multifaceted artist. he cultivated music, architecture, topography, shield design and the development of musical instruments. he mainly developed religious-themed paintings and portraits. his work, considered rococo due to its interest in detail and ornamentation, dominates the palette of bluish grays and pinks that he assimilated from paret. in 2006 the ponce art museum organized an exhibition that traveled to the prestigious worcester art museum in massachusetts and included works by him, francisco oller and miguel pou. campeche's great mastery resides in his mastery of portraits and miniatures, a characteristic that exalts him as one of the most outstanding painters in latin america at the end of the 18th century. bibliography: davila, arturo. \u201ccampeche: myth and reality\u201d. museum of art of puerto rico, san juan, puerto rico, 2012; white, enrique t. \"campeche ii, the life of him.\" alma latina (san juan, pr), no. 22 (may 1933). bibliography: davila, arturo. \u201ccampeche: myth and reality\u201d. museum of art of puerto rico, san juan, puerto rico, 2012; white, enrique t. \u201ccampeche ii, his life\u201d. alma latina (san juan, pr), no. 22 (may 1933). bibliography: davila, arturo. \u201ccampeche: myth and reality\u201d. museum of art of puerto rico, san juan, puerto rico, 2012; white, enrique t. \u201ccampeche ii, his life\u201d. alma latina (san juan, pr), no. 22 (may 1933).","es":"óleo sobre lienzo, medidas enmarcado: 48 x 36 cm, medidas lienzo: 42 x 30 cm. pintor y músico. a temprana edad aprendió los oficios artesanales de su familia. cursando estudios de latinidad y filosofía en el convento real de los padres dominicos. entre 1776 y 1778 se relacionó con el pintor de la corte española luis paret y alcázar, quien llegó a la isla desterrado por el rey carlos iii. fue un artista autodidacto y polifacético. cultivó la música, la arquitectura, la topografía, el diseño de escudos y la elaboración de instrumentos musicales. desarrolló principalmente pinturas de tema religioso y retratos en su obra, considerada rococó por el interés en el detalle y la ornamentación, domina la paleta de grises azulados y rosados que asimiló de paret. en 2006 el museo de arte de ponce organizó una exhibición que viajó al prestigioso worcester art museum de massachusetts y que incluyó obras suyas, de francisco oller y de miguel pou. la gran maestría de campeche reside en su dominio del retrato y la miniatura, característica que lo exalta como uno de los pintores más destacados de hispanoamérica a finales de siglo xviii. bibliografía: dávila, arturo. \u201ccampeche: mito y realidad\u201d. museo de arte de puerto rico, san juan, puerto rico, 2012; blanco, enrique t. \u201ccampeche ii, su vida\u201d. alma latina (san juan, pr), no. 22 (mayo 1933)."},"estimateMax":2000,"lotNumber":"280","title":{"en":"virgin with child in arms, possibly puerto rican colonial school of the 18th century, circle of josé de campeche y jordán","es":"virgen con niño en brazos, escuela posiblemente colonial puertorriqueña del del siglo xviii, círculo de josé de campeche y jordán"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22290/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:46:08.740Z","textCase":"lower","estimate":"\u20ac1,500 - 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x 26 cm each","es":"óleos sobre lienzo, medidas lienzos: 33 x 26 cm cada uno"},"estimateMax":1200,"lotNumber":"281","title":{"en":"couple of battles, italian or austrian school of the 18th century","es":"pareja de batallas, escuela italiana o austríaca del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22291/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":500,"soldPrice":1800,"lastUpdate":"2026-07-01T16:46:08.748Z","textCase":"lower","estimate":"\u20ac1,000 - 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escuela italiana del siglo xix, firmado j. vitarelli"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22292/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":800,"lastUpdate":"2026-07-01T16:46:13.125Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,500","currency":"EUR","id":22292,"estimateMin":1000},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22293/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22293/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22293/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22293/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22293/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22293/006/006.jpg"],"available":false,"description":{"en":"oil on 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caesar crowned in front of the gods of olympus, italian school of the 18th century","es":"césar coronado frente a los dioses del olimpo, escuela italiana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22294/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T16:46:13.129Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":22294,"estimateMin":15000},{"startPrice":2750,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22295/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22295/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22295/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22295/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22295/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 80 x 69 cm, canvas measurements: 65 x 54 cm","es":"óleo sobre lienzo, medidas enmarcado: 80 x 69 cm, medidas lienzo: 65 x 54 cm"},"estimateMax":3500,"lotNumber":"285","title":{"en":"view of a port, 19th century spanish school, signed f. gimeno","es":"vista de un puerto, escuela española del siglo xix, firmado f. gimeno"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22295/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2750,"lastUpdate":"2026-07-01T16:46:13.131Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac3,500","currency":"EUR","id":22295,"estimateMin":3000},{"startPrice":2250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22296/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22296/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22296/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22296/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22296/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 73 x 60 cm, canvas measurements: 61 x 48 cm","es":"óleo sobre lienzo, medidas enmarcado: 73 x 60 cm, medidas lienzo: 61 x 48 cm"},"estimateMax":3500,"lotNumber":"286","title":{"en":"portrait of a woman with a mantilla, sevillian school from the end of the 19th century, signed g. bilbao","es":"retrato de mujer con mantilla, escuela sevillana de finales del siglo xix, firmado g. bilbao"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22296/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2250,"lastUpdate":"2026-07-01T16:46:13.134Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac3,500","currency":"EUR","id":22296,"estimateMin":3000},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22297/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22297/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22297/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22297/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22297/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22297/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22297/007/007.jpg"],"available":false,"description":{"en":"sebastián gómez (active between 1690 and 1699), called \"el mulato de murillo\", was a spanish baroque painter who followed the style of bartolomé esteban murillo. born in granada and possibly the son of moorish slaves, in the 18th century the belief spread that the painter had been murillo's slave. thus, at the end of the century, the inventory of the collection of the count of águila included three paintings attributed to «sebastián the slave of murillo», and ceán bermúdez, in the letter to a friend of his, on the style and taste of the painting, published in cadiz in 1806, mentioned him among the sevillian painter's disciples, because \"even though he was his slave\", he added, \"he had also taught him the art of painting\". the legend was poetized by hans christian andersen who in 1838 wrote the poem the zombie did it, dedicated to murillo's african slave who retouched and improved the master's works at night. the two signed works that are known of him: the virgen del rosario con santos, dated 1690 and signed iliberritanus, a work from the dominican convent in seville where ceán still saw it (seville museum of fine arts), with a weak drawing and grandiloquent composition, and the santa rosalía de viterbo in the museum of salamanca from the franciscans of écija, dated 1699, in which he uses the granatense formula thus affirming the granada origin, show characteristics of both alonso cano's painting, which he would see before leaving his hometown, like de murillo. by the same hand, a coronation of the virgin is preserved in the museum of cádiz and an immaculate conception in the museum of seville, in addition to four paintings in the national museum of san carlos in mexico because, like other andalusian painters, he dedicated part of his production to american market. reference bibliography: \"pérez sánchez, alfonso e. (1992). pintura barroca en españa 1600-1750. madrid : ediciones cátedra. isbn 84-376-0994-1\".","es":"óleo sobre lienzo, medidas enmarcado: 175 x 118 cm, medidas lienzo: 163 x 107 cm. sebastián gómez (activo entre 1690 y 1699), llamado «el mulato de murillo», fue un pintor barroco español continuador del estilo de bartolomé esteban murillo. nacido en granada y, probablemente, hijo de esclavos moriscos, durante el siglo xviii se extendió la creencia de que el pintor había sido esclavo de murillo. así, a finales de la centuria, en el inventario de la colección del conde del águila se recogían tres pinturas atribuidas a «sebastián el esclavo de murillo». existen dos obras firmadas que de él se conocen: la virgen del rosario con santos, fechada en 1690 y firmada \"iliberritanus\", obra procedente del convento de dominicos de sevilla donde aún la vio ceán (museo de bellas artes de sevilla), de dibujo endeble y composición grandilocuente, y la santa rosalía de viterbo del museo de salamanca procedente de los franciscanos de écija, fechada en 1699, en la que utiliza la fórmula granatense afirmando así el origen granadino, manifiestan rasgos propios tanto de la pintura de alonso cano, que vería antes de abandonar su ciudad natal, como de murillo. de la misma mano se conservan una coronación de la virgen en el museo de cádiz y una inmaculada en el de sevilla, además de cuatro cuadros en el museo nacional de san carlos de méxico pues, como otros pintores andaluces, dedicó parte de su producción al mercado americano. bibliografía de referencia: \"pérez sánchez, alfonso e. (1992). pintura barroca en españa 1600-1750. madrid : ediciones cátedra. isbn 84-376-0994-1\"."},"estimateMax":25000,"lotNumber":"287","title":{"en":"great immaculate virgin, sevillian school from the end of the 17th century, circle of bartolomé esteban murillo, attributed to sebastián gómez (active between 1690 and 1699)","es":"gran virgen inmaculada, escuela sevillana de finales del siglo xvii, entorno de bartolomé esteban murillo, atribuído a sebastián gómez (activo entre 1690 y 1699)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22297/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:46:13.135Z","textCase":"lower","estimate":"\u20ac20,000 - 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follower of francisco de goya y lucientes, 19th century spanish school, signed l. villamil","es":"fiesta campestre, seguidor de francisco de goya y lucientes, escuela española del siglo xix, firmado l. villamil"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22298/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:46:13.137Z","textCase":"lower","estimate":"\u20ac3,500 - 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xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22300/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2750,"lastUpdate":"2026-07-01T16:46:13.142Z","textCase":"lower","estimate":"\u20ac3,000 - 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cm"},"estimateMax":4500,"lotNumber":"291","title":{"en":"virgin with child in arms, andalusian school of the 17th century","es":"virgen con niño en brazos, escuela andaluza del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22301/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:46:13.144Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac4,500","currency":"EUR","id":22301,"estimateMin":4000},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22302/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22302/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22302/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22302/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22302/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22302/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22302/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22302/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22302/009/009.jpg"],"available":false,"description":{"en":"gilded and polychrome wood carving, measurements: 56 x 19 x 19 cm","es":"talla en madera dorada y policromada, medidas: 56 x 19 x 19 cm"},"estimateMax":2500,"lotNumber":"292","title":{"en":"immaculate virgin, andalusian school of the 18th century","es":"virgen inmaculada, escuela andaluza del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22302/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:46:00.961Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,500","currency":"EUR","id":22302,"estimateMin":2000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22303/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22303/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22303/003/003.jpg"],"available":false,"description":{"en":"gilded and polychrome wood carving, measurements: 45 x 26 x 21 cm","es":"talla en madera dorada y policromada, medidas: 45 x 26 x 21 cm"},"estimateMax":3000,"lotNumber":"293","title":{"en":"saint nicholas, andalusian school of the 17th century","es":"san nicolás, escuela andaluza del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22303/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:46:00.964Z","textCase":"lower","estimate":"\u20ac2,500 - 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xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22304/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":8000,"lastUpdate":"2026-07-01T16:46:00.966Z","textCase":"lower","estimate":"\u20ac8,500 - \u20ac9,000","currency":"EUR","id":22304,"estimateMin":8500},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22305/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22305/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22305/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22305/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22305/005/005.jpg"],"available":false,"description":{"en":"carving in gilded alabaster, total measurements: 10 x 19 x 5","es":"talla en alabastro sobredorado, medidas totales: 10 x 19 x 5"},"estimateMax":3000,"lotNumber":"295","title":{"en":"rare mary magdalene in alabaster, possibly viceregal school of the 17th century","es":"rara maría magdalena en alabastro, escuela posiblemente virreinal del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22305/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:46:00.968Z","textCase":"lower","estimate":"\u20ac2,500 - 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for painting in 1930 and a founding member of the association of basque artists. he was born in askao street, bilbao, the son of eusebio arteta y labrador, a railway worker, and petra errasti y zabala. his brother félix arteta was also a painter and draftsman, rather anonymous. n 1921 he began in the frescoes of the banco de bilbao, in madrid; for the realization of the same he previously painted each fresco and on a small scale, an oil of great beauty. in 1924 he was appointed first director of the newly created museum of modern art in bilbao. this work was not without controversy as the bilbao city council censored arteta's acquisitions. arteta's resignation caused a wave of support from intellectuals from all over spain, which ended up becoming a criticism of the policy of the primo de rivera dictatorship from the field of art. in 1930 he received the national prize for painting. on the occasion of the centenary of his birth, in 1979, banco de bilbao held a double exhibition at the bilbao fine arts museum and in the exhibition hall of the bank itself. they managed to gather 70 works of the first magnitude, which were accompanied by texts from, among others, manuel llano, edorta kortadi, kosme de barañano and indalecio prieto. reference bibliography: barjola. jose de castro arines. panorama of contemporary painting (1972); walk through barjola. joseph iron. catalog of the exhibition at the meiac (1999).","es":"óleo sobre lienzo, enmarcado, medidas enmarcado: 82 x 72, medidas lienzo: 65 x 55 cm. aurelio bibiano de arteta y errasti (bilbao, 2 de diciembre de 1879 - ciudad de méxico, 10 de noviembre de 1940) fue un pintor español. premio nacional de pintura en 1930 y miembro fundador de la asociación de artistas vascos. nació en la bilbaína calle askao, hijo de eusebio arteta y labrador, de profesión ferroviario, y de petra errasti y zabala. su hermano félix arteta fue igualmente pintor y dibujante, más bien anónimo. n 1921 comenzó en los frescos del banco de bilbao, 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wood, polychrome bone, wrought iron fittings and velvet. exceptional piece due to its rarity and good state of conservation, presenting most of its original elements, measurements: 140 x 105 x 42 cm, provenance: old collection of the dukes of medinaceli, a copy of the letter of thanks from don josé de zorrila is attached to the duchess found inside. there are two theories developed by the same person. the denomination bargueño, referring to all types of spanish desks, was used by a curator of the south kensington museum, jose facundo de riaño in 1872 for the catalog of spanish artistic objects, published by the victoria and albert museum in london. he attributes the term bargueño to the existence in the toledo town of bargas of a group of artisans who would dedicate themselves in the 16th century to the mass production of this piece of furniture, in such a way that the origin was popularized as a denomination, or else, by not have proof of any carpentry or specialized workshop in this municipality, to a carver and carpenter surnamed vargas. there are two possible theories: which unfortunately cannot be taken for granted. in the 1940s, riaño's hypothesis was refuted when the invoices of the spanish society were studied and it was shown that there was no solid documentary basis to prove these theories. however, the royal academy had already accepted the term in 1914, and it has reached our days as the most common denomination. reference bibliography: burr, grace hardendorff, hispanic furniture. with examples in the collection of the hispanic society of america, new york: the archive press, 1941, (second edition 1964; in english); maria paz aguilo alonso. spanish desks and cabinets. spanish bargueños and writing chests. ministry of economy and business. madrid 2018. isbn:978-84-92546-47-3.","es":"en madera, hueso policromado herrajes en forja y terciopelo. excepcional pieza por su rareza y buen estado de conservación, presentando la mayoría de sus elementos originales, medidas: 140 x 105 x 42 cm, procedencia: antigua colección de los duques de medinaceli, se adjunta copia de carta de agradecimiento de don josé de zorrila a la duquesa encontrada en su interior. hay dos teorías desarrolladas por una misma persona. la denominación bargueño, refiriéndose a todo tipo de escritorio español fué utilizada por un conservador del south kensington museum, jose facundo de riaño en 1872 para el catálogo de objetos artísticos españoles, publicado por el vcitoria and albert museum de londres. atribuye el término bargueño a la existencia en el pueblo toledano de bargas a un grupo de artesanos que se dedicarían en el s xvi a la producción en masa de este mueble, de tal manera que se popularizara la procedencia como denominación, o bien, al no tener constancia de ninguna carpintería o taller especializado en este municipio, a un tallista y carpintero apellidado vargas. existiendo dos posibles teorías: que lamentablemente no se pueden dar por buenas. en los años 40 del pasado siglo, se rebatió la hipótesis de riaño al estudiarse las facturas de la spanish society y demostrarse que no había una base documental sólida que probara estas teorías. sin embargo, la real academia ya había aceptado el término en 1914, y ha llegado a nustros días como la denominación más común. bibliografía de referencia: burr, grace hardendorff, hispanic furniture. with examples in the collection of the hispanic society of america, nueva york: the archive press, 1941, (segunda edición de 1964; en inglés); maría paz aguiló alonso. escritorios y bargueños españoles. spanish bargueños and writing chests. ministerio de economía y empresa. madrid 2018. isbn:978-84-92546-47-3."},"estimateMax":35000,"lotNumber":"372","title":{"en":"exceptional spanish vargueno cabinet complete with table, toledo school of the 17th century","es":"excepcional bargueño vargas con su taquillón de origen, escuela toledana de siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22382/view","tags":["esfurniture_desks","esfurniture_all","esfurniture"],"directSalePrice":15000,"lastUpdate":"2026-07-01T16:46:25.997Z","textCase":"lower","estimate":"\u20ac25,000 - \u20ac35,000","currency":"EUR","id":22382,"estimateMin":25000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22383/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22383/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22383/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22383/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22383/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22383/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22383/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measures: 93 x 78 cm. the shepherd as a symbol of christianity dates back to the time of paleo-christianity, and is already used in the roman catacombs. although its use was of popular origin, the church accepted the parallelism of christ as a good shepherd and that of his mother as a shepherdess who watches over and intercedes for the human race, represented by the sheep, which they guard against the devil and sin. in 1703, under the dress and appearance of a shepherdess, the heavenly lady appeared to the capuchin isidore of seville and asked him to be honored under this image. erected as the patron saint of the capuchin missionaries of catalonia, this new iconographic type of the divine shepherdess soon spread throughout all the spanish regions and her possessions in america.","es":"óleo sobre lienzo, medidas lienzo: 93 x 78 cm. el pastor como símbolo del cristianismo se remonta a la época del paleocristianismo, y se encuentra ya utilizada en las catacumbas romanas. aunque su uso fue de origen popular, la iglesia acepto el paralelismo de cristo como buen pastor y el de su madre como pastora que vela e intercede por el genero humano, representado por la ovejas, a las cuales cuidan contra el demonio y el pecado. en 1703, bajo el vestido y aspecto de una pastora, la celestial señora se le apareció al capuchino isidoro de sevilla y le pidió que se le honrara bajo esta imagen. erigida en patróna de los misioneros capuchinos de cataluña, este nuevo tipo iconográfico de la divina pastora, se extendió pronto por todas las regiones españolas y sus posesiones en américa. bibliografía de referencia: josé campeche - testigo de la ciudad, arturo dávila, cuadernos de cultura #12, instituto de cultura puertorriqueña, 2005"},"estimateMax":8000,"lotNumber":"373","title":{"en":"divine shepherdess, 18th century colonial school, circle of josé de campeche (1751 - 1809 san juan, puerto rico)","es":"divina pastora, escuela colonial del siglo xviii, círculo de josé de campeche (1751 - 1809 san juan, puerto 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century","es":"importante retrato de san pantaleón rodeado de ángeles, escuela italiana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22385/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:46:26.010Z","textCase":"lower","estimate":"\u20ac8,000 - 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on canvas, framed, framed measurements: 179 x 127, canvas measurements: 162 x 112 cm. saint felix was the first saint of the capuchin order. he loved to always be immersed in prayer, which is the source of all the gifts from heaven. as the saint was illiterate and could not read, he used to say that he studied only six letters: five red and one white, and that these were enough to be learned in the science of the saints. the five red letters stood for the five wounds and the passion of jesus christ, which was the common theme of his meditations. the impeccable white letter signified the purity of mary mother of god, to whom he was very devoted, to whom he tried to imitate her sublime virtues. above all this virtue, that of purity, which above all other virtues is the most dear to the virgin.","es":"óleo sobre lienzo, enmarcado, medidas enmarcado: 179 x 127, medidas lienzo: 162 x 112 cm. san félix fue el primer santo de la orden de los capuchinos. le encantaba estar siempre sumido en oración, que es la fuente de todos los regalos del cielo. como el santo era analfabeto y no podía leer, solía decir que no estudió más que seis letras: cinco rojas y una blanca, y que estas eran suficientes para ser docto en la ciencia de los santos. las cinco letras rojas significaban las cinco heridas y la pasión de jesucristo, que fue el tema común de sus meditaciones. la letra blanca impecable significaba la pureza de maría madre de dios, de la que era muy devoto, a la que trataba de imitar sus virtudes sublimes. sobre todo esta virtud, la de la pureza, que por encima de todas las demás virtudes es la más querida por la virgen. por este gran amor que san félix tenía por nuestra madre celestial, recibió de ella en una visón a su amadísimo niño, acunó con gran veneración."},"estimateMax":6500,"lotNumber":"376","title":{"en":"saint phelix with the child in arms, andalusian school of the 18th century","es":"san félix de cantalicio con el niño en brazos, escuela andaluza del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22386/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:46:26.015Z","textCase":"lower","estimate":"\u20ac4,500 - 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in polychrome and partially gilded wood, measures: 76 x 62 x 10","es":"relieve en madera policromada y parcialmente dorada, medidas: 76 x 62 x 10"},"estimateMax":4500,"lotNumber":"377","title":{"en":"holy family in relief, novohispanic colonial school from the 18th century","es":"sagrada familia en relieve, escuela colonial novohispana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22387/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2800,"lastUpdate":"2026-07-01T16:46:26.019Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac4,500","currency":"EUR","id":22387,"estimateMin":3500},{"startPrice":120,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22388/001/001.jpg"],"soldDate":"2022-05-13","available":false,"description":{"en":"gross weight: 22.20 gr.","es":"peso bruto: 22,20 gr."},"estimateMax":600,"lotNumber":"378","title":{"en":"14 karat white gold watch","es":"reloj en oro blanco de 14 kilates"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22388/view","tags":["esjewelry_watches","esjewelry","esjewelry_all"],"directSalePrice":120,"soldPrice":200,"lastUpdate":"2026-07-01T16:46:26.021Z","textCase":"lower","estimate":"\u20ac400 - \u20ac600","currency":"EUR","id":22388,"estimateMin":400},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22389/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22389/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22389/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22389/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22389/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22389/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22389/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22389/008/008.jpg"],"available":false,"description":{"en":"in carved walnut wood and wrought iron fittings in the central felling, edges and sides. table attached. bargueño measures: 62 x 105 x 44. table measures: 63 x 58 x 38 cm","es":"en madera de nogal tallada y herrajes en forja en la tala central, bordes y laterales. adjunta mesa. medidas bargueño: 62 x 105 x 44. medidas mesa: 63 x 58 x 38 cm"},"estimateMax":3500,"lotNumber":"379","title":{"en":"castilian cabinet in walnut, xvi - xvii centuries","es":"bargueño castellano en nogal, siglos xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22389/view","tags":["esfurniture_desks","esfurniture_all","esfurniture"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:46:26.025Z","textCase":"lower","estimate":"\u20ac2,500 - 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on the cross, andalusian baroque school of the 18th century","es":"cristo en la cruz, escuela barroca andaluza del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22393/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":350,"lastUpdate":"2026-07-01T16:46:30.299Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,500","currency":"EUR","id":22393,"estimateMin":1000},{"startPrice":450,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22394/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22394/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22394/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22394/004/004.jpg"],"available":false,"description":{"en":"measurements: 10 x 23 x 10 cm","es":"medidas: 10 x 23 x 10 cm"},"estimateMax":1200,"lotNumber":"384","title":{"en":"cash box inlaid with mother-of-pearl, tortoiseshell and marquetry, spanish school of the 18th-19th centuries","es":"caja de caudales con incrustaciones de madreperla, carey y marquetería, escuela española de los siglos xviii- xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22394/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":450,"lastUpdate":"2026-07-01T16:46:30.301Z","textCase":"lower","estimate":"\u20ac900 - \u20ac1,200","currency":"EUR","id":22394,"estimateMin":900},{"startPrice":250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22395/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22395/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22395/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22395/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22395/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22395/006/006.jpg"],"available":false,"description":{"en":"with a pair of carved bone plates with two heraldic shields. measurements: 11 x 24 x 11 cm","es":"con pareja de placas de hueso tallado con sendos escudos heráldicos. medidas: 11 x 24 x 11 cm"},"estimateMax":650,"lotNumber":"385","title":{"en":"plateresque style box in fruit wood and bone marquetry, 19th century spanish school","es":"caja de estilo plateresco en madera de frutal y marquetería en hueso, escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22395/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":250,"lastUpdate":"2026-07-01T16:46:30.302Z","textCase":"lower","estimate":"\u20ac450 - \u20ac650","currency":"EUR","id":22395,"estimateMin":450},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22396/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22396/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22396/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22396/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22396/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22396/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22396/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22396/008/008.jpg"],"available":false,"description":{"en":"oil on canvas, measurements: 41 x 62 cm. andré derain (chatou, june 10, 1880-garches, september 8, 1954) was the son of a pastry chef, after finishing high school he abandoned his projected engineering career for painting. he began to paint in 1895 and in 1898-99 he enrolled the camillo academy and in his assiduous visits to the louvre he met matisse. along with maurice de vlaminck, he belonged to the chatou school and joined the fauves group, creators of fauvism. he was influenced by cubism and primitivism and was a great friend of henri matisse and pablo picasso with whom he experimented for a time in montmartre. in 1916 the gallerist paul guillaume gave him his first individual exhibition in his gallery with a foreword by guillaume apollinaire and he illustrated mont piete by andré breton. he served in the first world war in the vosges and stood out in mainz until 1919. his fame grew when he won the carnegie prize in 1928 with exhibitions in london, berlin, frankfurt am main and düsseldorf in 1929 and in new york and cincinnati in 1930-1931. the nazis admired much his work and foreign minister ribbentrop asks him to paint his family. derain refuses but accepts an invitation to berlin in 1941 that will be publicized by the german government and that after the liberation will damage his image forever. will have to face the courts before serious charges of collaboration. in 1947 they discussed the settings for a ballet at london's covent garden and at the aix-en-provence festival: mozart's the abduction from the seraglio and rossini's the barber of seville, in 1947 and 1953 respectively. he illustrated editions of rabelais's pantagruel in 1943, oscar wilde's theatrical drama salomé (1938) and petronio's satyricon in 1934. this last series was never completed, and was published late. he returned to chambourcy on very bad terms with his wife alice; the painter had two children with models, and the couple ended up divorcing in the midst of bitter legal disputes. he died after being hit by a truck in garches","es":"óleo sobre lienzo, medidas: 41 x 62 cm. andré derain (chatou, 10 de junio de 1880-garches, 8 de septiembre de 1954) fue hijo de un pastelero, tras terminar el bachillerato abandonó su proyectada carrera de ingeniería por la pintura. comienza a pintar en 1895 y en 1898-99 se inscribe en la academia camillo y en sus asiduas visitas al louvre conoce a matisse. perteneció junto con maurice de vlaminck a la escuela de chatou y se integró en el grupo de los fauves, creadores del fovismo. fue influenciado por el cubismo y el primitivismo y fue gran amigo de henri matisse y pablo picasso con quien vivió un tiempo en montmartre.en 1916 el galerista paul guillaume le dio su primera exposición individual en su galería con un prólogo de guillaume apollinaire e ilustró mont de piete de andré breton. sirvió en la primera guerra mundial en los vosgos y destacado en maguncia hasta 1919. su fama creció al ganar el carnegie prize en 1928 con exposiciones en londres, berlín, fráncfort del meno y düsseldorf en 1929 y en nueva york y cincinnati en 1930-1931. los nazis lo admiraban y el ministro del exterior ribbentrop le pide que pinte a su familia. derain se niega pero acepta una invitación a berlín en 1941 que será publicitada por el gobierno alemán y que después de la liberación perjudicará para siempre su imagen. deberá enfrentar los tribunales ante graves acusaciones de colaboracionismo. en 1947 diseñó los decorados de un ballet en el covent garden de londres y en el festival de aix-en-provence: los de el rapto en el serrallo de mozart y el barbero de sevilla de rossini, en 1947 y 1953 respectivamente. ilustró ediciones del pantagruel de rabelais en 1943, del drama teatral salomé de oscar wilde (1938) y del satiricón de petronio en 1934. esta última serie no llegó a terminarla, y se publicó tardíamente. regresó a chambourcy en muy malos términos con su esposa alice; el pintor tuvo dos hijos con modelos, y la pareja acabó divorciándose en medio de agrias disputas legales. murió luego de ser atropellado por un camión en garches"},"estimateMax":20000,"lotNumber":"386","title":{"en":"view of a port, signed a. derain 32, 20th century french school","es":"marina, firmado a. derain 32, escuela francesa del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22396/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:46:30.304Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":22396,"estimateMin":15000},{"startPrice":1900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22397/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22397/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22397/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22397/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22397/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22397/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 115 x 92, canvas measurements: 105 x 82 cm","es":"óleo sobre lienzo, medidas enmarcado: 115 x 92, medidas lienzo: 105 x 82 cm"},"estimateMax":3500,"lotNumber":"387","title":{"en":"penitent saint jerome, spanish school of the 17th century","es":"san jerónimo penitente, escuela española del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22397/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1900,"lastUpdate":"2026-07-01T16:46:30.306Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,500","currency":"EUR","id":22397,"estimateMin":2500},{"startPrice":750,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22398/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22398/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22398/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22398/004/004.jpg"],"soldDate":"2022-05-16","available":false,"description":{"en":"oil on copper, with period frame. measurements: 32 x 26 cm","es":"óleo sobre cobre, con marco de época. medidas: 32 x 26 cm"},"estimateMax":1500,"lotNumber":"388","title":{"en":"the annunciation of the virgin, italian school of the 17th century","es":"la anunciación de la virgen, escuela italiana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22398/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":750,"soldPrice":1200,"lastUpdate":"2026-07-01T16:46:30.307Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":22398,"estimateMin":1200},{"startPrice":1600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22399/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22399/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22399/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22399/004/004.jpg"],"available":false,"description":{"en":"carving in polychrome wood, measurements: 18 x 6 x 4 cm","es":"talla en madera policromada, medidas: 18 x 6 x 4 cm"},"estimateMax":4500,"lotNumber":"389","title":{"en":"saint anne teaching the virgin to read, spanish school of the 19th century.","es":"santa ana enseñando a leer a la virgen, escuela española del siglo xix."},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22399/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1600,"lastUpdate":"2026-07-01T16:46:30.308Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac4,500","currency":"EUR","id":22399,"estimateMin":3500},{"startPrice":350,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22400/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22400/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22400/003/003.jpg"],"soldDate":"2022-05-13","available":false,"description":{"en":"sculptural group in polychrome wood, measures: 21 x 10 x 7 cm","es":"grupo escultórico en madera policromada, medidas: 21 x 10 x 7 cm"},"estimateMax":900,"lotNumber":"390","title":{"en":"saint anne teaching the virgin mary to read, 19th century castilian school","es":"santa ana enseñando a leer a la virgen maría, escuela castellana del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22400/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":350,"soldPrice":350,"lastUpdate":"2026-07-01T16:46:30.310Z","textCase":"lower","estimate":"\u20ac600 - \u20ac900","currency":"EUR","id":22400,"estimateMin":600},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22401/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22401/002/002.jpg"],"available":false,"description":{"en":"oil on board, framed, framed measurements: 44 x 76, table measurements: 62 x 94 cm. born to an andalusian father and a basque mother, he was an artist with a precocious vocation. at the age of fourteen (1897) antonio moved to paris, attending the julien academy and the french academy of fine arts, where he worked in the workshop of the painter léon bonnat. during the summer vacations in spain he made his first important work, la misa de narvaja (1900), which he painted in the church of the alava town of narvaja, where his mother was from. he later went to rome sharing a studio with coco madrazo and in 1904 he obtained a pension position at the spanish academy in rome. he lived in the eternal city for four years, reinforcing his inclination towards themes with popular characters and portraits, always life-size. the last year of pensioner he traveled to the island of sardinia, where he was fascinated by the curious typical costumes of the different peoples of the island, painting numerous canvases with sardinian women who had enormous success in rome and paris, obtaining with his great work \" festival of the brotherhood of atzara\" the silver medal of the paris salon of 1921. his presence on the island and his style gave rise to the emergence of a school of local painters called \"scuola di atzara\", a town that today houses a museum dedicated to the artist: museum of modern and contemporary art antonio ortiz echagüe. although his favorite subjects were the popular types of the different countries he visited, dressed in his regional costumes, portraits - almost always female - were his main means of livelihood. reference bibliography: \" fornells angelats, montserrat. \"antonio ortíz echagüe (1883-1942). a cosmopolitan painter\". ed. kutxa foundation. san sebastian 2008. frongia. maria luisa. \"due pittori spagnoli in sardegna. eduardo chicharro agüera (1901) and antonio ortiz echagüe (1906-1909)\". ed. ilisso. nuoro, sardinia 1995. gracia diez, jose antonio. \"painting in álava\". ed. vital box. victory 1990\".","es":"óleo sobre tabla, enmarcado, medidas enmarcado: 44 x 76, medidas tabla: 62 x 94 cm. de padre andaluz y madre vasca, fue un artista de vocación precoz. a los catorce años (1897) antonio se trasladó a parís, asistiendo a la academia julien y a la academia de bellas artes francesa, donde trabajó en el taller del pintor léon bonnat. durante las vacaciones de verano en españa realizó su primera obra importante, la misa de narvaja (1900), que pintó en la iglesia del pueblo alavés de narvaja, de donde era originaria su madre. después marchó a roma compartiendo estudio con coco madrazo y en 1904 obtuvo por oposición plaza de pensionado en la academia española de roma. residió en la ciudad eterna cuatro años reforzando su inclinación hacia los temas con personajes populares y el retrato, siempre a tamaño real. el último año de pensionado viajó a la isla de cerdeña, donde quedó fascinado por los curiosos trajes típicos de los diferentes pueblos de la isla, pintando numerosos lienzos con mujeres sardas que tuvieron un enorme éxito en roma y parís, obteniendo con su gran obra \"fiesta de la cofradía de atzara\" la medalla de plata del salón de parís de 1921. su presencia en la isla y su estilo dieron lugar al surgimiento de una escuela de pintores locales denominada \"scuola di atzara\", localidad que hoy alberga un museo dedicado al artista: museo d´arte moderna e contemporánea antonio ortiz echagüe. aunque sus temas favoritos eran los tipos populares de los diferentes países que recorrió, ataviados con sus trajes regionales, los retratos- casi siempre femeninos- fueron su principal medio de vida. bibliografía de referencia: \"fornells angelats, montserrat. \"antonio ortíz echagüe (1883-1942). un pintor cosmopolita\". ed. fundación kutxa. san sebastián 2008. frongia. maria luisa. \"due pittori spagnoli in sardegna. eduardo chicharro agüera (1901) e antonio ortiz echagüe (1906-1909)\". ed. ilisso. nuoro, sardegna 1995.gracía díez, josé antonio. \"la pintura en álava\". ed. caja vital. vitoria 1990\"."},"estimateMax":3000,"lotNumber":"391","title":{"en":"hunting still life, signed ortiz echagüe, spanish school of the end of the 19th century","es":"bodegón de caza, firmado ortiz echagüe, escuela española de finales del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22401/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:46:30.311Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":22401,"estimateMin":2000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22402/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22402/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22402/003/003.jpg"],"available":false,"description":{"en":"guillermo gómez gil (málaga, 1862-cádiz, january 6, 1942) painter belonging to the spanish costumbrismo, specialized in seascapes. he was born in malaga in 1862 and trained in this city, opting for art, his teacher being emilio ocón y rivas, professor of fine arts who created a school in malaga and left several disciples. his studies were carried out at the san telmo royal academy of fine arts. he goes on to participate in the barroso prize, an award managed by the malaga city council, whose purpose was to motivate the students of said school. in 1881 he returned to participate in this prize, although in none of the participations he managed to win. in the year 1880 he participated in a collective exhibition organized by the malacitano city council with the name of «artistic, industrial and agricultural exhibition», in which he participated wearing puesta de sol and marina. he specialized in landscapes and seascapes, for which he became famous and famous. he participated in several national exhibitions, obtaining an award in 1892, 1897, 1899, 1901, 1904, 1906, 1908, 1915 and 1917, obtaining the recognition of a third class medal most of the time. from 1881, when he resides in malaga, until 1892, when he appears as a participant in the national exhibition of fine arts in madrid that year, there is a gap of thirty years in which his activity is unknown, so there is very little data about him. he was a professor at the school of arts and crafts in seville, a city where he lived for many years, until his retirement in 1932, alternating between seville and the city of cádiz, where he died on january 6, 1942. rodríguez aguilar , immaculate conception. art and culture in the press. la pintura sevillana (1900-1935), secretary of publications of the university of seville (2000), isbn 8447205762.","es":"guillermo gómez gil (málaga, 1862-cádiz, 6 de enero de 1942) pintor perteneciente al costumbrismo español, especializado en marinas. nacido en málaga en 1862 y se formó en esta ciudad, decantándose por el arte, siendo su maestro emilio ocón y rivas, catedrático de bellas artes que creó escuela en málaga y dejó varios discípulos. sus estudios los realizó en la real academia de bellas artes de san telmo. pasa a participar en el premio barroso, premio gestionado por el ayuntamiento de málaga, que tenía como finalidad la motivación de los alumnos de dicha escuela. en 1881 vuelve a participar en este premio, aunque en ninguna de las participaciones logró salir premiado. en el año 1880 participa en una muestra colectiva organizada por el ayuntamiento malacitano con el nombre de «exposición artística, industrial y agrícola», en la que participó llevando puesta de sol y marina. se especializó en paisajes y marinas, por las que se hizo célebre y famoso. participó en varias exposiciones nacionales, obteniendo algún galardón en las de 1892, 1897, 1899, 1901, 1904, 1906, 1908, 1915 y 1917, obteniendo la mayoría de las veces el reconocimiento de una medalla de tercera clase . desde 1881, que reside en málaga, hasta 1892, en que aparece como participante en la exposición nacional de bellas artes en madrid de ese año, existe una laguna de treinta años en la que se desconoce su actividad, por lo que hay muy pocos datos sobre él. fue profesor en la escuela de artes y oficios de sevilla, ciudad en la que vivió muchos años, hasta su jubilación en 1932, alternando sevilla con la ciudad de cádiz, donde fallece el 6 de enero de 1942. rodríguez aguilar, inmaculada concepción. arte y cultura en la prensa. la pintura sevillana (1900-1935), secretariado de publicaciones de la universidad de sevilla (2000), isbn 8447205762."},"estimateMax":6000,"lotNumber":"392","title":{"en":"marina, guillermo gómez gil, 19th century spanish school","es":"marina, guillermo gómez gil, escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22402/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:46:30.044Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":22402,"estimateMin":4000},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22403/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22403/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22403/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22403/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22403/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measures: 105 x 82 cm. (alcázar de san juan, ciudad real, 1846-leganés, madrid, 1929). spanish painter. at the age of fourteen he began his studies at the san fernando academy of fine arts in madrid, where he was a disciple of francisco mendoza. during his apprenticeship, he visited the prado museum on numerous occasions to make copies of the great masters. in 1869 he was pensioned by the marquis of bedmar to complete his training in italy. he toured spanish cities taking notes from nature and painting landscapes and costumbrista scenes, specializing in scenes of majos and bullfighters. he cultivated, to a lesser extent, the historical genre to compete in the national exhibitions, in which he obtained third medal in 1876 and 1878, and second, in the 1881 and 1887 editions. he participated in the universal exhibition in paris in 1878. he was the author of more than 800 drawings intended for illustration in books and magazines, he collaborated in the national episodes, by benito pérez galdós, and in the farces and comedies of ricardo de la vega, vital aza and ramos carrión. in 1929 he entered the leganés asylum, where he would die shortly after. reference bibliography: núñez de san juan, e., «ángel lizcano, painter from madrid», el heraldo de madrid, august 10, 1929.","es":"óleo sobre lienzo, medidas lienzo: 105 x 82 cm. (alcázar de san juan, ciudad real, 1846-leganés, madrid, 1929). pintor español. con catorce años comenzó sus estudios en la academia de bellas artes de san fernando de madrid, donde fue discípulo de francisco mendoza. durante su aprendizaje, visitó en numerosas ocasiones el museo del prado para rea­lizar copias de los grandes maestros. en 1869 fue pensionado por el marqués de bedmar para completar su formación en italia. recorrió ciudades españolas tomando apuntes del natural y pintando paisajes y escenas costumbristas, especializándose en escenas de majos y toreros. cultivó, en menor medida, el género histórico para concursar en las exposiciones nacionales, en las que obtuvo tercera medalla en 1876 y 1878, y segunda, en las ediciones de 1881 y 1887. participó en la exposición universal de parís de 1878. fue autor de más de ochocientos dibujos destinados a la ilustración de libros y revistas, colaboró en los episodios nacionales, de benito pérez galdós, y en los sainetes y comedias de ricardo de la vega, vital aza y ramos carrión. en 1929 ingresó en el manicomio de leganés, donde moriría poco después. bibliografía de referencia: núñez de san juan, e., «ángel lizcano, pintor madrileñísimo», el heraldo de madrid, 10 de agosto de 1929."},"estimateMax":1800,"lotNumber":"393","title":{"en":"costumbrist scene in a market, signed a. lizcano, 19th century spanish school","es":"escena costumbrista en un mercado, firmado a. lizcano, escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22403/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:46:30.047Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,800","currency":"EUR","id":22403,"estimateMin":1200},{"startPrice":600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22404/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22404/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22404/003/003.jpg"],"available":false,"description":{"en":"oil on canvas, canvas measures: 38 x 46 cm. ricardo opisso y sala (tarragona, november 20, 1880 - barcelona, \u200b\u200bmay 21, 1966). son of alfredo opisso y viñas, journalist, historian and critic, and antonia sala y gil, his sister regina opisso, was also a writer. he comes from an enlightened family full of artists. his family moved to barcelona when opisso was only two years old. in modernist barcelona at the end of the 19th century, opisso worked as an assistant to antonio gaudí on the works of the sagrada familia in barcelona since 1892. he was linked to the els quatre gats group, along with ramón casas, manuel hugué, isidre nonell and pablo picasso. , among others. later he worked as an illustrator in publications such as ¡cu-cut! from 1903) and l'esquella de la torratxa (from 1912), signing drawings aimed at political satire, which are graphically related to art nouveau. due to the dictatorship of miguel primo de rivera, opisso abandoned political satire and his drawings approached costumbrista themes, specializing in popular scenes. his drawings from this period are characterized by presenting motley crowds in popular barcelona settings. from this time date his best-known works for the comic book magazine tbo (in which he had begun to collaborate in 1919), where he specialized in making covers. he collaborated with many other publications, such as en patufet, pocholo, etc. in the post-war period, opisso's pictorial work triumphed in the galleries of barcelona. in 1953 he received recognition from his hometown at the iv tarragona art fair. which are graphically related to art nouveau. due to the dictatorship of miguel primo de rivera, opisso abandoned political satire and his drawings approached costumbrista themes, specializing in popular scenes. his drawings from this period are characterized by presenting motley crowds in popular barcelona settings. from this time date his best-known works for the comic book magazine tbo (in which he had begun to collaborate in 1919), where he specialized in making covers. he collaborated with many other publications, such as en patufet, pocholo, etc. in the post-war period, opisso's pictorial work triumphed in the galleries of barcelona. in 1953 he received recognition from his hometown at the iv tarragona art fair. which are graphically related to art nouveau. due to the dictatorship of miguel primo de rivera, opisso abandoned political satire and his drawings approached costumbrista themes, specializing in popular scenes. his drawings from this period are characterized by presenting motley crowds in popular barcelona settings. from this time date his best-known works for the comic book magazine tbo (in which he had begun to collaborate in 1919), where he specialized in making covers. he collaborated with many other publications, such as en patufet, pocholo, etc. in the post-war period, opisso's pictorial work triumphed in the galleries of barcelona. in 1953 he received recognition from his hometown at the iv tarragona art fair. due to the dictatorship of miguel primo de rivera, opisso abandoned political satire and his drawings approached costumbrista themes, specializing in popular scenes. his drawings from this period are characterized by presenting motley crowds in popular barcelona settings. from this time date his best-known works for the comic book magazine tbo (in which he had begun to collaborate in 1919), where he specialized in making covers. he collaborated with many other publications, such as en patufet, pocholo, etc. in the post-war period, opisso's pictorial work triumphed in the galleries of barcelona. in 1953 he received recognition from his hometown at the iv tarragona art fair. due to the dictatorship of miguel primo de rivera, opisso abandoned political satire and his drawings approached costumbrista themes, specializing in popular scenes. his drawings from this period are characterized by presenting motley crowds in popular barcelona settings. from this time date his best-known works for the comic book magazine tbo (in which he had begun to collaborate in 1919), where he specialized in making covers. he collaborated with many other publications, such as en patufet, pocholo, etc. in the post-war period, opisso's pictorial work triumphed in the galleries of barcelona. in 1953 he received recognition from his hometown at the iv tarragona art fair. his drawings from this period are characterized by presenting motley crowds in popular barcelona settings. from this time date his best-known works for the comic book magazine tbo (in which he had begun to collaborate in 1919), where he specialized in making covers. he collaborated with many other publications, such as en patufet, pocholo, etc. in the post-war period, opisso's pictorial work triumphed in the galleries of barcelona. in 1953 he received recognition from his hometown at the iv tarragona art fair. his drawings from this period are characterized by presenting motley crowds in popular barcelona settings. from this time date his best-known works for the comic book magazine tbo (in which he had begun to collaborate in 1919), where he specialized in making covers. he collaborated with many other publications, such as en patufet, pocholo, etc. in the post-war period, opisso's pictorial work triumphed in the galleries of barcelona. in 1953 he received recognition from his hometown at the iv tarragona art fair. he collaborated with many other publications, such as en patufet, pocholo, etc. in the post-war period, opisso's pictorial work triumphed in the galleries of barcelona. in 1953 he received recognition from his hometown at the iv tarragona art fair. he collaborated with many other publications, such as en patufet, pocholo, etc. in the post-war period, opisso's pictorial work triumphed in the galleries of barcelona. in 1953 he received recognition from his hometown at the iv tarragona art fair.","es":"óleo sobre lienzo, medidas lienzo: 38 x 46 cm. ricardo opisso y sala (tarragona, 20 de noviembre de 1880 - barcelona, 21 de mayo de 1966). hijo de alfredo opisso y viñas, periodista, historiador y crítico, y de antonia sala y gil, su hermana regina opisso, también fue escritora. procede de una familia ilustrada repleta de artistas. su familia se trasladó a barcelona cuando opisso contaba sólo dos años de edad. en la barcelona modernista de finales del siglo xix, opisso trabajó como ayudante de antonio gaudí en las obras de la sagrada familia de barcelona desde 1892. estuvo vinculado al grupo els quatre gats, junto con ramón casas, manuel hugué, isidre nonell y pablo picasso, entre otros.más adelante trabajó como ilustrador en publicaciones como ¡cu-cut! desde 1903) y l'esquella de la torratxa (a partir de 1912), firmando dibujos orientados a la sátira política, que gráficamente están relacionados con el art nouveau. a causa de la dictadura de miguel primo de rivera, opisso abandona la sátira política y sus dibujos se acercan a la temática costumbrista, especializándose en escenas populares. sus dibujos de esta época se caracterizan por presentar abigarradas multitudes en escenarios populares barceloneses. de esta época datan sus más conocidos trabajos para la revista de historieta tbo (en la que había comenzado a colaborar en 1919), donde se especializó en la realización de portadas. colaboró con otras muchas publicaciones, como en patufet, pocholo, etc. en la posguerra, la obra pictórica de opisso triunfó en las galerías de barcelona. en 1953 recibió el reconocimiento de su ciudad natal en la iv feria de arte de tarragona."},"estimateMax":2500,"lotNumber":"394","title":{"en":"\"terrace of montjuic\", signed opisso, 20th century spanish school","es":"\"terraza de montjuic\", firmado opisso, escuela española del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22404/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":600,"lastUpdate":"2026-07-01T16:46:30.049Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,500","currency":"EUR","id":22404,"estimateMin":1500},{"startPrice":20000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22405/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22405/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22405/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22405/004/004.jpg"],"available":false,"description":{"en":"pen and ink on paper. measurements: 21 x 27 cm. hieroglyphic where the universal artist from malaga winks at his friend jaume sabartés on how to decipher the drawing that is painted on the other side. in the letter we can read: \"it must be said that when i draw on this paper you do not see anything because it is the other side where the paper carries the ink. to rehearse the ink of the xxxxxxxx of rosita's shipment (for him pleas, you see ) i have made some doodles. here i send them to you. pablo picasso, 5-24-54)\" provenance: work from the exhibition at the nonell gallery \"original drawings of picasso\" (catalog available with this published work), and acquired on december 13, 1983, important private collection, germany.","es":"lápiz y tinta sobre papel. medidas: 21 x 27 cm. jeroglífico donde el artista universal malagueño hace un guiño a su amigo jaume sabartés sobre cómo descifrar el dibujo que está pintado al otro lado. en la misiva podemos leer: \"hay que decir que cuando dibujo en este papel no ves nada pues es el otro lado en que el papel lleva la tinta. para ensayar la tinta del xxxxxxxx del envío de rosita (por él súplicas, ya lo ves) he hecho unos garabatos. aquí te los envío. pablo picasso, 24-5-54)\" procedencia: obra procedente de la exposición en la galería nonell \"dibujos originales de picasso\" (catálogo disponible con la presente obra publicada), y adquirido el 13 de diciembre de 1983, importante colección particular, alemania."},"estimateMax":40000,"lotNumber":"395","title":{"en":"\"picador\", pablo ruiz picasso (1881 - 1973), pencil and ink on paper, signed and dated may 24, 1954","es":"\"picador\", pablo ruiz picasso (1881 - 1973), lápiz y tinta sobre papel, firmado y fechado 24 de mayo de 1954"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22405/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":20000,"lastUpdate":"2026-07-01T16:46:30.050Z","textCase":"lower","estimate":"\u20ac30,000 - \u20ac40,000","currency":"EUR","id":22405,"estimateMin":30000},{"startPrice":4750,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22406/010/010.jpg"],"available":false,"description":{"en":"in polychrome terracotta, with a gilded wooden base. total measurements: 38 x 12 x 20 cm. christ bust measurements: 30 x 15 x 10 cm","es":"en terracota policromada, con peana en madera dorada. medidas totales: 38 x 12 x 20 cm. medidas busto cristo: 30 x 15 x 10 cm"},"estimateMax":12000,"lotNumber":"396","title":{"en":"exceptional ecce homo in terracotta, around nicola fumo (1647 - 1725), neapolitan school of the 18th century","es":"excepcional ecce homo en terracota, entorno de nicola fumo (1647 - 1725), escuela napolitana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22406/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4750,"lastUpdate":"2026-07-01T16:46:30.052Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":22406,"estimateMin":8000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22407/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22407/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22407/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22407/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22407/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22407/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22407/007/007.jpg"],"available":false,"description":{"en":"oil on board, board measurements: 40 x 29.5 x 2.5 cm. origin: private collection.","es":"óleo sobre tabla, medidas tabla: 40 x 29,5 x 2,5 cm. procedencia: colección particular."},"estimateMax":12000,"lotNumber":"397","title":{"en":"head of christ, hispanic-flemish master active in spain during the second half of the 15th century, hispanic-flemish school of the 15th century","es":"cabeza de cristo, maestro hispano flamenco activo en españa durante la segunda mitad del siglo xv, escuela hispano flamenca del siglo xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22407/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:46:30.054Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":22407,"estimateMin":8000},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22408/013/013.jpg"],"available":false,"description":{"en":"pair of sculptures in white marble, santa ana measures: 51 x 27 x 12. san joaquín measures: 50 x 23 x 13 cm. cosimo de fanzago (clusone, 1591 \u2013 naples, 1678) is considered one of the greatest exponents of baroque in naples, where he created a highly original local version of such \"non-style\". born in the town of clusone near the northern city of bergamo, into a family of bronze craftsmen and architects, he settled in naples in 1608, where he was first an apprentice mason (mazone) and trained as a sculptor before to establish his atelier or \"workshop\" and begin to carry out his works. during his first neapolitan stage, his achievements stand out, where he develops a baroque style with rich and variegated marble inlays that adorn structures still permeated with mannerist rigor: the guglia di san gennaro (the spire of san gennaro), a votive column-capital in homage to the patron saint of naples. such a \"needle\" is a kind of imitation of the large structures that are carried in religious processions dedicated to this saint. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015. it is a kind of imitation of the great structures that are carried in the religious processions dedicated to this saint. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015. it is a kind of imitation of the great structures that are carried in the religious processions dedicated to this saint. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015.","es":"pareja de esculturas en mármol blanco, medidas santa ana: 51 x 27 x 12. medidas san joaquín: 50 x 23 x 13 cm. cosimo de fanzago (clusone, 1591 \u2013 nápoles, 1678) es considerado uno de los máximos exponentes del barroco en nápoles donde creó una originalísima versión local de tal \"no-estilo\". nacido en el pueblo de clusone cercano a la norteña ciudad de bérgamo, en el seno de una familia de artesanos del bronce y arquitectos se radicó en nápoles durante el año 1608, allí fue primero aprendiz de albañil (mazone) y se formó como escultor antes de establecer su atelier o \"taller\" y comenzar a realizar sus obras. durante su primera etapa napolitana se destacan sus realizaciones en donde desarrolla un barroco con riquísimas y abigarradas taraceas de mármoles que adornan estructuras aún permeadas de rigor manierista: la guglia di san gennaro (la aguja de san genaro), una columna-capitel votiva en homenaje al santo patrono de nápoles. tal \"aguja\" es una especie de imitación de las grandes estructuras que se portan en las procesiones religiosas dedicadas a este santo. los trabajos de cosimo fanzago fuera de nápoles son principalmente las obras de remodelación barroca que realizó para la célebre abadía benedictina de montecassino y el altar en la iglesia veneciana de san nicolò al lido, además de trabajos en avellino, en pescocostanzo, así como en la iglesia de la purísima de salamanca (españa). bibliografía de referencia: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015."},"estimateMax":18000,"lotNumber":"398","title":{"en":"important couple of saint anne and saint joachim in white marble, 17th century neapolitan school, circle of cosimo fanzago (clusone c.1593- naples 1678)","es":"importante pareja se santa ana y san joaquín en mármol blanco, escuela napolitana del siglo xvii, entorno de cosimo fanzago (clusone c.1593- nápoles 1678)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22408/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T16:46:30.055Z","textCase":"lower","estimate":"\u20ac12,000 - \u20ac18,000","currency":"EUR","id":22408,"estimateMin":12000},{"startPrice":200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22409/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22409/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22409/003/003.jpg"],"soldDate":"2022-05-13","available":false,"description":{"en":"in carved stone, measurements: 16 x 14 x 14 cm","es":"en piedra tallada, medidas: 16 x 14 x 14 cm"},"estimateMax":600,"lotNumber":"399","title":{"en":"corinthian style capital in limestone, italian school from the 16th - 17th centuries","es":"capitel de estilo corintio en piedra caliza, escuela italiana de los siglos xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22409/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":200,"soldPrice":225,"lastUpdate":"2026-07-01T16:46:30.057Z","textCase":"lower","estimate":"\u20ac400 - 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on canvas, with important italian period frame. measurements framed: 124 x 124 cm, measurements canvas: 98 x 98 cm. provenance: important private collection.","es":"óleo sobre lienzo, con importante marco de época. medidas enmarcado: 124 x 124 cm, medidas lienzo: 98 x 98 cm. procedencia: importante colección particular."},"estimateMax":12000,"lotNumber":"400","title":{"en":"the martyrdom of saint bartholomew, 17th century neapolitan school","es":"el martirio de san bartolomé, escuela napolitana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22410/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":4750,"lastUpdate":"2026-07-01T16:46:30.058Z","textCase":"lower","estimate":"\u20ac8,000 - 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of six panels representing the 12 apostles, originally acquired in spain at the end of the 19th century. between 1860 and 1875 and acquired in paris by the important parisian collector alphonse kahn. later sold to the campbell collection (united states) around 1920 and 1930 and studied by professor chandler r. post of harvard university, this set could have been part of the courtroom of granada cathedral and dated to the end of of the fifteenth century. provenance: former alphonse kahn collection, paris; sarah campbell blaffer collection, united states; owned by an important north american collector based in spain. measurements (each): 84 x 40 cm","es":"serie de seis tablas representando a los 12 apóstoles, originalmente adquiridas en españa a finales del siglo xix. entre 1860 y 1875 y adquiridas en parís por el importante coleccionista parisino alphonse kahn. posteriormente vendidas a la colección campbell (estados unidos) hacia el año 1920 y 1930 y estudiadas por el profesor chandler r. post de la universidad de harvard, este conjunto pudo formar parte de la sala de juicios de la catedral de granada y datadas a finales del siglo xv. procedencia: antigua colección alphonse kahn, parís; colección sarah campbell blaffer, estados unidos; propiedad de un importante coleccionista norteamericano afincado en españa. medidas (c/u): 84 x 40 cm"},"estimateMax":80000,"lotNumber":"401","title":{"en":"exceptional gothic set six tables representing the 12 apostles, granada school, 15th century","es":"excepcional sillería gótica de seis tablas representando a los 12 apóstoles, escuela granadina, siglo xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22411/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":8500,"soldPrice":19000,"lastUpdate":"2026-07-01T16:46:30.060Z","textCase":"lower","estimate":"\u20ac60,000 - 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xiv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22414/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":6000,"soldPrice":6000,"lastUpdate":"2026-07-01T16:46:33.274Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":22414,"estimateMin":15000},{"startPrice":300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22415/001/001.jpg"],"available":false,"description":{"en":"measurements: 25 x 12 cm","es":"medidas: 25 x 12 cm"},"estimateMax":600,"lotNumber":"405","title":{"en":"set of 3 crystal benditeras from the farm, 18th - 19th century","es":"conjunto de 3 benditeras en cristal de la granja, siglo xviii - xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22415/view","tags":["esdecorativearts_antiqueglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":300,"lastUpdate":"2026-07-01T16:46:33.276Z","textCase":"lower","estimate":"\u20ac500 - \u20ac600","currency":"EUR","id":22415,"estimateMin":500},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22416/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22416/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22416/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22416/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22416/005/005.jpg"],"available":false,"description":{"en":"measurements: 91 x 26 x 18 cm","es":"medidas: 91 x 26 x 18 cm"},"estimateMax":3000,"lotNumber":"406","title":{"en":"carving saint augustine, french school of the xiv xv century","es":"talla san agustín, escuela francesa del siglo xiv xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22416/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:46:33.278Z","textCase":"lower","estimate":"\u20ac2,000 - 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\u20ac4,000","currency":"EUR","id":22417,"estimateMin":3000},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22418/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22418/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22418/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22418/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22418/005/005.jpg"],"available":false,"description":{"en":"in polychrome wood, measurements: 63 x 52 and 62 x 44","es":"en madera policromada, medidas: 63 x 52 y 62 x 44"},"estimateMax":2000,"lotNumber":"408","title":{"en":"large pair of wall angels, spanish school of the 18th - 19th century","es":"gran pareja de ángeles de pared, escuela española del siglo xviii - xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22418/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:46:33.281Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac2,000","currency":"EUR","id":22418,"estimateMin":1800},{"startPrice":650,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22419/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22419/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22419/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22419/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22419/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22419/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22419/007/007.jpg"],"available":false,"description":{"en":"attached certificate of authenticity and display cabinet in marquetry. a broken plate.","es":"adjunta certificado de autenticidad y mueble expositor en marquetería. un plato roto."},"estimateMax":3000,"lotNumber":"409","title":{"en":"salvador dalí i domènech, tableware for 12 meals from the series \"las flores dalinianas\", copy numbered 304/1000","es":"salvador dalí i domènech, vajilla para 12 comensajes de la serie \"las flores dalinianas\", ejemplar numerado 304/1000"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22419/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":650,"lastUpdate":"2026-07-01T16:46:33.283Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":22419,"estimateMin":2000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22420/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22420/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22420/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22420/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22420/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22420/006/006.jpg"],"available":false,"description":{"en":"in wrought iron: measures 134 x 136 cm","es":"en hierro forjado: medidas 134 x 136 cm"},"estimateMax":4000,"lotNumber":"410","title":{"en":"large italian andiron in forge, 17th century","es":"gran morillo italiano en forja, siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22420/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:46:33.285Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":22420,"estimateMin":3000},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22421/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22421/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22421/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22421/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22421/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22421/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22421/007/007.jpg"],"available":false,"description":{"en":"in wrought iron. measurements: 81 x 80 cm","es":"en hierro forjado. medidas: 81 x 80 cm"},"estimateMax":4000,"lotNumber":"411","title":{"en":"chimney spark plug, france, 13th - 14th century","es":"chispero de chimenea, francia, siglo xiii - xiv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22421/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:46:33.287Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":22421,"estimateMin":3000},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22422/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22422/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22422/003/003.jpg"],"available":false,"description":{"en":"measurements: 83 x 64 each","es":"medidas: 83 x 64 c/u"},"estimateMax":3000,"lotNumber":"412","title":{"en":"pair of windows, 17th century venetian work","es":"pareja de ventanas forjadas, trabajo veneciano del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/22791/lot/22422/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:46:37.180Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":22422,"estimateMin":2000},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22423/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22423/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22423/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22423/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/22423/005/005.jpg"],"available":false,"description":{"en":"photographic composition, signed, with author's certificate on the back, print run 3/5. measurements: 189 x 120 cm","es":"composición fotográfica, 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