{"lots":[{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23411/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23411/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23411/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23411/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23411/005/005.jpg"],"available":false,"description":{"en":"oil on canvas. measurements: 99 x 80 cm","es":"óleo sobre lienzo. medidas: 99 x 80 cm"},"estimateMax":2700,"lotNumber":"1","title":{"en":"immaculate conception, probably colonial school, 17th century","es":"\"inmaculada\", escuela probablemente colonial, aiglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23411/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:50:11.792Z","textCase":"lower","estimate":"\u20ac1,800 - 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\u20ac6,000","currency":"EUR","id":23413,"estimateMin":4000},{"startPrice":500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23414/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23414/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23414/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23414/004/004.jpg"],"available":false,"description":{"en":"oil on panel, measures: 20 x 14.5 cm","es":"óleo sobre tabla, medidas: 20 x 14,5 cm"},"estimateMax":750,"lotNumber":"4","title":{"en":"san juanito, 17th century spanish school","es":"\"san juanito\", escuela española del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23414/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":500,"lastUpdate":"2026-07-01T16:50:11.797Z","textCase":"lower","estimate":"\u20ac500 - \u20ac750","currency":"EUR","id":23414,"estimateMin":500},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23415/011/011.jpg"],"available":false,"description":{"en":"with sculptural group in patinated bronze and base in ebonized wood. measurements: 64 x 58 x 26 cm","es":"con grupo escultórico en bronce patinado y base en madera ebonizada. medidas: 64 x 58 x 26 cm"},"estimateMax":4500,"lotNumber":"5","title":{"en":"large french mantle clock, 19th century","es":"gran reloj francés de sobremesa, siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23415/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:50:11.798Z","textCase":"lower","estimate":"\u20ac2,500 - 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\u20ac10,000","currency":"EUR","id":23417,"estimateMin":6500},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23418/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23418/002/002.jpg"],"available":false,"description":{"en":"measurements: 50 x 40 cm","es":"medidas 50 x 40 cm"},"estimateMax":4500,"lotNumber":"8","title":{"en":"romanesque portico capital, spain, 17th - 13th century","es":"capitel de pórtico románico, españa, siglo xvi - xiii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23418/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:50:11.803Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,500","currency":"EUR","id":23418,"estimateMin":3000},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23419/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23419/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23419/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23419/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23419/005/005.jpg"],"available":false,"description":{"en":"exceptional polychrome wood carving. josé de mora (baza, granada, 1642 - granada, 1724), son of the sculptor bernardo de mora, was trained in his workshop together with pedro de mena and alonso cano. it was the latter who marked him decisively much more than his father or mena. in 1669, two years after cano's death, he went to madrid, where he worked with sebastián de herrera barnuevo, who had also been a disciple of alonso cano. in 1672 he was appointed chamber sculptor of carlos ii until 1680 who left madrid and returned permanently to granada. with a very complex and introverted personality, when his wife died and not having had children, he was left alone and became depressed. his sculpture travels parallel to his state of mind and creating an imagery of deep feeling, of infinite sensitivity that shows an inner pain, collected, intimate, in a state of absence of the worldly thing, quite possibly the sculptor is representing us the state of his own soul in dolorosas as the virgen de la soledad from the güell collection, today in the colegio de san gregorio de valladolid, or the virgen de los dolores of the church of santa ana de granada. he made a very measured sculpture, minimalist in the expressive and in the polychromy that he had learned from cano, but which he executed with less virtuosity and greater austerity in a very personal style of great artistic efficiency. measurements: 61 cm or the virgen de los dolores of the church of santa ana de granada. he made a very measured sculpture, minimalist in the expressive and in the polychromy that he had learned from cano, but which he executed with less virtuosity and greater austerity in a very personal style of great artistic efficiency. measurements: 61 cm or the virgen de los dolores of the church of santa ana de granada. he made a very measured sculpture, minimalist in the expressive and in the polychromy that he had learned from cano, but which he executed with less virtuosity and greater austerity in a very personal style of great artistic efficiency. measurements: 61 cm","es":"excepcional talla en madera policromada. josé de mora (baza, granada, 1642 - granada, 1724), hijo del escultor bernardo de mora, se formó en su taller junto a pedro de mena y alonso cano. fue este último el que le marcó de forma decisiva mucho más que su progenitor o mena. en 1669 y a los dos años del fallecimiento de cano, marchó a madrid, donde trabajó con sebastián de herrera barnuevo, que también había sido discípulo de alonso cano. en 1672 fue nombrado escultor de cámara de carlos ii hasta 1680 que abandona madrid y regresa de forma definitiva a granada. de personalidad muy compleja e introvertida, al morir su esposa y no habiendo tenido hijos quedó en soledad y se adentró la depresión.transita su escultura paralela a su estado anímico y creando una imaginería de hondo sentimiento, de sensibilidad infinita que muestran una pena interior, recogida, intima, en estado de ausencia de la cosa mundana, muy posiblemente el escultor nos está representando el estado de su propia alma en dolorosas como la virgen de la soledad de la colección güell, hoy en el colegio de san gregorio de valladolid, o la virgen de los dolores de la iglesia de santa ana de granada. \n realizó una escultura muy medida, minimalista en lo expresivo y en la policromía que había aprendido de cano, pero que el ejecutó con menos virtuosismo y mayor austeridad en un estilo muy personal de gran eficacia artística. medidas: 61 cm"},"estimateMax":18000,"lotNumber":"9","title":{"en":"san francis of assisi , granada school from the 17th century, attributed to josé de mora","es":"\"san francisco de asís\", escuela granadina del siglo xvii, atribuído a josé de mora"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23419/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T16:50:11.804Z","textCase":"lower","estimate":"\u20ac12,000 - \u20ac18,000","currency":"EUR","id":23419,"estimateMin":12000},{"startPrice":4500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23420/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23420/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23420/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23420/004/004.jpg"],"available":false,"description":{"en":"exceptional patinated bronze sculpture. mary magdalene is mentioned, both in the canonical new testament and in various apocryphal gospels, as a distinguished disciple of jesus of nazareth. its name refers to its place of origin: magdala, a town located on the western shore of lake tiberias and a village near capernaum. she is considered a saint by the catholic church, the orthodox church and the anglican communion, which celebrate her holiday on july 22. it is of special importance for the gnostic currents of christianity. in 1988, pope john paul ii in the mulieris dignitatem letter referred to her as the \"apostle of the apostles\", and on june 10, 2016, the congregation for divine worship and the discipline of the sacraments published a decree by which the celebration of saint mary magdalene is raised to the degree of feast in the general roman calendar at the express wish of pope francis. total measurements: 38 x 38 x 38","es":"excepcional escultura en bronce patinado. maría magdalena es mencionada, tanto en el nuevo testamento canónico como en varios evangelios apócrifos, como una distinguida discípula de jesús de nazaret. su nombre hace referencia a su lugar de procedencia: magdala, localidad situada en la costa occidental del lago de tiberíades y aldea cercana a cafarnaúm. es considerada santa por la iglesia católica, la iglesia ortodoxa y la comunión anglicana, que celebran su festividad el 22 de julio. reviste una especial importancia para las corrientes gnósticas del cristianismo. en 1988, el papa juan pablo ii en la carta mulieris dignitatem se refirió a ella como la \"apóstol de los apóstoles\", y el 10 de junio de 2016, la congregación para el culto divino y la disciplina de los sacramentos publicó un decreto por el cual se eleva la celebración de santa maría magdalena al grado de fiesta en el calendario romano general por expreso deseo del papa francisco. medidas totales: 38 x 38 x 38"},"estimateMax":6750,"lotNumber":"10","title":{"en":"penitent magdalen, possibly italy, 17th - 18th century","es":"\"magdalena penitente\", posiblemente italia, siglo xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23420/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:50:11.806Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac6,750","currency":"EUR","id":23420,"estimateMin":4500},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23421/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23421/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23421/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23421/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23421/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23421/006/006.jpg"],"available":false,"description":{"en":"important marble sculpture: 65 cm alt.","es":"importante escultura en mármol: 65 cm alt."},"estimateMax":5500,"lotNumber":"11","title":{"en":"putto, italy, 16th - 17th centuries","es":"\"putto\", italia, siglos xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23421/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:50:13.655Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac5,500","currency":"EUR","id":23421,"estimateMin":3500},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23422/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23422/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23422/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23422/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23422/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23422/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23422/007/007.jpg"],"available":false,"description":{"en":"large oil on canvas, with a donation inscription in the name of the master félix de la vega, knight of the order of santiago.","es":"gran óleo sobre lienzo, con inscripción de donación a nombre del maestre félix de la vega, caballero de la orden de santiago."},"estimateMax":27000,"lotNumber":"12","title":{"en":"san francis of assisi, mexican colonial school from the 18th century","es":"san francisco de asís, escuela colonial mexicana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23422/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:50:13.657Z","textCase":"lower","estimate":"\u20ac18,000 - \u20ac27,000","currency":"EUR","id":23422,"estimateMin":18000},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23423/005/005.jpg"],"available":false,"description":{"en":"in cedar and rosewood, with tortoiseshell inlays, measures: 37.5 x 16.5 x 17.","es":"en cedro y palosanto, con incrustaciones de carey, medidas: 37,5 x 16,5 x 17."},"estimateMax":1800,"lotNumber":"13","title":{"en":"casket, turkey, 18th century","es":"cofre turco, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23423/view","tags":["esinternational_middleeastern","esinternational","esinternational_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:50:13.659Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,800","currency":"EUR","id":23423,"estimateMin":1200},{"startPrice":1200,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23424/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23424/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23424/003/003.jpg"],"soldDate":"2022-07-21","available":false,"description":{"en":"measurements: 24 x 22 x 12 cm","es":"medidas: 24 x 22 x 12 cm"},"estimateMax":1800,"lotNumber":"14","title":{"en":"rare ceramic lion from talavera, spain, 18th century","es":"raro león en cerámica de talavera, españa, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23424/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":1200,"soldPrice":1200,"lastUpdate":"2026-07-01T16:50:13.661Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,800","currency":"EUR","id":23424,"estimateMin":1200},{"startPrice":900,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23425/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23425/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23425/003/003.jpg"],"soldDate":"2022-07-21","available":false,"description":{"en":"measurements: 24.5 x 20 x 12 cm","es":"medidas: 24,5 x 20 x 12 cm"},"estimateMax":1350,"lotNumber":"15","title":{"en":"ceramic lion from talavera, spain, possibly ruiz de luna, 19th - 20th century","es":"león en cerámica de talavera, españa, posiblemente ruiz de luna, siglo xix - xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23425/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":900,"soldPrice":900,"lastUpdate":"2026-07-01T16:50:13.663Z","textCase":"lower","estimate":"\u20ac900 - \u20ac1,350","currency":"EUR","id":23425,"estimateMin":900},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23426/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23426/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23426/003/003.jpg"],"available":false,"description":{"en":"measurements: 10 x 7 cm","es":"medidas: 10 x 7 cm"},"estimateMax":2250,"lotNumber":"16","title":{"en":"micromosaic, possibly vatican workshops, italy, 19th century","es":"micromosaico, pociblemente talleres vaticanos, italia, siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23426/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:50:13.665Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,250","currency":"EUR","id":23426,"estimateMin":1500},{"startPrice":6500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23427/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23427/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23427/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23427/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23427/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23427/006/006.jpg"],"available":false,"description":{"en":"with eight painted ivory plates representing members of the nobility, measures: 13 x 16 x 14 cm","es":"con ocho placas en marfil pintado representando a miembros de la nobleza, medidas: 13 x 16 x 14 cm"},"estimateMax":9750,"lotNumber":"17","title":{"en":"french jewelery box in gilded silver from the 18th century, louis xv period","es":"joyero francés en plata dorada del siglo xviii, periodo luis xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23427/view","tags":["esdecorativearts_silver","esdecorativearts_ivory","esdecorativearts_all","esdecorativearts"],"directSalePrice":6500,"lastUpdate":"2026-07-01T16:50:13.667Z","textCase":"lower","estimate":"\u20ac6,500 - \u20ac9,750","currency":"EUR","id":23427,"estimateMin":6500},{"startPrice":5000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23428/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23428/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23428/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23428/004/004.jpg"],"available":false,"description":{"en":"possibly representing saint john the baptist, measures: 15.5 cm, with base.","es":"posiblemente representando a san juan bautista, medidas: 15,5 cm, con peana."},"estimateMax":7500,"lotNumber":"18","title":{"en":"rare bust in gilt bronze, italy, 16th century, possibly rome","es":"raro busto en bronce dorado, italia, siglo xvi, posiblemente roma"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23428/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T16:50:13.668Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac7,500","currency":"EUR","id":23428,"estimateMin":5000},{"startPrice":4500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23429/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23429/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23429/003/003.jpg"],"available":false,"description":{"en":"representing minerva or mars, goddess of war, measures: 19.5 cm with base.","es":"representando a minerva o marte, diosa de la guerra, medidas: 19,5 cm con peana."},"estimateMax":6750,"lotNumber":"19","title":{"en":"italian bust in gilt bronze, italy, 16th century, possibly florence","es":"busto italiano en bronce dorado, italia, siglo xvi, posiblemente florencia"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23429/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:50:13.670Z","textCase":"lower","estimate":"\u20ac4,500 - 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19th century","es":"siguiendo modelos de guiglermo della porta, italia, siglo xviii - xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23431/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":600,"lastUpdate":"2026-07-01T16:50:14.117Z","textCase":"lower","estimate":"\u20ac600 - \u20ac900","currency":"EUR","id":23431,"estimateMin":600},{"startPrice":10000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23432/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23432/002/002.jpg"],"available":false,"description":{"en":"exceptional new spain banner from the 18th century, possibly veracruz, made on canvas painted on both sides, on one side christ, man of dolores, in front, and, on the other side of the canvas, christ on his back with his lacerated back. canvas measurements: 76 x 58 cm","es":"excepcional estandarte novohispano del siglo xviii, posiblemente veracruz, realizado en lienzo pintado a ambas caras, por un lado cristo, varón de dolores, de frente, y, en la otra cara del lienzo, cristo de espaldas con su espalda lacerada. medidas lienzo: 76 x 58 cm"},"estimateMax":15000,"lotNumber":"22","title":{"en":"ecce homo mexican processional banner, colonial school, 18th century","es":"\"ecce homo\" estandarte mexicano procesional, escuela colonial, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23432/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":10000,"lastUpdate":"2026-07-01T16:50:14.121Z","textCase":"lower","estimate":"\u20ac10,000 - 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\u20ac5,500","currency":"EUR","id":23433,"estimateMin":3500},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23434/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23434/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23434/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23434/004/004.jpg"],"soldDate":"2023-01-24","available":false,"description":{"en":"bearing rose coat of arms, finely decorated in famille rose enamel, good condition, without hairs and with some side wear, another example in the v&a museum. identical plate in the royal collections published by howard, 1974, p. 243. measurements: 20 cm. diameter approx. provenance: spanish private collection.","es":"decorados en esmalte familia rosa, buen estado, sin pelos y con algunos desgastes laterales, otro ejemplo en el v&a museum. plato idéntico en las colecciones reales publicado por howard, 1974, p. 243. medidas: 20 cm. diámetro aprox. procedencia: colección particular española."},"estimateMax":3500,"lotNumber":"24","title":{"en":"pair of chinese export porcelain plates for the english market, circa 1735, china, 18th century, yongzheng period","es":"pareja de platos en porcelana china para la exportación con escudo de armas rose, circa 1735, china, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23434/view","tags":["esinternational_chinese","esinternational","esinternational_all"],"directSalePrice":2000,"soldPrice":1800,"lastUpdate":"2026-07-01T16:50:14.127Z","textCase":"lower","estimate":"\u20ac2,500 - 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\u20ac12,000","currency":"EUR","id":23435,"estimateMin":8000},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23436/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23436/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23436/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23436/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23436/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23436/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23436/007/007.jpg"],"available":false,"description":{"en":"in polychrome wood, measures: 70 x 26","es":"en madera policromada, medidas: 70 x 26"},"estimateMax":5000,"lotNumber":"26","title":{"en":"immaculate virgin, valladolid school of the 16th century, circle of gregorio fernández","es":"virgen inmaculada, escuela vallisoletana del siglo xvi, círculo de gregorio fernández"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23436/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:50:14.135Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac5,000","currency":"EUR","id":23436,"estimateMin":2500},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23437/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23437/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23437/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23437/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23437/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23437/006/006.jpg"],"available":false,"description":{"en":"in polychrome wood, dimensions: 117 x 88 (christ) and 139 x 95 cm (cross)","es":"en madera policromada, publicado \"revista del instituto camón aznar, núm. 93, 2004, páginas 97-102\". dimensiones: 117 x 88 (cristo) y 139 x 95 cm (cruz)"},"estimateMax":15000,"lotNumber":"27","title":{"en":"important gothic christ, burgos, 15th century, workshop of alejo de vahía","es":"gran cristo crucificado, siglo xv, taller de alejo vahía"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23437/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":8000,"lastUpdate":"2026-07-01T16:50:14.136Z","textCase":"lower","estimate":"\u20ac10,000 - 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and the strong personality of the painter - were detrimental to his posthumous fame and made it easy for him to end up being attributed any painting in which a decomposing corpse or the severed head of a saint appeared, even if it were it was about paintings of the lowest quality. become a «painter of the dead», as enrique romero de torres called him, all lugubrious and repulsive affairs seemed to suit him, while with romantic overtones the rivalry with murillo, his contemporary, was enlarged and deepened, since valdés was assumed to have an angry and arrogant temperament opposed to the peaceful character of his rival. measurements: 108 x 69","es":"óleo sobre lienzo, enmarcado. con poema \"la vida es sueño\" de pedro calderón de la barca. nos encontramos ante una interesante composición enmarcada en la temática con el tema de la vanitas, muy extendido por la mayor parte de europa durante los siglos xv al xviii, las alegorías \"finis gloriae mundi\" (el fin de las glorias mundanas) e \"in ictu oculi\" (en un abrir y cerrar de ojos) ilustran el pensamiento de miguel de mañara, renovador de la hermandad de la santa caridad, según lo dejó escrito en su libro de la verdad, además de completar el programa iconográfico de la capilla, integrado por el santo entierro del retablo mayor y la serie de las «obras de misericordia» pintadas por murillo, con las que forman un conjunto coherente. no obstante, lo macabro de su asunto \u2014y la fuerte personalidad del pintor\u2014 resultaron perjudiciales para su fama póstuma y facilitaron que se le acabase atribuyendo cualquier pintura en la que apareciese un cadáver en descomposición o la cabeza cortada de un santo, incluso si se trataba de pinturas de calidad ínfima. convertido en «pintor de los muertos», como lo llamó enrique romero de torres, parecían convenirle todos los asuntos lúgubres y repulsivos, al tiempo que con tintes románticos se agrandaba y hacía más profunda la rivalidad con murillo, su contemporáneo, al suponerse a valdés un temperamento iracundo y soberbio opuesto al pacífico carácter de su rival. medidas: 108 x 69"},"estimateMax":9000,"lotNumber":"28","title":{"en":"vanitas, seville school of the 17th century, attributable to juan valdés leal (seville, 1622-1690)","es":"vánitas, siglo xvii, atribuíble a juan valdés leal (sevilla, 1622-1690)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23438/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T16:50:14.138Z","textCase":"lower","estimate":"\u20ac6,000 - 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19th century","es":"amuleto con piedra, siglo xviii - xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23496/view","tags":["esjewelry_necklacespendants","esjewelry","esjewelry_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T16:50:11.894Z","textCase":"lower","estimate":"\u20ac300 - \u20ac450","currency":"EUR","id":23496,"estimateMin":300},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23497/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23497/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23497/003/003.jpg"],"available":false,"description":{"en":"oil on copper, measures: 40 x 30 cm","es":"óleo sobre cobre, medidas: 40 x 30 cm"},"estimateMax":1500,"lotNumber":"87","title":{"en":"mater dolorosa, follower of zurbarán, eighteenth-century peruvian colonial school","es":"virgen dolorosa, seguidor de zurbarán, escuela colonial peruana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23497/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:50:11.896Z","textCase":"lower","estimate":"\u20ac1,000 - 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1714)","es":"pareja de escenas costumbristas, escuela novohispana, círculo de cristóbal de villalpando (ciudad de méxico, 1649 - 1714)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23498/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:50:11.897Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac5,500","currency":"EUR","id":23498,"estimateMin":3500},{"startPrice":5000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23499/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23499/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23499/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23499/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23499/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23499/006/006.jpg"],"available":false,"description":{"en":"in the foreground we find the young nobleman dressed in rich clothing looking at the viewer, quite possibly a private commission from the painter of a nobleman or rich flemish merchant to portray his son in the manner of saint john the baptist. juwes de dowe (1608 - 1662) was a golden age painter from the netherlands, very popular for his portraits from 1623 to 1661 in flanders and with some of his works in the rijksmuseum, work related: portrait of a young man nobleman with saint john, rijksmuseum, painted around 1647, accession number: 14886. measurements: 92 x 88 cm","es":"en primer plano encontramos al joven noble ataviado con ricos ropajes mirando al espectador, muy posiblemente un encargo privado al pintor de un noble o rico comerciante flamenco para retratar a su hijo a la manera de san juan bautista. juwes de dowe (1608 - 1662) fue un pintor de la edad de oro de los países bajos, muy popular por sus retratos desde el 1623 al 1661 en flandes y con algunas de sus obras en el rijksmuseum, obra en relación: retrato de joven noble con san juanito, rijksmuseum, pintado hacia 1647, número de accesión: 14886. medidas: 92 x 88 cm"},"estimateMax":7500,"lotNumber":"89","title":{"en":"portrait of a young nobleman dressed as saint john, attributable to douwe juwes de douwe, flemish school of the 17th century","es":"retrato de joven noble vestido de san juanito, atribuíble a douwe juwes de douwe, escuela flamenca del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23499/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T16:50:11.904Z","textCase":"lower","estimate":"\u20ac5,000 - 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vinaroz, november 21, 1919) was a traditional painter from the valencian community, spain. son of humble peasants, in 1879 he entered the royal academy of san carlos on the advice of his parents and teachers. later, when he was already planning his return to town due to exhausting the few funds he had available, he attracted attention and obtained the patronage of enrique bosch, baron of the white house, who was his first commercial director and helped him obtain the favor. by vicente ruiz vila, president of the castellón provincial council. this institution allowed him to study at the real academia de san fernando, in madrid. later, the provincial council granted him a grant to go to rome, where he settled in 1889. already in rome he perfected painting with watercolor, what will later be appreciated in his work with the italian influence. at the beginning of the 1890s, he gained a certain reputation in various artistic circles, so that it was easy for him to sell many of his works and develop his profession. after finishing his stay in the italian capital, he toured the country, especially the cities with the greatest artistic tradition, which allowed him a great knowledge of italian painting of all times. in his travels the portraits, landscapes and corners of the cities that make up his work are mixed. in 1893 he briefly returned to spain, returning to rome in 1894. his work, now stable and mature, stands out for the double influence of mariano fortuny's painting with certain oriental environments, and the traditional air, notably under the influence of the literature of the time. returned to spain and after passing through barcelona, \u200b\u200bhe settled permanently in vinaroz. measurements: 96 x 67 cm","es":"óleo sobre lienzo. gabriel puig roda (tírig, 18 de marzo de 1865 - vinaroz, 21 de noviembre de 1919) fue un pintor costumbrista de la comunidad valenciana, españa. hijo de humildes campesinos, en 1879 ingresa en la real academia de san carlos por el consejo de sus padres y maestros. más tarde, cuando ya se planeaba su vuelta al pueblo por agotar los pocos fondos de que disponía, atrajo la atención y obtuvo el mecenazgo de enrique bosch, barón de la casa blanca, quien fue su primer director comercial y le ayudó a obtener el favor de vicente ruiz vila, presidente de la diputación de castellón. esta institución le permitió estudiar en la real academia de san fernando, en madrid. después, la diputación le becó nuevamente para ir a roma, donde se estableció en 1889. ya en roma perfeccionó la pintura con acuarela, lo que más tarde se apreciará en su obra con el influjo italiano. al inicio de la década de 1890 obtuvo cierto renombre en diversos círculos artísticos, de tal suerte que le fueron fáciles de vender muchas de sus obras y desarrollar su profesión. tras finalizar su estancia en la capital italiana recorrió el país, en especial las ciudades con mayor tradición artística, lo que le permitió un gran conocimiento de la pintura italiana de todas las épocas. en sus viajes se mezclan los retratos, paisajes y rincones de las ciudades que van conformando su obra. en 1893 regresó brevemente a españa, volviendo a roma en 1894. su obra, ya estable y madura, destaca por la doble influencia de la pintura de mariano fortuny con ciertos ambientes orientales, y el aire costumbrista, notablemente bajo el influjo de la literatura de la época. vuelto a españa y tras su paso por barcelona, se instaló definitivamente en vinaroz. medidas: 96 x 67 cm"},"estimateMax":4500,"lotNumber":"93","title":{"en":"the rape of the sabine women, gabriel puig roda (1865 - 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19th century","es":"retrato de príncipe a caballo, rajastán, india, posiblemente siglo xviii - xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23518/view","tags":["esinternational_southasian","esart_drawings","esart","esinternational","esinternational_all","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:50:30.656Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac2,700","currency":"EUR","id":23518,"estimateMin":1800},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23519/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23519/002/002.jpg"],"available":false,"description":{"en":"measurements: 12 x 6 cm","es":"medidas: 12 x 6 cm"},"estimateMax":3000,"lotNumber":"108","title":{"en":"saint in stone huamanga, peru, 18th century","es":"santa en piedra huamanga, perú, siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23519/view","tags":["esart_ancientsculpture","esinternational_southamerican","esart","esinternational","esinternational_all","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:50:30.658Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac3,000","currency":"EUR","id":23519,"estimateMin":1800},{"startPrice":5000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23520/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23520/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23520/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23520/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23520/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23520/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23520/007/007.jpg"],"available":false,"description":{"en":"oil on canvas. luis franco (valencia, 1850-barcelona, \u200b\u200b1897). spanish painter. he began his training at the san carlos school in valencia and moved to madrid, where he attended the national exhibitions with genre paintings. in madrid he was part of the association of watercolorists, painting anecdotal subjects of great commercial success. he completed his training in paris, under the direction of léon gérôme and ernest meissonier, specializing in marriage affairs and in orientalist and military affairs in the style of mariano fortuny. the prado museum has two paintings of this style, study of the head and in the dressing table. in 1876 he achieved some notoriety by winning a second enlargement medal with the genre work cambio de couples. he obtained a position as permanent professor at the school of fine arts in barcelona and from that moment on he devoted himself almost exclusively to commissioned portraits and watercolor-painted genre themes such as gypsy life. measurements: 30 x 40 cm","es":"óleo sobre lienzo. luis franco (valencia, 1850-barcelona, 1897). pintor español. inició su formación en la escuela de san carlos de valencia y se trasladó a madrid, donde concurrió a las exposiciones nacionales con cuadros de género. en madrid formó parte de la asociación de acuarelistas, pintando temas anecdóticos de gran éxito comercial. completó su formación en parís, bajo la dirección de léon gérôme y ernest meissonier, especializándose en temas de casacones y en asuntos orientalistas y militares al estilo de mariano fortuny. el museo del prado posee dos cuadros de este estilo, estudio de cabeza y en el tocador. en 1876 consiguió cierta notoriedad al ganar una segunda medalla de ampliación con la obra de género cambio de parejas. obtuvo una plaza de profesor numerario en la escuela de bellas artes de barcelona y a partir de ese momento se dedicó casi exclusivamente al retrato por encargo y a temas de género pintados a la acuarela como vida gitana. medidas: 30 x 40 cm"},"estimateMax":9000,"lotNumber":"109","title":{"en":"luis franco (1850 - 1897), woman with a mantilla","es":"luis franco (1850 - 1897), mujer con mantilla"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23520/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T16:50:30.659Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac9,000","currency":"EUR","id":23520,"estimateMin":8000},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23521/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23521/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23521/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23521/004/004.jpg"],"available":false,"description":{"en":"oil on canvas. (madrid, 1840-cuenca, 1906). spanish painter and illustrator. a student at the san fernando academy of fine arts in madrid, he later continued his studies in rome. from there he sent works to the national fine arts exhibitions, being awarded in 1871 for the great historical canvas the death of seneca, his best-known painting. his work evolved, from the late-romantic nazarene-inspired purism, to the decorativeism of its final stage, passing through velazquez's realism under the influence of rosales. painter of historical canvases, he also developed decorative cycles, among which the one carried out in the basilica of san francisco el grande in madrid, together with alejandro ferrant, stands out. from this experience, the prado museum keeps an episode from the life of saint francis of assisi, whose authors are ferrant and domínguez, and another work, with the same title, painted entirely by domínguez. the museum also guards a canvas inspired by a poem by goethe, margarita in front of the mirror. reference bibliography: the history painting of the 19th century in spain, cat. exp., madrid, consortium for the madrid european capital of culture organization, 1992, pp. 292-297; ossorio and bernard, manuel, biographical gallery of spanish artists of the 19th century [1883-1884], madrid, giner, 1975, pp. 187-188; the literary world in the painting of the xix century of the prado museum, cat. exp., madrid, ministry of culture, 1994, no. 29. measurements: 40 x 68 cm reference bibliography: the history painting of the 19th century in spain, cat. exp., madrid, consortium for the madrid european capital of culture organization, 1992, pp. 292-297; ossorio and bernard, manuel, biographical gallery of spanish artists of the 19th century [1883-1884], madrid, giner, 1975, pp. 187-188; the literary world in the painting of the xix century of the prado museum, cat. exp., madrid, ministry of culture, 1994, no. 29. measurements: 40 x 68 cm reference bibliography: the history painting of the 19th century in spain, cat. exp., madrid, consortium for the madrid european capital of culture organization, 1992, pp. 292-297; ossorio and bernard, manuel, biographical gallery of spanish artists of the 19th century [1883-1884], madrid, giner, 1975, pp. 187-188; the literary world in the painting of the xix century of the prado museum, cat. exp., madrid, ministry of culture, 1994, no. 29. measurements: 40 x 68 cm","es":"óleo sobre lienzo. (madrid, 1840-cuenca, 1906). pintor e ilustrador español. alumno de la academia de bellas artes de san fernando de madrid, posteriormente prosiguió sus estudios en roma. desde allí envió obras a las exposiciones nacionales de bellas artes, siendo premiado en 1871 por el gran lienzo histórico la muerte de séneca, su pintura más conocida. su obra fue evolucionando, desde el purismo tardorromántico de inspiración nazarena, hasta el decorativismo de su etapa final, pasando por el realismo velazqueño por influencia de ro­sales. pintor de lienzos históricos, desa­rrolló igualmente ciclos decorativos, entre los que destaca el llevado a cabo en la basílica de san francisco el grande de madrid, junto con alejandro ferrant. de esta experiencia, el museo del prado guarda un episodio de la vida de san francisco de asís, cuyos autores son ferrant y domínguez, y otra obra, con el mismo título, pintado enteramente por domínguez. el museo también custodia un lienzo inspirado en un poema de goethe, margarita delante del espejo. bibliografía de referencia: la pintura de historia del siglo xix en españa, cat. exp., madrid, consorcio para la organización de madrid capital europea de la cultura, 1992, pp. 292-297; ossorio y bernard, manuel, galería biográfica de artistas españoles del siglo xix [1883-1884], madrid, giner, 1975, pp. 187-188; el mundo literario en la pintura del siglo xix del museo del prado, cat. exp., madrid, ministerio de cultura, 1994, n.º 29. medidas: 40 x 68 cm"},"estimateMax":6000,"lotNumber":"110","title":{"en":"manuel domínguez sánchez (1840 - 1906) portrait of a horse","es":"manuel domínguez sánchez (1840 - 1906) retrato de caballo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23521/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:50:30.662Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac6,000","currency":"EUR","id":23521,"estimateMin":5000},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23522/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23522/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23522/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23522/004/004.jpg"],"available":false,"description":{"en":"oil on canvas, measures: 58 x 48 cm","es":"óleo sobre lienzo, medidas : 58 x 48 cm"},"estimateMax":1800,"lotNumber":"111","title":{"en":"landscape, flemish school of the 18th century","es":"paisaje, escuela flamenca del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23522/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:50:30.664Z","textCase":"lower","estimate":"\u20ac1,200 - 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xv century","es":"viga mudéjar toledana, españa siglo xiv - xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23526/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:50:28.853Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,500","currency":"EUR","id":23526,"estimateMin":1500},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23527/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23527/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23527/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23527/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23527/005/005.jpg"],"available":false,"description":{"en":"measurements: 45 x 59 cm","es":"medidas: 45 x 59 cm"},"estimateMax":2500,"lotNumber":"116","title":{"en":"portrait of a lady, 17th century flemish school","es":"retrato de dama, escuela flamenca del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23527/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:50:28.855Z","textCase":"lower","estimate":"\u20ac1,500 - 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\u20ac800","currency":"EUR","id":23625,"estimateMin":600},{"startPrice":375,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23626/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23626/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23626/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23626/004/004.jpg"],"available":false,"description":{"en":"with bell, key and pendulum. paris machinery. measurements: 38 x 47 x16","es":"con campana, llave y péndulo. maquinaria parís. medidas: 38 x 47 x16"},"estimateMax":900,"lotNumber":"216","title":{"en":"neoclassical style clock in marble and calamine representing a reading lesson, late 19th century","es":"reloj de estilo neoclásico en mármol y calamina representando una lección de lectura, finales siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23626/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":375,"lastUpdate":"2026-07-01T16:50:42.167Z","textCase":"lower","estimate":"\u20ac600 - \u20ac900","currency":"EUR","id":23626,"estimateMin":600},{"startPrice":375,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23627/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23627/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23627/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23627/004/004.jpg"],"available":false,"description":{"en":"with paris machinery, pendulum and key. measurements: 59 x 25 x 12","es":"con maquinaria parís, péndulo y llave. medidas: 59 x 25 x 12"},"estimateMax":900,"lotNumber":"217","title":{"en":"napoleon iii style clock in alabaster and calamine, late 19th century","es":"reloj estilo napoleón iii en alabastro y calamina, finales siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23627/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":375,"lastUpdate":"2026-07-01T16:50:42.169Z","textCase":"lower","estimate":"\u20ac600 - \u20ac900","currency":"EUR","id":23627,"estimateMin":600},{"startPrice":375,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23628/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23628/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23628/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23628/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23628/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23628/006/006.jpg"],"available":false,"description":{"en":"attached bell, pendulum and key. measurements: 45 x 30 x 15","es":"adjunta campana, péndulo y llave. medidas: 45 x 30 x 15"},"estimateMax":900,"lotNumber":"218","title":{"en":"bronze and marble clock depicting a couple watering pots, 19th century","es":"reloj en bronce y mármol representando a pareja regando tiestos, siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23628/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":375,"lastUpdate":"2026-07-01T16:50:42.170Z","textCase":"lower","estimate":"\u20ac600 - \u20ac900","currency":"EUR","id":23628,"estimateMin":600},{"startPrice":275,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23629/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23629/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23629/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23629/004/004.jpg"],"available":false,"description":{"en":"measurements: 54 x 22 x 22 cm","es":"medidas: 54 x 22 x 22 cm"},"estimateMax":800,"lotNumber":"219","title":{"en":"sculpture representing michelangelo in patinated calamine","es":"escultura representando a miguel ángel en calamina patinada"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23629/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":275,"lastUpdate":"2026-07-01T16:50:42.172Z","textCase":"lower","estimate":"\u20ac600 - \u20ac800","currency":"EUR","id":23629,"estimateMin":600},{"startPrice":375,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23630/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23630/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23630/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23630/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23630/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23630/006/006.jpg"],"available":false,"description":{"en":"bust measurements: 46 x 25 x 8.5. base 10 x 14 x 14","es":"medidas busto: 46 x 25 x 8,5. peana 10 x 14 x 14"},"estimateMax":900,"lotNumber":"220","title":{"en":"bust of a lady in bronze. 19th - 20th centuries","es":"busto de dama en bronce. siglos xix - xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23630/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":375,"lastUpdate":"2026-07-01T16:50:42.174Z","textCase":"lower","estimate":"\u20ac600 - \u20ac900","currency":"EUR","id":23630,"estimateMin":600},{"startPrice":6500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23631/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23631/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23631/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23631/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23631/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23631/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23631/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23631/008/008.jpg"],"available":false,"description":{"en":"cabinet measurements: 104 x 80 x 38. table measurements: 106 x 97 x 55","es":"medidas cabinet: 104 x 80 x 38. medidas mesa: 106 x 97 x 55 cm"},"estimateMax":12000,"lotNumber":"221","title":{"en":"hand-painted florentine console cabinet with flower garland motifs topped with a pair of polychrome angels, 19th century (with earlier elements)","es":"mueble tipo cónsola florentino pintado a mano con motivos de guirnaldas de flores rematado con pareja de ángeles policromados, siglo xix (con elementos anteriores)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23631/view","tags":["esfurniture_cupboardscabinets","esfurniture_all","esfurniture"],"directSalePrice":6500,"lastUpdate":"2026-07-01T16:50:42.175Z","textCase":"lower","estimate":"\u20ac9,000 - \u20ac12,000","currency":"EUR","id":23631,"estimateMin":9000},{"startPrice":7000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23632/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23632/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23632/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23632/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23632/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23632/006/006.jpg"],"available":false,"description":{"en":"oil on canvas. (rome, ca. 1575-1616). italian painter and engraver. his training takes place fundamentally in rome, where he is interested both in the examples of classical antiquity and in the naturalism of caravaggio. in 1598 he is already in spain, and in 1601 he is in pamplona. in june 1603 he appears as one of the signatories of the petition for the establishment of an artistic academy in madrid. probably three of the works in the prado correspond to this first spanish stage: christ crucified, saint francis receiving the stigmata and saint christopher. between 1603 and 1604 he is again in italy, but in 1605 he returns to spain, where he remains until 1607, the year of his definitive return to rome, where he will remain until his death. his stays in spain provided him with a clientele that continues to demand commissions from him even after his return to italy; this is how the works for the valladolid monastery of porta coeli are understood. in them, borgianni carried out some canvases of clear caravaggio ancestry, an influence that was felt in the roman painter especially from 1604, and despite the personal differences between the two artists. in 1610 he is appointed a member of the academy of virtuosi of the pantheon. there are four canvases by borgianni in the inventories of the museo del prado. christ crucified comes from the museum of the trinity, while saint francis receiving the stigmata and saint christopher are modern acquisitions, from 1984 and 1988, respectively. reference bibliography: wethey, harold edwin, \u201corazio borgianni in italy and spain\u201d, the burlington magazine, london, 1964, pp. 147-159. longhi, roberto, \u201corazio borgianni\u201d [1919], edition of the complete works, florence, sansoni, 1961, t. i, pp. 111-128. francischi osti, o., \"the testament of orazio borgianni\", quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \"an early work of orazio borgianni\", art critic, florence, 1936, pp. 141-142. pérez sánchez, alfonso e., italian painting of the 17th century in spain, madrid, fundación valdecilla, 1965, pp. 240-24. total measurements (without frame): 133 x 98 cm quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \"an early work of orazio borgianni\", art critic, florence, 1936, pp. 141-142. pérez sánchez, alfonso e., italian painting of the 17th century in spain, madrid, fundación valdecilla, 1965, pp. 240-24. total measurements (without frame): 133 x 98 cm quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \"an early work of orazio borgianni\", art critic, florence, 1936, pp. 141-142. pérez sánchez, alfonso e., italian painting of the 17th century in spain, madrid, fundación valdecilla, 1965, pp. 240-24. total measurements (without frame): 131 x 94","es":"óleo sobre lienzo. (roma, h. 1575-1616). pintor y grabador italiano. su formación se desarrolla fundamentalmente en roma, donde se interesa tanto por los ejemplos de la antigüedad clásica como por el naturalismo de caravaggio. en 1598 ya se encuentra en españa, y en 1601 está en pamplona. en junio de 1603 aparece como uno de los firmantes de la petición para el establecimiento de una academia artística en madrid. probablemente a esta primera etapa española corresponden tres de las obras del prado: cristo crucificado, san francisco recibiendo los estigmas y san cristóbal. entre 1603 y 1604 se encuentra de nuevo en italia, pero en 1605 vuelve a españa, donde permanece hasta 1607, año de su definitivo regreso a roma, donde ya se quedará hasta su muerte. sus estancias en españa le proporcionaron una clientela que le sigue demandando encargos incluso tras su regreso a italia; de este modo se entienden las obras para el monasterio vallisoletano de porta coeli. en ellas, borgianni lleva a cabo unos lienzos de clara ascendencia caravaggiesca, una influencia que se dejó sentir en el pintor romano especialmente a partir de 1604, y a pesar de las diferencias personales entre los dos artistas. en 1610 es nombrado miembro de la academia de los virtuosos del panteón. hay cuatro lienzos de borgianni en los inventarios del museo del prado. cristo crucificado proviene del museo de la trinidad, mientras que san francisco recibiendo los estigmas y san cristóbal son adquisiciones modernas, de 1984 y 1988, respectivamente. bibliografía de referencia: wethey, harold edwin, \u201corazio borgianni en italia y españa\u201d, the burlington magazine, londres, 1964, págs. 147-159. longhi, roberto, \u201corazio borgianni\u201d [1919], edición de las obras completas, florencia, sansoni, 1961, t. yo, págs. 111-128. francischi osti, o., \u201cel testamento de orazio borgianni\u201d, quaderni di emblema, miscellanea / 2, bergamo, 1973, págs. 97-102. bottari, stefano, \u201cuna obra primitiva de orazio borgianni\u201d, crítico de arte, florencia, 1936, pp. 141-142. pérez sánchez, alfonso e., pintura italiana del siglo xvii en españa, madrid, fundación valdecilla, 1965, pp. 240-24. medidas totales (sin marco): 133 x 98 cm quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \u201cuna obra primitiva de orazio borgianni\u201d, crítico de arte, florencia, 1936, pp. 141-142. pérez sánchez, alfonso e., pintura italiana del siglo xvii en españa, madrid, fundación valdecilla, 1965, pp. 240-24. medidas totales (sin marco): 133 x 98 cm quaderni di emblema, miscellanea / 2, bergamo, 1973, pp. 97-102. bottari, stefano, \u201cuna obra primitiva de orazio borgianni\u201d, crítico de arte, florencia, 1936, pp. 141-142. pérez sánchez, alfonso e., pintura italiana del siglo xvii en españa, madrid, fundación valdecilla, 1965, pp. 240-24. medidas totales (sin marco): 131 x 94"},"estimateMax":12000,"lotNumber":"222","title":{"en":"landscape with waterfall, attributed to orazio borgianni","es":"paisaje con cascada, atrubuído a orazio borgianni"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23632/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":7000,"lastUpdate":"2026-07-01T16:50:42.177Z","textCase":"lower","estimate":"\u20ac9,000 - \u20ac12,000","currency":"EUR","id":23632,"estimateMin":9000},{"startPrice":2300,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23633/011/011.jpg"],"available":false,"description":{"en":"oil on canvas, where we observe, on the left plane, an angel representing the allegory of the sculpture, and on the right plane, two angels representing an allegory of the painting. measurements: 116 x 89 cm","es":"óleo sobre lienzo, donde observamos, en el plano izquierdo, a un ángel representando la alegoría de la escultura, y en el plano derecho, a dos ángeles representando una alegoría de la pintura. medidas: 116 x 89 cm"},"estimateMax":6000,"lotNumber":"223","title":{"en":"\"allegory of the fine arts\", circle of francesco de mura (naples, 1696-1782), 17th century italian school","es":"\"alegoría de las bellas artes\", círculo de francesco de mura (nápoles, 1696-1782), escuela italiana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23633/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2300,"lastUpdate":"2026-07-01T16:50:48.350Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac6,000","currency":"EUR","id":23633,"estimateMin":4000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23634/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23634/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23634/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23634/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23634/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23634/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23634/007/007.jpg"],"available":false,"description":{"en":"figure in polychrome terracotta. with built-in base, measurements: 60 x 27 x 18","es":"figura en terracota policromada. con peana incorporada, medidas: 60 x 27 x 18"},"estimateMax":6000,"lotNumber":"224","title":{"en":"santo domingo de guzmán, hispano philippine school of the xvii - xviii century","es":"santo domingo de guzmán, escuela hispano filipina del siglo xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23634/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:50:48.353Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac6,000","currency":"EUR","id":23634,"estimateMin":5000},{"startPrice":6500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23635/011/011.jpg"],"available":false,"description":{"en":"carving in gilt and polychrome wood, with some loss of polychromy in the lower half, measurements: 101 x 50 x 33","es":"talla en madera dorada y policromada, con algunas pérdidas de policromía en la mitad inferior, medidas: 101 x 50 x 33"},"estimateMax":12000,"lotNumber":"225","title":{"en":"important sculpture of sainte anne, school of alonso de berruguete (paredes de nava, c.1490-toledo, 1561)","es":"importante escultura de santa ana, escuela de alonso de berruguete (paredes de nava, c.1490-toledo, 1561)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23635/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":6500,"lastUpdate":"2026-07-01T16:50:48.358Z","textCase":"lower","estimate":"\u20ac9,000 - 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del castillo y saavedra (córdoba 1616 - 1668), in addition to standing out as a landscape painter and draftsman, a facet in which he can be counted among the most important painters of the spanish golden age. born in córdoba, he was the son of the painter agustín del castillo, about whom little is known but whom palomino calls an \"excellent painter\" and ana de guerra. initially trained in his father's workshop, he was orphaned at the age of fifteen; being the eldest of four brothers, on november 24, 1631 he appeared before a magistrate in córdoba asking for a guardian due to his minority. placed with the imagery painter ignacio aedo calderón, the contract according to the usual terms established that aedo undertook to teach him the painter's trade so that he could dedicate his life to it. castillo would serve him as much as possible in exchange for receiving the teacher's training and care as well as being fed, clothed, shoes, and providing him with a place to live while his mother took care of raising his younger siblings. according to palomino, he later went to seville in order to complete his studies with josé de sarabia, also from córdoba, \"and they succeeded at the school of the distinguished francisco de zurbarán.\" the relationship with the painter from extremadura, however, lacks documentary confirmation, although it can be sustained for reasons of stylistic affinity, just as the relationship of kinship, maintained by palomino, with the sevillian painter juan del castillo is unfounded. on his return from seville, on june 28, 1635, he married his first wife, catalina de la nava, a woman fifteen years older than him and with whom he might have married because of the need to establish himself financially and be able to help his mother and little brothers. he and his wife settled in a rented house on the street in front of the lamp hospital and with his wife's dowry they furnished his new home. most of his income in this early stage came from the works sold in the store that had belonged to his father. he changed his premises twice, settling definitively on august 31, 1641 in the premises located on calle de libreros, continuation of calle de la feria, currently known as diario córdoba. murillo's teachings would be manifested in his last works, according to palomino, singularly in a half-length saint francis that he painted for the merchant lorenzo mateo, which \"exceeds good taste, and sweetness in the head, and hands to everything that castillo did in his life, because the truth is that he lacked a certain grace, and good taste in color». he died on february 2, 1668, in the house on muñices street without issue. reference bibliography: navarrete prieto, benito. garcia de la torre, fuensanta (2008). antonio del castillo (1616-1668) drawings. santander: marcelino botín pedrueca foundation. isbn 978-84-96655-19-5; palomino, antonio (1986). lives. madrid: form alliance. isbn 84-206-7056-1; palomino, antonio (1988). the pictorial museum and optical scale iii. the laureate picturesque spanish parnassus. madrid: aguilar sa of editions. isbn 84-03-88005-7. measurements: 153 x 197 cm. attached attribution report issued by joan ramón triadó, doctor in art history. provenance: important spanish private collection.","es":"antonio del castillo y saavedra (córdoba 1616 - 1668), además de destacar como paisajista y dibujante, faceta en la que puede ser contado entre los más importantes pintores del siglo de oro español. nacido en córdoba, fue hijo del pintor agustín del castillo, de quien apenas nada se conoce pero al que palomino llama «pintor excelente» y de ana de guerra. formado inicialmente en el taller paterno, quedó huérfano a los quince años; siendo el mayor de cuatro hermanos, el 24 de noviembre de 1631 se presentó ante un magistrado en córdoba pidiendo un tutor debido a su minoría de edad. colocado con el pintor de imaginería ignacio aedo calderón, el contrato conforme a los términos acostumbrados establecía que aedo se comprometía a enseñarle el oficio de pintor de manera que pudiese dedicar su vida a ello. castillo le serviría en todo lo posible a cambio de recibir la formación y el cuidado del maestro además de ser alimentado, vestido, calzado y procurarle un lugar donde residir mientras su madre se encargaba de criar a sus hermanos menores. según afirma palomino, pasó luego a sevilla a fin de completar sus estudios con el también cordobés josé de sarabia, «y lo consiguieron en la escuela del insigne francisco de zurbarán». la relación con el pintor extremeño, no obstante, carece de confirmación documental, aunque puede sostenerse por razones de afinidad estilística, así como carece de fundamento la relación de parentesco, sostenida por palomino, con el pintor sevillano juan del castillo. a la vuelta de sevilla, el 28 de junio de 1635 contrajo matrimonio con su primera esposa, catalina de la nava, mujer quince años mayor que él y con la que quizá contrajese matrimonio por la necesidad de establecerse económicamente y poder ayudar a su madre y hermanos pequeños. con su esposa se estableció en una vivienda alquilada en la calle frente al hospital de la lámpara y con la dote de su esposa amueblaron su nuevo hogar. la mayor parte de sus ingresos en esta primera etapa provenían de las obras vendidas en la tienda que había sido de su padre. cambió su local en dos ocasiones asentándose definitivamente el 31 de agosto de 1641 en el local situado en la calle de libreros, continuación de la calle de la feria, actualmente conocida como diario córdoba. las enseñanzas de murillo se manifestaría en sus últimas obras, según palomino, singularmente en un san francisco de medio cuerpo que pintó para el mercader lorenzo mateo, que «excede en el buen gusto, y dulzura en la cabeza, y manos a todo lo que hizo en su vida castillo, porque a la verdad le faltó una cierta gracia, y buen gusto en el colorido». falleció el 2 de febrero de 1668, en la vivienda de la calle muñices sin descendencia. bibliografía de referencia: navarrete prieto, benito. garcía de la torre, fuensanta (2008). antonio del castillo (1616-1668) dibujos. santander: fundación marcelino botín pedrueca. isbn 978-84-96655-19-5; palomino, antonio (1986). vidas. madrid: alianza forma. isbn 84-206-7056-1; palomino, antonio (1988). el museo pictórico y escala óptica iii. el parnaso español pintoresco laureado. madrid : aguilar s.a. de ediciones. isbn 84-03-88005-7. medidas: 153 x 197 cm. adjunta informe de atribución emitido por joan ramón triadó, doctor en historia del arte. procedencia: importante colección particular española."},"estimateMax":40000,"lotNumber":"235","title":{"en":"\"the adoration of the shepherds\", attributed to antonio del castillo y saavedra (córdoba, spain, 1616 - 1668)","es":"\"la adoración de los pastores\", atribuído a antonio del castillo y saavedra (córdoba 1616 - 1668)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23645/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":7000,"lastUpdate":"2026-07-01T16:50:46.656Z","textCase":"lower","estimate":"\u20ac30,000 - 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cm"},"estimateMax":2000,"lotNumber":"236","title":{"en":"german book of exchange rates, 16th century, leipzig, dated 1575","es":"libro alemán sobre las tasas de cambio, siglo xvi, leipzig, circa 1575"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23646/view","tags":["escollectibles_booksmagazinespaper","escollectibles_all","escollectibles"],"directSalePrice":800,"soldPrice":800,"lastUpdate":"2026-07-01T16:50:46.657Z","textCase":"lower","estimate":"\u20ac1,500 - 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religious customs, public and private customs, from romulus to augustus.\" measurements: 24 x 19 cm","es":"con tapa de cuero. ornado con 50 grabados, por j. grasset saint-sauveur, antiguo vicecónsul de francia en hungría. \"descripción histórica y pintoresca de todo lo concerniente al pueblo romano, de sus costumbres civiles, militares y religiosas, costumbres públicas y privadas, desde rómulo hasta augusto\". medidas: 24 x 19 cm"},"estimateMax":1800,"lotNumber":"237","title":{"en":"compendium book on architecture and sculpture in ancient rome, 18th century, dated 1796, fourth year of the french republic","es":"libro compendio sobre arquitectura y escultura en la antigua roma, siglo xviii, datado en el 1796, cuatro año de la república francesa"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23647/view","tags":["escollectibles_booksmagazinespaper","escollectibles_all","escollectibles"],"directSalePrice":900,"lastUpdate":"2026-07-01T16:50:46.659Z","textCase":"lower","estimate":"\u20ac1,200 - 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important compendium of 140 engravings by the wieirx brothers, xvi - xvii centuries. measurements: 31 x 22 cm, with leather cover. hyeronymus wierix he began as an engraver early, reproducing prints by albrecht dürer; one of saint sebastian tied to the tree is usually dated to around 1565, when wierix was just 12 years old. later he would copy with excellent quality other engravings by dürer such as saint jerome in the cell, nemesis, melancholy and the fall of man (adam and eve). in 1570 he began to work for cristóbal plantino, taking charge of opening part of the intaglio plates that illustrate the humanae salutis monumenta by benito arias montano, with whom he also collaborated on the biblia regia and on some other minor work, despite the bad reputation of the wierix brothers, especially hieronymus, accused of leading a disorderly life, with frequent labor breaches and delivered to alcohol. in 1573 he was admitted as a teacher in the guild of san lucas in his native city. later, in 1579-1580, he spent a few months in prison for an incident in a tavern in which a woman was killed. it is possible that for this reason he broke up with plantino, at least temporarily, after the publisher was forced to pay his bail, since in a famous letter he complained bitterly that wierix worked only the time he needed to earn some money and then spend it. in the taverns, so that later you had to go looking for him, pay his bill and rescue his pawned work tools. despite this fame, he made a large number of prints, some edited by himself, estimating his work at about 650 prints of his, executed with excellent technique and love for detail, but mostly on other people's compositions. his subjects, although portraits, allegories and some rare mythological motif are not lacking, are mainly devotional. in this regard, his relationship with the jesuits was especially close and could help straighten out the artist's life. his association with them began with the series of illustrations for the work of father jerónimo nadal, adnotationes et meditationes in evangelia, an ambitious project already conceived by ignatius of loyola and postponed several times. in it they collaborated with bernardino passeri, author of a good part of the drawings, the three wierix brothers with adriaen collaert and other engravers and painters, although hieronymus was the one who corresponded the greatest number, signing 65 of the 154 prints of which the construction site, finally published in antwerp in 1593, without nadal's text and without the printer's name, under the title evangelicae historiae imagines. johan wieirix, older brother of fellow engravers hieronymus and antonius, his father anton could have been a painter, although he is occasionally recorded as a cabinetmaker. he began as an engraver early on, reproducing prints by albrecht dürer. the large horse, an inverted reproduction of the durerian model, dated 1564, bears the inscription \"ae[tas] 15\" on the top. from 1570 he began to work for the printer cristóbal plantino, sharing with abraham de bruyn and his brother hieronymus the making of the intaglio engravings that illustrate the humanae salutis monumenta by benito arias montano, with whom he also collaborated on the bible. royal. because he had abandoned the job so it would be necessary to \"compel him even by justice to either finish it or return it as it is.\" he worked at the same time as plantino for other publishers and printers. most of the engravings of the first edition of the portraits of dutch and flemish artists with epigrams by dominicus lampsonius, collected under the title pictorum aliquot germaniae inferioris effigies, a work printed by the widow of hieronymus cock in antwerp, 1572. in the same year he was admitted as a member of the guild of st. luke in his native city, where he is registered until 1594, with some interruption from 1575 to 1579 in which he resided for some time in delft alternating, perhaps, with stays in antwerp. with his brothers hieronymus and antonius, 1 it is probable that he trained as an engraver with his brother hieronymus, who signed some of antonius' prints as publisher. active from at least 1579, he was registered with the antwerp guild of saint luke in 1590-1591. his son, antonius wierix iii (1596-1624), was also an engraver, making it difficult to distinguish his works. adrian collaert (antwerp, ca. 1560-1618). son of the engraver hans collaert and anna van der heijden, and older brother of jan collaert, he was born in antwerp. in 1580 he was admitted as a teacher in the guild of san lucas. from 1581 is his first known work: the engravings of the series septem planetae / septem hominis aetatibus responders, allegories of the planets and the corresponding ages on drawings by marten de vos edited by gerard dejode. his production, of correct although somewhat dry drawing, covers religious and allegorical themes, but also animals and some landscape, both on his own drawings and on other people's drawings, among others by joos de momper and hendrick goltzius. he died in antwerp on june 29, 1618.","es":"muy importante compendio de 140 grabados de los hermanos wieirx, siglos xvi - xvii. medidas: 31 x 22 cm, con tapa de cuero. hyeronymus wierix se inició como grabador precozmente, reproduciendo estampas de alberto durero; una de san sebastián atado al árbol se suele datar hacia 1565, cuando wierix tenía apenas 12 años de edad. posteriormente copiaría con excelente calidad otros grabados de durero como san jerónimo en la celda, némesis, melancolía y la caída del hombre (adán y eva). en 1570 comenzó a trabajar para cristóbal plantino, encargándose de abrir parte de las láminas calcográficas que ilustran los humanae salutis monumenta de benito arias montano, con quien colaboró también en la biblia regia y en algún otro trabajo menor, a pesar de la mala fama de los hermanos wierix, especialmente hieronymus, acusados de llevar una vida desordenada, con frecuentes incumplimientos laborales y entregados al alcohol. en 1573 fue admitido como maestro en la guilda de san lucas de su ciudad natal. posteriormente, en 1579-1580, pasó unos meses en la cárcel a causa de un incidente en una taberna del que resultó muerta una mujer. es posible que por este motivo rompiese con plantino, al menos temporalmente, tras verse el editor obligado a pagar su fianza, pues en una célebre carta se quejaba amargamente de que wierix trabajaba únicamente el tiempo que necesitaba para ganar algo de dinero y gastárselo a continuación en las tabernas, de forma que luego había que ir a buscarlo, pagar su cuenta y rescatar sus empeñadas herramientas de trabajo. a pesar de esta fama realizó un elevado número de estampas, algunas editadas por él mismo, estimándose su obra en unos 650 sus grabados, ejecutados con excelente técnica y amor por el detalle detalle, pero en su mayoría sobre composiciones ajenas. sus asuntos, aunque no falten los retratos, las alegorías y algún raro motivo mitológico, son principalmente los devocionales. en este orden, la relación con los jesuitas fue especialmente estrecha y pudo ayudar a enderezar la vida del artista. su asociación con ellos comenzó con la serie de las ilustraciones para la obra del padre jerónimo nadal, adnotationes et meditationes in evangelia, ambicioso proyecto concebido ya por ignacio de loyola y varias veces aplazado. en él colaboraron con bernardino passeri, autor de buena parte de los dibujos, los tres hermanos wierix con adriaen collaert y otros grabadores y pintores, aunque fue a hieronymus al que correspondió el mayor número, firmando 65 de las 154 estampas de las que consta la obra, publicada finalmente en amberes en 1593, sin el texto de nadal y sin nombre de impresor, con el título evangelicae historiae imagines. johan wieirix, hermano mayor de los también grabadores hieronymus y antonius, su padre anton podría haber sido pintor, aunque en alguna ocasión aparece registrado como ebanista. se inició como grabador precozmente, reproduciendo estampas de alberto durero. el caballo grande, reproducción invertida del modelo dureriano, fechado en 1564, lleva en la parte superior la inscripción \"ae[tas] 15\". a partir de 1570 comenzó a trabajar para el impresor cristóbal plantino, repartiéndose con abraham de bruyn y su hermano hieronymus la confección de los grabados calcográficos que ilustran los humanae salutis monumenta de benito arias montano, con quien también colaboró en la biblia regia."},"estimateMax":1800,"lotNumber":"238","title":{"en":"important complete collection of engravings of the life of jesus christ by the brothers johan, antonius and hieronymus wierix, and adrian collaert. 16th - 17th centuries","es":"importante colección completa de grabados de la vida de jesucristo de los hermanos johan, antonius y hieronymus wierix, y adrian collaert. siglos xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23648/view","tags":["escollectibles_booksmagazinespaper","esart_graphicworksetchinglithography","esart","escollectibles_all","esart_all","escollectibles"],"directSalePrice":1000,"soldPrice":1100,"lastUpdate":"2026-07-01T16:50:46.660Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,800","currency":"EUR","id":23648,"estimateMin":1200},{"startPrice":800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23649/012/012.jpg"],"available":false,"description":{"en":"on the trip around the world of admiral george anson (staffordshire, united kingdom, april 23, 1697- hertfordshire, united kingdom, june 1 or 6, 1762), which took place during the years 1740 to 1744. with cartographic maps and a multitude of fold-out illustrations inside. measurements: 25 x 20 cm, with leather cover.","es":"sobre el viaje alrededor del mundo del almirante george anson (staffordshire, reino unido, 23 de abril de 1697- hertfordshire, reino unido, 1 o 6 de junio de 1762), transcurrido durante los años 1740 al 1744. con mapas cartográficos y multitud de ilustraciones desplegables en su interior. medidas: 25 x 20 cm, con tapa de cuero."},"estimateMax":1500,"lotNumber":"239","title":{"en":"lord anson's voyage around the world, translated from english, edited 1749","es":"viaje alrededor del mundo de lord anson, traducido del inglés, editado en 1749"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23649/view","tags":["escollectibles_booksmagazinespaper","escollectibles_all","escollectibles"],"directSalePrice":800,"lastUpdate":"2026-07-01T16:50:46.661Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,500","currency":"EUR","id":23649,"estimateMin":1000},{"startPrice":2000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23650/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23650/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23650/003/003.jpg"],"soldDate":"2022-07-20","available":false,"description":{"en":"with leather cover, dated in the year 1564. measurements: 22 x 14 cm","es":"con tapa en cuero, datada en el año 1564. medidas: 22 x 14 cm"},"estimateMax":4000,"lotNumber":"240","title":{"en":"doctoral certificate granted to citizen named christopher columbus, italy, 16th century, dated 1564.","es":"acta de doctorado concedida a personaje llamado cristóbal colón, italia, siglo xvi, datada en 1564."},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23650/view","tags":["escollectibles_booksmagazinespaper","escollectibles_all","escollectibles"],"directSalePrice":2000,"soldPrice":2000,"lastUpdate":"2026-07-01T16:50:46.662Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":23650,"estimateMin":3000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23651/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23651/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23651/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23651/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23651/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23651/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23651/007/007.jpg"],"available":false,"description":{"en":"with two beautiful illuminations illustrated by hand with feats of the two families, issued by gerónimo de la mata, secretary of king felipe iv and chief clerk of the madrid city council, signed in the year 1636","es":"con dos bellas iluminaciones ilustradas a mano con proezas de las dos familias, expedida por gerónimo de la mata, secretrario del rey felipe iv y escribano mayor del ayuntamiento de madrid, firmada en el año 1636"},"estimateMax":3500,"lotNumber":"241","title":{"en":"certification of arms and coats of arms of the surnames arias and sanmartín, house of arias of león, and sanmartín of burgos, year 1636","es":"certificación de armas y blasones de los apellidos arias y sanmartín, casa solar arias de león, y sanmartín de burgos, año 1636"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23651/view","tags":["escollectibles_booksmagazinespaper","escollectibles_all","escollectibles"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:50:46.664Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,500","currency":"EUR","id":23651,"estimateMin":2500},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23652/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23652/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23652/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23652/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23652/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23652/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23652/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23652/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23652/009/009.jpg"],"available":false,"description":{"en":"oil on canvas. with important golden molding frame, measurements with frame: 169 x 129. canvas measurements: 130 x 90 cm","es":"óleo sobre lienzo. con importante marco de moldura dorado, medidas con marco: 169 x 129. medidas lienzo: 130 x 90 cm"},"estimateMax":4000,"lotNumber":"242","title":{"en":"pair of girls on a mule, spanish school of the xix - xx centuries","es":"pareja de niñas en una mula, escuela española de los siglos xix - xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23652/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:50:46.665Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":23652,"estimateMin":3000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23653/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23653/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23653/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23653/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23653/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23653/006/006.jpg"],"available":false,"description":{"en":"oil on board. framed measurements: 104 x 89, table measurements: 77 x 60 cm","es":"óleo sobre tabla. medidas enmarcado: 104 x 89, medidas table: 77 x 60 cm"},"estimateMax":3500,"lotNumber":"243","title":{"en":"portrait of rembrandt, follower of rembrandt van rijn, flemish school of the 17th - 18th centuries","es":"retrato de rembrandt, seguidor de rembrandt van rijn, escuela flamenca de los siglos xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23653/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:50:45.491Z","textCase":"lower","estimate":"\u20ac2,500 - 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con francisco rizi, grandes telas de altar al óleo y, al fresco o al temple, los techos de algunos salones del viejo alcázar de madrid, los del camarín de la virgen del sagrario de la catedral de toledo y los de varias iglesias madrileñas, de los que únicamente subsisten, parcialmente, los trabajos realizados en la catedral toledana y las pinturas de la cúpula elíptica de la iglesia de san antonio de los alemanes. como retratista de la corte fue continuador del tipo de retrato velazqueño, con su misma sobriedad y carencia de artificio pero empleando una técnica de pincelada más suelta y pastosa que la utilizada por el maestro sevillano, sin que falten, en especial en los retratos masculinos, las influencias de anton van dyck, como corresponde a una fecha más avanzada. a esta etapa final de su carrera pertenecen los retratos de carlos ii y de su madre la reina viuda mariana de austria, del embajador de rusia, piotr ivanovich potemkin, de eugenia martínez vallejo, vestida y desnuda, y del bufón francisco de bazán (museo del prado), retratos estos últimos de enanos y bufones de la corte retratados a la manera de velázquez."},"estimateMax":8000,"lotNumber":"251","title":{"en":"portrait of king carlos ii \"the bewitched\", school of juan carreño de miranda (1614 - 1685), spanish school of the 18th century","es":"retrato del rey carlos ii \"el embrujado\", escuela de juan carreño de miranda (1614 - 1685), escuela española del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23661/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T16:50:45.506Z","textCase":"lower","estimate":"\u20ac6,000 - 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xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23753/view","tags":["esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:51:03.347Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,500","currency":"EUR","id":23753,"estimateMin":2500},{"startPrice":7000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23754/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23754/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23754/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23754/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23754/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23754/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, 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for painting in 1930 and a founding member of the association of basque artists. he was born in askao street, bilbao, the son of eusebio arteta y labrador, a railway worker, and petra errasti y zabala. his brother félix arteta was also a painter and draftsman, rather anonymous. n 1921 he began in the frescoes of the banco de bilbao, in madrid; for the realization of the same he previously painted each fresco and on a small scale, an oil of great beauty. in 1924 he was appointed first director of the newly created museum of modern art in bilbao. this work was not without controversy as the bilbao city council censored arteta's acquisitions. arteta's resignation caused a wave of support from intellectuals from all over spain, which ended up becoming a criticism of the policy of the primo de rivera dictatorship from the field of art. in 1930 he received the national prize for painting. on the occasion of the centenary of his birth, in 1979, banco de bilbao held a double exhibition at the bilbao fine arts museum and in the exhibition hall of the bank itself. they managed to gather 70 works of the first magnitude, which were accompanied by texts from, among others, manuel llano, edorta kortadi, kosme de barañano and indalecio prieto. reference bibliography: barjola. jose de castro arines. panorama of contemporary painting (1972); walk through barjola. joseph iron. catalog of the exhibition at the meiac (1999).","es":"óleo sobre lienzo, enmarcado, medidas enmarcado: 82 x 72, medidas lienzo: 65 x 55 cm. aurelio bibiano de arteta y errasti (bilbao, 2 de diciembre de 1879 - ciudad de méxico, 10 de noviembre de 1940) fue un pintor español. premio nacional de pintura en 1930 y miembro fundador de la asociación de artistas vascos. nació en la bilbaína calle askao, hijo de eusebio arteta y labrador, de profesión ferroviario, y de petra errasti y zabala. su hermano félix arteta fue igualmente pintor y dibujante, más bien anónimo. n 1921 comenzó en los frescos del banco de bilbao, en madrid; para la realización de los mismos previamente pintó de cada fresco y a pequeña escala, un óleo de gran belleza. en 1924 fue nombrado primer director del recién creado museo de arte moderno de bilbao. esta labor no estuvo exenta de polémica ya que el ayuntamiento de bilbao censuró a arteta las adquisiciones realizadas. la dimisión de arteta provocó una oleada de apoyos de intelectuales de toda españa, que acabó por convertirse en una crítica a la política de la dictadura de primo de rivera desde el campo del arte. en 1930 recibió el premio nacional de pintura. con ocasión del centenario de su nacimiento, en 1979, el banco de bilbao celebró una doble exposición en el museo de bellas artes de bilbao y en la sala de exposiciones de la propia entidad bancaria. se consiguieron reunir 70 obras de primera magnitud, a las que acompañaron textos de entre otros, manuel llano, edorta kortadi, kosme de barañano e indalecio prieto. bibliografía de referencia: barjola. josé de castro arines. panorama de la pintura contemporánea (1972); paseo por barjola. josé hierro. catálogo de la exposición en el meiac (1999)."},"estimateMax":35000,"lotNumber":"346","title":{"en":"portrait of a lady, aurelio arteta (bilbao, 1879 - mexico city, 1940), spanish school of the 20th century","es":"retrato de dama, aurelio arteta (bilbao, 1879 - ciudad de méxico, 1940), escuela española del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23756/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":16500,"lastUpdate":"2026-07-01T16:51:03.351Z","textCase":"lower","estimate":"\u20ac25,000 - 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wood, polychrome bone, wrought iron fittings and velvet. exceptional piece due to its rarity and good state of conservation, presenting most of its original elements, measurements: 140 x 105 x 42 cm, provenance: old collection of the dukes of medinaceli, a copy of the letter of thanks from don josé de zorrila is attached to the duchess found inside. there are two theories developed by the same person. the denomination bargueño, referring to all types of spanish desks, was used by a curator of the south kensington museum, jose facundo de riaño in 1872 for the catalog of spanish artistic objects, published by the victoria and albert museum in london. he attributes the term bargueño to the existence in the toledo town of bargas of a group of artisans who would dedicate themselves in the 16th century to the mass production of this piece of furniture, in such a way that the origin was popularized as a denomination, or else, by not have proof of any carpentry or specialized workshop in this municipality, to a carver and carpenter surnamed vargas. there are two possible theories: which unfortunately cannot be taken for granted. in the 1940s, riaño's hypothesis was refuted when the invoices of the spanish society were studied and it was shown that there was no solid documentary basis to prove these theories. however, the royal academy had already accepted the term in 1914, and it has reached our days as the most common denomination. reference bibliography: burr, grace hardendorff, hispanic furniture. with examples in the collection of the hispanic society of america, new york: the archive press, 1941, (second edition 1964; in english); maria paz aguilo alonso. spanish desks and cabinets. spanish bargueños and writing chests. ministry of economy and business. madrid 2018. isbn:978-84-92546-47-3.","es":"en madera, hueso policromado herrajes en forja y terciopelo. excepcional pieza por su rareza y buen estado de conservación, presentando la mayoría de sus elementos originales, medidas: 140 x 105 x 42 cm, procedencia: antigua colección de los duques de medinaceli, se adjunta copia de carta de agradecimiento de don josé de zorrila a la duquesa encontrada en su interior. hay dos teorías desarrolladas por una misma persona. la denominación bargueño, refiriéndose a todo tipo de escritorio español fué utilizada por un conservador del south kensington museum, jose facundo de riaño en 1872 para el catálogo de objetos artísticos españoles, publicado por el vcitoria and albert museum de londres. atribuye el término bargueño a la existencia en el pueblo toledano de bargas a un grupo de artesanos que se dedicarían en el s xvi a la producción en masa de este mueble, de tal manera que se popularizara la procedencia como denominación, o bien, al no tener constancia de ninguna carpintería o taller especializado en este municipio, a un tallista y carpintero apellidado vargas. existiendo dos posibles teorías: que lamentablemente no se pueden dar por buenas. en los años 40 del pasado siglo, se rebatió la hipótesis de riaño al estudiarse las facturas de la spanish society y demostrarse que no había una base documental sólida que probara estas teorías. sin embargo, la real academia ya había aceptado el término en 1914, y ha llegado a nustros días como la denominación más común. bibliografía de referencia: burr, grace hardendorff, hispanic furniture. with examples in the collection of the hispanic society of america, nueva york: the archive press, 1941, (segunda edición de 1964; en inglés); maría paz aguiló alonso. escritorios y bargueños españoles. spanish bargueños and writing chests. ministerio de economía y empresa. madrid 2018. isbn:978-84-92546-47-3."},"estimateMax":35000,"lotNumber":"353","title":{"en":"exceptional spanish vargueno cabinet complete with table, toledo school of the 17th century","es":"excepcional bargueño vargas con su taquillón de origen, escuela toledana de siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23763/view","tags":["esfurniture_desks","esfurniture_all","esfurniture"],"directSalePrice":15000,"lastUpdate":"2026-07-01T16:51:07.472Z","textCase":"lower","estimate":"\u20ac25,000 - \u20ac35,000","currency":"EUR","id":23763,"estimateMin":25000},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23764/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23764/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23764/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23764/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23764/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23764/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23764/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 117 x 101, canvas measurements: 95 x 79 cm","es":"óleo sobre lienzo, medidas enmarcado: 117 x 101, medidas lienzo: 95 x 79 cm"},"estimateMax":20000,"lotNumber":"354","title":{"en":"penitent magdalen, bolognese school of the 17th century","es":"magdalena penitente, escuela boloñesa del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23764/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T16:51:07.474Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":23764,"estimateMin":15000},{"startPrice":20000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23765/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23765/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23765/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23765/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23765/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23765/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23765/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23765/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23765/009/009.jpg"],"available":false,"description":{"en":"in curly rosewood marquetry with eight chests of drawers, richly decorated with painted crystals representing mythological scenes. in the central chest of drawers we observe six painted crystals topped by an angel at the top of the tabernacle. neapolitan work from the end of the 17th century, later table and 19th century. cabinet measurements: 97 x 170 x 111. table measurements: 81 x 196 x 80 cm. reference literature: enrico colle, il mobile barocco in italia, milan, 2000, pp. 66-67.luis feduchi, history of spanish furniture styles, barcelona, \u200b\u200b1969, sheets 296 and 297. alvar gonzález-palacios, il tempio del gusto, le arti decorative in italia fra classicismi e barocco roma e il regno delle due sicilie , milan, 1986, vol. ii, p.169, fig. 384. several cabinets of this style are known, among them a cabinet with spirally turned support legs preserved in the perelada palace, gerona, with glass panels painted with mythological scenes, illustrated by feduchi, op. cit., p. 212, fig. 185. a piece of furniture from the barberini palace, rome, illustrated by agp, op. cit., fig. 384 and by colle, op. cit., no. 14, p. 66. a pair of cabinets in the collection of the marquis de campo-franco, palma de mallorca, illustrated by feduchi, op. cit., figs. 296 and 297. two cabinets from the son-veri collection, mallorca, illustrated by feduchi, op. cit., figs. 299 and 300. a cabinet in the palacio vivó in mallorca, illustrated by feduchi, ibid, fig. 301; another similar cabinet in the victoria and albert museum in london. provenance: important spanish private collection. with the glass panels painted with mythological scenes, illustrated by feduchi, op. cit., p. 212, fig. 185. a piece of furniture from the barberini palace, rome, illustrated by agp, op. cit., fig. 384 and by colle, op. cit., no. 14, p. 66. a pair of cabinets in the collection of the marquis de campo-franco, palma de mallorca, illustrated by feduchi, op. cit., figs. 296 and 297. two cabinets from the son-veri collection, mallorca, illustrated by feduchi, op. cit., figs. 299 and 300. a cabinet in the palacio vivó in mallorca, illustrated by feduchi, ibid, fig. 301; another similar cabinet in the victoria and albert museum in london. provenance: important spanish private collection. with the glass panels painted with mythological scenes, illustrated by feduchi, op. cit., p. 212, fig. 185. a piece of furniture from the barberini palace, rome, illustrated by agp, op. cit., fig. 384 and by colle, op. cit., no. 14, p. 66. a pair of cabinets in the collection of the marquis de campo-franco, palma de mallorca, illustrated by feduchi, op. cit., figs. 296 and 297. two cabinets from the son-veri collection, mallorca, illustrated by feduchi, op. cit., figs. 299 and 300. a cabinet in the palacio vivó in mallorca, illustrated by feduchi, ibid, fig. 301; another similar cabinet in the victoria and albert museum in london. provenance: important spanish private collection. p. 66. a pair of cabinets in the collection of the marquis de campo-franco, palma de mallorca, illustrated by feduchi, op. cit., figs. 296 and 297. two cabinets from the son-veri collection, mallorca, illustrated by feduchi, op. cit., figs. 299 and 300. a cabinet in the palacio vivó in mallorca, illustrated by feduchi, ibid, fig. 301; another similar cabinet in the victoria and albert museum in london. provenance: important spanish private collection. p. 66. a pair of cabinets in the collection of the marquis de campo-franco, palma de mallorca, illustrated by feduchi, op. cit., figs. 296 and 297. two cabinets from the son-veri collection, mallorca, illustrated by feduchi, op. cit., figs. 299 and 300. a cabinet in the palacio vivó in mallorca, illustrated by feduchi, ibid, fig. 301; another similar cabinet in the victoria and albert museum in london. provenance: important spanish private collection.","es":"en marquetería de palosanto rizada con ocho cajoneras, ricamente ornadas de cristales pintados representando escenas mitológicas. en la cajonera central observamos seis cristales pintados rematada por un angelote en la parte superior del tabernáculo. trabajo napolitano de finales del siglo xvii, mesa posterior y siglo xix. medidas cabinet: 97 x 170 x 111. medidas mesa: 81 x 196 x 80 cm. literatura de referencia: enrico colle, il mobile barocco in italia, milán, 2000, pp. 66-67.luis feduchi, historia de los estilos del meuble espagnol, barcelona, 1969, láminas 296 y 297. alvar gonzález-palacios, il tempio del gusto, le arti decorative in italia fra classicismi e barocco roma e il regno delle due sicilie, milán, 1986, vol. ii, p.169, fig. 384. se conocen varios cabinets de este estilo, entre ellos un cabinet con las patas del soporte torneadas en espiral conservado en el palacio de perelada, gerona, con los paneles de vidrio pintados con escenas mitológicas, ilustrado por feduchi, op. cit., p. 212, fig. 185. un mueble del palacio barberini, roma, ilustrado por a.g.p., op. cit., fig. 384 y por colle, op. cit., nº 14, p. 66. un par de armarios en la colección del marqués de campo-franco, palma de mallorca, ilustrados por feduchi, op. cit., figs. 296 y 297. dos armarios de la colección son-veri, mallorca, ilustrados por feduchi, op. cit., figs. 299 y 300. un gabinete en el palacio vivó de mallorca, ilustrado por feduchi, ibid, fig. 301; otro cabinet similar en el victoria and albert museum de londres. procedencia: importante colección particular española."},"estimateMax":28000,"lotNumber":"355","title":{"en":"important neapolitan cabinet in rosewood marquetry, tortoiseshell and painted glass, italian school from the end of the 17th century","es":"importante cabinet napolitano en marquetería palosanto, carey y cristal pintado, escuela italiana de finales del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23765/view","tags":["esfurniture_cupboardscabinets","esfurniture_all","esfurniture"],"directSalePrice":20000,"lastUpdate":"2026-07-01T16:51:07.478Z","textCase":"lower","estimate":"\u20ac22,000 - \u20ac28,000","currency":"EUR","id":23765,"estimateMin":22000},{"startPrice":9000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23766/012/012.jpg"],"available":false,"description":{"en":"in polychrome and partially gilt-wood. measurements: 81 x 47 x 20 cm","es":"en madera policromada y parcialmente dorada. medidas: 81 x 47 x 20 cm"},"estimateMax":15000,"lotNumber":"356","title":{"en":"saint francis in meditation, 16th century castilian school, circle or workshops of juan de juni (joigny, france, 1506-valladolid, april 10, 1577)","es":"san francisco en meditación, escuela castellana del siglo xvi, círculo o talleres de juan de juni (joigny, francia, 1506-valladolid, 10 de abril de 1577)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23766/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":9000,"lastUpdate":"2026-07-01T16:51:07.479Z","textCase":"lower","estimate":"\u20ac10,000 - 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xiv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23767/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:51:07.481Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":23767,"estimateMin":2000},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23768/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23768/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23768/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23768/004/004.jpg"],"available":false,"description":{"en":"in carved stone, measurements: 20 x 22 x 22 cm","es":"en piedra tallada, medidas: 20 x 22 x 22 cm"},"estimateMax":6500,"lotNumber":"358","title":{"en":"romanesque mortar in carved stone, probably xiii - xiv centuries","es":"mortero románico en piedra tallada, probablemente siglos xiii - xiv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23768/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:51:07.482Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac6,500","currency":"EUR","id":23768,"estimateMin":4500},{"startPrice":1500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23769/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23769/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23769/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23769/004/004.jpg"],"available":false,"description":{"en":"in carved stone, measurements: 14 x 21 x 21 cm","es":"en piedra tallada, medidas: 14 x 21 x 21 cm"},"estimateMax":6500,"lotNumber":"359","title":{"en":"late romanesque mortar in carved stone, probably late 13th century - early 14th century","es":"mortero tardo románico en piedra tallada, probablemente finales del siglo xiii - principios del siglo xiv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23769/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:51:07.483Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac6,500","currency":"EUR","id":23769,"estimateMin":4500},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23770/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23770/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23770/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23770/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23770/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23770/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23770/007/007.jpg"],"available":false,"description":{"en":"in carved marble, measures: 39 x 20 x 6 cm","es":"en mármol tallado, medidas: 39 x 20 x 6 cm"},"estimateMax":10000,"lotNumber":"360","title":{"en":"saint peter in marble, 16th century italian school","es":"san pedro en mármol, escuela italiana del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23770/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T16:51:07.485Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac10,000","currency":"EUR","id":23770,"estimateMin":8000},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23771/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23771/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23771/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23771/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23771/005/005.jpg"],"available":false,"description":{"en":"hand drawing on paper, framed measurements: 33 x 40, paper measurements: 22 x 17.","es":"dibujo a mano sobre papel, medidas enmarcado: 33 x 40, medidas papel: 22 x 17."},"estimateMax":1600,"lotNumber":"361","title":{"en":"saint joseph with the child in his arms, drawing on paper, italian school from the end of the 17th century","es":"san josé con el niño en brazos, dibujo sobre papel, escuela italiana de finales del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23771/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:51:07.486Z","textCase":"lower","estimate":"\u20ac1,500 - 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antigua con atribución a paulus moreelse. procedencia: importante colección particular. medidas: 56 x 49, medidas tabla (42 x 35 cm)."},"estimateMax":15000,"lotNumber":"362","title":{"en":"portrait of a young lady, dutch school, late 16th century","es":"retrato de joven dama, escuela holandesa de finales del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23772/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":9000,"lastUpdate":"2026-07-01T16:51:07.487Z","textCase":"lower","estimate":"\u20ac10,000 - 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1956)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23793/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":800,"lastUpdate":"2026-07-01T16:51:06.129Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,000","currency":"EUR","id":23793,"estimateMin":1500},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23794/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23794/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23794/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23794/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23794/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23794/006/006.jpg"],"available":false,"description":{"en":"signed and dated 2002, oil on canvas. canvas measures: 175 x 153 cm. she graduated in fine arts from the ucm 1990. in 1986 she presented her work in the first prize of the vi moratalaz plastic arts contest, madrid. the following year she presented her first solo show at the exhibition hall of the la lonja cultural center, madrid. rosa maroto (painting, engraving, photography, artist's books and installations) has followed a line of growth until she has achieved a place among the representative figures of contemporary art. she participates in the cba workshops in madrid; she has done group shows in madrid, bologna (italy), la paz (bolivia), oviedo, saint petersburg (russia) or argentina; art fairs such as arcale, salamanca or estampa, madrid; and in competitions, obtaining various awards, as the unique prize of the vi contest popular university of torrejón de ardoz (madrid). his individual exhibitions have focused on madrid, guadalajara, oviedo, toledo and munich (germany), to date making twenty individual exhibitions in spain and europe. rosa maroto's work is represented in the bullfighting museum, in madrid; national library of spain; college of notaries of madrid, ramón pérez de ayala library of asturias, oviedo; popular university of torrejón de ardoz; guadalajara provincial council; museum of salta in argentina, museum of contemporary art of ciudad real, in the volpe stessens foundation, buenos aires in argentina, castillo de larres drawing museum. sabinanigo, huesca. caja murcia foundation. madrid. museum of contemporary art of calviá. majorca, balearic islands. cervantes museum. the toboso. toledo, among others.","es":"firmado y fechado en 2002, óleo sobre lienzo. medidas lienzo: 175 x 153 cm. licenciada en bellas artes por la ucm 1990. en 1986 dio a conocer su obra en el primer premio del vi certamen de artes plásticas de moratalaz, madrid. al año siguiente presenta la primera individual en la sala de exposiciones del centro cultura la lonja, madrid. rosa maroto (pintura, grabado, fotografía, libros de artista e instalaciones) ha llevado una línea de crecimiento hasta conseguir un sitio entre las figuras representativas del arte actual. participa en los talleres del cba de madrid; ha realizado colectivas en madrid, bolonia (italia), la paz (bolivia), oviedo, san petersburgo (rusia) o argentina; ferias de arte como arcale, salamanca o estampa, madrid; y en certámenes, consiguiendo diversos galardones, como el premio único del vi certamen universidad popular de torrejón de ardoz (madrid). sus muestras individuales se han centrado en madrid, guadalajara, oviedo, toledo y múnich (alemania) realizando hasta la fecha una veintena de exposiciones individuales en españa y europa. la obra de rosa maroto está representada en el museo taurino, de madrid; biblioteca nacional de españa; colegio de notarios de madrid, biblioteca de asturias ramón pérez de ayala, oviedo; universidad popular de torrejón de ardoz; diputación de guadalajara; museo de salta de argentina, museo de arte contemporáneo de ciudad real, en fundación volpe stessens, buenos aires en argentina, museo de dibujo castillo de larres. sabiñanigo, huesca. fundación caja murcia. madrid. museo de arte contemporáneo de calviá. mallorca, baleares. museo cervantino. el toboso. toledo, entre otras."},"estimateMax":6000,"lotNumber":"384","title":{"en":"saint cecilia, rosa maroto (madrid, 1966)","es":"santa cecilia, rosa maroto (madrid, 1966)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23794/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:51:06.130Z","textCase":"lower","estimate":"\u20ac5,000 - 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at the v contest unipublic in madrid. his work, with calm material content, is close to that of fega or patiño, above all, in the establishment of an elaborate pictorial scene, in which accidents occur, and in which plastic language links are established between abstraction and figuration. alternating mixed techniques and, above all, using collage profusely, de blas seeks the alternation of languages \u200b\u200bfrom simulation, obtaining effects of warm transparencies in the harmonic succession of deconstructed structures. the monographic exhibitions of him at the detursa gallery in madrid stand out.","es":"firmado y fechado en 1998, técnica mixta sobre lienzo. medidas lienzo: 162 x 130 cm. madrid, 1958 pintor español. con estudios de bellas artes en la universidad complutense de madrid, donde es profesor de pintura. en 1992, obtiene el premio de pintura del ayuntamiento de alcorcón, madrid, en 1999, es artista invitado en la akademie schloss solitude de stuttgart, y en 2000, recibe el tercer premio en el v certamen unipublic de madrid. su obra, de reposado contenido matérico, es cercana a la de fega o patiño, sobre todo, en el establecimiento de una elaborada escena pictórica, en la cual ocurren accidentes, y en la que se establecen vínculos de lenguaje plástico entre la abstracción y la figuración. alternando técnicas mixtas y, sobre todo, utilizando el collage con profusión, de blas, busca al alternancia de lenguajes desde la simulación, obteniendo efectos de cálidas transparencias en la sucesión armónica de estructuras deconstruidas. destacan sus exposiciones monográficas en la galería detursa de madrid."},"estimateMax":4000,"lotNumber":"385","title":{"en":"\"arts of the dream\", mariano de blas ortega (madrid, 1958)","es":"\"artes del sueño\", mariano de blas ortega (madrid, 1958)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23795/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:51:06.132Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":23795,"estimateMin":3000},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23796/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23796/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23796/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23796/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23796/005/005.jpg"],"available":false,"description":{"en":"signed and dated in 1997, mixed technique on canvas. canvas measures: 182 x 130 cm. individual exhibitions: 1984, eureka gallery, madrid; 1994 la tarterie gallery, madrid; 1997 milan gallery, form or gesture, madrid; 2000 dasto gallery, oviedo; 2003 house of brazil, (madrid); 2016 casa de la rioja (madrid), among others.","es":"firmado y fechado en 1997, técnica mixta sobre lona. medidas lienzo: 182 x 130 cm. exposiciones individuales: 1984, galería eureka, madrid; 1994 galería la tarterie, madrid; 1997 galería milán, forma o gesto, madrid; 2000 galería dasto, oviedo; 2003 casa do brasil, (madrid); 2016 casa de la rioja (madrid), entre otras."},"estimateMax":6500,"lotNumber":"386","title":{"en":"\"alternatives\", manuel amaro (córdoba, 1950)","es":"\"alternativas\", manuel amaro (córdoba, 1950)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23796/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:51:06.133Z","textCase":"lower","estimate":"\u20ac4,500 - \u20ac6,500","currency":"EUR","id":23796,"estimateMin":4500},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23797/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23797/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23797/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23797/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23797/005/005.jpg"],"available":false,"description":{"en":"signed and dated in 2011. acrylic on canvas. canvas measures: 120 x 146 cm. madrid artist who has been immersed in the art world for more than three decades. recognized above all in the south of spain, roy innovatively and concisely captures his most visceral sensations on his canvases. considered one of the most prominent artists in malaga, he has exhibited his work throughout the peninsula. but his large format canvases have been exhibited in portugal, germany and england, among others. individual exhibitions: 2005, exhibition hall, chinchilla, ronda, málaga; 2006, cortijo miraflores museum in marbella, malaga. municipal hall of coin, malaga. municipal hall of mijas, malaga; 2008 museum of the isthmus. the line of the conception, cadiz. unicaja room. s. francisco, cadiz. cuenca provincial council; 2011 vta3 marbella gallery, malaga. a chewing gum in the heel gallery. assembly of extremadura mérida, march 2011. provincial council of cáceres, february 2011. forum castelo branco, january 2011; 2012: tomas y valiente cultural center, fuenlabrada, madrid, cortijo miraflores museum in marbella, malaga, convent of santo domingo, ronda, malaga, ebe la polaca, marbella, malaga, rey juan carlos university. i madrid, among others.","es":"firmado y fechado en 2011. acrílico sobre lienzo. medidas lienzo: 120 x 146 cm. artista madrileño que lleva más de tres décadas inmerso en el mundo del arte. reconocido sobre todo en el sur de españa, roy plasma de forma innovadora y concisa sus sensaciones más viscerales en sus lienzos. considerado como uno de los artistas más destacados de málaga, ha expuesto su trabajo por toda la península. pero sus lienzos de gran formato han sido expuestos en portugal, alemania e inglaterra, entre otros. exposiciones individuales: 2005, sala de exposiciones, chinchilla, ronda, málaga; 2006, museo cortijo miraflores de marbella, málaga. sala municipal de coín, málaga. sala municipal de mijas, málaga; 2008 museo del istmo. la línea de la concepción, cádiz. sala unicaja. s. francisco, cádiz. diputación de cuenca; 2011 galería vta3 marbella, málaga. galería un chicle en el tacón. asamblea de extremadura mérida, marzo 2011. diputación de cáceres, febrero 2011. forum castelo branco, enero 2011; 2012: centro cultural tomas y valiente, fuenlabrada, madrid, museo cortijo miraflores de marbella, málaga, convento de santo domingo, ronda, málaga, ebe la polaca, marbella, málaga, universidad rey juan carlos. i madrid, entre otros."},"estimateMax":4000,"lotNumber":"387","title":{"en":"sorgola, roy anglada (madrid, 1955)","es":"sorgola, roy anglada (madrid, 1955)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23797/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:51:06.134Z","textCase":"lower","estimate":"\u20ac3,000 - 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1958)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23798/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:51:06.135Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":23798,"estimateMin":3000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23799/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23799/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23799/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23799/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23799/005/005.jpg"],"available":false,"description":{"en":"signed and dated 1992, carved wood. canvas measures: 65 x 30 x 20 cm. individual exhibitions: 1984, eureka gallery, madrid; 1994 la tarterie gallery, madrid; 1997 milan gallery, form or gesture, madrid; 2000 dasto gallery, oviedo; 2003 house of brazil, (madrid); 2016 casa de la rioja (madrid), among others.","es":"firmado y fechado en 1992, madera tallada. medidas lienzo: 65 x 30 x 20 cm. exposiciones individuales: 1984, galería eureka, madrid; 1994 galería la tarterie, madrid; 1997  galería milán, forma o gesto, madrid; 2000 galería dasto, oviedo; 2003 casa do brasil, (madrid); 2016 casa de la rioja (madrid), entre otras."},"estimateMax":4000,"lotNumber":"389","title":{"en":"wood sculpture, manuel amaro (córdoba, 1950)","es":"escultura en madera, manuel amaro (córdoba, 1950)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23799/view","tags":["esart_moderncontemporarysculpture","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:51:06.137Z","textCase":"lower","estimate":"\u20ac3,000 - 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(1961, madrid, spain)","es":"\"bodegón del juguete\"; \"don nadie\", alejandro aguilar soria (1961, madrid, españa)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23800/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:51:06.138Z","textCase":"lower","estimate":"\u20ac5,000 - 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francisco barbón"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23801/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":400,"lastUpdate":"2026-07-01T16:51:06.139Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,200","currency":"EUR","id":23801,"estimateMin":800},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23802/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23802/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23802/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23802/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23802/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23802/006/006.jpg"],"available":false,"description":{"en":"signed and dated in 2002, mixed technique on canvas. canvas measures: 100 x 81 cm. madrid, 1958 spanish painter. he studied fine arts at the complutense university of madrid, where he is a professor of painting. in 1992, he received the painting prize from the city council of alcorcón, madrid, in 1999, he was a guest artist at the akademie schloss solitude in stuttgart, and in 2000, he received the third prize at the v contest unipublic in madrid. his work, with calm material content, is close to that of fega or patiño, above all, in the establishment of an elaborate pictorial scene, in which accidents occur, and in which plastic language links are established between abstraction and figuration. alternating mixed techniques and, above all, using collage profusely, de blas seeks the alternation of languages \u200b\u200bfrom simulation, obtaining effects of warm transparencies in the harmonic succession of deconstructed structures. the monographic exhibitions of him at the detursa gallery in madrid stand out.","es":"firmado y fechado en 2002, técnica mixta sobre lienzo. medidas lienzo: 100 x 81 cm. madrid, 1958 pintor español. con estudios de bellas artes en la universidad complutense de madrid, donde es profesor de pintura. en 1992, obtiene el premio de pintura del ayuntamiento de alcorcón, madrid, en 1999, es artista invitado en la akademie schloss solitude de stuttgart, y en 2000, recibe el tercer premio en el v certamen unipublic de madrid. su obra, de reposado contenido matérico, es cercana a la de fega o patiño, sobre todo, en el establecimiento de una elaborada escena pictórica, en la cual ocurren accidentes, y en la que se establecen vínculos de lenguaje plástico entre la abstracción y la figuración. alternando técnicas mixtas y, sobre todo, utilizando el collage con profusión, de blas, busca al alternancia de lenguajes desde la simulación, obteniendo efectos de cálidas transparencias en la sucesión armónica de estructuras deconstruidas. destacan sus exposiciones monográficas en la galería detursa de madrid."},"estimateMax":2500,"lotNumber":"392","title":{"en":"\"battle of faces\", mariano de blas (born in madrid, 1958)","es":"\"batalla de rostros\", mariano de blas (nacido en madrid, 1958)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23802/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:51:06.140Z","textCase":"lower","estimate":"\u20ac1,500 - 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cm"},"estimateMax":5000,"lotNumber":"393","title":{"en":"\"black and night i\", manuel martin, circa 2009","es":"\"black and night i\", manuel martín, circa 2009"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23803/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:51:07.884Z","textCase":"lower","estimate":"\u20ac4,000 - 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first time in a collective exhibition in 1981 and two years later he does it alone at the berri gallery in ibiza. he studied forging at the school of applied arts and crafts of this city between 1983 and 1985. developing a work that some have called metaphysical painting of austere color spaces flood his works, paintings like dreams. in 1998 he received a painting scholarship from the ministry of foreign affairs for the spanish academy in rome and in 2003 the botín foundation gave him the opportunity to carry out a project in india, pooja: the link with the sacred. his work has been acquired by important foundations and museums, especially at the national level, but also in the united states and india, and has been awarded various prizes, among which the one for artistic creation of the community of madrid in 2005 stands out.","es":"acrílico sobre lienzo. firmado y fechado en el reverso. medidas lienzo: 130 x 97 cm. manuel bouzo (ourense, 1946) estudia arquitectura en la escuela técnica superior de arquitectura de madrid y psicología en la facultad de filosofía y letras de la universidad complutense entre 1964 y 1970. participa por primera vez en una exposición colectiva en 1981 y dos años después lo hace en solitario en la galería berri de ibiza. realiza estudios de forja en la escuela de artes y oficios aplicados de esta ciudad entre 1983 y 1985. desarrollando una obra que algunos han denominado pintura metafísica de austeros espacios de color inundan sus obras, pinturas como sueños. en 1998 recibe una beca de pintura del ministerio de asuntos exteriores para la academia de españa en roma y en 2003 la fundación botín le da la posibilidad de realizar un proyecto en la india, pooja: el nexo con lo sagrado. su obra ha sido adquirida por importantes fundaciones y museos, sobre todo a nivel nacional, pero también es estados unidos y la india, y ha sido galardonada con diversos premios, entre los que destaca el de creación artística de la comunidad de madrid en 2005."},"estimateMax":6500,"lotNumber":"394","title":{"en":"\"kurt's visit\", manuel bouzo (ourense, 1946)","es":"\"la visita de kurt\", manuel bouzo (ourense, 1946)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23804/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:51:07.896Z","textCase":"lower","estimate":"\u20ac4,500 - 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gallery la ferrière, ciria has traced a long career marked by numerous exhibitions and awards. in recent years, his artistic line has acquired a wide international projection through his individual exhibitions at the herzliya museum of contemporary art in tel aviv, israel (2002), state tretyakov gallery museum in moscow, russia (2004), museum national museum of poland, warsaw (2004), manuel felguérez museum of abstract art in zacatecas, mexico (2005),","es":"óleo sobre lienzo. firmado y fechado en el reverso. medidas lienzo: 146 x 114 cm. josé manuel ciria es considerado uno de los artistas más destacados de su generación y una figura central en el heterogéneo panorama de la pintura española de las tres últimas décadas. desde que en 1984 realizara su primera muestra individual en la galería parisina la ferrière, ciria ha trazado una amplia trayectoria jalonada por numerosas exposiciones y premios. en los últimos años, su línea artística ha adquirido una amplia proyección internacional a través de sus muestras individuales en el museo de arte contemporáneo de herzliya en tel aviv, israel (2002), museo estatal galería tretyakov en moscú, rusia (2004), museo nacional de polonia, varsovia (2004), museo de arte abstracto manuel felguérez en zacatecas, méxico (2005), kunsthalle museo centro de arte pasquart en berna, suiza (2005), museo de arte contemporáneo ateneo de yucatán en mérida, méxico (2006), museo nacional de bellas artes de buenos aires, argentina (2007), museo de arte contemporáneo de santiago de chile (2009), instituto valenciano de arte moderno (ivam) (2011), museo nacional de arte contemporáneo (mnac) bucarest, rumanía (2012), museo raúl anguiano (mura) guadalajara, méxico (2012), museo de arte moderno (mamba) buenos aires, argentina (2013), entre otros."},"estimateMax":8500,"lotNumber":"395","title":{"en":"jose manuel ciria (manchester, 1960)","es":"josé manuel ciria (manchester, 1960)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23805/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:51:07.903Z","textCase":"lower","estimate":"\u20ac6,500 - \u20ac8,500","currency":"EUR","id":23805,"estimateMin":6500},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23806/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23806/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23806/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23806/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23806/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23806/006/006.jpg"],"available":false,"description":{"en":"oil on canvas. signed and dated on the reverse. canvas measures: 65 x 80 cm. josé manuel ciria is considered one of the most outstanding artists of his generation and a central figure in the heterogeneous panorama of spanish painting in the last three decades. since in 1984 he held his first solo show at the parisian gallery la ferrière, ciria has traced a long career marked by numerous exhibitions and awards. in recent years, his artistic line has acquired a wide international projection through his individual exhibitions at the herzliya museum of contemporary art in tel aviv, israel (2002), state tretyakov gallery museum in moscow, russia (2004), museum national museum of poland, warsaw (2004), manuel felguérez museum of abstract art in zacatecas, mexico (2005),","es":"óleo sobre lienzo. firmado y fechado en el reverso. medidas lienzo: 65 x 80 cm. josé manuel ciria es considerado uno de los artistas más destacados de su generación y una figura central en el heterogéneo panorama de la pintura española de las tres últimas décadas. desde que en 1984 realizara su primera muestra individual en la galería parisina la ferrière, ciria ha trazado una amplia trayectoria jalonada por numerosas exposiciones y premios. en los últimos años, su línea artística ha adquirido una amplia proyección internacional a través de sus muestras individuales en el museo de arte contemporáneo de herzliya en tel aviv, israel (2002), museo estatal galería tretyakov en moscú, rusia (2004), museo nacional de polonia, varsovia (2004), museo de arte abstracto manuel felguérez en zacatecas, méxico (2005), kunsthalle museo centro de arte pasquart en berna, suiza (2005), museo de arte contemporáneo ateneo de yucatán en mérida, méxico (2006), museo nacional de bellas artes de buenos aires, argentina (2007), museo de arte contemporáneo de santiago de chile (2009), instituto valenciano de arte moderno (ivam) (2011), museo nacional de arte contemporáneo (mnac) bucarest, rumanía (2012), museo raúl anguiano (mura) guadalajara, méxico (2012), museo de arte moderno (mamba) buenos aires, argentina (2013), entre otros."},"estimateMax":6000,"lotNumber":"396","title":{"en":"jose manuel ciria (manchester, 1960)","es":"josé manuel ciria (manchester, 1960)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23806/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:51:07.909Z","textCase":"lower","estimate":"\u20ac4,000 - 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international institutions such as arco, the thyssen-bornemisza in madrid, gavlak, metta, marta cervera and la fábrica. his pieces are also part of numerous private collections internationally. jorge cardarelli reviews the modern painting of the historical vanguards within abstract expressionism and the aesthetics and thought of the east are present in his works. his theme questions and raises concerns about love, ego, detachment, life and death.","es":"técnica mixta sobre plafón de táblex. firmado y fechado en el reverso, circa 2004. medidas tabla: 100 x 80 cm. jorge cardarelli (san sebastián, 1971) estudió arquitectura interior y arte en el art institute de chicago, en sotheby\u2019s y christie\u2019s en londres. ha expuesto su trabajo en museos, ferias e instituciones nacionales e internacionales como arco, el thyssen-bornemisza de madrid, gavlak, metta, marta cervera y la fábrica. sus piezas también forman parte de numerosas colecciones privadas internacionalmente. jorge cardarelli revisa la pintura moderna de las vanguardias históricas dentro del expresionismo abstracto y la estética y pensamiento de oriente están presentes en sus obras. su temática cuestiona y plantea versan en torno al amor, al ego, al desapego, la vida y la muerte. actitudes vitales en las que el artista comunica como un espejo para invitar al espectador a la auto reflexión de sus propios límites o libertades raptadas."},"estimateMax":4500,"lotNumber":"397","title":{"en":"\"shunshui circus\", jorge cardarelli (san sebastian, 1971)","es":"\"shunshui circus\", jorge cardarelli (san sebastián, 1971)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23807/view","tags":["esart_mixedmedia","esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:51:07.911Z","textCase":"lower","estimate":"\u20ac3,500 - 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galerie adriana schmidt, cologne, germany galerie adriana schmidt. stuttgart, germany. most outstanding national exhibitions: 2004 \u201cthe skin the life\u201d, marina miranda gallery, madrid, \u201cjorge varas, sculptures 1993-1997\u201d, provincial palace, jaén; 1992 \u201cthe journey\u201d, house of the interview, colegio del rey foundation, alcalá de henares.","es":"óleo sobre papel. firmado y fechado en el reverso. medidas papel: 100 x 70 cm. licenciado en bellas artes por la universidad complutense de madrid y la school of fine arts of canterbury. canterbury, inglaterra, exposiciones individuales internacionales más destacadas: 1996 galerie adriana schmidt, colonia, alemania, 1994 galerie adriana schmidt, colonia, alemania galerie adriana schmidt. stuttgart, alemania. exposiciones nacionales más destacadas: 2004 \u201cla piel la vida\u201d, galería marina miranda, madrid, \u201cjorge varas, esculturas 1993-1997\u201d, palacio provincial, jaén; 1992 \u201cel viaje\u201d, casa de 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caballero"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23811/view","tags":["esjewelry_watches","esjewelry","esjewelry_all"],"directSalePrice":600,"lastUpdate":"2026-07-01T16:51:07.950Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":23811,"estimateMin":1200},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23812/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23812/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23812/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23812/004/004.jpg"],"available":false,"description":{"en":"central diamond weight: 0.50 carats, rest of diamonds weight: 015 carats. 18 karat gold ring.","es":"peso diamante central: 0,50 kilates, peso resto diamantes: 015 kilates. sortija en oro de ley de 18 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escuela sevillana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23819/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":300,"lastUpdate":"2026-07-01T16:51:10.403Z","textCase":"lower","estimate":"\u20ac500 - 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genovés\u201d to distinguish him from giovanni battista castello \u201cel bergamesco\u201d (ca.1509-1569). he trained in the studio of luca cambiaso (1527-1585), considered the most prolific genoese artist of the time. giovanni battista castello distanced himself from the other apprentices. and soon rose to prominence as a freelance artist with a reputation as one of the city's leading illustrators. castello specialized in miniatures and illuminations in tempera on parchment, a field in which he fully showed his technical mastery, as is evident in this beautiful work. so great was the artist's fame that he caught the attention of philip ii of spain who hired castello in 1584 as an illuminator for the royal choir books at el escorial. documentary evidence reveals that castello had returned to his hometown in 1590 and it was there that in 1599 he received a commission from margaret of austria, wife of philip iii, to copy an icon for the church of san bartolomeo degli armeni. the years around the turn of the century mark the most prolific period in castello's career, a time when he had already acquired enormous prestige, as is clear from raffaello soprani's description of him in his vite dei pittori, scultori et architetti genovesi (1674), praising castello's \u201ccolorita with meravigliosa exquisiteness\u201d. soprani describes him as one of the best miniaturists of his time and comparable to giulio clovio (1498-1578), who according to his biographer vasari was considered the \u201cpiccolo e nuovo michelangelo\u201d. regarding the present work, the expert elena de laurentiis has written: \u201cthis unpublished miniature is one of the earliest known works by the artist and is characterized by meticulous and exquisite attention to detail. the model derives from a free interpretation of giulio romano's painting of the same theme found in the church of santo stefano in genoa\u201d. castello's brilliant and refined use of color is evident in this work, which can be compared to the adoration of the magi, signed and dated 1588, in the städel museum in frankfurt. literature: de laurentiis, elena. il pio genovese. giovanni battista castello\u201d in alumina, page miniate, no. 37, april-june 2012, p. 26-35, rep. p. 26.","es":"iluminación sobre vitela en temple y oro sobre vitela, medidas: 25 x 18 cm. giovanni battista castello nació en génova en el seno de una familia de artistas. hermano mayor del pintor bernardo castello (1557-1629), fue apodado \u201cel genovés\u201d para distinguirlo de giovanni battista castello \u201cel bergamesco\u201d (ca.1509-1569). se formó en el estudio de luca cambiaso (1527-1585), considerado el artista genovés más prolífico de la época. giovanni battista castello se distanció de los demás aprendices. y pronto se destacó como artista independiente con reputación de ser uno de los principales ilustradores de la ciudad. castello se especializó en miniaturas e iluminaciones al temple sobre pergamino, campo en el que mostró plenamente su dominio técnico, como queda patente en la presente bella obra. tan grande fue la fama del artista que llamó la atención de felipe ii de españa quien contrató a castello en 1584 como iluminador de los libros de coro reales de el escorial. la evidencia documental revela que castello había regresado a su ciudad natal en 1590 y fue allí donde en 1599 recibió el encargo de margarita de austria, esposa de felipe iii, de copiar un icono para la iglesia de san bartolomeo degli armeni. los años cercanos al cambio de siglo marcan el período más prolífico de la carrera de castello, momento en el que ya había adquirido un enorme prestigio, como queda patente en la descripción que de él hace raffaello soprani en su vite dei pittori, scultori et architetti genovesi (1674), alabando la \u201ccolorita con esquisitezza meravigliosa\u201d de castello. soprani lo describe como uno de los mejores miniaturistas de su época y comparable a giulio clovio (1498-1578), quien según su biógrafo vasari era considerado el \u201cpiccolo e nuovo michelangelo\u201d. respecto a la presente obra, la experta elena de laurentiis ha escrito: \u201cesta miniatura inédita es una de las primeras obras conocidas del artista y se caracteriza por una minuciosa y exquisita atención al detalle. el modelo deriva de una interpretación libre del cuadro de giulio romano del mismo tema que se encuentra en la iglesia de santo stefano en génova\u201d. el uso brillante y refinado del color por parte de castello es evidente en esta obra, que puede compararse con la adoración de los magos, firmada y fechada en 1588, en el museo städel de frankfurt. literatura: de laurentiis, elena. \u201cil pio genovese. giovanni battista castello\u201d en alumina, pagine miniate, núm. 37, abril-junio de 2012, pp. 26-35, repr. pags. 26."},"estimateMax":35000,"lotNumber":"410","title":{"en":"martyrdom of saint stephen, giovanni battista castello \"the genoese\", (genoa, 1547 - 1637)","es":"martirio de san esteban, 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xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23821/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":750,"lastUpdate":"2026-07-01T16:51:10.407Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":23821,"estimateMin":1200},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23822/010/010.jpg"],"available":false,"description":{"en":"16th century back frame, 48 x 19 cm","es":"marco posterior del siglo xvi, 48 x 19 cm"},"estimateMax":3500,"lotNumber":"412","title":{"en":"flemish relief of christ tied to the column, 16th century","es":"relieve flamenco de cristo atado a la columna, siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23822/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:51:10.412Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac3,500","currency":"EUR","id":23822,"estimateMin":3000},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23823/001/001.jpg"],"available":false,"description":{"en":"in richly polychrome wood with garland motifs, with three stalls with armrests and a heraldic shield with a central crown and two more heraldic shields finishing off each one of them.","es":"en madera ricamente policromada con motivos de guirnaldas, con tres sillerías con reposabrazos y un escudo heráldico con corona central y dos escudos heráldicos más rematando cada una de ellas."},"estimateMax":2500,"lotNumber":"413","title":{"en":"bench in polychrome wood, viceregal school of the 18th century","es":"banco en madera policromada, escuela virreinal del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23823/view","tags":["esfurniture_benches","esfurniture_all","esfurniture"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:51:14.644Z","textCase":"lower","estimate":"\u20ac1,800 - \u20ac2,500","currency":"EUR","id":23823,"estimateMin":1800},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23824/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23824/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23824/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23824/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23824/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23824/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23824/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23824/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23824/009/009.jpg"],"available":false,"description":{"en":"in alabaster, measurements: 17 x 12 cm. provenance: old french private collection.","es":"en alabastro, medidas: 17 x 12 cm. procedencia: antigua colección particular francesa."},"estimateMax":10000,"lotNumber":"414","title":{"en":"rare alabaster canopic vase lid depicting the goddess abbas, possibly 1319-1307 bc, egypt","es":"rara tapa de vaso canopo en alabastro representando a la diosa abbas, posiblemente 1319-1307 antes de cristo, egipto"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23824/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-22T23:46:55.102Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac10,000","currency":"EUR","id":23824,"estimateMin":8000},{"startPrice":900,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23825/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23825/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23825/003/003.jpg"],"available":false,"description":{"en":"in alabaster, measurements: 27 x 15 cm. provenance: old french private collection.","es":"en alabastro, medidas: 27 x 15 cm. procedencia: antigua colección particular francesa."},"estimateMax":3000,"lotNumber":"415","title":{"en":"egyptian bowl in alabaster, xii - x centuries before christ","es":"cuenco egipcio en alabastro, siglos xii - x antes de cristo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23825/view","directSalePrice":900,"lastUpdate":"2022-07-20T19:31:11.507Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":23825,"estimateMin":2000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23826/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23826/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23826/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23826/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23826/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23826/006/006.jpg"],"available":false,"description":{"en":"in wood, wrought iron fittings and fabric. measurements: 31 x 53.5 x 35 cm","es":"en madera, herrajes de forja y tela. medidas: 31 x 53,5 x 35 cm"},"estimateMax":8000,"lotNumber":"416","title":{"en":"important gothic chest, catholic monarchs period, spanish school of the 15th century","es":"importante baúl gótico, período reyes católicos, escuela española del siglo xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23826/view","tags":["esfurniture_chests","esfurniture_all","esfurniture"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:51:14.645Z","textCase":"lower","estimate":"\u20ac5,000 - \u20ac8,000","currency":"EUR","id":23826,"estimateMin":5000},{"startPrice":11000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/013/013.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23827/014/014.jpg"],"available":false,"description":{"en":"oil on panel, with an important tabernacle-type period frame, measurements: 102 x 76 cm (toledo, h. 1545-madrid, 1599). spanish painter. there are few known biographical data on this important artist. his work must have been carried out fundamentally in toledo, although he also worked at court, being esteemed by felipe ii, who sent him in 1593 to the sherif of morocco, surely as a portraitist of the north african ruler. prado also painted in el escorial, where on different occasions he had to appraise some works, thus putting himself in contact with the latest novelties brought from italy by transalpine painters who came to work on the decoration of the monastery. all this would be enough to recognize in the few paintings and drawings of his preserved his deep knowledge of romanist classicism, but a possible trip to italy cannot be ruled out, as he seems singularly influenced by michelangelo, both in the descent preserved in the cathedral of valencia and in the uffizi drawing. the image that prado created of him on this canvas served for later representations of the priest and demonstrates the painter's remarkable skills as a portraitist. the painting was in the royal palace in 1818, from where it went to the prado museum.","es":"óleo sobre tabla, con importante marco de época tipo tabernáculo, medidas: 102 x 76 cm (toledo, h."},"estimateMax":25000,"lotNumber":"417","title":{"en":"large table of virgin with child and donor, spanish school of the 16th century, in the manner of blas de pardo","es":"gran tabla de virgen con niño y donante, escuela española del siglo xvi, a la manera de blas de pardo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23827/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":11000,"lastUpdate":"2026-07-01T16:51:14.647Z","textCase":"lower","estimate":"\u20ac20,000 - 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\u20ac900","currency":"EUR","id":23828,"estimateMin":700},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23829/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23829/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23829/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23829/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23829/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23829/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23829/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23829/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23829/009/009.jpg"],"available":false,"description":{"en":"in polychrome wood, boy measures: 55 x 26, base: 20 x 25 x 25 cm","es":"en madera policromada, medidas niño: 55 x 26, peana: 20 x 25 x 25 cm"},"estimateMax":8000,"lotNumber":"419","title":{"en":"very important enfant jesus, sevillian school of the 17th century, circle of juan de mesa","es":"muy importante niño jesús de la bola, escuela sevillana de los siglos xvii. círculo de juan de mesa"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23829/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:51:14.649Z","textCase":"lower","estimate":"\u20ac5,000 - 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particular."},"estimateMax":12000,"lotNumber":"420","title":{"en":"head of christ, hispanic-flemish master active in spain during the second half of the 15th century, hispanic-flemish school of the 15th century","es":"cabeza de cristo, maestro hispano flamenco activo en españa durante la segunda mitad del siglo xv, escuela hispano flamenca del siglo xv"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23830/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":4000,"soldPrice":3500,"lastUpdate":"2026-07-01T16:51:14.650Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":23830,"estimateMin":8000},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23831/013/013.jpg"],"available":false,"description":{"en":"pair of sculptures in white marble, santa ana measures: 51 x 27 x 12. san joaquín measures: 50 x 23 x 13 cm. cosimo de fanzago (clusone, 1591 \u2013 naples, 1678) is considered one of the greatest exponents of baroque in naples, where he created a highly original local version of such \"non-style\". born in the town of clusone near the northern city of bergamo, into a family of bronze craftsmen and architects, he settled in naples in 1608, where he was first an apprentice mason (mazone) and trained as a sculptor before to establish his atelier or \"workshop\" and begin to carry out his works. during his first neapolitan stage, his achievements stand out, where he develops a baroque style with rich and variegated marble inlays that adorn structures still permeated with mannerist rigor: the guglia di san gennaro (the spire of san gennaro), a votive column-capital in homage to the patron saint of naples. such a \"needle\" is a kind of imitation of the large structures that are carried in religious processions dedicated to this saint. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015. it is a kind of imitation of the great structures that are carried in the religious processions dedicated to this saint. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015. it is a kind of imitation of the great structures that are carried in the religious processions dedicated to this saint. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015. cosimo fanzago's works outside of naples are mainly the baroque remodeling works he carried out for the famous benedictine abbey of montecassino and the altar in the venetian church of san nicolò al lido, as well as works in avellino, in pescocostanzo, as well as in the church of the immaculate in salamanca (spain). reference bibliography: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015.","es":"pareja de esculturas en mármol blanco, medidas santa ana: 51 x 27 x 12. medidas san joaquín: 50 x 23 x 13 cm. cosimo de fanzago (clusone, 1591 \u2013 nápoles, 1678) es considerado uno de los máximos exponentes del barroco en nápoles donde creó una originalísima versión local de tal \"no-estilo\". nacido en el pueblo de clusone cercano a la norteña ciudad de bérgamo, en el seno de una familia de artesanos del bronce y arquitectos se radicó en nápoles durante el año 1608, allí fue primero aprendiz de albañil (mazone) y se formó como escultor antes de establecer su atelier o \"taller\" y comenzar a realizar sus obras. durante su primera etapa napolitana se destacan sus realizaciones en donde desarrolla un barroco con riquísimas y abigarradas taraceas de mármoles que adornan estructuras aún permeadas de rigor manierista: la guglia di san gennaro (la aguja de san genaro), una columna-capitel votiva en homenaje al santo patrono de nápoles. tal \"aguja\" es una especie de imitación de las grandes estructuras que se portan en las procesiones religiosas dedicadas a este santo. los trabajos de cosimo fanzago fuera de nápoles son principalmente las obras de remodelación barroca que realizó para la célebre abadía benedictina de montecassino y el altar en la iglesia veneciana de san nicolò al lido, además de trabajos en avellino, en pescocostanzo, así como en la iglesia de la purísima de salamanca (españa). bibliografía de referencia: acton, harold (1957). the bourbons of naples (1731-1825). london: faber and faber. p. 5. isbn 9780571249015."},"estimateMax":18000,"lotNumber":"421","title":{"en":"important couple of saint anne and saint joachim in white marble, 17th century neapolitan school, circle of cosimo fanzago (clusone c.1593- naples 1678)","es":"importante pareja se santa ana y san joaquín en mármol blanco, escuela napolitana del siglo xvii, entorno de cosimo fanzago (clusone c.1593- nápoles 1678)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23831/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T16:51:14.651Z","textCase":"lower","estimate":"\u20ac12,000 - 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carved and polychrome wood, virgin measures: 73 x 26 x 23 cm. base measurements: 19 x 32 x 35 cm","es":"en madera tallada y policromada, medidas virgen: 73 x 26 x 23 cm. medidas peana: 19 x 32 x 35 cm"},"estimateMax":12000,"lotNumber":"529","title":{"en":"immaculate virgin, hispano flemish school of north castile, 16th century","es":"virgen inmaculada, escuela hispano flamenca del norte de castilla, siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23939/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":7000,"lastUpdate":"2026-07-01T16:51:28.749Z","textCase":"lower","estimate":"\u20ac10,000 - 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en bronce de virgen con niño en brazos, siguiendo modelos flamencos del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23940/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2500,"lastUpdate":"2026-07-01T16:51:28.751Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":23940,"estimateMin":3000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23941/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23941/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23941/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23941/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23941/005/005.jpg"],"available":false,"description":{"en":"alabaster relief, possibly mexico or peru. with traces of polychromy and gold, measurements: 24 x 23 x 6 cm","es":"relieve en alabastro, posiblemente méxico o perú. con restos de policromía y dorado, medidas: 24 x 23 x 6 cm"},"estimateMax":7000,"lotNumber":"531","title":{"en":"archangel with saint john, spanish or spanish colonial school of the 16th - 17th century","es":"arcángel con san juanito, escuela española o colonial del siglo xvi - xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23941/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:51:28.753Z","textCase":"lower","estimate":"\u20ac6,000 - \u20ac7,000","currency":"EUR","id":23941,"estimateMin":6000},{"startPrice":15000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23942/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23942/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23942/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23942/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23942/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23942/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23942/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23942/008/008.jpg"],"available":false,"description":{"en":"in polychrome terracotta, terracotta sculpture by the italian sculptor giovanni battista morelli depicting a little boy sleeping next to a skull. it is a work belonging to the 'vanitas' genre, which has the purpose of remembering the fragility of life and the brevity of existence. this particular work belongs to the so-called 'nascendo morimur' (\"just as we are born, so we die\"), in which a baby or small child jesus is usually depicted next to a skull or some other reminder of death. the author, the italian sculptor giovanni battista morelli, was chamber sculptor to the king of spain from 1664, working for felipe iv and carlos ii. reference bibliography: agulló, mercedes, and pérez sánchez, alfonso e.: «juan bautista morelli», spanish art archive, vol. xlix, no. 194, madrid, 1976, p. 109-120. measurements: 26 x 47 x 21 cm","es":"en terracota policromada, escultura en terracota del escultor italiano giovanni battista morelli que representa a un niño pequeño durmiendo junto a una calavera. se trata de una obra perteneciente al género de las 'vanitas', que tiene la finalidad de recordar la fragilidad de la vida y la brevedad de la existencia. esta obra en concreto pertenece al llamado 'nascendo morimur' («así como nacemos, morimos»), en el que generalmente se representa a un bebé o un niño jesús pequeño junto a una calavera o algún otro recordatorio de la muerte. el autor, el escultor italiano giovanni battista morelli, fue escultor de cámara del rey de españa desde 1664, trabajando para felipe iv y carlos ii. bibliografía de referencia: agulló, mercedes, y pérez sánchez, alfonso e.: «juan bautista morelli», archivo español de arte, vol. xlix, n.º 194, madrid, 1976, pp. 109-120. medidas: 26 x 47 x 21 cm"},"estimateMax":25000,"lotNumber":"532","title":{"en":"sleeping child jesus, giovanni battista morelli (rome, ? \u2013 madrid, 1669), italian school of the 17th century","es":"niño jesús dormido, giovanni battista morelli (roma, ? \u2013 madrid, 1669), escuela italiana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23942/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":15000,"lastUpdate":"2026-07-01T16:51:28.754Z","textCase":"lower","estimate":"\u20ac20,000 - 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43 x 25 x 13 cm. attached bell, pendulum and key.","es":"medidas: 43 x 25 x 13 cm. adjunta campana, péndulo y llave."},"estimateMax":4000,"lotNumber":"534","title":{"en":"empire style clock in wedgwood porcelain and gilt bronze, 19th century french school","es":"reloj estilo imperio en porcelana wedgwood y bronce dorado, escuela francesa del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23944/view","tags":["esdecorativearts_clocks","esdecorativearts_porcelainceramicsglass","esdecorativearts_all","esdecorativearts"],"directSalePrice":2750,"lastUpdate":"2026-07-01T16:51:35.460Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac4,000","currency":"EUR","id":23944,"estimateMin":3000},{"startPrice":4000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23945/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23945/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23945/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23945/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23945/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23945/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23945/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23945/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/23945/009/009.jpg"],"available":false,"description":{"en":"important carving in gilt and polychrome wood. measurements: 86 x 36 x 29 cm","es":"importante talla en madera dorada y policromada. medidas: 86 x 36 x 29 cm"},"estimateMax":6000,"lotNumber":"535","title":{"en":"virgin with child in arms, sevillian school of the xvi xvii centuries","es":"virgen con niño en brazos, escuela sevillana de los siglos xvi xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23945/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:51:35.462Z","textCase":"lower","estimate":"\u20ac5,000 - 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x 21 cm"},"estimateMax":3000,"lotNumber":"536","title":{"en":"mother with child in arms in marble, circle of jean-baptiste carpeaux (valenciennes, 1827 \u2013 courbevoie, 1875), 19th century french school","es":"madre con niño en brazos en mármol, círculo de jean-baptiste carpeaux (valenciennes, 1827 \u2013 courbevoie, 1875), escuela francesa del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/23946/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:51:35.463Z","textCase":"lower","estimate":"\u20ac2,000 - 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xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24001/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:51:37.550Z","textCase":"lower","estimate":"\u20ac5,000 - 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the pietà in the center of the composition where we see saint john the evangelist, mary and mary magdalene together with christ descended from the cross. on the left panel, christ on the cross, together with saint john and mary, and on the right panel we can see a delicate image of christ preaching to the samaritan. central board measurements: 36 x 28, left board: 41 x 15, right board: 41 x 15. open measurements: 75 x 45 cm","es":"con la piedad en el centro de la composición donde observamos a san juan evangelista, maría y maría magdalena junto a cristo descendido de la cruz. en la tabla izquierda, cristo en la cruz, junto a san juan y maría y en la tabla derecha observamos una delicada estampa de cristo predicando a la samaritana. medidas tabla central: 36 x 28, tabla izquierda: 41 x 15, tabla derecha: 41 x 15. medidas abierto: 75 x 45 cm"},"estimateMax":20000,"lotNumber":"593","title":{"en":"hispano flemish triptych, hispano-flemish school of the 16th century, flemish master active 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on canvas, framed measurements: 166 x 123, canvas measurements: 147 x 104 cm","es":"óleos sobre lienzo, medidas enmarcados: 166 x 123, medidas lienzos: 147 x 104 cm"},"estimateMax":5000,"lotNumber":"595","title":{"en":"pair of pastoral scenes, spanish school of the xix - xx centuries, signed andrés cortés","es":"pareja de escenas pastoriles, escuela española de los siglos xix - xx, firmados andrés cortés"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24005/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:51:46.307Z","textCase":"lower","estimate":"\u20ac4,500 - 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battle of kahlenberg or second siege of vienna, took place at the gates of the city of vienna on september 11 and 12, 1683, after two months of siege by troops of the ottoman empire. the battle was fought on kahlenberg mountain, between the combined forces of the holy roman empire and the polish-lithuanian commonwealth (holy league) against the ottoman empire and its european allies. the battle established the hegemony of the habsburgs in central europe and the holy roman empire and the beginning of the decline of the influence of the ottoman empire in europe. pair of oil paintings on canvas, framed measurements: 153 x 108, canvas measurements: 138 x 94 cm","es":"la batalla de kahlenberg o segundo sitio de viena, tuvo lugar a las puertas de la ciudad de viena los días 11 y 12\u200b de septiembre de 1683, tras dos meses de asedio por tropas del imperio otomano. la batalla se libró en la montaña de kahlenberg, entre las fuerzas combinadas del sacro imperio romano germánico y la mancomunidad de polonia-lituania (liga santa) contra el imperio otomano y sus aliados europeos. la batalla asentó la hegemonía de los habsburgo en europa central y el sacro imperio romano germánico y el comienzo del declive de la influencia del imperio otomano en europa. pareja de óleos sobre lienzo, medidas enmarcados: 153 x 108, medidas lienzos: 138 x 94 cm"},"estimateMax":30000,"lotNumber":"596","title":{"en":"pair of scenes from the battle of vienna, italian school of the xvii - xviii centuries","es":"pareja de escenas de la batalla de viena, escuela italiana de los siglos xvii - xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24006/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":20000,"lastUpdate":"2026-07-01T16:51:46.308Z","textCase":"lower","estimate":"\u20ac25,000 - 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sotomayor","es":"retrato de mujer, escuela española de la primera mitad del siglo xx, firmado sotomayor"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24007/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:51:46.310Z","textCase":"lower","estimate":"\u20ac5,000 - 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cm"},"estimateMax":5000,"lotNumber":"598","title":{"en":"hunting scene, signed valeriano bécquer (seville, december 15, 1833-madrid, september 23, 1870)","es":"escena de cacería, firmado valeriano bécquer (sevilla, 15 de diciembre de 1833-madrid, 23 de septiembre de 1870)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24008/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:51:46.311Z","textCase":"lower","estimate":"\u20ac4,000 - \u20ac5,000","currency":"EUR","id":24008,"estimateMin":4000},{"startPrice":11000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24009/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24009/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24009/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24009/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24009/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24009/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24009/007/007.jpg"],"available":false,"description":{"en":"studio attribution dossier by professor enrique valdivieso attached. oil on canvas, framed measurements: 123 x 113, canvas measurements: 105 x 84 cm. manuel rodríguez de guzmán (seville, june 20, 1818-madrid, 1867), spanish painter of the romantic period who stood out in the composition of costumbrista themes. in 1854 he began to work in madrid for the british ambassador, carrying out some commissions for the court within the andalusian circle of antonio maría esquivel and josé gutiérrez de la vega, as a very active member of the society for the protection of fine arts promoted by the first. among his most representative paintings, popular andalusian scenes can be cited, such as the santiponce fair (1855, prado museum), considered his masterpiece, the rocío procession (1853, national heritage). obtaining in 1856 an honorable mention at the national exhibition of fine arts for a canvas inspired by the cervantine novel rinconete y cortadillo, with the monipodio patio treated in the manner of his most characteristic costumbrista scenes. reference bibliography: preckler, ana maría, universal art history of the 19th and 20th centuries, vol. 1, madrid, editorial complutense, 2003, isbn 8474917069","es":"se adjunta informe de d. enrique valdivieso. óleo sobre lienzo, medidas enmarcado: 123 x 113, medidas lienzo: 105 x 84 cm. manuel rodríguez de guzmán (sevilla, 20 de junio de 1818-madrid, 1867), pintor español del periodo romántico que destacó en la composición de temas costumbristas. en 1854 empieza a trabajar en madrid para el embajador británico, llegando a realizar algunos encargos para la corte dentro del círculo andaluz de antonio maría esquivel y josé gutiérrez de la vega, como miembro muy activo de la sociedad protectora de las bellas artes promovida por el primero. entre sus cuadros más representativos pueden citarse escenas populares andaluzas, como la feria de santiponce (1855, museo del prado), considerada su obra maestra, la procesión del rocío (1853, patrimonio nacional). obteniendo en 1856 obtuvo mención honorífica en la exposición nacional de bellas artes por un lienzo inspirado en la novela cervantina rinconete y cortadillo, con el patio de monipodio tratado al modo de sus más características escenas costumbrista. bibliografía de referencia: preckler, ana maría, historia del arte universal de los siglos xix y xx, vol. 1, madrid, editorial complutense, 2003, isbn 8474917069"},"estimateMax":15000,"lotNumber":"599","title":{"en":"bullfighting festival, manuel rodríguez guzmán (sevilla, 20 de junio de 1818-madrid), 19th century spanish school","es":"fiesta taurina, manuel rodríguez guzmán (sevilla, 20 de junio de 1818-madrid, 1867) , escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24009/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":11000,"lastUpdate":"2026-07-01T16:51:46.312Z","textCase":"lower","estimate":"\u20ac13,000 - 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xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24138/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:52:02.956Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":24138,"estimateMin":1200},{"startPrice":600,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24139/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24139/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24139/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24139/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24139/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24139/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24139/007/007.jpg"],"available":false,"description":{"en":"carving in polychrome wood, measurements: 76 x 33 x 30 cm","es":"talla en madera policromada, medidas: 76 x 33 x 30 cm"},"estimateMax":1000,"lotNumber":"729","title":{"en":"san roque, italian school of the 18th century","es":"san roque, escuela italiana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24139/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":600,"lastUpdate":"2026-07-01T16:52:02.962Z","textCase":"lower","estimate":"\u20ac800 - \u20ac1,000","currency":"EUR","id":24139,"estimateMin":800},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24140/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24140/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24140/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24140/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24140/005/005.jpg"],"available":false,"description":{"en":"with onyx base. measurements: 44 x 63 x 47 cm","es":"con peana en ónix. medidas: 44 x 63 x 47 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su lado, un noble toca el violonchelo, y a un lado otro caballero toca la flauta travesera, con un blasón borbónico pintado en la base. medidas: 43 x 52 x 32 cm"},"estimateMax":5000,"lotNumber":"731","title":{"en":"the music lesson, 19th century biscuit porcelain center, 19th century viennese school","es":"la lección de música, centro en porcelana biscuit del siglo xix, escuela vienesa del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24141/view","tags":["esdecorativearts_figurines","esdecorativearts_all","esdecorativearts"],"directSalePrice":4000,"lastUpdate":"2026-07-01T16:52:02.967Z","textCase":"lower","estimate":"\u20ac4,500 - 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measures: 58 x 58 x 18 cm. chandelier measurements: 69 x 39 x 32 cm","es":"medidas reloj: 58 x 58 x 18 cm. medidas candelabros: 69 x 39 x 32 cm"},"estimateMax":8000,"lotNumber":"732","title":{"en":"large three-piece garniture clock with pair of cherub candlesticks in marble and gilt bronze, france, 19th century","es":"gran guarnición con reloj de sobremesa y pareja de candelabros de querubines en mármol y bronce dorado, escuela francesa del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24142/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":7000,"lastUpdate":"2026-07-01T16:52:02.968Z","textCase":"lower","estimate":"\u20ac7,500 - 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xviii - principios del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24143/view","tags":["esdecorativearts_silver","esdecorativearts_all","esdecorativearts"],"directSalePrice":2250,"lastUpdate":"2026-07-01T16:52:08.461Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac3,500","currency":"EUR","id":24143,"estimateMin":3000},{"startPrice":1800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24144/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24144/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24144/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24144/004/004.jpg"],"available":false,"description":{"en":"with a golden eagle holding a pocket watch perched on the capital of the column in onyx. clock measures: 14 x 14 cm. eagle measures: 39 x 25 x 15 cm","es":"con un águila real sosteniendo un reloj de bolsillo posada sobre el capitel de la columna en ónix. medidas reloj: 14 x 14 cm. medidas águila: 39 x 25 x 15 cm"},"estimateMax":2500,"lotNumber":"734","title":{"en":"important art deco clock in bronze and green onyx, first quarter of the 20th century","es":"importante reloj art déco en bronce y ónix verde, primer cuarto del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24144/view","tags":["esdecorativearts_clocks","esdecorativearts_all","esdecorativearts"],"directSalePrice":1800,"lastUpdate":"2026-07-01T16:52:08.463Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,500","currency":"EUR","id":24144,"estimateMin":2000},{"startPrice":2250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24145/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24145/002/002.jpg"],"available":false,"description":{"en":"measurements: 53 x 97 x 34 (the 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much of its original polychromy, we observe christ on the cross in the central plane, mary as mater dolorosa to the left of the composition, and saint john the evangelist in the right plane. preserving a good part of its original polychromy, slight restorations. christ measures: 65 x 59 x 12. virgin mary measures: 51 x 13 x 9, saint john measures: 52 x 12 x 8. certificate of authenticity is attached.","es":"conservando buena parte de su policromía original, observamos, a cristo en la cruz en el plano central, maría como mater dolorosa a la izquierda de la composición y, a san juan evangalista en el plano derecho. conservando buena parte de su policromía original, leves restauraciones. medidas cristo: 65 x 59 x 12. medidas virgen maría: 51 x 13 x 9, medidas san juan: 52 x 12 x 8. se adjunta certificado de autenticidad."},"estimateMax":35000,"lotNumber":"736","title":{"en":"romanesque calvary, north catalonia, possibly xiii - xiv centuries","es":"calvario románico, norte de cataluña, 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xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24147/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:52:08.468Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,500","currency":"EUR","id":24147,"estimateMin":2000},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24148/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24148/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24148/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24148/004/004.jpg"],"available":false,"description":{"en":"in oak, with two windows representing both ladies dressed in the manner of the renaissance, and two knights in the two remaining windows. total measurements: 115 x 101 x 7 cm","es":"en roble, con dos ventanales representando a sendas damas ataviadas a la manera del renacimiento, y, dos caballeros en las dos ventanas restantes. medidas totales: 115 x 101 x 7 cm"},"estimateMax":10000,"lotNumber":"738","title":{"en":"renaissance-style four-leaf oak window, german school, possibly mid-16th century","es":"ventanal en roble de cuatro hojas de estilo renacentista, escuela germana, posiblemente mediados del siglo xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24148/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":8000,"lastUpdate":"2026-07-01T16:52:08.470Z","textCase":"lower","estimate":"\u20ac9,000 - \u20ac10,000","currency":"EUR","id":24148,"estimateMin":9000},{"startPrice":2000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24149/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24149/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24149/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24149/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24149/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24149/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24149/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24149/008/008.jpg"],"available":false,"description":{"en":"in polychrome wood, total measurements: 102 x 55 x 36, base measurements: 14 x 36 x 36 cm","es":"en madera policromada, medidas totales: 102 x 55 x 36, medidas peana: 14 x 36 x 36 cm"},"estimateMax":3000,"lotNumber":"739","title":{"en":"immaculate in wood, spanish school of the 17th century","es":"inmaculada en madera, escuela española del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24149/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:52:08.472Z","textCase":"lower","estimate":"\u20ac2,500 - \u20ac3,000","currency":"EUR","id":24149,"estimateMin":2500},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24150/010/010.jpg"],"available":false,"description":{"en":"oil on canvas, attached studio dossier by d. josé arnáiz. signed dt framed measurements: 100 x 76 cm. canvas measures: 82 x 58 cm. certificate attached. according to the gospels, roman soldiers placed it on jesus during his passion. it had a double function: to humiliate jesus (crowning him king of the jews, in a mocking tone) and, in turn, to cause him harm and pain. the crown became a highly prized heirloom, sought after by all european kings for centuries. there are references to his presence in jerusalem from the 5th century (with the letters of paulinus of nola). its location in the basilica of sion in 570 is described. in the 7th century it was transferred to constantinople due to the persian invasions. in the 10th century, due to an economic crisis in the empire, it passed into the hands of venetian moneylenders, until it was acquired by the french monarchy. louis ix of france built the sainte chapelle in the 13th century as a place of veneration for the relic. during the french revolution they passed to the national library of france. in 1801, the concordat with the catholic church determined that the crown was the property of the church, passing to the cathedral of notre dame. currently, the crown is offered for public veneration on the first friday of the month and on good friday. on april 15, 2019, the crown of thorns was saved from a fire that consumed much of notre dame cathedral, as was the robe of saint louis. reference bibliography: \"david teniers the younger\", cat. exp., ghent, snoeck-ducaju and zoon, 1991; rosenberg, adolf, teniers der jüngere, bielefeld, velhagen, and klasing, 1895; \"david teniers, jan brueghel and the cabinets of paintings\", cat. experience,","es":"se adjunta informe de d. josé arnáiz. óleo sobre lienzo, firmado d.t. medidas enmarcado: 100 x 76 cm. medidas lienzo: 82 x 58 cm. se adjunta certificado. según los evangelios, los soldados romanos se la colocaron a jesús durante su pasión. tenía una doble función: humillar a jesús (coronándolo como rey de los judíos, en tono de burla) y, a su vez, provocarle daño y dolor. la corona se convirtió en una reliquia muy preciada, buscada por todos los reyes europeos durante siglos. existen referencias de su presencia en jerusalén desde el siglo v (con las cartas de paulino de nola). se describe su ubicación en la basílica de sion en el 570. en el siglo vii fue trasladada a constantinopla debido a las invasiones persas. en el siglo x, con motivo de una crisis económica en el imperio, pasó a manos de prestamistas venecianos, hasta que fue adquirida por la monarquía francesa. luis ix de francia construyó en el siglo xiii la sainte chapelle como lugar de veneración de la reliquia. durante la revolución francesa pasaron a la biblioteca nacional de francia. en 1801, el concordato con la iglesia católica determinó que la corona era propiedad de la iglesia, pasando a la catedral de notre dame. en la actualidad, la corona se ofrece a la veneración pública los primeros viernes de mes y el viernes santo. el 15 de abril de 2019 la corona de espinas se salvó de un incendio que consumió gran parte de la catedral de notre dame, al igual que la túnica de san luis. bibliografía de referencia: \"david teniers the younger\", cat. exp., gante, ­snoeck-ducaju and zoon, 1991; rosenberg, adolf, teniers der jüngere, ­bielefeld, velhagen y klasing, 1895; \"david teniers, jan brueghel y los gabinetes de pinturas\", cat. exp., madrid, museo del prado, 1992."},"estimateMax":22500,"lotNumber":"740","title":{"en":"the crowning with thorns, attributed to david teniers, 17th century flemish school","es":"la coronación de espinas, atribuído a david teniers, escuela flamenca del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24150/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:52:08.473Z","textCase":"lower","estimate":"\u20ac20,000 - \u20ac22,500","currency":"EUR","id":24150,"estimateMin":20000},{"startPrice":6000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24151/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24151/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24151/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24151/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24151/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24151/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24151/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 120 x 105 cm. canvas measures: 106 x 81 cm. son of a flemish military engineer established in seville, in 1653 he married a sister-in-law of the sculptor josé de arce, who acted as his guarantor in the painter examination letter approved on january 8, 1654 by sebastián de llanos y valdés and francisco terrón . only a year later he received the first of a long list of apprentices who, to a large extent, were to be directed towards the gilding and polychrome of baroque altarpieces, a task that he himself must have carried out in the service of his brother-in-law. already in the year 1660 he was counted among the founders of the academy established by sevillian painters in the lonja house, holding the position of prosecutor. in 1666 he was elected consul of the institution and in 1670 president, re-elected four years later, being, according to ceán bermúdez, one of those who most generously contributed to its support, paying the model's salary out of his pocket on many occasions and offering prizes to apprentices. on september 18, 1685, after a long illness, he dictated his will, declaring himself solemnly poor. cornelis shut iii addressed various genres, including still life, and whose main recipients were private clients and in some cases merchants, which explains the dispersion of his work, with copies preserved in elorrio (vizcaya) and álava (inmaculada de la iglesia antoñana parish). this would also explain why, according to ceán bermúdez, there were many in his time the works preserved in seville in private hands, while only one public one was known, which was an immaculate conception, already cited by palomino, placed in an altarpiece in the puerta de carmona. like so many other spanish painters, schut must have addressed this issue on numerous occasions, attributing to him, among others, the copies of the church of san isidoro in seville and of jesús nazareno in chiclana de la frontera, as well as a version in the museum of fine arts in seville. with a strong zurbaran accent. reference bibliography: alonso de la sierra, lorenzo y quiles, fernando, «new works by cornelio schut el joven», norba-arte, xviii-xix (1998-199), pp. 83-105; valdivieso, e. and serrera, jm, the time of murillo. background and consequences of his painting, exhibition catalogue, palacio de aranjuez, 1982, legal deposit se 225-1982. attributing to him, among others, the copies of the church of san isidoro in seville and jesús nazareno in chiclana de la frontera, as well as a version in the museum of fine arts in seville with a strong zurbaraneque accent. reference bibliography: alonso de la sierra, lorenzo y quiles, fernando, «new works by cornelio schut el joven», norba-arte, xviii-xix (1998-199), pp. 83-105; valdivieso, e. and serrera, jm, the time of murillo. background and consequences of his painting, exhibition catalogue, palacio de aranjuez, 1982, legal deposit se 225-1982. attributing to him, among others, the copies of the church of san isidoro in seville and jesús nazareno in chiclana de la frontera, as well as a version in the museum of fine arts in seville with a strong zurbaraneque accent. reference bibliography: alonso de la sierra, lorenzo y quiles, fernando, «new works by cornelio schut el joven», norba-arte, xviii-xix (1998-199), pp. 83-105; valdivieso, e. and serrera, jm, the time of murillo. background and consequences of his painting, exhibition catalogue, palacio de aranjuez, 1982, legal deposit se 225-1982. «new works by cornelio schut the younger», norba-arte, xviii-xix (1998-199), pp. 83-105; valdivieso, e. and serrera, jm, the time of murillo. background and consequences of his painting, exhibition catalogue, palacio de aranjuez, 1982, legal deposit se 225-1982. «new works by cornelio schut the younger», norba-arte, xviii-xix (1998-199), pp. 83-105; valdivieso, e. and serrera, jm, the time of murillo. background and consequences of his painting, exhibition catalogue, palacio de aranjuez, 1982, legal deposit se 225-1982.","es":"óleo sobre lienzo, medidas enmarcado: 120 x 105 cm. medidas lienzo: 106 x 81 cm. hijo de un ingeniero militar flamenco establecido en sevilla, en 1653 casó con una cuñada del escultor josé de arce, quien actuó como su fiador en la carta de examen de pintor aprobada el 8 de enero de 1654 por sebastián de llanos y valdés y francisco terrón. sólo un año después recibió al primero de una larga lista de aprendices que en buena parte iban a encaminarse hacia el dorado y policromado de retablos barrocos, tarea que él mismo debió de desempeñar al servicio de su cuñado. ya en el año en 1660 se contó entre los fundadores de la academia establecida por los pintores sevillanos en la casa lonja, desempeñando el cargo de fiscal. en 1666 fue elegido cónsul de la institución y en 1670 presidente, reelegido cuatro años más tarde, siendo según dice ceán bermúdez uno de los que más generosamente contribuyeron a su sostenimiento, pagando en muchas ocasiones de su bolsillo el salario del modelo y ofreciendo premios a los aprendices. el 18 de septiembre de 1685, tras larga enfermedad, dictó su testamento, declarándose pobre de solemnidad. cornelis shut iii abordó diversos géneros, incluído el bodegón, y que tuvo como destinatarios principales a clientes particulares y en algún caso comerciantes, lo que explica la dispersión de su obra, con ejemplares conservados en elorrio (vizcaya) y álava (inmaculada de la iglesia parroquial de antoñana). ello explicaría también que, según ceán bermúdez, fuesen muchas en su tiempo las obras conservadas en sevilla en poder de particulares, en tanto sólo se conocía una pública, que era una inmaculada concepción, citada ya por palomino, colocada en un retablo en la puerta de carmona. como tantos otros pintores españoles schut debió de abordar este asunto en numerosas ocasiones, atribuyéndosele entre otros los ejemplares de la iglesia de san isidoro de sevilla y de jesús nazareno de chiclana de la frontera, además de una versión en el museo de bellas artes de sevilla de fuerte acento zurbaranesco. bibliografía de referencia: alonso de la sierra, lorenzo y quiles, fernando, «nuevas obras de cornelio schut el joven», norba-arte, xviii-xix (1998-199), págs. 83-105; valdivieso, e. y serrera, j.m., la época de murillo. antecedentes y consecuentes de su pintura, catálogo de la exposición, palacio de aranjuez, 1982, depósito legal se 225-1982."},"estimateMax":7500,"lotNumber":"741","title":{"en":"portrait of a knight, spanish-flemish school of the 17th century, circle of cornelis schut iii, the younger (antwerp, 1629 - seville, 1685)","es":"retrato de caballero, escuela hispano flamenca del siglo xvii, círculo de cornelis schut iii, el joven (amberes, 1629 - sevilla, 1685)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24151/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":6000,"lastUpdate":"2026-07-01T16:52:08.475Z","textCase":"lower","estimate":"\u20ac7,000 - 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measurements: 86 x 71 (each), canvas measurements: 71 x 55 cm. manuel barrón y carrillo (seville, 1814 \u2013 ibídem, 1884) was a spanish painter representative of andalusian customs. he studied with antonio cabral bejarano and at the school of fine arts in seville, where he would later be a teacher for the subjects of plaster drawing, perspective and landscape, and reached the position of director. among his disciples, it is worth mentioning rafael romero barros. he was also a member of the artistic lyceum (founded in 1838) and the economic society of friends of the country. he regularly participated in regional and national exhibitions of fine arts. he stood out as a romantic landscape painter of urban, rural and picturesque settings of costumbrista subject matter. the queen of isabel ii of spain, acquired the canvas from her general view of seville, preserved in the palace of riofrío in segovia. amongst his extensive landscape and costumbrist production we can mention popular festival in the outskirts of seville (c. 1845-1850); view of the guadalquivir (1854), view of cádiz (1854), crossing the guadalquivir (1855). reference bibliography: «barrón y carrillo, manuel», in the prado museum online encyclopedia","es":"medidas enmarcados: 86 x 71 (cada uno), medidas lienzos: 71 x 55 cm. manuel barrón y carrillo (sevilla, 1814 \u2013 ibídem, 1884) fue un pintor español representante del costumbrismo andaluz. estudió con antonio cabral bejarano y en la escuela de bellas artes de sevilla, donde luego sería profesor para las asignaturas de dibujo del yeso, perspectiva y paisaje, y alcanzó el puesto de director. entre sus discípulos, cabe citar a rafael romero barros. también fue miembro del liceo artístico (fundado en 1838) y de la sociedad económica de amigos del país. participó con asiduidad en las exposiciones regionales y nacionales de bellas artes. destacó como paisajista romántico de entornos urbanos, rurales y pintorescos de asunto costumbrista. la reina de isabel ii de españa, adquirió su lienzo vista general de sevilla, conservado en el palacio de riofrío de segovia. entre su amplia producción paisajista y costumbrista pueden citarse fiesta popular en los alrededores de sevilla (c. 1845-1850); vista del guadalquivir (1854), vista de cádiz (1854), cruzando el guadalquivir (1855). bibliografía de referencia: «barrón y carrillo, manuel», en la enciclopedia online del museo del prado"},"estimateMax":38000,"lotNumber":"742","title":{"en":"important pair of vases, 19th century spanish school, signed manuel barrón, seville, 1853","es":"importente pareja de floreros, escuela española del siglo xix, firmados manuel barrón, sevilla, 1853"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24152/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":32500,"lastUpdate":"2026-07-01T16:52:08.476Z","textCase":"lower","estimate":"\u20ac35,000 - \u20ac38,000","currency":"EUR","id":24152,"estimateMin":35000},{"startPrice":2250,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24153/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24153/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24153/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24153/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24153/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24153/006/006.jpg"],"soldDate":"2022-07-21","available":false,"description":{"en":"oil on canvas, signed, canvas measures: 62 x 50, framed measures: 51 x 40","es":"óleo sobre lienzo, firmado, medidas lienzo: 62 x 50, medidas enmarcado: 51 x 40"},"estimateMax":3500,"lotNumber":"743","title":{"en":"\"corrida de toros\", 19th century spanish school","es":"\"corrida de toros\", escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24153/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":2250,"soldPrice":2250,"lastUpdate":"2026-07-01T16:52:11.910Z","textCase":"lower","estimate":"\u20ac3,000 - 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of oil paintings on canvas, framed measurements: 123 x 92. canvas measurements: 124 x 82.","es":"pareja de óleos sobre lienzo, medidas enmarcados: 123 x 92. medidas lienzos: 124 x 82."},"estimateMax":7500,"lotNumber":"744","title":{"en":"pair of pastoral scenes, signed andrés cortés, 19th century spanish school","es":"pareja de escenas pastoriles, firmadas andrés cortés, escuela española del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24154/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":6500,"lastUpdate":"2026-07-01T16:52:11.912Z","textCase":"lower","estimate":"\u20ac7,000 - \u20ac7,500","currency":"EUR","id":24154,"estimateMin":7000},{"startPrice":25000,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24155/013/013.jpg"],"soldDate":"2022-07-20","available":false,"description":{"en":"ivory christ net weight: 6,300 kg. weight christ with cross: 8,600 kg. cites attached. measurements from head to toe: 51.5 cm, arm measurements: 37.5 cm. cites attached. provenance: important spanish private collection.","es":"peso neto cristo marfil: 6,300 kg. peso con cruz: 8,600 kg. adjunta cites. medidas de pies a cabeza: 51,5 cm, medidas brazos: 37,5 cm. adjunta cites. procedencia: importante colección particular, españa."},"estimateMax":35000,"lotNumber":"745","title":{"en":"extraordinary large 18th century indo portuguese christ in ivory, 18th century indo portuguese school","es":"extraordinario cristo indo portugués del siglo xviii en marfil, escuela indo portuguesa del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24155/view","tags":["esdecorativearts_ivory","esart_ancientsculpture","esart","esdecorativearts_all","esart_all","esdecorativearts"],"directSalePrice":24000,"soldPrice":25000,"lastUpdate":"2026-07-01T16:52:11.914Z","textCase":"lower","estimate":"\u20ac30,000 - 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cm."},"estimateMax":2500,"lotNumber":"746","title":{"en":"colonial christ in wood, novohispanic school of the 17th century","es":"cristo colonial en madera, escuela novohispana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24156/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":1500,"lastUpdate":"2026-07-01T16:52:11.915Z","textCase":"lower","estimate":"\u20ac2,000 - 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endowed with 40 pesos and a pension to study in madrid. already at court, the following year he won first place in the san fernando academy competition with the painting the catholic monarchs receiving an embassy from the king of fez (san fernando academy, madrid), and there he assimilated with extraordinary fidelity the academic teachings inherited from mengs fundamentally through mariano salvador maella, from whom vicente lópez picks up the baroque and colorful sense of his compositions and the taste for drawing, precise and analytical, as a method of prior study of his paintings, being equally dazzled by the baroque lavishness of the frescoes by luca giordano and corrado giaquinto, that he contemplates in real places, and that will decisively influence the aesthetic language of his compositions. returning to his hometown in 1792 as a prestigious painter, he carried out numerous commissions in those years, especially religious paintings and murals for valencian churches, as well as portraits, monument projects and a large number of drawings to engrave, remaining in valencia during the war of independence, a time when, in addition to making the full-length portrait of ferdinand vii with the habit of the order of carlos iii (valencia city council and játiva municipal museum, valencia), he will portray marshal soult and other french soldiers on several occasions. the portrait style of vicente lópez, respectful and objective with his characters, captured with a personal sense of realism -inherited from the valencian naturalist tradition, through the canvases of ribalta and ribera-, together with his extraordinary mastery in reproducing the qualities of the fabrics and the sumptuousness of the jewels and tinsel, made fernando vii claim the valencian artist at court on july 26, 1814, naming him his first court painter on march 1 of the following year. since then he will become the most requested painter of the wealthy aristocracy and bourgeoisie of madrid, alternating his work at the palace with his teaching activity, official positions and his private commissions. in 1818 he painted the spectacular allegory of the donation of the casino to queen isabel of braganza by the madrid city council (prado), contributing decisively in those years to the project of the royal museum of paintings, appointed by the crown to select and restore the paintings that they had to constitute it, and whose artistic direction he would assume from 1823. three years later he made his superb portrait the painter francisco de goya y lucientes (prado), without a doubt, his best-known work and the most emblematic effigy of the aragonese painter, bound for the gallery of contemporary artists of the museum. director of the decorative program of the royal palace of madrid, in 1828 he painted the allegory of the institution of the order of carlos iii for one of its ceilings, multiplying his portrait activity in those years. in 1831 he finished the portrait of ferdinand vii with the habit of the order of the golden fleece for the embassy of spain to the holy see, perhaps the most imposing and overwhelming effigy of this monarch, while his very personal style gradually accommodated to the formal language , not to the spirit, of the thriving romanticism of the elizabethan era. he was a draftsman until a few days before his death, when he finished the portrait of general narváez (museo de bellas artes de valencia san pío v), and died in madrid on july 22, 1850. reference bibliography: díez garcía, josé luis , vicente lopez (1772-1850). life and work, madrid,","es":"óleo sobre lienzo, medidas enmarcado: 74 x 75 cm, medidas lienzo: 46 x 33 cm. nacido en valencia el 19 de septiembre de 1772, inició su formación artística como discípulo del franciscano antonio de villanueva en la academia de san carlos de valencia, institución en la que obtuvo en 1789 el premio de primera clase con el lienzo el rey ezequías haciendo ostentación de sus riquezas (museo de bellas artes de valencia san pío v), dotado con 40 pesos y una pensión para estudiar en madrid. ya en la corte, consigue al año siguiente el primer puesto en el concurso de la academia de san fernando con el cuadro los reyes católicos recibiendo una embajada del rey de fez (academia de san fernando, madrid), y allí asimila con extraordinaria fidelidad las enseñanzas académicas heredadas de mengs a través fundamentalmente de mariano salvador maella, de quien vicente lópez recoge el sentido barroco y colorista de sus composiciones y el gusto por el dibujo, preciso y analítico, como método de estudio previo de sus pinturas, quedando igualmente deslumbrado por la fastuosidad barroca de los frescos de luca giordano y ­corrado giaquinto, que contempla en los sitios reales, y que influirán de manera decisiva en el lenguaje estético de sus composiciones. vuelto en 1792 a su ciudad natal como pintor de prestigio, realiza en esos años numerosos encargos, sobre todo cuadros religiosos y conjuntos murales para iglesias valencianas, además de retratos, proyectos de monumentos y gran cantidad de dibujos para grabar, permaneciendo en valencia durante la guerra de la independencia, época en la que, además de realizar el retrato de cuerpo entero de fernando vii con el hábito de la orden de carlos iii (ayuntamiento de valencia y museo municipal de játiva, valencia), retratará en varias ocasiones al mariscal soult y a otros militares franceses. el estilo retratístico de vicente lópez, respetuoso y objetivo con sus personajes, captados con un personal sentido realista -heredado de la tradición naturalista valenciana, a través de los lienzos de ribalta y ribera-, junto a su extraordinaria maestría en la reproducción de las calidades de los tejidos y en la suntuosidad de las joyas y oropeles, hicieron que el 26 de julio de 1814 fernando vii reclamara al artista valenciano a la corte, nombrándole el 1 de marzo del año siguiente su primer pintor de cámara. desde entonces se convertirá en el pintor más solicitado de la aristocracia y burguesía adinerada madrileñas, alternando su trabajo en palacio con su actividad docente, los puestos oficiales y sus encargos particulares. en 1818 pinta la espectacular alegoría de la donación del casino a la reina isabel de braganza por el ayuntamiento de madrid (prado), contribuyendo decisivamente en esos años al proyecto del real museo de pinturas, designado por la corona para seleccionar y restaurar los cuadros que habían de constituirlo, y cuya dirección artística asumirá desde 1823. tres años después realiza su soberbio retrato el pintor francisco de goya y lucientes (prado), sin duda, su obra más conocida y la efigie más emblemática del pintor aragonés, con destino a la galería de artistas contemporáneos del museo. director del programa decorativo del palacio real de madrid, pinta en 1828 para uno de sus techos la alegoría de la institución de la orden de carlos iii, multiplicándose en esos años su actividad retratística. en 1831 termina el retrato de fernando vii con el hábito de la orden del toisón de oro para la embajada de españa ante la santa sede, quizá la efigie más imponente y sobrecogedora de este monarca, mientras que su personalísimo estilo se va acomodando al lenguaje formal, que no al espíritu, del pujante romanticismo de la época isabelina. siendo dibujante hasta pocos días antes de su muerte, en que concluye el retrato del general narváez (museo de bellas artes de valencia san pío v), y fallece en madrid el 22 de julio de 1850. bibliografía de referencia: díez garcía, josé luis, vicente lópez (1772-1850). vida y obra, madrid, fundación arte hispánico, 1999."},"estimateMax":15000,"lotNumber":"758","title":{"en":"immaculate virgin, school of vicente lópez portaña, spanish school from the end of the 18th century","es":"virgen inmaculada, escuela de vicente lópez portaña, escuela española de finales del siglo 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de guzmán y virgen con niño en brazos, escuela italiana del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24186/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":2000,"lastUpdate":"2026-07-01T16:52:20.721Z","textCase":"lower","estimate":"\u20ac2,500 - 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xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24187/view","tags":["esart_oldmasters","esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:52:20.722Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,000","currency":"EUR","id":24187,"estimateMin":1500},{"startPrice":8000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24188/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24188/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24188/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24188/004/004.jpg"],"available":false,"description":{"en":"studio dossier by d. josé arnaiz attached. oil on copper, framed measurements: 53 x 45 cm, copper measurements: 14 x 11 cm. born in valencia on september 19, 1772, he began his artistic training as a disciple of the franciscan antonio de villanueva at the academy of san carlos in valencia, an institution where he won the first class prize in 1789 with the canvas king hezekiah showing off of his riches (museum of fine arts of valencia san pío v), endowed with 40 pesos and a pension to study in madrid. already at court, the following year he won first place in the san fernando academy competition with the painting the catholic monarchs receiving an embassy from the king of fez (san fernando academy, madrid), and there he assimilated with extraordinary fidelity the academic teachings inherited from mengs fundamentally through mariano salvador maella, from whom vicente lópez picks up the baroque and colorful sense of his compositions and the taste for drawing, precise and analytical, as a method of prior study of his paintings, being equally dazzled by the baroque lavishness of the frescoes by luca giordano and corrado giaquinto, that he contemplates in real places, and that will decisively influence the aesthetic language of his compositions. returning to his hometown in 1792 as a prestigious painter, he carried out numerous commissions in those years, especially religious paintings and murals for valencian churches, as well as portraits, monument projects and a large number of drawings to engrave, remaining in valencia during the war of independence, a time when, in addition to making the full-length portrait of ferdinand vii with the habit of the order of carlos iii (valencia city council and játiva municipal museum, valencia), he will portray marshal soult and other french soldiers on several occasions. the portrait style of vicente lópez, respectful and objective with his characters, captured with a personal sense of realism -inherited from the valencian naturalist tradition, through the canvases of ribalta and ribera-, together with his extraordinary mastery in reproducing the qualities of the fabrics and the sumptuousness of the jewels and tinsel, made fernando vii claim the valencian artist at court on july 26, 1814, naming him his first court painter on march 1 of the following year. since then he will become the most requested painter of the wealthy aristocracy and bourgeoisie of madrid, alternating his work at the palace with his teaching activity, official positions and his private commissions. in 1818 he painted the spectacular allegory of the donation of the casino to queen isabel of braganza by the madrid city council (prado), contributing decisively in those years to the project of the royal museum of paintings, appointed by the crown to select and restore the paintings that they had to constitute it, and whose artistic direction he would assume from 1823. three years later he made his superb portrait the painter francisco de goya y lucientes (prado), without a doubt, his best-known work and the most emblematic effigy of the aragonese painter, destined for the gallery of contemporary artists of the museum. director of the decorative program of the royal palace of madrid, in 1828 he painted the allegory of the institution of the order of carlos iii for one of its ceilings, multiplying his portrait activity in those years. in 1831 he finished the portrait of ferdinand vii with the habit of the order of the golden fleece for the embassy of spain to the holy see, perhaps the most imposing and overwhelming effigy of this monarch, while his very personal style gradually accommodated to the formal language , not to the spirit, of the thriving romanticism of the elizabethan era. he was a draftsman until a few days before his death, when he finished the portrait of general narváez (museo de bellas artes de valencia san pío v), and died in madrid on july 22, 1850. reference bibliography: díez garcía, josé luis , vicente lopez (1772-1850). life and work, madrid,","es":"se adjunta informe de d. josé arnáiz. óleo sobre cobre, medidas enmarcado: 53 x 45 cm, medidas cobre: 14 x 11 cm. nacido en valencia el 19 de septiembre de 1772, inició su formación artística como discípulo del franciscano antonio de villanueva en la academia de san carlos de valencia, institución en la que obtuvo en 1789 el premio de primera clase con el lienzo el rey ezequías haciendo ostentación de sus riquezas (museo de bellas artes de valencia san pío v), dotado con 40 pesos y una pensión para estudiar en madrid. ya en la corte, consigue al año siguiente el primer puesto en el concurso de la academia de san fernando con el cuadro los reyes católicos recibiendo una embajada del rey de fez (academia de san fernando, madrid), y allí asimila con extraordinaria fidelidad las enseñanzas académicas heredadas de mengs a través fundamentalmente de mariano salvador maella, de quien vicente lópez recoge el sentido barroco y colorista de sus composiciones y el gusto por el dibujo, preciso y analítico, como método de estudio previo de sus pinturas, quedando igualmente deslumbrado por la fastuosidad barroca de los frescos de luca giordano y ­corrado giaquinto, que contempla en los sitios reales, y que influirán de manera decisiva en el lenguaje estético de sus composiciones. vuelto en 1792 a su ciudad natal como pintor de prestigio, realiza en esos años numerosos encargos, sobre todo cuadros religiosos y conjuntos murales para iglesias valencianas, además de retratos, proyectos de monumentos y gran cantidad de dibujos para grabar, permaneciendo en valencia durante la guerra de la independencia, época en la que, además de realizar el retrato de cuerpo entero de fernando vii con el hábito de la orden de carlos iii (ayuntamiento de valencia y museo municipal de játiva, valencia), retratará en varias ocasiones al mariscal soult y a otros militares franceses. el estilo retratístico de vicente lópez, respetuoso y objetivo con sus personajes, captados con un personal sentido realista -heredado de la tradición naturalista valenciana, a través de los lienzos de ribalta y ribera-, junto a su extraordinaria maestría en la reproducción de las calidades de los tejidos y en la suntuosidad de las joyas y oropeles, hicieron que el 26 de julio de 1814 fernando vii reclamara al artista valenciano a la corte, nombrándole el 1 de marzo del año siguiente su primer pintor de cámara. desde entonces se convertirá en el pintor más solicitado de la aristocracia y burguesía adinerada madrileñas, alternando su trabajo en palacio con su actividad docente, los puestos oficiales y sus encargos particulares. en 1818 pinta la espectacular alegoría de la donación del casino a la reina isabel de braganza por el ayuntamiento de madrid (prado), contribuyendo decisivamente en esos años al proyecto del real museo de pinturas, designado por la corona para seleccionar y restaurar los cuadros que habían de constituirlo, y cuya dirección artística asumirá desde 1823. tres años después realiza su soberbio retrato el pintor francisco de goya y lucientes (prado), sin duda, su obra más conocida y la efigie más emblemática del pintor aragonés, con destino a la galería de artistas contemporáneos del museo. director del programa decorativo del palacio real de madrid, pinta en 1828 para uno de sus techos la alegoría de la institución de la orden de carlos iii, multiplicándose en esos años su actividad retratística. en 1831 termina el retrato de fernando vii con el hábito de la orden del toisón de oro para la embajada de españa ante la santa sede, quizá la efigie más imponente y sobrecogedora de este monarca, mientras que su personalísimo estilo se va acomodando al lenguaje formal, que no al espíritu, del pujante romanticismo de la época isabelina. siendo dibujante hasta pocos días antes de su muerte, en que concluye el retrato del general narváez (museo de bellas artes de valencia san pío v), y fallece en madrid el 22 de julio de 1850. bibliografía de referencia: díez garcía, josé luis, vicente lópez (1772-1850). vida y obra, madrid, fundación arte hispánico, 1999."},"estimateMax":10000,"lotNumber":"778","title":{"en":"virgin with child in arms, 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david teniers el joven"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24210/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":2250,"lastUpdate":"2026-07-01T16:52:25.200Z","textCase":"lower","estimate":"\u20ac3,000 - 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attributed to josé de arellano (madrid, 1654 - 1714) by d. enrique valdivieso, who describes them in his study as \"characteristic works of the madrid school of the second half of the nineteenth century xvii. due to the compositional arrangement of the flowers, the details of their drawing and their contrasting chromatism, they are works that can be considered as belonging to the painter josé de arellano\" a report by d. enrique valdivieso gonzález from june 2015 is attached. measurements: 56 x 58 cm framed, canvas measurements: 51 x 44 cm","es":"pareja de floreros en jarrones de cristal\" óleos sobre lienzo. atribuídos a josé de arellano (madrid, 1654 - 1714) por d. enrique valdivieso, quien los describe en su estudio como \"obras características de la escuela madrileña de la segunda mitad del siglo xvii. por la disposición compositiva de las flores, los pormenores de su dibujo y por su contrastado cromatismo son obras que pueden considerarse como pertenecientes al pintor josé de arellano\" se adjunta informe de d. enrique valdivieso gonzález de junio de 2015. medidas: 56 x 58 cm enmarcados, medidas lienzos: 51 x 44 cm"},"estimateMax":30000,"lotNumber":"801","title":{"en":"very important pair of still lifes, attributed to josé de arellano (madrid, 1654 - 1714), spanish school of the 17th century","es":"muy importante pareja de bodegones, atribuídos a josé de arellano (madrid, 1654 - 1714), escuela española del siglo xvii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24211/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":20000,"lastUpdate":"2026-07-01T16:52:25.204Z","textCase":"lower","estimate":"\u20ac25,000 - 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verdugo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24212/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":2750,"lastUpdate":"2026-07-01T16:52:25.205Z","textCase":"lower","estimate":"\u20ac3,500 - 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garden, 19th century spanish school, signed ricardo federico de madrazo y gareta","es":"muchachas en un jardín, escuela española del siglo xix, firmado ricardo federico de madrazo y gareta"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24213/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":8500,"lastUpdate":"2026-07-01T16:52:31.018Z","textCase":"lower","estimate":"\u20ac9,000 - 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xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24217/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:52:31.026Z","textCase":"lower","estimate":"\u20ac2,000 - 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\u20ac2,000","currency":"EUR","id":24218,"estimateMin":1500},{"startPrice":4500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24219/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24219/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24219/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24219/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24219/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24219/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 125 x 108 cm, canvas measurements: 114 x 99 cm. josé maría murillo y bracho (seville, 1827 - málaga, 1882) was a sevillian painter who was a disciple of antonio maría esquivel. he is also known as josé maría bracho y murillo due to his habit of signing his works by reversing the order of their surnames. he having participated on several occasions in the national exhibition of fine arts (spain) between 1858 and 1878, presenting canvases of still lifes, floral ensembles and fruit bowls. in the exhibition held in jerez de la frontera in 1856 he participated with two canvases on costumbrista themes entitled: preparations for a great meal and table revolt. his works can be seen at the malaga museum, a city with which he was closely linked, and in private collections such as the bellver collection in seville.","es":"óleo sobre lienzo, medidas enmarcado: 125 x 108 cm, medidas lienzo: 114 x 99 cm. josé maría murillo y bracho (sevilla, 1827 - málaga, 1882) fue un pintor sevillano discípulo de antonio maría esquivel, también se le conoce como josé maría bracho y murillo debido a su costumbre de firmar las obras invirtiendo el orden de los apellidos. habiendo participado en varias ocasiones en la exposición nacional de bellas artes (españa) entre los años 1858 y 1878, presentando lienzos de naturalezas muertas, conjuntos florales y fruteros. en la exposición celebrada en jerez de la frontera el año 1856 participó con dos lienzos de tema costumbrista titulados: preparativos para una gran comida y mesa revuelta. sus obras pueden contemplarse en el museo de málaga, ciudad a la que estuvo muy vinculado y en colecciones particulares como la colección bellver de sevilla. bibliografía de referencia: \"gelasio oña iribarren, sociedad española de amigos del arte, madrid, 165 firmas de pintores tomadas de cuadros de flores y bodegones, 1945, consultado el 25 de marzo de 2011\""},"estimateMax":5500,"lotNumber":"809","title":{"en":"large hunting still life, signed murillo y bracho (seville, 1827 - málaga, 1882), sevillian school of the 19th century","es":"gran bodegón de caza, firmado murillo y bracho (sevilla, 1827 - málaga, 1882), escuela sevillana del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24219/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":4500,"lastUpdate":"2026-07-01T16:52:31.029Z","textCase":"lower","estimate":"\u20ac5,000 - 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and oriental themes. he studied at the school of fine arts in seville with teodoro aramburu, joaquín domínguez bécquer and eduardo cano. after a brief season in madrid, in 1880, and with the help of the banker ramón de ibarra, he traveled to rome where he fell under the influence of josé villegas cordero. in italy he traveled painting in the south of the peninsula and in veneto. for the return of fishing in naples he was awarded a second medal at the national fine arts in 1884. that same year he achieved the same award at the munich international. he was also present at the exhibition of the center for watercolourists in barcelona and at the fifth international exhibition of fine arts in 1907. senet pérez was linked to the group of landscape artists from alcalá de guadaira, led by emilio sánchez perrier. a painter from venice, many of his works are in private english collections, the vast majority of them sold by the london dealer arthur tooth. reference bibliography: valdivieso gonzález, enrique, the sevillian painting of the 19th century, seville, 1981, p. 130. the vast majority of them marketed by the london dealer arthur tooth. reference bibliography: valdivieso gonzález, enrique, the sevillian painting of the 19th century, seville, 1981, p. 130. the vast majority of them marketed by the london dealer arthur tooth. reference bibliography: valdivieso gonzález, enrique, the sevillian painting of the 19th century, seville, 1981, p. 130.","es":"óleo sobre lienzo, medidas enmarcado: 112 x 80 cm, medidas lienzo: 82 x 51 cm. rafael senet y pérez (sevilla, 1856-ibídem, 1926), fue un pintor y acuarelista español conocido por sus paisajes de venecia y otros temas costumbristas y orientales. realizando estudios en la escuela de bellas artes de sevilla con teodoro aramburu, joaquín domínguez bécquer y eduardo cano. tras una breve temporada en madrid, en 1880, y con la ayuda del banquero ramón de ibarra, viajó a roma donde cayó bajo la influencia de josé villegas cordero. en italia viajó pintando por el sur de la península y por el veneto. por el regreso de la pesca en nápoles se le concedió una segunda medalla en la nacional de bellas artes de 1884. ese mismo año logró igual galardón en la internacional de múnich. también estuvo presente en la exposición del centro de acuarelistas de barcelona y en la quinta muestra internacional de bellas artes de 1907. senet pérez estuvo vinculado al grupo de paisajistas de alcalá de guadaira, liderado por emilio sánchez perrier. pintor de venecia, muchas de sus obras están en colecciones particulares inglesas, la gran mayoría de ellas comercializadas por el marchante londinense arthur tooth. bibliografía de referencia: valdivieso gonzález, enrique, la pintura sevillana del siglo xix, sevilla, 1981, p. 130."},"estimateMax":6000,"lotNumber":"824","title":{"en":"young girl shellfishing, 19th century spanish school, signed rafael senet","es":"joven muchacha mariscando, escuela española del siglo xix, firmado rafael senet"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24234/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":5000,"lastUpdate":"2026-07-01T16:52:35.534Z","textCase":"lower","estimate":"\u20ac5,500 - \u20ac6,000","currency":"EUR","id":24234,"estimateMin":5500},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24235/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24235/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24235/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24235/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24235/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24235/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24235/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 56 x 47 cm, canvas measurements: 42 x 33 cm","es":"óleo sobre lienzo, medidas enmarcado: 56 x 47 cm, medidas lienzo: 42 x 33 cm"},"estimateMax":1500,"lotNumber":"825","title":{"en":"traveler family playing the zanfona, 19th century spanish school, signed portillo","es":"familia zíngara tocando el zanfona, escuela española del siglo xix, firmado portillo"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24235/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:52:35.535Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":24235,"estimateMin":1200},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24236/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24236/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24236/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24236/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24236/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24236/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24236/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 48 x 36 cm, canvas measurements: 42 x 30 cm. painter and musician. at an early age he learned the family craft trades from him. he was studying latin and philosophy at the royal convent of the dominican fathers. between 1776 and 1778 he was related to the spanish court painter luis paret y alcázar, who arrived on the island exiled by king carlos iii. he was a self-taught and multifaceted artist. he cultivated music, architecture, topography, shield design and the development of musical instruments. he mainly developed religious-themed paintings and portraits. his work, considered rococo due to its interest in detail and ornamentation, dominates the palette of bluish grays and pinks that he assimilated from paret. in 2006 the ponce art museum organized an exhibition that traveled to the prestigious worcester art museum in massachusetts and included works by him, francisco oller and miguel pou. campeche's great mastery resides in his mastery of portraits and miniatures, a characteristic that exalts him as one of the most outstanding painters in latin america at the end of the 18th century. bibliography: davila, arturo. \u201ccampeche: myth and reality\u201d. museum of art of puerto rico, san juan, puerto rico, 2012; white, enrique t. \"campeche ii, the life of him.\" alma latina (san juan, pr), no. 22 (may 1933). bibliography: davila, arturo. \u201ccampeche: myth and reality\u201d. museum of art of puerto rico, san juan, puerto rico, 2012; white, enrique t. \u201ccampeche ii, his life\u201d. alma latina (san juan, pr), no. 22 (may 1933). bibliography: davila, arturo. \u201ccampeche: myth and reality\u201d. museum of art of puerto rico, san juan, puerto rico, 2012; white, enrique t. \u201ccampeche ii, his life\u201d. alma latina (san juan, pr), no. 22 (may 1933).","es":"óleo sobre lienzo, medidas enmarcado: 48 x 36 cm, medidas lienzo: 42 x 30 cm. pintor y músico. a temprana edad aprendió los oficios artesanales de su familia. cursando estudios de latinidad y filosofía en el convento real de los padres dominicos. entre 1776 y 1778 se relacionó con el pintor de la corte española luis paret y alcázar, quien llegó a la isla desterrado por el rey carlos iii. fue un artista autodidacto y polifacético. cultivó la música, la arquitectura, la topografía, el diseño de escudos y la elaboración de instrumentos musicales. desarrolló principalmente pinturas de tema religioso y retratos en su obra, considerada rococó por el interés en el detalle y la ornamentación, domina la paleta de grises azulados y rosados que asimiló de paret. en 2006 el museo de arte de ponce organizó una exhibición que viajó al prestigioso worcester art museum de massachusetts y que incluyó obras suyas, de francisco oller y de miguel pou. la gran maestría de campeche reside en su dominio del retrato y la miniatura, característica que lo exalta como uno de los pintores más destacados de hispanoamérica a finales de siglo xviii. bibliografía: dávila, arturo. \u201ccampeche: mito y realidad\u201d. museo de arte de puerto rico, san juan, puerto rico, 2012; blanco, enrique t. \u201ccampeche ii, su vida\u201d. alma latina (san juan, pr), no. 22 (mayo 1933)."},"estimateMax":2000,"lotNumber":"826","title":{"en":"virgin with child in arms, possibly puerto rican colonial school of the 18th century, circle of josé de campeche y jordán","es":"virgen con niño en brazos, escuela posiblemente colonial puertorriqueña del del siglo xviii, círculo de josé de campeche y jordán"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24236/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:52:35.537Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,000","currency":"EUR","id":24236,"estimateMin":1500},{"startPrice":800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24237/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24237/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24237/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24237/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24237/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24237/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 46 x 38 cm, canvas measurements: 39 x 30 cm","es":"óleo sobre lienzo, medidas enmarcado: 46 x 38 cm, medidas lienzo: 39 x 30 cm"},"estimateMax":1500,"lotNumber":"827","title":{"en":"interior of a temple, 19th century italian school, signed j. vitarelli","es":"interior de un templo, escuela italiana del siglo xix, firmado j. vitarelli"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24237/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":800,"lastUpdate":"2026-07-01T16:52:35.539Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,500","currency":"EUR","id":24237,"estimateMin":1000},{"startPrice":1200,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24238/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24238/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24238/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24238/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24238/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24238/006/006.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 62 x 51 cm, canvas measurements: 42 x 31 cm","es":"óleo sobre lienzo, medidas enmarcado: 62 x 51 cm, medidas lienzo: 42 x 31 cm"},"estimateMax":2000,"lotNumber":"828","title":{"en":"romantic scene, spanish romanticist school of the 19th century, signed j. salas","es":"escena romántica, escuela romanticista española del siglo xix, firmado j. salas"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24238/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":1200,"lastUpdate":"2026-07-01T16:52:35.541Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,000","currency":"EUR","id":24238,"estimateMin":1500},{"startPrice":12000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24239/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24239/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24239/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24239/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24239/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24239/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24239/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 148 x 120 cm, canvas measurements: 115 x 88 cm","es":"óleo sobre lienzo, medidas enmarcado: 148 x 120 cm, medidas lienzo: 115 x 88 cm"},"estimateMax":20000,"lotNumber":"829","title":{"en":"julius caesar crowned in front of the gods of olympus, italian school of the 18th century","es":"césar coronado frente a los dioses del olimpo, escuela italiana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24239/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":12000,"lastUpdate":"2026-07-01T16:52:35.544Z","textCase":"lower","estimate":"\u20ac15,000 - \u20ac20,000","currency":"EUR","id":24239,"estimateMin":15000},{"startPrice":2750,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24240/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24240/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24240/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24240/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24240/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 80 x 69 cm, canvas measurements: 65 x 54 cm","es":"óleo sobre lienzo, medidas enmarcado: 80 x 69 cm, medidas lienzo: 65 x 54 cm"},"estimateMax":3500,"lotNumber":"830","title":{"en":"view of a port, 19th century spanish school, signed f. gimeno","es":"vista de un puerto, escuela española del siglo xix, firmado f. gimeno"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24240/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2750,"lastUpdate":"2026-07-01T16:52:35.546Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac3,500","currency":"EUR","id":24240,"estimateMin":3000},{"startPrice":2250,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24241/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24241/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24241/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24241/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24241/005/005.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 73 x 60 cm, canvas measurements: 61 x 48 cm","es":"óleo sobre lienzo, medidas enmarcado: 73 x 60 cm, medidas lienzo: 61 x 48 cm"},"estimateMax":3500,"lotNumber":"831","title":{"en":"portrait of a woman with a mantilla, sevillian school from the end of the 19th century, signed g. bilbao","es":"retrato de mujer con mantilla, escuela sevillana de finales del siglo xix, firmado g. bilbao"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24241/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":2250,"lastUpdate":"2026-07-01T16:52:35.547Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac3,500","currency":"EUR","id":24241,"estimateMin":3000},{"startPrice":18000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24242/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24242/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24242/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24242/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24242/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24242/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24242/007/007.jpg"],"available":false,"description":{"en":"sebastián gómez (active between 1690 and 1699), called \"el mulato de murillo\", was a spanish baroque painter who followed the style of bartolomé esteban murillo. born in granada and possibly the son of moorish slaves, in the 18th century the belief spread that the painter had been murillo's slave. thus, at the end of the century, the inventory of the collection of the count of águila included three paintings attributed to «sebastián the slave of murillo», and ceán bermúdez, in the letter to a friend of his, on the style and taste of the painting, published in cadiz in 1806, mentioned him among the sevillian painter's disciples, because \"even though he was his slave\", he added, \"he had also taught him the art of painting\". the legend was poetized by hans christian andersen who in 1838 wrote the poem the zombie did it, dedicated to murillo's african slave who retouched and improved the master's works at night. the two signed works that are known of him: the virgen del rosario con santos, dated 1690 and signed iliberritanus, a work from the dominican convent in seville where ceán still saw it (seville museum of fine arts), with a weak drawing and grandiloquent composition, and the santa rosalía de viterbo in the museum of salamanca from the franciscans of écija, dated 1699, in which he uses the granatense formula thus affirming the granada origin, show characteristics of both alonso cano's painting, which he would see before leaving his hometown, like de murillo. by the same hand, a coronation of the virgin is preserved in the museum of cádiz and an immaculate conception in the museum of seville, in addition to four paintings in the national museum of san carlos in mexico because, like other andalusian painters, he dedicated part of his production to american market. reference bibliography: \"pérez sánchez, alfonso e. (1992). pintura barroca en españa 1600-1750. madrid : ediciones cátedra. isbn 84-376-0994-1\".","es":"óleo sobre lienzo, medidas enmarcado: 175 x 118 cm, medidas lienzo: 163 x 107 cm. sebastián gómez (activo entre 1690 y 1699), llamado «el mulato de murillo», fue un pintor barroco español continuador del estilo de bartolomé esteban murillo. nacido en granada y, probablemente, hijo de esclavos moriscos, durante el siglo xviii se extendió la creencia de que el pintor había sido esclavo de murillo. así, a finales de la centuria, en el inventario de la colección del conde del águila se recogían tres pinturas atribuidas a «sebastián el esclavo de murillo». existen dos obras firmadas que de él se conocen: la virgen del rosario con santos, fechada en 1690 y firmada \"iliberritanus\", obra procedente del convento de dominicos de sevilla donde aún la vio ceán (museo de bellas artes de sevilla), de dibujo endeble y composición grandilocuente, y la santa rosalía de viterbo del museo de salamanca procedente de los franciscanos de écija, fechada en 1699, en la que utiliza la fórmula granatense afirmando así el origen granadino, manifiestan rasgos propios tanto de la pintura de alonso cano, que vería antes de abandonar su ciudad natal, como de murillo. de la misma mano se conservan una coronación de la virgen en el museo de cádiz y una inmaculada en el de sevilla, además de cuatro cuadros en el museo nacional de san carlos de méxico pues, como otros pintores andaluces, dedicó parte de su producción al mercado americano. bibliografía de referencia: \"pérez sánchez, alfonso e. (1992). pintura barroca en españa 1600-1750. madrid : ediciones cátedra. isbn 84-376-0994-1\"."},"estimateMax":25000,"lotNumber":"832","title":{"en":"great immaculate virgin, sevillian school from the end of the 17th century, circle of bartolomé esteban murillo, attributed to sebastián gómez (active between 1690 and 1699)","es":"gran virgen inmaculada, escuela sevillana de finales del siglo xvii, entorno de bartolomé esteban murillo, atribuído a sebastián gómez (activo entre 1690 y 1699)"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24242/view","tags":["esart_oldmasters","esart","esart_all"],"directSalePrice":18000,"lastUpdate":"2026-07-01T16:52:35.552Z","textCase":"lower","estimate":"\u20ac20,000 - \u20ac25,000","currency":"EUR","id":24242,"estimateMin":20000},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24243/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24243/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24243/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24243/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24243/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24243/007/007.jpg"],"available":false,"description":{"en":"oil on canvas, framed measurements: 67 x 51 cm, canvas measurements: 48 x 34 cm","es":"óleo sobre lienzo, medidas enmarcado: 67 x 51 cm, medidas lienzo: 48 x 34 cm"},"estimateMax":4000,"lotNumber":"833","title":{"en":"country party, follower of francisco de goya y lucientes, 19th century spanish school, signed l. villamil","es":"fiesta campestre, seguidor de francisco de goya y lucientes, escuela española del siglo xix, firmado l. villamil"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24243/view","tags":["esart_ancientpainting","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:52:28.585Z","textCase":"lower","estimate":"\u20ac3,500 - \u20ac4,000","currency":"EUR","id":24243,"estimateMin":3500},{"startPrice":2500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24244/012/012.jpg"],"available":false,"description":{"en":"oil 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xvi"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24273/view","tags":["esfurniture_benches","esfurniture_all","esfurniture"],"directSalePrice":950,"lastUpdate":"2026-07-01T16:52:30.634Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac2,000","currency":"EUR","id":24273,"category":{"en":"Sculpture","es":"Escultura"},"estimateMin":1500},{"startPrice":750,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24274/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24274/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24274/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24274/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24274/004/004.jpg"],"soldDate":"2022-07-21","available":false,"description":{"en":"dimensions: 4 x 4 (handle) and 105 cm long","es":"dimensiones: 4 x 4 (mango) y 105 cm de largo"},"estimateMax":950,"lotNumber":"864","title":{"en":"rare mayor's command baton with silver votive offerings, peruvian school of the 19th century","es":"raro bastón de mando de alcalde con exvotos en plata, escuela peruana del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24274/view","tags":["esfashion_caneswalkingsticks","esfashion_all","esfashion"],"directSalePrice":750,"soldPrice":750,"lastUpdate":"2026-07-01T16:52:30.636Z","textCase":"lower","estimate":"\u20ac850 - \u20ac950","currency":"EUR","id":24274,"estimateMin":850},{"startPrice":1000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24275/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24275/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24275/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24275/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24275/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24275/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24275/006/006.jpg"],"available":false,"description":{"en":"dimensiones pareja de búcaros: 34 x 18. incensario central: 26 x 20 cm","es":"dimensiones pareja de búcaros: 34 x 18. incensario central: 26 x 20 cm"},"estimateMax":1800,"lotNumber":"865","title":{"en":"garniture of three chinese censers in bronze and cloisonné enamel, qing dynasty, chinese school of the 19th century","es":"guarnición de tres incensarios en bronce y esmalte cloisonné, dinastía qing, escuela china del siglo xix"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24275/view","tags":["esinternational_chinese","esdecorativearts_cloisonnechampleve","esinternational","esinternational_all","esdecorativearts_all","esdecorativearts"],"directSalePrice":1000,"lastUpdate":"2026-07-01T16:52:30.638Z","textCase":"lower","estimate":"\u20ac1,500 - \u20ac1,800","currency":"EUR","id":24275,"estimateMin":1500},{"startPrice":700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24276/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24276/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24276/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24276/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24276/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24276/005/005.jpg"],"available":false,"description":{"en":"in polychrome wood, measures: 26.5 x 10.5 x 11.5 cm","es":"en madera policromada, medidas: 26,5 x 10,5 x 11,5 cm"},"estimateMax":1500,"lotNumber":"866","title":{"en":"sculpture of st. michael the archangel, peruvian colonial school of the xviii century.","es":"escultura de san miguel arcángel, escuela colonial peruana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24276/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":700,"lastUpdate":"2026-07-01T16:52:30.639Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,500","currency":"EUR","id":24276,"estimateMin":1200},{"startPrice":700,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24277/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24277/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24277/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24277/003/003.jpg"],"available":false,"description":{"en":"in polychrome wood, measures: 28 x 12,5 x 9 cm.","es":"en madera policromada, medidas: 28 x 12,5 x 9 cm"},"estimateMax":1800,"lotNumber":"867","title":{"en":"sculpture of st. francis with virgin mary and child in arms, peruvian colonial school of the xviii century","es":"escultura de san francisco con la virgen maría y el niño en brazos, escuela colonial peruana del siglo xviii"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24277/view","tags":["esart_ancientsculpture","esart","esart_all"],"directSalePrice":700,"lastUpdate":"2026-07-01T16:52:30.641Z","textCase":"lower","estimate":"\u20ac1,200 - \u20ac1,800","currency":"EUR","id":24277,"estimateMin":1200},{"startPrice":1800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24278/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24278/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24278/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24278/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24278/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24278/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24278/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24278/007/007.jpg"],"soldDate":"2022-07-20","available":false,"description":{"en":"in wood, inlaid with ebony and dyed bone, measures: 12 x 19 x 10.5 cm. \n \n the so-called inlay technique was an andalusian technique characteristic of the late middle ages in spain as an ornamental procedure for furniture and household goods. the term taracea, whose origin is found in the arabic word tarsi (inlay), traditionally applied to the ornamentation of furniture pieces with fine fragments of different colors and textures, as well as with other materials such as bone and ivory. we find the origin of this industry in cordoba, during the umayyad al-andalus, it will not be until the time of the nasrid sultanate, when its use becomes popular in noble and courtly environments as a procedure to ennoble objects of the wealthiest classes. \n \n \n after the capture of granada, even before the conquest, we find pieces produced with the same moorish influence. the castilian word \"marquetry\" is often used as a synonym. already in the caliphate period, an excellent cabinetmaking workshop was active in al-andalus, located in umayyad cordoba. \n \n \n a technique that consists of gluing small prismatic portions (triangular and/or trapezoidal) of ivory or bone - in natural color or dyed, together with polygonal pieces of selected woods, often of exotic origin (aloe, ebony, sandalwood, boxwood, lemon tree...), to which were sometimes added fragments of tortoiseshell or mother-of-pearl and even small metallic points of silver or bronze. to obtain the green color of the incrustations, the most used technique was to achieve it with copper compounds impregnated in the bone. reference bibliography: \"gal&aacute;n, marfiles medievales del islam, p. 483\" ; \"s. calvo capilla, \"dos arquetas de taracea\", in i. g. bango torviso (coord.), maravillas de la espa&ntilde;a medieval. tesoro sagrado y monarqu&iacute;a, valladolid, 2001, vol. i, p. 120, no. 36; arte y culturas de al-andalus, cat. no. 156\".","es":"en madera, con incrustaciones de &eacute;bano y hueso tintado, medidas: 12 x 19 x 10,5 cm. \n \n la llamada t&eacute;cnica de la taracea fue una t&eacute;cnica andalus&iacute; caracter&iacute;stica de la baja edad media espa&ntilde;ola como procedimiento ornamental para el mobiliario y los enseres dom&eacute;sticos. el t&eacute;rmino taracea, cuyo origen se encuentra en la palabra &aacute;rabe tarsi (incrustaci&oacute;n), tradicionalmente aplicada a la ornamentaci&oacute;n de piezas de mobiliario con finos fragmentos de diferentes colores y texturas, as&iacute; como con otros materiales como el hueso y el marfil. encontramos el origen de esta industria en c&oacute;rdoba, durante el al-andalus omeya, no ser&aacute; hasta la &eacute;poca del sultanato nazar&iacute;, cuando su uso se popularice en ambientes nobles y cortesanos como procedimiento para ennoblecer objetos de las clases m&aacute;s pudientes. \n \n \n despu&eacute;s de la toma de granada, incluso con anterioridad a la conquista, encontramos piezas producidas con la misma influencia morisca. como sin&oacute;nimo suele emplearse la palabra castellana \u201cmarqueter&iacute;a\u201d. ya en &eacute;poca califal se encontraba activo en al-andalus un excelente taller de ebanister&iacute;a ubicado en la c&oacute;rdoba omeya. \n \n \n una t&eacute;cnica que consiste en el encolado de peque&ntilde;as porciones prism&aacute;ticas (triangulares y/o trapezoidales) de marfil o hueso \u2013en color natural o te&ntilde;idas, junto a pedacitos poligonales de maderas selectas, muchas veces de procedencia ex&oacute;tica (aloe, &eacute;bano, s&aacute;ndalo, boj, limonero\u2026), a las que se agregaban en algunas ocasiones fragmentos de carey o n&aacute;car e incluso peque&ntilde;as puntas met&aacute;licas de plata o bronce. para conseguir el color verde de las incrustaciones la t&eacute;cnica m&aacute;s utilizada fue el conseguirlo a base de compuestos de cobre impregnados en el hueso. bibliograf&iacute;a de referencia: \u201cgal&aacute;n, marfiles medievales del islam, p. 483\u201d ; \u201cs. calvo capilla, \u201cdos arquetas de taracea\u201d, en i. g. bango torviso (coord.), maravillas de la espa&ntilde;a medieval. tesoro sagrado y monarqu&iacute;a, valladolid, 2001, vol. i, p. 120, n&ordm; 36; arte y culturas de al-andalus, cat. n&ordm; 156\u201d."},"estimateMax":5000,"lotNumber":"868","title":{"en":"rare granada nasrid style box in geometric marquetry of bone and wood inlay, following granada nasrid models, spain, 19th c","es":"rara caja granadina de estilo nazarí en marquetería geométrica de taracea de hueso y madera, granada"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24278/view","tags":["esart_decorative","esart","esart_all"],"directSalePrice":1800,"soldPrice":3000,"lastUpdate":"2026-07-01T16:52:30.642Z","textCase":"lower","estimate":"\u20ac3,000 - \u20ac5,000","currency":"EUR","id":24278,"estimateMin":3000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24279/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24279/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24279/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24279/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24279/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24279/005/005.jpg"],"artist":{"es":"walasse ting"},"available":false,"description":{"en":"provenance: fernando alcolea gallery, exhibited: expo ting 88. ink and watercolor on paper. size: 15,5 x 21 cm. born in shanghai in 1929. he left china in 1946 and lived for a while in hong kong. then he moved to paris in 1952. there he met artists such as karel appel, asger jorn and pierre alechinsky, members of the avant-garde group, cobra. he then moved to new york, usa, where he got inspiration for his art from pop art and abstract expressionism. he began as an abstract art artist, but most of his works since the mid-1970s have been called popular figuratism. they are works of large areas of color painted with acrylic colors. he lived in amsterdam in the 1990s, but moved several times between amsterdam and new york. also winner of the guggenheim fellowship award (for drawing) in 1970. his works can be seen in the collections of several museums, including the solomon r. guggenheim museum, new york; museum of modern art, new york; art institute of chicago; tate modern, london; centre pompidou, paris; and the hong kong museum of art. sometimes his chinese name \"丁雄泉\" is used or one of its translations is used: ding xiongquan or ting hsiung-ch'uan. walasse ting passed away in new york on may 17, 2010 at the age of 80.","es":"procedencia: galería fernando alcolea, exhibido: expo ting 88. tinta y acuarela sobre papel. medidas: 15,5 x 21 cm. nació en shanghái en 1929. abandonó china en 1946 y vivió un tiempo en hong kong. luego se mudó a parís en 1952. allí encontró a artistas como karel appel, asger jorn y pierre alechinsky, miembros del grupo vanguardista, cobra. luego se mudó a nueva york, estados unidos, donde tuvo inspiración para su arte del arte pop y del expresionismo abstracto. empezó como un artista del arte abstracto, pero la mayoría de sus obras desde mediados de los años 70 han sido denominado figuratismo popular. son obras de grandes áreas de color pintados con colores acrílicos. vivió en ámsterdam en los años 90, pero se mudó varias veces entre ámsterdam y nueva york. también ganador del premio guggenheim fellowship (por dibujar) en 1970. sus obras se pueden ver en las colecciones de varios museos, entre ellos el museo solomon r. guggenheim, nueva york; museo de arte moderno, nueva york; instituto de arte de chicago; tate modern, londres; centro pompidou, parís y el museo de arte de hong kong. a veces se utiliza su nombre chino \"丁雄泉\" o se utiliza una de sus traducciones: ding xiongquan o ting hsiung-ch'uan. walasse ting fallece en nueva york el 17 de mayo de 2010 a la edad de 80 años."},"estimateMax":12000,"lotNumber":"869","title":{"en":"\"deux amies i\", walasse ting (1929 - 2010), chinese contemporary school of the 20th century.","es":"\"deux amies i\", walasse ting (1929 - 2010), escuela contemporánea china del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24279/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:52:30.644Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":24279,"estimateMin":8000},{"startPrice":3500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24280/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24280/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24280/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24280/003/003.jpg"],"available":false,"description":{"en":"provenance: fernando alcolea gallery, exhibited: expo ting 88. ink and watercolor on paper. size: 15,5 x 21 cm. born in shanghai in 1929. he left china in 1946 and lived for a while in hong kong. then he moved to paris in 1952. there he met artists such as karel appel, asger jorn and pierre alechinsky, members of the avant-garde group, cobra. he then moved to new york, usa, where he got inspiration for his art from pop art and abstract expressionism. he began as an abstract art artist, but most of his works since the mid-1970s have been called popular figuratism. they are works of large areas of color painted with acrylic colors. he lived in amsterdam in the 1990s, but moved several times between amsterdam and new york. also winner of the guggenheim fellowship award (for drawing) in 1970. his works can be seen in the collections of several museums, including the solomon r. guggenheim museum, new york; museum of modern art, new york; art institute of chicago; tate modern, london; centre pompidou, paris; and the hong kong museum of art. sometimes his chinese name \"丁雄泉\" is used or one of its translations is used: ding xiongquan or ting hsiung-ch'uan. walasse ting passed away in new york on may 17, 2010 at the age of 80.","es":"procedencia: galería fernando alcolea, exhibido: expo ting 88. tinta y acuarela sobre papel. medidas: 15,5 x 21 cm. nació en shanghái en 1929. abandonó china en 1946 y vivió un tiempo en hong kong. luego se mudó a parís en 1952. allí encontró a artistas como karel appel, asger jorn y pierre alechinsky, miembros del grupo vanguardista, cobra. luego se mudó a nueva york, estados unidos, donde tuvo inspiración para su arte del arte pop y del expresionismo abstracto. empezó como un artista del arte abstracto, pero la mayoría de sus obras desde mediados de los años 70 han sido denominado figuratismo popular. son obras de grandes áreas de color pintados con colores acrílicos. vivió en ámsterdam en los años 90, pero se mudó varias veces entre ámsterdam y nueva york. también ganador del premio guggenheim fellowship (por dibujar) en 1970. sus obras se pueden ver en las colecciones de varios museos, entre ellos el museo solomon r. guggenheim, nueva york; museo de arte moderno, nueva york; instituto de arte de chicago; tate modern, londres; centro pompidou, parís y el museo de arte de hong kong. a veces se utiliza su nombre chino \"丁雄泉\" o se utiliza una de sus traducciones: ding xiongquan o ting hsiung-ch'uan. walasse ting fallece en nueva york el 17 de mayo de 2010 a la edad de 80 años."},"estimateMax":12000,"lotNumber":"870","title":{"en":"\"deux amies ii\", walasse ting (1929 - 2010), chinese contemporary school of the 20th century.","es":"\"deux amies ii\", walasse ting (1929 - 2010), escuela contemporánea china del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24280/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":3500,"lastUpdate":"2026-07-01T16:52:30.645Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac12,000","currency":"EUR","id":24280,"estimateMin":8000},{"startPrice":3000,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24281/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24281/001/001.jpg"],"artist":{"en":"jean fautrier","es":"jean fautrier"},"available":false,"description":{"en":"ink on paper. provenance: rené metras gallery, barcelona, catalan private collection. framed measures: 64,5 x 56, paper measures: 32 x 25 cm. jean fautrier was born in paris. after the death of his father he emigrated with his mother to london. at the age of 14 he entered to study at the royal academy, where he was taught by sickert. he also attended the slade school of art. in 1917 he returned to france, when he was mobilized for the first world war. in the course of the war he was gassed and demobilized. after the war, he stayed to live in paris. he began to paint in 1921 and the following year his exhibitions began: salon d'automne in 1922, galerie fabre in 1923, salon des tuileries in 1924. in 1927, he painted a series of paintings (still lifes, nudes, landscapes) in which the color black predominates. his work is part of the anti-cubist trend analogous to that of derain. in 1928 he began working on a series of engravings for an illustrated edition of dante's inferno, prepared by gallimard (which was unsuccessful). in the twenties he made a series of trips that made his work evolve, especially from 1926, creating paintings of cold and somber tones. until 1933, when his exclusive contract ended, he divided his efforts between sculpture and painting. he had the support of andré malraux and jean paulhan. however, he was unsuccessful and spent five years (1934-1939) as an innkeeper and ski instructor in tignes (tarentaise, isère valley). fautrier returned to painting in 1937, and in 1943 he made his twenty-second and last sculpture: the large tête d'otage. that same year, arrested by the german gestapo, he fled paris and found refuge in châtenay-malabry, where he began work on the otages (hostages) project. these paintings were exhibited in 1945 at the drouin gallery and were his first artistic success. in the following years, fautrier worked on the illustration of several works, including madame edwarda and hallelujah by georges bataille (1947), and made a series of paintings dedicated to many small familiar objects. in 1950, he invented with the help of his partner, jeanine aeply, a complex process mixing intaglio reproduction and painting that allowed him to print his works in numerous copies, a technique that allowed him to create \"multiple originals\" (in french, originaux multiples). as a reaction to the soviet invasion of hungary in 1956, he painted the series of têtes de partisans on the motif of the otages. he won the grand prize at the venice biennale in 1960. his late work is abstract, generally of small size, often combining mixed techniques on paper, with a geometric content. he died in châtenay-malabry in 1964. the pierre gianadda foundation in martigny, switzerland, organized a retrospective in january-march 2005.","es":"tinta china sobre papel. procedencia: galería rené metras, barcelona, colección particular catalana. medidas enmarcado: 64,5 x 56, medidas papel: 32 x 25 cm. jean fautrier nace en parís. tras la muerte de su padre emigró con su madre a londres. a los 14 años entró a estudiar en la royal academy, donde tuvo como profesor a sickert. también estuvo en la escuela de arte slade. en 1917 volvió a francia, al ser movilizado para la primera guerra mundial. en el curso de la contienda se vio sometido a los gases y fue desmovilizado. después de la guerra, se quedó a vivir en parís. comenzó a pintar el año 1921 y al siguiente empezaron sus exposiciones: salón de otoño de 1922, galería fabre en 1923, salón de las tullerías en 1924. en 1927, pintó una serie de cuadros (bodegones, desnudos, paisajes) en los que predomina el color negro. su obra se enmarca en la tendencia anticubista análoga a la de derain. en 1928 comenzó a trabajar en una serie de grabados para una edición ilustrada dei infierno de dante, preparada por gallimard (que no tuvo éxito). en los años veinte realizó una serie de viajes que hicieron evolucionar su obra, sobre todo a partir de 1926, creando cuadros de tonos fríos y sombríos. hasta 1933, año en el que acabó su contrato de exclusividad, dividió sus esfuerzos entre la escultura y la pintura. tuvo el apoyo de andré malraux y de jean paulhan. sin embargo, no tuvo éxito y pasó cinco años (1934-1939) como hostelero e instructor de esquí en tignes (tarentaise, valle de isère). fautrier volvió a dedicarse a la pintura en 1937, y en 1943 hizo su vigésimo segunda y última escultura: la gran tête d'otage. ese mismo año, detenido por la gestapo alemana, huyó de parís y encontró refugio en châtenay-malabry, donde comenzó a trabajar en el proyecto de los otages (rehenes). estos cuadros se expusieron en 1945 en la galería drouin y supusieron su primer éxito artístico. en los años siguientes, fautrier trabajó en la ilustración de varias obras, entre ellas la señora edwarda y aleluya de georges bataille (1947), e hizo una serie de cuadros dedicados a muchos pequeños objetos familiares. en 1950, inventó con la ayuda de su compañera, jeanine aeply, un procedimiento complejo mezclando reproducción calcográfica y pintura que permitía tirar sus obras en numerosos ejemplares, técnica que le permite la realización de «originales múltiples» (en francés, originaux múltiples). como reacción a la invasión soviética de hungría en el año 1956, sobre el motivo de los otages, pintó la serie de têtes de partisans. obtuvo el gran premio de la bienal de venecia en el año 1960. su obra tardía es abstracta, generalmente de pequeño tamaño, a menudo combinando técnicas mixtas sobre papel, con un contenido geométrico. murió en châtenay-malabry en 1964. la fundación pierre gianadda en martigny, suiza, organizó una retrospectiva en enero-marzo de 2005."},"estimateMax":10000,"lotNumber":"871","title":{"en":"\"nu de dos\", jean fautrier (paris, may 16, 1898-châtenay-malabry, july 21, 1964), french school of the 20th century","es":"\"nu de dos\", jean fautrier (parís, 16 de mayo de 1898-châtenay-malabry, 21 de julio de 1964), escuela francesa del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24281/view","tags":["esart_drawings","esart","esart_all"],"directSalePrice":3000,"lastUpdate":"2026-07-01T16:52:30.646Z","textCase":"lower","estimate":"\u20ac8,000 - \u20ac10,000","currency":"EUR","id":24281,"estimateMin":8000},{"startPrice":7500,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24282/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24282/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/templum/cloned-images/24282/002/002.jpg"],"available":false,"description":{"en":"gouache on paper. india ink on paper. provenance: rené metras gallery, barcelona, catalan private collection. framed measures: 67 x 80, paper measures: 52 x 65 cm. jean fautrier was born in paris. after the death of his father he emigrated with his mother to london. at the age of 14 he entered to study at the royal academy, where he was taught by sickert. he also attended the slade school of art. in 1917 he returned to france, when he was mobilized for the first world war. in the course of the war he was gassed and demobilized. after the war, he stayed to live in paris. he began to paint in 1921 and the following year his exhibitions began: salon d'automne in 1922, galerie fabre in 1923, salon des tuileries in 1924. in 1927, he painted a series of paintings (still lifes, nudes, landscapes) in which the color black predominates. his work is part of the anti-cubist trend analogous to that of derain. in 1928 he began working on a series of engravings for an illustrated edition of dante's inferno, prepared by gallimard (which was unsuccessful). in the twenties he made a series of trips that made his work evolve, especially from 1926, creating paintings of cold and somber tones. until 1933, when his exclusive contract ended, he divided his efforts between sculpture and painting. he had the support of andré malraux and jean paulhan. however, he was unsuccessful and spent five years (1934-1939) as an innkeeper and ski instructor in tignes (tarentaise, isère valley). fautrier returned to painting in 1937, and in 1943 he made his twenty-second and last sculpture: the large tête d'otage. that same year, arrested by the german gestapo, he fled paris and found refuge in châtenay-malabry, where he began work on the otages (hostages) project. these paintings were exhibited in 1945 at the drouin gallery and were his first artistic success. in the following years, fautrier worked on the illustration of several works, including madame edwarda and hallelujah by georges bataille (1947), and made a series of paintings dedicated to many small familiar objects. in 1950, he invented with the help of his partner, jeanine aeply, a complex process mixing intaglio reproduction and painting that allowed him to print his works in numerous copies, a technique that allowed him to create \"multiple originals\" (in french, originaux multiples). as a reaction to the soviet invasion of hungary in 1956, he painted the series of têtes de partisans on the motif of the otages. he won the grand prize at the venice biennale in 1960. his late work is abstract, generally of small size, often combining mixed techniques on paper, with a geometric content. he died in châtenay-malabry in 1964. the pierre gianadda foundation in martigny, switzerland, organized a retrospective in january-march 2005.","es":"gouache sobre papel marouflé. procedencia: galería rené metras, barcelona, colección particular catalana. medidas enmarcado: 67 x 80, medidas papel: 52 x 65 cm. jean fautrier nace en parís. tras la muerte de su padre emigró con su madre a londres. a los 14 años entró a estudiar en la royal academy, donde tuvo como profesor a sickert. también estuvo en la escuela de arte slade. en 1917 volvió a francia, al ser movilizado para la primera guerra mundial. en el curso de la contienda se vio sometido a los gases y fue desmovilizado. después de la guerra, se quedó a vivir en parís. comenzó a pintar el año 1921 y al siguiente empezaron sus exposiciones: salón de otoño de 1922, galería fabre en 1923, salón de las tullerías en 1924. en 1927, pintó una serie de cuadros (bodegones, desnudos, paisajes) en los que predomina el color negro. su obra se enmarca en la tendencia anticubista análoga a la de derain. en 1928 comenzó a trabajar en una serie de grabados para una edición ilustrada dei infierno de dante, preparada por gallimard (que no tuvo éxito). en los años veinte realizó una serie de viajes que hicieron evolucionar su obra, sobre todo a partir de 1926, creando cuadros de tonos fríos y sombríos. hasta 1933, año en el que acabó su contrato de exclusividad, dividió sus esfuerzos entre la escultura y la pintura. tuvo el apoyo de andré malraux y de jean paulhan. sin embargo, no tuvo éxito y pasó cinco años (1934-1939) como hostelero e instructor de esquí en tignes (tarentaise, valle de isère). fautrier volvió a dedicarse a la pintura en 1937, y en 1943 hizo su vigésimo segunda y última escultura: la gran tête d'otage. ese mismo año, detenido por la gestapo alemana, huyó de parís y encontró refugio en châtenay-malabry, donde comenzó a trabajar en el proyecto de los otages (rehenes). estos cuadros se expusieron en 1945 en la galería drouin y supusieron su primer éxito artístico. en los años siguientes, fautrier trabajó en la ilustración de varias obras, entre ellas la señora edwarda y aleluya de georges bataille (1947), e hizo una serie de cuadros dedicados a muchos pequeños objetos familiares. en 1950, inventó con la ayuda de su compañera, jeanine aeply, un procedimiento complejo mezclando reproducción calcográfica y pintura que permitía tirar sus obras en numerosos ejemplares, técnica que le permite la realización de «originales múltiples» (en francés, originaux múltiples). como reacción a la invasión soviética de hungría en el año 1956, sobre el motivo de los otages, pintó la serie de têtes de partisans. obtuvo el gran premio de la bienal de venecia en el año 1960. su obra tardía es abstracta, generalmente de pequeño tamaño, a menudo combinando técnicas mixtas sobre papel, con un contenido geométrico. murió en châtenay-malabry en 1964. la fundación pierre gianadda en martigny, suiza, organizó una retrospectiva en enero-marzo de 2005."},"estimateMax":15000,"lotNumber":"872","title":{"en":"\"sans titre\", jean fautrier (parís, 16 de mayo de 1898-châtenay-malabry, 21 de julio de 1964), french school of the 20th century","es":"\"sin título\", jean fautrier (parís, 16 de mayo de 1898-châtenay-malabry, 21 de julio de 1964), escuela francesa del siglo xx"},"url":"https://es.bidspirit.com/ui/lotPage/templum/source/catalog/auction/24909/lot/24282/view","tags":["esart_moderncontemporarypainting","esart","esart_all"],"directSalePrice":7500,"lastUpdate":"2026-07-01T16:52:30.648Z","textCase":"lower","estimate":"\u20ac12,000 - 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