{"lots":[{"startPrice":1800,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17200/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17200/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17200/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17200/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17200/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17200/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17200/004/004.jpg"],"soldDate":"2023-02-02","available":false,"description":{"pt":"corpo bojudo decorado em relevo com espigas, folhas e flores naturalistas. bocal recortado. \n \n \n contraste &aacute;guia (porto) 833 , marca da joalheria mour&atilde;o, lisboa, especial fabrico almeida j.or. \n \n \n com alma/copo incorporada em prata dourada, 19 (a) cm., tamb&eacute;m marcada.","en":"bulky body decorated in relief with spikes, leaves and naturalistic flowers. \n \n contrast &aacute;guia (porto) 833 , brand by joalheria mour&atilde;o, lisbon, special manufacture by almeida j.or. \n \n \n with incorporated cup in gilded silver, 19 (h) cm., also marked."},"estimateMax":2800,"lotNumber":"1","title":{"pt":"grande jarra em prata portuguesa","en":"large vase in portuguese silver"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17200/view","tags":["ptDecorativeArts_Silverandsilverplateditems","ptDecorativeArts","ptDecorativeArts_all"],"directSalePrice":1800,"soldPrice":2400,"lastUpdate":"2026-07-29T02:50:44.564Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac2,800","currency":"EUR","id":17200,"estimateMin":2000},{"startPrice":400,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17201/001/001.png","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17201/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17201/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17201/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17201/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17201/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17201/007/007.jpg"],"available":false,"description":{"pt":"l&atilde; sobre l&atilde; com pelo de camelo e corantes org&acirc;nicos naturais. \n \n \n \n t&iacute;pico na maioria destes tapetes, o desenho geom&eacute;trico feito de signos kufic e motivo central com g&uuml;l octogonais repetitivos. o desenho do g&uuml;l e outros s&iacute;mbolos indicam qual a tribo n&oacute;mada turcomana que os realizam. as cores dourada/bege e castanho com apontamentos de vermelho s&atilde;o muito incomuns, j&aacute; que a maioria destes tapetes s&atilde;o feitos em vermelho vivo. \n \n \n g&uuml;l ('rosa' ou 'flor' em turco, do persa 'gol') &eacute; a forma poligonal pr&oacute;pria de cada cl&atilde; turcomano da &aacute;sia central, tamb&eacute;m chamada de pil pai (pata de elefante). \n \n \n primeiro quartel do s&eacute;culo xx. \n \n \n condi&ccedil;&atilde;o: desgaste consistente com a idade e uso.","en":"wool on wool with camel hair and natural organic dyes. \n \n \n \n typical for most turkoman carpets is their geometric design made of kufic signs and a repeating inner field with octogonal g&uuml;l. the design of g&uuml;l and borders tell which tribe of turkoman made the rug. the golden/beige and brown colors with an appointment of red is very unusual since most turkoman rugs are made in a bright red. \n \n \n g&uuml;l (\u2018rose\u2019 or \u2018flower\u2019 \u2013 turkish, from persian 'gol') it's the poligonal form proper to each turkoman clan in central asia and is also call pil pai( elephant feet). \n \n \n first quarter of the 20th century. \n \n \n condition: wear consistent with age and use."},"estimateMax":1200,"lotNumber":"2","title":{"pt":"antigo e genuíno tapete tribal ersari, turcomano - afeganistão","en":"antique and genuine ersari rug tribal turkoman - afghanistan ersari"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17201/view","tags":["ptHomeandDecor_RugsandCarpets","ptHomeandDecor_all","ptHomeandDecor"],"directSalePrice":400,"lastUpdate":"2026-07-29T02:50:44.567Z","textCase":"lower","estimate":"\u20ac1,000 - \u20ac1,200","currency":"EUR","id":17201,"estimateMin":1000},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17258/003/003.jpg"],"available":false,"description":{"pt":"oskar kokoschka (1894-1980) foi um artista expressionista austr&iacute;aco, importante pela sua rela&ccedil;&atilde;o com a secess&atilde;o de viena e a sua aprendizagem com gustav klimt, mas tamb&eacute;m pela sua recusa do &laquo;jugendstil&raquo;, tra&ccedil;ando congru&ecirc;ncias com a viragem expressionista dos seus pares, como egon schiele. kokoschka ser&aacute; dos mais longevos artistas nascidos do s&eacute;culo xix, ficando tamb&eacute;m conhecido pelo seu hist&oacute;rico romance com alma mahler, vi&uacute;va do compositor gustav mahler. vir&aacute; apenas a falecer nos anos 80, ap&oacute;s uma longa carreira como pintor, desenhista, dramaturgo, poeta, professor e designer. destacam-se as suas obras die windsbraut e as decora&ccedil;&otilde;es para o cabaret fledermaus. \n  \n  \n \n o livro de oskar kokoschka (die tr&auml;umenden knaben - os meninos sonhadores) foi a primeira obra gr&aacute;fica do jovem artista austr&iacute;aco, feita quando ele tinha apenas 21 anos. o livro foi encomendado em 1907 pelo diretor da wiener werkst&auml;tte (oficinas de viena). fritz w&auml;rndorfer pediu a kokoschka para conceber imagens coloridas para um livro infantil, no entanto, kokoschka foi al&eacute;m do resumo e escreveu tamb&eacute;m a pr&oacute;pria hist&oacute;ria, que acabou n&atilde;o sendo tanto um conto infantil quanto uma fantasia autobiogr&aacute;fica adolescente. \n \n \n uma hist&oacute;ria sensual que se desenrola numa paisagem ex&oacute;tica e f&eacute;rtil, com descri&ccedil;&otilde;es v&iacute;vidas de cheiros e sons, bem como as sensa&ccedil;&otilde;es f&iacute;sicas e vis&otilde;es on&iacute;ricas do narrador, concluindo com um encontro imagin&aacute;rio com uma jovem. em sua autobiografia, kokoschka escreveu sobre die tr&auml;umenden knaben: \n \n \n \"escolhi o t&iacute;tulo porque o livro era uma esp&eacute;cie de registo, em palavras e imagens, do meu estado de esp&iacute;rito naquele momento. eu estava apaixonado pela hero&iacute;na, a garota li das florestas de p&aacute;ssaros perdidas do norte', na vida real uma jovem sueca chamada lilith que frequentava a kunstgewerbeschule [escola de artes e of&iacute;cios, viena] e usava um vestido vermelho r&uacute;stico, que as pessoas n&atilde;o estavam acostumadas a ver em viena. vermelho &eacute; minha cor favorita e o livro foi minha primeira carta de amor.\" \n \n \n a representa&ccedil;&atilde;o simult&acirc;nea de v&aacute;rios momentos numa imagem &eacute; uma reminisc&ecirc;ncia da arte medieval e as linhas ousadas e cores vivas de suas composi&ccedil;&otilde;es baseiam-se na arte popular europeia tradicional. as formas sem sombras e a decora&ccedil;&atilde;o estilizada da superf&iacute;cie ainda refletem a est&eacute;tica jugendstil, enquanto as figuras angulares do adolescente (kokoschka) e da menina (li) s&atilde;o inspiradas nas esculturas do artista belga george minne, como o pr&oacute;prio kokoschka explicou. todos estes elementos est&atilde;o integrados num livro de artista coerente e verdadeiramente original, com pref&aacute;cio e dedicat&oacute;ria a gustav klimt, um dos professores de kokoschka. \n \n \n embora n&atilde;o tenha sido um grande sucesso na &eacute;poca de sua publica&ccedil;&atilde;o, o livro &eacute; hoje considerado um dos mais belos livros de arte do s&eacute;culo xx e &eacute; geralmente reconhecido como um pren&uacute;ncio da arte expressionista. \n \n \n  \n \n \n \n \n \u201cdas m&auml;dchen li und ich\u201d (a rapariga li e eu) \n \n \n \n \n assinada na placa \n \n \n esta fotolitografia foi feita com autoriza&ccedil;&atilde;o do pr&oacute;prio oskar ainda em vida, no ano de 1968, sendo portanto uma verdadeira preciosidade para todos os amantes da sua arte e, principalmente, para todos os amantes que se rev&ecirc;m nestes desejos apaixonados da juventude, provavelmente ainda sentidos.","en":"oskar kokoschka (1894-1980) was an austrian expressionist artist, important for his relationship with the vienna secession and his apprenticeship with gustav klimt, but also for his rejection of &laquo;jugendstil&raquo;, drawing congruences with the expressionist turn of his peers, as egon schiele. kokoschka is one of the longest-lived artists born in the 19th century, and is also known for his historic romance with alma mahler, widow of the composer gustav mahler. he would only die in the 1980s, after a long career as a painter, draftsman, playwright, poet, teacher and designer. his works die windsbraut and the decorations for cabaret fledermaus stand out. \n  \n  \n \n oskar kokoschka\u2019s book die tr&auml;umenden knaben (the dreaming boys) was the first graphic work by the austrian artist, made when he was only 21 years old. the book was commissioned in 1907 by the director of the wiener werkst&auml;tte (vienna workshops), fritz w&auml;rndorfer, who had asked kokoschka to design colour images for a children\u2019s book. however, kokoschka went beyond the brief and also wrote the story for die tr&auml;umenden knaben, which was not so much a children\u2019s tale as an autobiographical adolescent fantasy. \n \n \n the sensual story is set in a fertile exotic landscape with vivid descriptions of smells and sounds, as well as the narrator\u2019s physical sensations and dreamlike visions, concluding with an imaginary encounter with a young woman. in his autobiography kokoschka wrote of die tr&auml;umenden knaben: \n \n \n &laquo;i chose the title because the book was a kind of record, in words and pictures, of my own state of mind at the time. i was in love with the heroine, the girl li \u2018from the lost bird-forests of the north\u2019, in real life a young swedish girl called lilith who attended the kunstgewerbeschule [school of arts and crafts, vienna], and wore a red peasant-weave skirt such as people were not used to seeing in vienna. red is my favourite colour and the book was my first love letter.&raquo; \n \n \n kokoschka was influenced by various traditions and particular artists when he designed the book. the simultaneous depiction of various moments in one image is reminiscent of medieval art, and the bold lines and bright colours of his compositions draw on traditional european folk art. the shadowless forms and stylised surface decoration reflect jugendstil aesthetics, while the angular figures of the adolescent boy (kokoschka) and girl (li) on the last page \u2013 illustrated here \u2013 are inspired by the sculptures of the belgian artist george minne, as kokoschka himself explained. all of these elements are integrated into a coherent and truly original artist\u2019s book, which is prefaced with a dedication to gustav klimt, who had been one of kokoschka\u2019s teachers at the kunstgewerbeschule. \n \n \n although it was not a great success at the time of its publication, the book is now considered as one of the most beautiful art books of the twentieth century, and it is generally recognised as foreshadowing expressionist art. \n \n \n  \n \n \n \n \n \u201cdas m&auml;dchen li und ich\u201d (the girl li and i ) \n \n \n \n \n signed in plate \n \n \n this photolithograph was made with the permission of oskar himself while he was still alive, in 1968, and are therefore a true treasure for all lovers of his art and, above all, for all lovers who see themselves in these passionate desires of youth that most probably still senses."},"estimateMax":300,"lotNumber":"3","title":{"pt":"fotolitografia de oskar kokoschka, \u201cdas mädchen li und ich\u201d","en":"oskar kokoschka's photolithograph \u201cdas mädchen li und ich\u201d"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17258/view","tags":["ptArt_Lithographsandscreenprints","ptArt_PrintsandLimitedEditions","ptArt_all","ptArt"],"directSalePrice":180,"lastUpdate":"2026-07-29T02:50:44.568Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17258,"estimateMin":250},{"startPrice":170,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17202/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17202/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17202/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17202/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17202/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17202/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17202/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17202/002/002.jpg"],"available":false,"description":{"pt":"escultura de um chefe sentado com 2 s&uacute;bditos, realizada em bronze com a t&eacute;cnica de cera perdida e ricamente trabalhada. boa patina. \n \n 2&ordf; metade do s&eacute;c. xx.","en":"figure of a seated chief or powerful man with two subdicts, made of bronze, cire perdue technique (lost wax) . good patina. \n \n 20th century."},"estimateMax":350,"lotNumber":"4","title":{"pt":"escultura em bronze, tribo dogon, mali","en":"dogon bronze statuary \u2013 mali"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17202/view","tags":["ptArt_Sculpture","ptOtherantiquesandethnicarts_African","ptOtherantiquesandethnicarts_all","ptOtherantiquesandethnicarts","ptArt_all","ptArt"],"directSalePrice":170,"lastUpdate":"2026-07-29T02:50:44.569Z","textCase":"lower","estimate":"\u20ac300 - \u20ac350","currency":"EUR","id":17202,"estimateMin":300},{"startPrice":800,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17203/009/009.jpg"],"available":false,"description":{"pt":"um antigo e genu&iacute;no tapete de ora&ccedil;&atilde;o da anat&oacute;lia. \n \n este tapete faz parte de um conhecido grupo de tapetes, atribu&iacute;dos a ghiordes, que seguem diretamente a mesma tradi&ccedil;&atilde;o dos tapetes de ora&ccedil;&atilde;o da transilv&acirc;nia. \n \n \n sem franjas costuradas. as franjas formam o final dos fios da urdidura e s&atilde;o, portanto, parte integrante do tapete como um tapete genu&iacute;no deve ser. \n \n \n sua densidade de n&oacute;s &eacute; sinal de extrema qualidade com muito mais de 500.000 por m2. \n \n \n  \n \n \n parece muito poss&iacute;vel que o tecel&atilde;o do tapete atual conhecesse tapetes otomanos mais antigos, pois o vaso de flores na base do campo do tapete do s&eacute;culo xvi foi preservado. este tapete apresenta um design conhecido como mihrab. os tapetes com este padr&atilde;o foram criados para serem usados \u200b\u200bnas ora&ccedil;&otilde;es di&aacute;rias obrigat&oacute;rias da f&eacute; isl&acirc;mica. o design apresentado nestes tapetes antigos representa o nicho de ora&ccedil;&atilde;o encontrado nas mesquitas. \n \n \n a reserva superior inclui uma fileira de flores de tulipa que s&atilde;o familiares de outros tapetes de aldeias da anat&oacute;lia, em particular os de ladik, por exemplo. \n \n \n o tapete &eacute; de l&atilde; fiada &agrave; m&atilde;o muito macia e est&aacute; em bom estado com ligeiro desgaste, poucos sinais de uso e sem repara&ccedil;&otilde;es. \n \n \n &eacute; adequado para uso dom&eacute;stico normal ou seria um bom item de exibi&ccedil;&atilde;o como uma tape&ccedil;aria de parede.","en":"an antique and genuine anatolian prayer rug. \n \n this rug is one of a well-known group of rugs, attributed to ghiordes, which follow directly on in the same tradition as the transylvanian prayer rugs. \n \n \n no sewn-on fringes. the fringes form the end of the warp yarns and are therefore an integral part of the rug as a genuine rug should be, \n \n \n his density of knots is signal of extreme quality with far more than 500.000 per m2. \n \n \n  \n \n \n it seems very possible that the weaver of the present rug knew of older ottoman rugs, as the flowering vase at the base of the field in the 16th century rug has been preserved. this rug features a design that is known as the mihrab. the area rugs with this pattern were created to be used in required daily prayers of the islamic faith. the design featured in these antique rugs represents the prayer niche that is found in mosques. \n \n \n the upper reserve includes a row of tulip blossoms that are familiar from other anatolian village rugs, in particular, those from ladik, for example. \n \n \n the rug has very soft hand spun wool and is in good condition with slight wear, few signs of age and no repairs. \n \n \n it is suitable for normal domestic use or would make a good display item as a wall hanging."},"estimateMax":3000,"lotNumber":"5","title":{"pt":"belo e raro tapete de oração da anatólia, região de ghiordes, século xix","en":"beautiful and rare prayer rug from anatolia, ghiordes, 19th century"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17203/view","tags":["ptHomeandDecor_RugsandCarpets","ptOtherantiquesandethnicarts_MiddleEasternandIslamic","ptOtherantiquesandethnicarts_all","ptOtherantiquesandethnicarts","ptHomeandDecor_all","ptHomeandDecor"],"directSalePrice":800,"lastUpdate":"2026-07-29T02:50:44.571Z","textCase":"lower","estimate":"\u20ac2,000 - \u20ac3,000","currency":"EUR","id":17203,"estimateMin":2000},{"startPrice":140,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17204/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17204/001/001.jpg"],"available":false,"description":{"pt":"condi&ccedil;&atilde;o excelente. \n \n raro motivo de baco.","en":"excellent condition. \n \n rare bacchus motif."},"estimateMax":250,"lotNumber":"6","title":{"pt":"grande prato em faiança portuguesa. século xix.","en":"large portuguese plate from xix century"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17204/view","tags":["ptDecorativeArts_Earthenware","ptDecorativeArts","ptDecorativeArts_all"],"directSalePrice":140,"lastUpdate":"2026-07-29T02:50:44.572Z","textCase":"lower","estimate":"\u20ac200 - \u20ac250","currency":"EUR","id":17204,"estimateMin":200},{"startPrice":80,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17205/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17205/001/001.jpg"],"available":false,"description":{"pt":"marcas e desgaste da idade. restaurado.","en":"age marks and wear. restored."},"estimateMax":180,"lotNumber":"7","title":{"pt":"grande e raro prato em faiança portuguesa. século xviii ou xix.","en":"large and rare portuguese earthenware plate. 18th or 19th century."},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17205/view","tags":["ptDecorativeArts_Earthenware","ptDecorativeArts","ptDecorativeArts_all"],"directSalePrice":80,"lastUpdate":"2026-07-29T02:50:44.574Z","textCase":"lower","estimate":"\u20ac150 - \u20ac180","currency":"EUR","id":17205,"estimateMin":150},{"startPrice":460,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/012/012.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/005/005.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/006/006.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/007/007.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/008/008.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/009/009.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/010/010.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/011/011.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/004/004.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/002/002.png","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17207/001/001.png"],"available":false,"description":{"pt":"prato circundado por 3 p&aacute;ssaros em vidro opalescente, unidos por uma estrutura em bronze, que transforma os elementos j&aacute; de si belos, numa escultura &uacute;nica. \n  \n estrutura personalizada em bronze, executada pelo famoso ourives ant&oacute;nio maria ribeiro.  \n \n  \n \n \n excelente condi&ccedil;&atilde;o, sem riscos, marcas ou defeitos. \n \n \n prato: \n \n \n  - di&acirc;metro:27 cm. \n \n \n  - altura: 3 cm. \n \n \n p&aacute;ssaros: \n \n \n  - altura: 7 cm. \n \n \n  - comprimento: 10 cm. \n \n \n  - largura: 5 cm.","en":"plate surrounded by 3 birds in opalescent glass, joined by a bronze structure, which transforms the already beautiful elements, into a unique sculpture. \n  \n bronze structure executed by the famous goldsmith ant&oacute;nio maria ribeiro.  \n \n excellent condition, no scratches, marks nor chips. \n \n \n plate: \n \n \n - diameter: 27 cm. \n \n \n - height: 3 cm. \n \n \n birds: \n \n \n - height: 7 cm. \n \n \n - length: 10 cm. \n \n \n - width: 5 cm."},"estimateMax":800,"lotNumber":"8","title":{"pt":"prato e pássaros (1920/1930) em vidro opalescente e monture em bronze, de marius sabino","en":"marius sabino\u2019s opalescent glass plate and birds (1920/30s)"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17207/view","tags":["ptDecorativeArts_Vintageglass","ptArt_Sculpture","ptArt_all","ptDecorativeArts","ptDecorativeArts_all","ptArt"],"directSalePrice":460,"lastUpdate":"2026-07-29T02:50:44.575Z","textCase":"lower","estimate":"\u20ac600 - 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tocheiro/candelabro barroco, italiano, s&eacute;c. xviii, executado em talha dourada e policromada. \n \n \n \n o anjo segura uma candel&aacute;ria de 5 velas. a pe&ccedil;a foi electrificada, funcionando na perfei&ccedil;&atilde;o. \n \n \n est&aacute; em excelente estado de conserva&ccedil;&atilde;o e mant&eacute;m o seu acabamento original, agora patinado. \n \n \n condi&ccedil;&atilde;o: excelente, de acordo com a idade e uso.","en":"18th century italian carved giltwood painted and polychromed cherub candelaria \n \n \n \n the putti are holding a five-arm candelabra. the light fixture has been wired and functioning. this piece is in excellent condition and adorns its original patinated finish. \n \n \n condition: excellent; wear consistent with age and use."},"estimateMax":1600,"lotNumber":"11","title":{"pt":"tocheiro/candelabro barroco, século xviii","en":"18th century carved baroque 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cm."},"estimateMax":250,"lotNumber":"12","title":{"pt":"armário chinês em cânfora","en":"chinese camphor wood chest / drawer"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17210/view","tags":["ptAntiqueVintageFurniture_Cabinetsandshelves","ptAsianantiques_Chinese","ptAsianantiques_all","ptAntiqueVintageFurniture_all","ptAsianantiques","ptAntiqueVintageFurniture"],"directSalePrice":70,"lastUpdate":"2026-07-29T02:50:46.574Z","textCase":"lower","estimate":"\u20ac150 - 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magn&iacute;fica, grande e pesada ta&ccedil;a/centro de mesa em vidro de murano 1930/40. uma pe&ccedil;a de fratelli toso (fabricante), ermanno toso (artista). \n \n \n em deslumbrantes tons de marfim e madrep&eacute;rola opalescentes e manchas douradas com inclus&otilde;es de aventurina. \n \n \n perfeito estado sem marcas e sem lascas. \n \n \n 52x33x8cm. \n \n \n - cisne em vidro de murano 1930/40. tons de &acirc;mbar e de ouro com inclus&otilde;es de aventurine. uma pe&ccedil;a de fratelli toso (fabricante), ermanno toso (artista). \n \n \n profusamente coberto de flocos dourados e cobre nas asas, bicos e p&eacute;s. \n \n \n tem na base a etiqueta azul \"murano glass\", usada nas pe&ccedil;as fratelli toso murano dos anos 30/40. \n \n \n o pesco&ccedil;o foi reparado, o que mal se nota como se pode constatar nas fotos. algumas pequenas falhas no revestimento como pode ser visto nas fotos. a beleza geral da pe&ccedil;a mant&eacute;m-se. \n \n \n 29cm.","en":"- a magnificent, large 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embora ele mesmo gostasse de se definir como o fot&oacute;grafo de \u201cpessoas atraentes fazendo coisas atraentes em lugares atraentes\u201d, h&aacute; muito, muito mais nas fotografias de slim aarons. \n \n \n slim aarons foi um dos mais prol&iacute;ficos documentadores da vida de celebridades e socialites do s&eacute;culo xx. ao longo de seis d&eacute;cadas, aarons fotografou algumas das pessoas \"mais bonitas\" do mundo em alguns dos destinos mais desej&aacute;veis: &laquo;jet-setting&raquo; de beverly hills para capri, para a riviera francesa, etc. aarons fotografou pessoas como a fam&iacute;lia kennedy, humphrey bogart, marilyn monroe ou gra&ccedil;a kelly. no entanto, para aarons, a vida nem sempre foi beber coquet&eacute;is em locais ex&oacute;ticos. a sua carreira come&ccedil;ou por fotografar soldados em combate durante a segunda guerra mundial, pelo qual recebeu um cora&ccedil;&atilde;o p&uacute;rpura. \n \n \n a linguagem visual que aarons desenvolveu tornou-se sin&ocirc;nimo de luxo, muitas vezes imitada nos mundos da moda e anunciada como o cume do &laquo;lifestyle&raquo;. aarons trabalhou sem estilistas ou ilumina&ccedil;&atilde;o artificial, capturando seus modelos nas suas pr&oacute;prias roupas e cen&aacute;rios, de forma a dar um ar de autenticidade. \n \n \n slim aarons foi criado em nova york e new hampshire e come&ccedil;ou sua carreira fotogr&aacute;fica enquanto estava no ex&eacute;rcito tendo sido nomeado fot&oacute;grafo oficial da academia militar em west point. quando a guerra estourou, foi enviado como fot&oacute;grafo de combate para a revista yank, do norte da &aacute;frica ao oriente m&eacute;dio e &agrave; europa, testemunhando a queda de tobruk e a liberta&ccedil;&atilde;o de roma. \n \n \n slim trabalhou para as principais revistas da &eacute;poca, incluindo life, holiday, town & country, vogue, harper's bazaar e travel & leisure, viajando frequentemente para festas em beverly hills ou na park avenue, passando invernos em gstaad ou palm beach, ver&otilde;es na riviera francesa ou italiana e em todo o caribe. \n \n \n slim aarons, familiarizado com a elite mundial, trouxe para os seus retratos um frescor e um certo &eacute;lan que foi muito apreciado. como resultado, slim era recebido nos retiros exclusivos das celebridades e as suas imagens atingiram um grau de intimidade que se aproxima das fotos de fam&iacute;lia. \n \n \n nos &uacute;ltimos anos, a influ&ecirc;ncia de seu trabalho tem sido cada vez mais reconhecida, sendo considerado um dos fot&oacute;grafos mais influentes da sua gera&ccedil;&atilde;o. as fotos de slim aarons, retratando um certo lifestyle , s&atilde;o cada vez mais procuradas por colecionadores de todo o mundo.","en":"american writer c.z. guest and her son alexander michael douglas dudley guest in front of their grecian temple pool on the ocean-front estate, villa artemis, palm beach. \n  \n \n \n endeavor edition. all photographs are authorised by the slim aarons archive. \n \n \n  \n \n \n \n \n slim aarons (1916-2006) \n \n \n why are slim aarons prints so popular? \n \n \n although he himself liked to define himself as the photographer of \u201cattractive people doing attractive things in attractive places\u201d, there is much, much more in slim aarons\u2019 photographs. \n \n \n slim aarons was one of the twentieth century\u2019s most prolific documenters of celebrity and socialite life. over six decades, aarons photographed some of the world\u2019s most beautiful people in some of the globes most desirable destinations: jet-setting from beverly hills to capri to the french riviera, aarons snapped the likes of the kennedy family, humphrey bogart, marilyn monroe, and grace kelly. however, life wasn\u2019t always cocktails in exotic locations for aarons. the photographer began his career photographing soldiers in combat during world war ii, for which he received a purple heart. \n \n \n the visual language that aarons developed became a byword for luxury, often mimicked in the twin worlds of fashion and adverting as the peak of aspirational life-styling. though aarons\u2019 photographs could pass for a vogue shoot, the artist himself worked without stylists or artificial lighting, capturing his subjects in their own clothes and settings for an air of authenticity. \n \n \n slim aarons was raised in new york and new hampshire and began his photography career while in the army and before long was appointed the official photographer of the united states military academy at west point. when war broke out, he was sent as a combat photographer for yank magazine and saw action from north africa to the middle east to europe, witnessing the fall of tobruk and the liberation of rome. \n \n \n after leaving the army, aarons became a freelance photojournalist. slim worked for the leading magazines of the day including life, holiday, town & country, vogue, harper\u2019s bazaar and travel & leisure, traveling often to attend parties in beverly hills 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aos sentidos. \"fresh days\" desperta uma composi&ccedil;&atilde;o de cores, aromas, sons, texturas e paladares que, na dose flu&iacute;da em cada hist&oacute;ria de vida, faz (re)viver enredos e emo&ccedil;&otilde;es.\" o culminar de uma viagem sobre o tempo e a mem&oacute;ria. evoca&ccedil;&atilde;o de fascinantes mem&oacute;rias sobre o sempre esperado momento de f&eacute;rias. \n \n \n \n gabriel garcia - nasceu na ilha do pico (a&ccedil;ores) em 1977. licenciou-se em pintura pela faculdade de belas artes de lisboa. a sua obra est&aacute; representada em colec&ccedil;&otilde;es p&uacute;blicas e privadas, como sejam: colec&ccedil;&atilde;o plmj, price water house coopers portugal, efcis, tendo sido galardoado com v&aacute;rios pr&eacute;mios. \n \n \n exposi&ccedil;&otilde;es individuais \n \n \n 2019- \u201ca m&eacute;trica do destino\u201d, casa manuel de arriaga, horta, a&ccedil;ores \n \n \n 2018- \u201cfresh days\u201d, galeria espa&ccedil;o exibicionista, lisboa \n \n \n 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figurativo\u201d, galeria sala 117, porto \n \n \n 2016- \u201cemerging art now\u201d, galeria emergentes, braga \n \n \n 2016- \u201cn&atilde;o sei quantas almas tenho\u201d, galeria acervo, lisboa \n \n \n 2015- \u201clusofonias\u201d, india international centre, nova deli, india"},"estimateMax":850,"lotNumber":"16","title":{"pt":"gabriel garcia, óleo sobre tela, 2016","en":"gabriel garcia, oil on canvas, 2016"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17206/view","tags":["ptArt_OilpaintingsacrylicsandmiXedmedia","ptArt_all","ptArt"],"directSalePrice":460,"lastUpdate":"2026-07-29T23:53:12.882Z","textCase":"lower","estimate":"\u20ac750 - \u20ac850","currency":"EUR","id":17206,"estimateMin":750},{"startPrice":40,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17253/002/002.jpg"],"artist":{"pt":"slim aarons"},"soldDate":"2023-02-02","available":false,"description":{"pt":"casa kaufmann desert, em 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to the french riviera, aarons snapped the likes of the kennedy family, humphrey bogart, marilyn monroe, and grace kelly. however, life wasn\u2019t always cocktails in exotic locations for aarons. the photographer began his career photographing soldiers in combat during world war ii, for which he received a purple heart. \n \n \n the visual language that aarons developed became a byword for luxury, often mimicked in the twin worlds of fashion and adverting as the peak of aspirational life-styling. though aarons\u2019 photographs could pass for a vogue shoot, the artist himself worked without stylists or artificial lighting, capturing his subjects in their own clothes and settings for an air of authenticity. \n \n \n slim aarons was raised in new york and new hampshire and began his photography career while in the army and before long was appointed the official photographer of the united states military academy at west point. when war broke out, he was sent as a combat photographer for 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esculpida &agrave; m&atilde;o, do deus garuda, bali \n \n \n \n representa um p&aacute;ssaro m&iacute;tico que dizem proteger.","en":"vintage garuda sculpture, from bali \n hand carved sculptures of the hindu god garuda.  \n represent a mythical bird said to protect."},"estimateMax":120,"lotNumber":"36","title":{"pt":"escultura de garuda, deus indonésio","en":"garuda sculpture, indonesian god"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17231/view","tags":["ptArt_Sculpture","ptAsianantiques_SoutheastAsia","ptAsianantiques_all","ptAsianantiques","ptArt_all","ptArt"],"directSalePrice":50,"lastUpdate":"2026-07-29T02:50:43.264Z","textCase":"lower","estimate":"\u20ac100 - \u20ac120","currency":"EUR","id":17231,"estimateMin":100},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17232/001/001.png"],"available":false,"description":{"pt":"oskar kokoschka (1894-1980) foi um artista expressionista austr&iacute;aco, importante pela sua rela&ccedil;&atilde;o com a secess&atilde;o de viena e a sua aprendizagem com gustav klimt, mas tamb&eacute;m pela sua recusa do &laquo;jugendstil&raquo;, tra&ccedil;ando congru&ecirc;ncias com a viragem expressionista dos seus pares, como egon schiele. kokoschka ser&aacute; dos mais longevos artistas nascidos do s&eacute;culo xix, ficando tamb&eacute;m conhecido pelo seu hist&oacute;rico romance com alma mahler, vi&uacute;va do compositor gustav mahler. vir&aacute; apenas a falecer nos anos 80, ap&oacute;s uma longa carreira como pintor, desenhista, dramaturgo, poeta, professor e designer. destacam-se as suas obras die windsbraut e as decora&ccedil;&otilde;es para o cabaret fledermaus. \n  \n o livro de oskar kokoschka (die tr&auml;umenden knaben - os meninos sonhadores) foi a primeira obra gr&aacute;fica do jovem artista austr&iacute;aco, feita quando ele tinha apenas 21 anos. o livro foi encomendado em 1907 pelo diretor da wiener werkst&auml;tte (oficinas de viena). fritz w&auml;rndorfer pediu a kokoschka para conceber imagens coloridas para um livro infantil, no entanto, kokoschka foi al&eacute;m do resumo e escreveu tamb&eacute;m a pr&oacute;pria hist&oacute;ria, que acabou n&atilde;o sendo tanto um conto infantil quanto uma fantasia autobiogr&aacute;fica adolescente.  \n \n uma hist&oacute;ria sensual que se desenrola numa paisagem ex&oacute;tica e f&eacute;rtil, com descri&ccedil;&otilde;es v&iacute;vidas de cheiros e sons, bem como as sensa&ccedil;&otilde;es f&iacute;sicas e vis&otilde;es on&iacute;ricas do narrador, concluindo com um encontro imagin&aacute;rio com uma jovem. em sua autobiografia, kokoschka escreveu sobre die tr&auml;umenden knaben: \n \n \n \"escolhi o t&iacute;tulo porque o livro era uma esp&eacute;cie de registo, em palavras e imagens, do meu estado de esp&iacute;rito naquele momento. eu estava apaixonado pela hero&iacute;na, a garota li das florestas de p&aacute;ssaros perdidas do norte', na vida real uma jovem sueca chamada lilith que frequentava a kunstgewerbeschule [escola de artes e of&iacute;cios, viena] e usava um vestido vermelho r&uacute;stico, que as pessoas n&atilde;o estavam acostumadas a ver em viena. vermelho &eacute; minha cor favorita e o livro foi minha primeira carta de amor.\" \n \n \n a representa&ccedil;&atilde;o simult&acirc;nea de v&aacute;rios momentos numa imagem &eacute; uma reminisc&ecirc;ncia da arte medieval e as linhas ousadas e cores vivas de suas composi&ccedil;&otilde;es baseiam-se na arte popular europeia tradicional. as formas sem sombras e a decora&ccedil;&atilde;o estilizada da superf&iacute;cie ainda refletem a est&eacute;tica jugendstil, enquanto as figuras angulares do adolescente (kokoschka) e da menina (li) s&atilde;o inspiradas nas esculturas do artista belga george minne, como o pr&oacute;prio kokoschka explicou. todos estes elementos est&atilde;o integrados num livro de artista coerente e verdadeiramente original, com pref&aacute;cio e dedicat&oacute;ria a gustav klimt, um dos professores de kokoschka. \n \n \n embora n&atilde;o tenha sido um grande sucesso na &eacute;poca de sua publica&ccedil;&atilde;o, o livro &eacute; hoje considerado um dos mais belos livros de arte do s&eacute;culo xx e &eacute; geralmente reconhecido como um pren&uacute;ncio da arte expressionista. \n \n \n  \n \n \n &laquo;die ferne insel&raquo; (a ilha distante) \n \n \n \n \n assinada na placa \n \n \n esta fotolitografia foi feita com autoriza&ccedil;&atilde;o do pr&oacute;prio oskar ainda em vida, no ano de 1968, sendo portanto uma verdadeira preciosidade para todos os amantes da sua arte e, principalmente, para todos os amantes que se rev&ecirc;m nestes desejos apaixonados da juventude, provavelmente ainda sentidos.","en":"oskar kokoschka (1894-1980) was an austrian expressionist artist, important for his relationship with the vienna secession and his apprenticeship with gustav klimt, but also for his rejection of &laquo;jugendstil&raquo;, drawing congruences with the expressionist turn of his peers, as egon schiele. kokoschka is one of the longest-lived artists born in the 19th century, and is also known for his historic romance with alma mahler, widow of the composer gustav mahler. he would only die in the 1980s, after a long career as a painter, draftsman, playwright, poet, teacher and designer. his works die windsbraut and the decorations for cabaret fledermaus stand out. \n  \n oskar kokoschka\u2019s book die tr&auml;umenden knaben (the dreaming boys) was the first graphic work by the austrian artist, made when he was only 21 years old. the book was commissioned in 1907 by the director of the wiener werkst&auml;tte (vienna workshops), fritz w&auml;rndorfer, who had asked kokoschka to design colour images for a children\u2019s book. however, kokoschka went beyond the brief and also wrote the story for die tr&auml;umenden knaben, which was not so much a children\u2019s tale as an autobiographical adolescent fantasy.  \n \n the sensual story is set in a fertile exotic landscape with vivid descriptions of smells and sounds, as well as the narrator\u2019s physical sensations and dreamlike visions, concluding with an imaginary encounter with a young woman. in his autobiography kokoschka wrote of die tr&auml;umenden knaben: \n \n \n &laquo;i chose the title because the book was a kind of record, in words and pictures, of my own state of mind at the time. i was in love with the heroine, the girl li \u2018from the lost bird-forests of the north\u2019, in real life a young swedish girl called lilith who attended the kunstgewerbeschule [school of arts and crafts, vienna], and wore a red peasant-weave skirt such as people were not used to seeing in vienna. red is my favourite colour and the book was my first love letter.&raquo; \n \n \n kokoschka was influenced by various traditions and particular artists when he designed the book. the simultaneous depiction of various moments in one image is reminiscent of medieval art, and the bold lines and bright colours of his compositions draw on traditional european folk art. the shadowless forms and stylised surface decoration reflect jugendstil aesthetics, while the angular figures of the adolescent boy (kokoschka) and girl (li) on the last page \u2013 illustrated here \u2013 are inspired by the sculptures of the belgian artist george minne, as kokoschka himself explained. all of these elements are integrated into a coherent and truly original artist\u2019s book, which is prefaced with a dedication to gustav klimt, who had been one of kokoschka\u2019s teachers at the kunstgewerbeschule. \n \n \n although it was not a great success at the time of its publication, the book is now considered as one of the most beautiful art books of the twentieth century, and it is generally recognised as foreshadowing expressionist art. \n \n \n  \n \n \n &laquo;die ferne insel&raquo; (the distant island) \n \n \n signed in plate \n \n \n this photolithograph was made with the permission of oskar himself while he was still alive, in 1968, and are therefore a true treasure for all lovers of his art and, above all, for all lovers who see themselves in these passionate desires of youth that most probably still senses."},"estimateMax":300,"lotNumber":"37","title":{"pt":"fotolitografia de oskar kokoschka, «die ferne insel»","en":"oskar kokoschka's photolithograph, «die ferne insel»"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17232/view","tags":["ptArt_Lithographsandscreenprints","ptArt_PrintsandLimitedEditions","ptArt_all","ptArt"],"directSalePrice":180,"lastUpdate":"2026-07-29T02:50:43.266Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17232,"estimateMin":250},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17233/001/001.png"],"available":false,"description":{"pt":"oskar kokoschka (1894-1980) foi um artista expressionista austr&iacute;aco, importante pela sua rela&ccedil;&atilde;o com a secess&atilde;o de viena e a sua aprendizagem com gustav klimt, mas tamb&eacute;m pela sua recusa do &laquo;jugendstil&raquo;, tra&ccedil;ando congru&ecirc;ncias com a viragem expressionista dos seus pares, como egon schiele. kokoschka ser&aacute; dos mais longevos artistas nascidos do s&eacute;culo xix, ficando tamb&eacute;m conhecido pelo seu hist&oacute;rico romance com alma mahler, vi&uacute;va do compositor gustav mahler. vir&aacute; apenas a falecer nos anos 80, ap&oacute;s uma longa carreira como pintor, desenhista, dramaturgo, poeta, professor e designer. destacam-se as suas obras die windsbraut e as decora&ccedil;&otilde;es para o cabaret fledermaus. \n \n \n \n \n \n \n \n \n \n  \n \n \n o livro de oskar kokoschka (die tr&auml;umenden knaben - os meninos sonhadores) foi a primeira obra gr&aacute;fica do jovem artista austr&iacute;aco, feita quando ele tinha apenas 21 anos. o livro foi encomendado em 1907 pelo diretor da wiener werkst&auml;tte (oficinas de viena). fritz w&auml;rndorfer pediu a kokoschka para conceber imagens coloridas para um livro infantil, no entanto, kokoschka foi al&eacute;m do resumo e escreveu tamb&eacute;m a pr&oacute;pria hist&oacute;ria, que acabou n&atilde;o sendo tanto um conto infantil quanto uma fantasia autobiogr&aacute;fica adolescente. \n \n \n uma hist&oacute;ria sensual que se desenrola numa paisagem ex&oacute;tica e f&eacute;rtil, com descri&ccedil;&otilde;es v&iacute;vidas de cheiros e sons, bem como as sensa&ccedil;&otilde;es f&iacute;sicas e vis&otilde;es on&iacute;ricas do narrador, concluindo com um encontro imagin&aacute;rio com uma jovem. em sua autobiografia, kokoschka escreveu sobre die tr&auml;umenden knaben: \n \n \n \"escolhi o t&iacute;tulo porque o livro era uma esp&eacute;cie de registo, em palavras e imagens, do meu estado de esp&iacute;rito naquele momento. eu estava apaixonado pela hero&iacute;na, a garota li das florestas de p&aacute;ssaros perdidas do norte', na vida real uma jovem sueca chamada lilith que frequentava a kunstgewerbeschule [escola de artes e of&iacute;cios, viena] e usava um vestido vermelho r&uacute;stico, que as pessoas n&atilde;o estavam acostumadas a ver em viena. vermelho &eacute; minha cor favorita e o livro foi minha primeira carta de amor.\" \n \n \n a representa&ccedil;&atilde;o simult&acirc;nea de v&aacute;rios momentos numa imagem &eacute; uma reminisc&ecirc;ncia da arte medieval e as linhas ousadas e cores vivas de suas composi&ccedil;&otilde;es baseiam-se na arte popular europeia tradicional. as formas sem sombras e a decora&ccedil;&atilde;o estilizada da superf&iacute;cie ainda refletem a est&eacute;tica jugendstil, enquanto as figuras angulares do adolescente (kokoschka) e da menina (li) s&atilde;o inspiradas nas esculturas do artista belga george minne, como o pr&oacute;prio kokoschka explicou. todos estes elementos est&atilde;o integrados num livro de artista coerente e verdadeiramente original, com pref&aacute;cio e dedicat&oacute;ria a gustav klimt, um dos professores de kokoschka. \n \n \n embora n&atilde;o tenha sido um grande sucesso na &eacute;poca de sua publica&ccedil;&atilde;o, o livro &eacute; hoje considerado um dos mais belos livros de arte do s&eacute;culo xx e &eacute; geralmente reconhecido como um pren&uacute;ncio da arte expressionista. \n \n \n \n \n  \n \n \n &laquo;schlafende frau&raquo; (menina adormecida) \n \n \n \n \n assinada na placa \n \n \n esta fotolitografia foi feita com autoriza&ccedil;&atilde;o do pr&oacute;prio oskar ainda em vida, no ano de 1968, sendo portanto uma verdadeira preciosidade para todos os amantes da sua arte e, principalmente, para todos os amantes que se rev&ecirc;m nestes desejos apaixonados da juventude, provavelmente ainda sentidos.","en":"oskar kokoschka (1894-1980) was an austrian expressionist artist, important for his relationship with the vienna secession and his apprenticeship with gustav klimt, but also for his rejection of &laquo;jugendstil&raquo;, drawing congruences with the expressionist turn of his peers, as egon schiele. kokoschka is one of the longest-lived artists born in the 19th century, and is also known for his historic romance with alma mahler, widow of the composer gustav mahler. he would only die in the 1980s, after a long career as a painter, draftsman, playwright, poet, teacher and designer. his works die windsbraut and the decorations for cabaret fledermaus stand out. \n \n \n \n \n \n \n \n \n \n  \n \n \n oskar kokoschka\u2019s book die tr&auml;umenden knaben (the dreaming boys) was the first graphic work by the austrian artist, made when he was only 21 years old. the book was commissioned in 1907 by the director of the wiener werkst&auml;tte (vienna workshops), fritz w&auml;rndorfer, who had asked kokoschka to design colour images for a children\u2019s book. however, kokoschka went beyond the brief and also wrote the story for die tr&auml;umenden knaben, which was not so much a children\u2019s tale as an autobiographical adolescent fantasy. \n \n \n the sensual story is set in a fertile exotic landscape with vivid descriptions of smells and sounds, as well as the narrator\u2019s physical sensations and dreamlike visions, concluding with an imaginary encounter with a young woman. in his autobiography kokoschka wrote of die tr&auml;umenden knaben: \n \n \n &laquo;i chose the title because the book was a kind of record, in words and pictures, of my own state of mind at the time. i was in love with the heroine, the girl li \u2018from the lost bird-forests of the north\u2019, in real life a young swedish girl called lilith who attended the kunstgewerbeschule [school of arts and crafts, vienna], and wore a red peasant-weave skirt such as people were not used to seeing in vienna. red is my favourite colour and the book was my first love letter.&raquo; \n \n \n kokoschka was influenced by various traditions and particular artists when he designed the book. the simultaneous depiction of various moments in one image is reminiscent of medieval art, and the bold lines and bright colours of his compositions draw on traditional european folk art. the shadowless forms and stylised surface decoration reflect jugendstil aesthetics, while the angular figures of the adolescent boy (kokoschka) and girl (li) on the last page \u2013 illustrated here \u2013 are inspired by the sculptures of the belgian artist george minne, as kokoschka himself explained. all of these elements are integrated into a coherent and truly original artist\u2019s book, which is prefaced with a dedication to gustav klimt, who had been one of kokoschka\u2019s teachers at the kunstgewerbeschule. \n \n \n although it was not a great success at the time of its publication, the book is now considered as one of the most beautiful art books of the twentieth century, and it is generally recognised as foreshadowing expressionist art. \n \n \n \n \n  \n \n \n &laquo;schlafende frau&raquo; (the sleeping lady) \n \n \n \n \n signed in plate \n \n \n this photolithograph was made with the permission of oskar himself while he was still alive, in 1968, and are therefore a true treasure for all lovers of his art and, above all, for all lovers who see themselves in these passionate desires of youth that most probably still senses."},"estimateMax":300,"lotNumber":"38","title":{"pt":"fotolitografia de oskar kokoschka, «schlafende frau»","en":"oskar kokoschka's photolithograph, «schlafende frau»"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17233/view","tags":["ptArt_Lithographsandscreenprints","ptArt_PrintsandLimitedEditions","ptArt_all","ptArt"],"directSalePrice":180,"lastUpdate":"2026-07-29T02:50:43.268Z","textCase":"lower","estimate":"\u20ac250 - \u20ac300","currency":"EUR","id":17233,"estimateMin":250},{"startPrice":180,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17234/001/001.jpg"],"available":false,"description":{"pt":"oskar kokoschka (1894-1980) foi um artista expressionista austr&iacute;aco, importante pela sua rela&ccedil;&atilde;o com a secess&atilde;o de viena e a sua aprendizagem com gustav klimt, mas tamb&eacute;m pela sua recusa do &laquo;jugendstil&raquo;, tra&ccedil;ando congru&ecirc;ncias com a viragem expressionista dos seus pares, como egon schiele. kokoschka ser&aacute; dos mais longevos artistas nascidos do s&eacute;culo xix, ficando tamb&eacute;m conhecido pelo seu hist&oacute;rico romance com alma mahler, vi&uacute;va do compositor gustav mahler. vir&aacute; apenas a falecer nos anos 80, ap&oacute;s uma longa carreira como pintor, desenhista, dramaturgo, poeta, professor e designer. destacam-se as suas obras die windsbraut e as decora&ccedil;&otilde;es para o cabaret fledermaus. \n  \n  \n \n o livro de oskar kokoschka (die tr&auml;umenden knaben - os meninos sonhadores) foi a primeira obra gr&aacute;fica do jovem artista austr&iacute;aco, feita quando ele tinha apenas 21 anos. o livro foi encomendado em 1907 pelo diretor da wiener werkst&auml;tte (oficinas de viena). fritz w&auml;rndorfer pediu a kokoschka para conceber imagens coloridas para um livro infantil, no entanto, kokoschka foi al&eacute;m do resumo e escreveu tamb&eacute;m a pr&oacute;pria hist&oacute;ria, que acabou n&atilde;o sendo tanto um conto infantil quanto uma fantasia autobiogr&aacute;fica adolescente. \n \n \n uma hist&oacute;ria sensual que se desenrola numa paisagem ex&oacute;tica e f&eacute;rtil, com descri&ccedil;&otilde;es v&iacute;vidas de cheiros e sons, bem como as sensa&ccedil;&otilde;es f&iacute;sicas e vis&otilde;es on&iacute;ricas do narrador, concluindo com um encontro imagin&aacute;rio com uma jovem. em sua autobiografia, kokoschka escreveu sobre die tr&auml;umenden knaben: \n \n \n \"escolhi o t&iacute;tulo porque o livro era uma esp&eacute;cie de registo, em palavras e imagens, do meu estado de esp&iacute;rito naquele momento. eu estava apaixonado pela hero&iacute;na, a garota li das florestas de p&aacute;ssaros perdidas do norte', na vida real uma jovem sueca chamada lilith que frequentava a kunstgewerbeschule [escola de artes e of&iacute;cios, viena] e usava um vestido vermelho r&uacute;stico, que as pessoas n&atilde;o estavam acostumadas a ver em viena. vermelho &eacute; minha cor favorita e o livro foi minha primeira carta de amor.\" \n \n \n a representa&ccedil;&atilde;o simult&acirc;nea de v&aacute;rios momentos numa imagem &eacute; uma reminisc&ecirc;ncia da arte medieval e as linhas ousadas e cores vivas de suas composi&ccedil;&otilde;es baseiam-se na arte popular europeia tradicional. as formas sem sombras e a decora&ccedil;&atilde;o estilizada da superf&iacute;cie ainda refletem a est&eacute;tica jugendstil, enquanto as figuras angulares do adolescente (kokoschka) e da menina (li) s&atilde;o inspiradas nas esculturas do artista belga george minne, como o pr&oacute;prio kokoschka explicou. todos estes elementos est&atilde;o integrados num livro de artista coerente e verdadeiramente original, com pref&aacute;cio e dedicat&oacute;ria a gustav klimt, um dos professores de kokoschka. \n \n \n embora n&atilde;o tenha sido um grande sucesso na &eacute;poca de sua publica&ccedil;&atilde;o, o livro &eacute; hoje considerado um dos mais belos livros de arte do s&eacute;culo xx e &eacute; geralmente reconhecido como um pren&uacute;ncio da arte expressionista. \n \n \n  \n \n \n \n \n &laquo;die schiffer rufen&raquo; (o chamamento dos marinheiros) \n \n \n \n \n assinada na placa \n \n \n esta fotolitografia foi feita com autoriza&ccedil;&atilde;o do pr&oacute;prio oskar ainda em vida, no ano de 1968, sendo portanto uma verdadeira preciosidade para todos os amantes da sua arte e, principalmente, para todos os amantes que se rev&ecirc;m nestes desejos apaixonados da juventude, provavelmente ainda sentidos.","en":"oskar kokoschka (1894-1980) was an austrian expressionist artist, important for his relationship with the vienna secession and his apprenticeship with gustav klimt, but also for his rejection of &laquo;jugendstil&raquo;, drawing congruences with the expressionist turn of his peers, as egon schiele. kokoschka is one of the longest-lived artists born in the 19th century, and is also known for his historic romance with alma mahler, widow of the composer gustav mahler. he would only die in the 1980s, after a long career as a painter, draftsman, playwright, poet, teacher and designer. his works die windsbraut and the decorations for cabaret fledermaus stand out. \n  \n  \n \n oskar kokoschka\u2019s book die tr&auml;umenden knaben (the dreaming boys) was the first graphic work by the austrian artist, made when he was only 21 years old. the book was commissioned in 1907 by the director of the wiener werkst&auml;tte (vienna workshops), fritz w&auml;rndorfer, who had asked kokoschka to design colour images for a children\u2019s book. however, kokoschka went beyond the brief and also wrote the story for die tr&auml;umenden knaben, which was not so much a children\u2019s tale as an autobiographical adolescent fantasy. \n \n \n the sensual story is set in a fertile exotic landscape with vivid descriptions of smells and sounds, as well as the narrator\u2019s physical sensations and dreamlike visions, concluding with an imaginary encounter with a young woman. in his autobiography kokoschka wrote of die tr&auml;umenden knaben: \n \n \n &laquo;i chose the title because the book was a kind of record, in words and pictures, of my own state of mind at the time. i was in love with the heroine, the girl li \u2018from the lost bird-forests of the north\u2019, in real life a young swedish girl called lilith who attended the kunstgewerbeschule [school of arts and crafts, vienna], and wore a red peasant-weave skirt such as people were not used to seeing in vienna. red is my favourite colour and the book was my first love letter.&raquo; \n \n \n kokoschka was influenced by various traditions and particular artists when he designed the book. the simultaneous depiction of various moments in one image is reminiscent of medieval art, and the bold lines and bright colours of his compositions draw on traditional european folk art. the shadowless forms and stylised surface decoration reflect jugendstil aesthetics, while the angular figures of the adolescent boy (kokoschka) and girl (li) on the last page \u2013 illustrated here \u2013 are inspired by the sculptures of the belgian artist george minne, as kokoschka himself explained. all of these elements are integrated into a coherent and truly original artist\u2019s book, which is prefaced with a dedication to gustav klimt, who had been one of kokoschka\u2019s teachers at the kunstgewerbeschule. \n \n \n although it was not a great success at the time of its publication, the book is now considered as one of the most beautiful art books of the twentieth century, and it is generally recognised as foreshadowing expressionist art. \n \n \n  \n \n \n \n \n &laquo;die schiffer rufen&raquo; (the sailors are calling) \n \n \n \n \n signed in plate \n \n \n this photolithograph was made with the permission of oskar himself while he was still alive, in 1968, and are therefore a true treasure for all lovers of his art and, above all, for all lovers who see themselves in these passionate desires of youth that most probably still senses."},"estimateMax":300,"lotNumber":"39","title":{"pt":"fotolitografia de oskar kokoschka, «die schiffer rufen»","en":"oskar kokoschka's photolithograph «die schiffer 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cm."},"estimateMax":90,"lotNumber":"50","title":{"pt":"garrafa modernista, cerâmicas outeiro","en":"modernist ceramic bottle, from outeiro"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17246/view","tags":["ptDecorativeArts_Ceramics","ptDecorativeArts","ptDecorativeArts_all"],"directSalePrice":50,"lastUpdate":"2026-07-29T02:50:45.784Z","textCase":"lower","estimate":"\u20ac70 - 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tintas, outros \n \n  \n \n \n &laquo;idal&eacute;cio &eacute; um artista outsider, auto-didacta, nascido em 1952, numa aldeia do interior do distrito de aveiro. \n \n \n a dualidade que caracteriza ainda hoje a sua vida, com dois mundos social e culturalmente bem vincados, de confronto entre uma viv&ecirc;ncia adulta materialmente burguesa e uma outra de origem rural e humilde, &eacute; resolvida atrav&eacute;s da express&atilde;o art&iacute;stica, sendo claramente percept&iacute;vel no conjunto da sua obra. \n \n \n artista pop e populista, surreal e tropicalista, idal&eacute;cio inspira-se fortemente na arte popular portuguesa, de que &eacute; apreci&aacute;vel conhecedor, sendo um habitual frequentador das festas, romarias e feiras de artesanato que se realizam por todo o pa&iacute;s. ali, recupera alguns dos elementos e motivos do imagin&aacute;rio rural, em que o sagrado e o profano seguem quase sempre a par, para desferir duras e sarc&aacute;sticas cr&iacute;ticas aos poderes institu&iacute;dos, em especial aos herdados da cultura judaico-crist&atilde;. \n \n \n de forma inusitada, conjuga a linguagem dos mestres artes&atilde;os portugueses com algumas das express&otilde;es da arte tribal africana, de que &eacute; igualmente coleccionador, particularmente das chamadas \u2018power figures\u2019, a que n&atilde;o ser&aacute; alheio o facto de ter cumprido o servi&ccedil;o militar no interior de mo&ccedil;ambique no in&iacute;cio dos anos 70. \n \n \n se no in&iacute;cio da sua actividade criativa s&atilde;o evidentes algumas incoer&ecirc;ncias estil&iacute;sticas \u2013 picando aqui e ali de tudo com que se cruzava na sua inocente curiosidade natural \u2013, na produ&ccedil;&atilde;o mais recente &eacute; percept&iacute;vel uma maior coes&atilde;o de estilos, formas e temas, resultado de um processo evolutivo bem sucedido na direc&ccedil;&atilde;o de uma linguagem pr&oacute;pria absolutamente singular.&raquo; \n \n \n (texto retirado da galeria cruzes canhoto)"},"estimateMax":350,"lotNumber":"51","title":{"pt":"o diabo da caveira de idalécio, metalúrgico sexagenário, 2017","en":"the skull's devil by idalécio, metalúrgico sexagenário, 2017"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17245/view","tags":["ptArt_Sculpture","ptArt_all","ptArt"],"directSalePrice":200,"lastUpdate":"2026-07-29T02:50:40.694Z","textCase":"lower","estimate":"\u20ac250 - \u20ac350","currency":"EUR","id":17245,"estimateMin":250},{"startPrice":30,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17247/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17247/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17247/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17247/004/004.jpg"],"available":false,"description":{"pt":"bel&iacute;ssimo conjunto de esculturas em marfinite, antigo, composto por quatro puttis com asas douradas e representando as quatro esta&ccedil;&otilde;es. tardoz com argola para suspens&atilde;o. \n \n \n patine e sinais normais de uso","en":"beautiful set of antique &laquo;ivory&raquo; sculptures, consisting of four puttis with golden wings depicting the four seasons. ring for suspension in the back. \n \n patina and normal signs of use"},"estimateMax":80,"lotNumber":"52","title":{"pt":"4 anjos antigos em marfinite","en":"4 angels in «like ivory»"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17247/view","tags":["ptDecorativeArts_Statuettes","ptDecorativeArts","ptDecorativeArts_all"],"directSalePrice":30,"lastUpdate":"2026-07-29T02:50:40.697Z","textCase":"lower","estimate":"\u20ac50 - 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portugal"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17248/view","tags":["ptDecorativeArts_Earthenware","ptDecorativeArts","ptDecorativeArts_all"],"directSalePrice":25,"lastUpdate":"2026-07-29T02:50:40.699Z","textCase":"lower","estimate":"\u20ac40 - \u20ac60","currency":"EUR","id":17248,"estimateMin":40},{"startPrice":25,"sold":false,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17252/001/001.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17252/002/002.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17252/003/003.jpg","https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17252/004/004.jpg"],"available":false,"description":{"pt":"raro ferro de engomar de final do s&eacute;culo xix, in&iacute;cio do s&eacute;culo xx. \n \n \n \n corpo e chamin&eacute; em ferro e pega em madeira. \n \n \n apresenta uma su&aacute;stica gravada. \n \n \n excelente para coleccionadores ou como objecto distintivo de decora&ccedil;&atilde;o.","en":"rare and antique swastica sad iron/box iron coal chimney with wood handle (19th \u2013 20th century) \n \n \n \n engraved swastica. \n \n \n excellent for collectors or as distinctive decoration object."},"estimateMax":70,"lotNumber":"54","title":{"pt":"antigo e raro ferro de engomar com chaminé (séc. xix \u2013 xx)","en":"rare and antique swastica iron with coal chimney (séc. xix \u2013 xx)"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17252/view","tags":["ptCollectibles_Tools","ptCollectibles","ptCollectibles_all"],"directSalePrice":25,"lastUpdate":"2026-07-29T02:50:40.701Z","textCase":"lower","estimate":"\u20ac50 - 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grês","en":"old stoneware bottles."},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17250/view","tags":["ptDecorativeArts_Stoneware","ptDecorativeArts","ptDecorativeArts_all"],"directSalePrice":30,"lastUpdate":"2026-07-29T02:50:40.705Z","textCase":"lower","estimate":"\u20ac50 - \u20ac80","currency":"EUR","id":17250,"estimateMin":50},{"startPrice":30,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17255/001/001.jpg"],"soldDate":"2023-02-02","available":false,"description":{"pt":"o casal leas com o seu rolls royce e os seus dois c&atilde;es, no exterior do the flagler museum em palm beach, fl&oacute;rida. \n  \n \n \n  \n \n \n endeavor edition. fotografia autorizada pelo slim aarons archive. \n \n \n  \n \n \n slim aarons (1916-2006) \n \n \n por que s&atilde;o t&atilde;o populares as fotos de slim aarons? \n \n \n embora ele mesmo gostasse de se definir como o fot&oacute;grafo de \u201cpessoas atraentes fazendo coisas atraentes em lugares atraentes\u201d, h&aacute; muito, muito mais nas fotografias de slim aarons. \n \n \n slim aarons foi um dos mais prol&iacute;ficos documentadores da vida de celebridades e socialites do s&eacute;culo xx. ao longo de seis d&eacute;cadas, aarons fotografou algumas das pessoas \"mais bonitas\" do mundo em alguns dos destinos mais desej&aacute;veis: &laquo;jet-setting&raquo; de beverly hills para capri, para a riviera francesa, etc. aarons fotografou pessoas como a fam&iacute;lia kennedy, humphrey bogart, marilyn monroe ou gra&ccedil;a kelly. no entanto, para aarons, a vida nem sempre foi beber coquet&eacute;is em locais ex&oacute;ticos. a sua carreira come&ccedil;ou por fotografar soldados em combate durante a segunda guerra mundial, pelo qual recebeu um cora&ccedil;&atilde;o p&uacute;rpura. \n \n \n a linguagem visual que aarons desenvolveu tornou-se sin&ocirc;nimo de luxo, muitas vezes imitada nos mundos da moda e anunciada como o cume do &laquo;lifestyle&raquo;. aarons trabalhou sem estilistas ou ilumina&ccedil;&atilde;o artificial, capturando seus modelos nas suas pr&oacute;prias roupas e cen&aacute;rios, de forma a dar um ar de autenticidade. \n \n \n slim aarons foi criado em nova york e new hampshire e come&ccedil;ou sua carreira fotogr&aacute;fica enquanto estava no ex&eacute;rcito tendo sido nomeado fot&oacute;grafo oficial da academia militar em west point. quando a guerra estourou, foi enviado como fot&oacute;grafo de combate para a revista yank, do norte da &aacute;frica ao oriente m&eacute;dio e &agrave; europa, testemunhando a queda de tobruk e a liberta&ccedil;&atilde;o de roma. \n \n \n slim trabalhou para as principais revistas da &eacute;poca, incluindo life, holiday, town & country, vogue, harper's bazaar e travel & leisure, viajando frequentemente para festas em beverly hills ou na park avenue, passando invernos em gstaad ou palm beach, ver&otilde;es na riviera francesa ou italiana e em todo o caribe. \n \n \n slim aarons, familiarizado com a elite mundial, trouxe para os seus retratos um frescor e um certo &eacute;lan que foi muito apreciado. como resultado, slim era recebido nos retiros exclusivos das celebridades e as suas imagens atingiram um grau de intimidade que se aproxima das fotos de fam&iacute;lia. \n \n \n nos &uacute;ltimos anos, a influ&ecirc;ncia de seu trabalho tem sido cada vez mais reconhecida, sendo considerado um dos fot&oacute;grafos mais influentes da sua gera&ccedil;&atilde;o. as fotos de slim aarons, retratando um certo lifestyle , s&atilde;o cada vez mais procuradas por colecionadores de todo o mundo.","en":"mr and mrs donald leas with their rolls royce and two pet dogs outside the flagler museum in palm beach, florida. \n \n \n endeavor edition. all photographs are authorised by the slim aarons archive. \n \n \n  \n \n \n \n \n slim aarons (1916-2006) \n \n \n why are slim aarons prints so popular? \n \n \n although he himself liked to define himself as the photographer of \u201cattractive people doing attractive things in attractive places\u201d, there is much, much more in slim aarons\u2019 photographs. \n \n \n slim aarons was one of the twentieth century\u2019s most prolific documenters of celebrity and socialite life. over six decades, aarons photographed some of the world\u2019s most beautiful people in some of the globes most desirable destinations: jet-setting from beverly hills to capri to the french riviera, aarons snapped the likes of the kennedy family, humphrey bogart, marilyn monroe, and grace kelly. however, life wasn\u2019t always cocktails in exotic locations for aarons. the photographer began his career photographing soldiers in combat during world war ii, for which he received a purple heart. \n \n \n the visual language that aarons developed became a byword for luxury, often mimicked in the twin worlds of fashion and adverting as the peak of aspirational life-styling. though aarons\u2019 photographs could pass for a vogue shoot, the artist himself worked without stylists or artificial lighting, capturing his subjects in their own clothes and settings for an air of authenticity. \n \n \n slim aarons was raised in new york and new hampshire and began his photography career while in the army and before long was appointed the official photographer of the united states military academy at west point. when war broke out, he was sent as a combat photographer for yank magazine and saw action from north africa to the middle east to europe, witnessing the fall of tobruk and the liberation of rome. \n \n \n after leaving the army, aarons became a freelance photojournalist. slim worked for the leading magazines of the day including life, holiday, town & country, vogue, harper\u2019s bazaar and travel & leisure, traveling often to attend parties in beverly hills or on park avenue, spending winters in gstaad or palm beach, summers on the french or italian riviera or all around the caribbean. slim aarons was very much at ease and on familiar terms with the world\u2019s elite and he brought to his portraits a freshness and certain &eacute;lan that they greatly appreciated. as a result, slim was welcomed into the exclusive retreats of the world\u2019s glitterati and his imagery attains a degree of intimacy approaching that of family photos. \n \n \n in recent years, the influence of his work has been increasingly acknowledged and he is now regarded as one of the most influential photographers of his generation. slim aarons prints depicting swimming pools, rich people and fashion are increasingly sought after by collectors from all over the world"},"estimateMax":160,"lotNumber":"58","title":{"pt":"foto de slim aarons\ndonald leas, 1968","en":"slim aarons photo\ndonald leas, 1968"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17255/view","tags":["ptArt_Photography","ptArt_all","ptArt"],"directSalePrice":30,"soldPrice":90,"lastUpdate":"2026-07-29T02:50:40.707Z","textCase":"lower","estimate":"\u20ac80 - \u20ac160","currency":"EUR","id":17255,"estimateMin":80},{"startPrice":30,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17256/001/001.jpg"],"soldDate":"2023-02-02","available":false,"description":{"pt":"o aristocrata mais jovem de inglaterra, thomas alexander fermor-hesketh, de sete anos, 3&ordm; bar&atilde;o e 10&ordm; baronete hesketh, pescando no lago da sua casa ancestral, easton neston em northamptonshire \n  \n \n \n  \n \n \n endeavor edition. fotografia autorizada pelo slim aarons archive. \n \n \n  \n \n \n slim aarons (1916-2006) \n \n \n por que s&atilde;o t&atilde;o populares as fotos de slim aarons? \n \n \n embora ele mesmo gostasse de se definir como o fot&oacute;grafo de \u201cpessoas atraentes fazendo coisas atraentes em lugares atraentes\u201d, h&aacute; muito, muito mais nas fotografias de slim aarons. \n \n \n slim aarons foi um dos mais prol&iacute;ficos documentadores da vida de celebridades e socialites do s&eacute;culo xx. ao longo de seis d&eacute;cadas, aarons fotografou algumas das pessoas \"mais bonitas\" do mundo em alguns dos destinos mais desej&aacute;veis: &laquo;jet-setting&raquo; de beverly hills para capri, para a riviera francesa, etc. aarons fotografou pessoas como a fam&iacute;lia kennedy, humphrey bogart, marilyn monroe ou gra&ccedil;a kelly. no entanto, para aarons, a vida nem sempre foi beber coquet&eacute;is em locais ex&oacute;ticos. a sua carreira come&ccedil;ou por fotografar soldados em combate durante a segunda guerra mundial, pelo qual recebeu um cora&ccedil;&atilde;o p&uacute;rpura. \n \n \n a linguagem visual que aarons desenvolveu tornou-se sin&ocirc;nimo de luxo, muitas vezes imitada nos mundos da moda e anunciada como o cume do &laquo;lifestyle&raquo;. aarons trabalhou sem estilistas ou ilumina&ccedil;&atilde;o artificial, capturando seus modelos nas suas pr&oacute;prias roupas e cen&aacute;rios, de forma a dar um ar de autenticidade. \n \n \n slim aarons foi criado em nova york e new hampshire e come&ccedil;ou sua carreira fotogr&aacute;fica enquanto estava no ex&eacute;rcito tendo sido nomeado fot&oacute;grafo oficial da academia militar em west point. quando a guerra estourou, foi enviado como fot&oacute;grafo de combate para a revista yank, do norte da &aacute;frica ao oriente m&eacute;dio e &agrave; europa, testemunhando a queda de tobruk e a liberta&ccedil;&atilde;o de roma. \n \n \n slim trabalhou para as principais revistas da &eacute;poca, incluindo life, holiday, town & country, vogue, harper's bazaar e travel & leisure, viajando frequentemente para festas em beverly hills ou na park avenue, passando invernos em gstaad ou palm beach, ver&otilde;es na riviera francesa ou italiana e em todo o caribe. \n \n \n slim aarons, familiarizado com a elite mundial, trouxe para os seus retratos um frescor e um certo &eacute;lan que foi muito apreciado. como resultado, slim era recebido nos retiros exclusivos das celebridades e as suas imagens atingiram um grau de intimidade que se aproxima das fotos de fam&iacute;lia. \n \n \n nos &uacute;ltimos anos, a influ&ecirc;ncia de seu trabalho tem sido cada vez mais reconhecida, sendo considerado um dos fot&oacute;grafos mais influentes da sua gera&ccedil;&atilde;o. as fotos de slim aarons, retratando um certo lifestyle , s&atilde;o cada vez mais procuradas por colecionadores de todo o mundo.","en":"the youngest peer in england, seven year old thomas alexander fermor-hesketh, 3rd baron and 10th baronet hesketh, fishing in the lake at his ancestral home easton neston house in northamptonshire. \n \n \n  \n \n \n endeavor edition. all photographs are authorised by the slim aarons archive. \n \n \n  \n \n \n \n \n slim aarons (1916-2006) \n \n \n why are slim aarons prints so popular? \n \n \n although he himself liked to define himself as the photographer of \u201cattractive people doing attractive things in attractive places\u201d, there is much, much more in slim aarons\u2019 photographs. \n \n \n slim aarons was one of the twentieth century\u2019s most prolific documenters of celebrity and socialite life. over six decades, aarons photographed some of the world\u2019s most beautiful people in some of the globes most desirable destinations: jet-setting from beverly hills to capri to the french riviera, aarons snapped the likes of the kennedy family, humphrey bogart, marilyn monroe, and grace kelly. however, life wasn\u2019t always cocktails in exotic locations for aarons. the photographer began his career photographing soldiers in combat during world war ii, for which he received a purple heart. \n \n \n the visual language that aarons developed became a byword for luxury, often mimicked in the twin worlds of fashion and adverting as the peak of aspirational life-styling. though aarons\u2019 photographs could pass for a vogue shoot, the artist himself worked without stylists or artificial lighting, capturing his subjects in their own clothes and settings for an air of authenticity. \n \n \n slim aarons was raised in new york and new hampshire and began his photography career while in the army and before long was appointed the official photographer of the united states military academy at west point. when war broke out, he was sent as a combat photographer for yank magazine and saw action from north africa to the middle east to europe, witnessing the fall of tobruk and the liberation of rome. \n \n \n after leaving the army, aarons became a freelance photojournalist. slim worked for the leading magazines of the day including life, holiday, town & country, vogue, harper\u2019s bazaar and travel & leisure, traveling often to attend parties in beverly hills or on park avenue, spending winters in gstaad or palm beach, summers on the french or italian riviera or all around the caribbean. slim aarons was very much at ease and on familiar terms with the world\u2019s elite and he brought to his portraits a freshness and certain &eacute;lan that they greatly appreciated. as a result, slim was welcomed into the exclusive retreats of the world\u2019s glitterati and his imagery attains a degree of intimacy approaching that of family photos. \n \n \n in recent years, the influence of his work has been increasingly acknowledged and he is now regarded as one of the most influential photographers of his generation. slim aarons prints depicting swimming pools, rich people and fashion are increasingly sought after by collectors from all over the world"},"estimateMax":160,"lotNumber":"59","title":{"pt":"foto de slim aarons\nbaron boy, 1957","en":"slim aarons photo\nbaron boy, 1957"},"url":"https://pt.bidspirit.com/ui/lotPage/tera-arte/source/catalog/auction/30045/lot/17256/view","tags":["ptArt_Photography","ptArt_all","ptArt"],"directSalePrice":30,"soldPrice":70,"lastUpdate":"2026-07-29T02:50:40.708Z","textCase":"lower","estimate":"\u20ac80 - \u20ac160","currency":"EUR","id":17256,"estimateMin":80},{"startPrice":30,"sold":true,"images":["https://bidspirit-images.global.ssl.fastly.net/tera-arte/cloned-images/17257/001/001.jpg"],"soldDate":"2023-02-02","available":false,"description":{"pt":"madame de la haye-jousselin montando o seu cavalo, em frente dos port&otilde;es do seu castelo na normandia. \n \n \n  \n \n \n endeavor edition. fotografia autorizada pelo slim aarons archive. \n \n \n  \n \n \n slim aarons (1916-2006) \n \n \n por que s&atilde;o t&atilde;o populares as fotos de slim aarons? \n \n \n embora ele mesmo gostasse de se definir como o fot&oacute;grafo de \u201cpessoas atraentes fazendo coisas atraentes em lugares atraentes\u201d, h&aacute; muito, muito mais nas fotografias de slim aarons. \n \n \n slim aarons foi um dos mais prol&iacute;ficos documentadores da vida de celebridades e socialites do s&eacute;culo xx. ao longo de seis d&eacute;cadas, aarons fotografou algumas das pessoas \"mais bonitas\" do mundo em alguns dos destinos mais desej&aacute;veis: &laquo;jet-setting&raquo; de beverly hills para capri, para a riviera francesa, etc. aarons fotografou pessoas como a fam&iacute;lia kennedy, humphrey bogart, marilyn monroe ou gra&ccedil;a kelly. no entanto, para aarons, a vida nem sempre foi beber coquet&eacute;is em locais ex&oacute;ticos. a sua carreira come&ccedil;ou por fotografar soldados em combate durante a segunda guerra mundial, pelo qual recebeu um cora&ccedil;&atilde;o p&uacute;rpura. \n \n \n a linguagem visual que aarons desenvolveu tornou-se sin&ocirc;nimo de luxo, muitas vezes imitada nos mundos da moda e anunciada como o cume do &laquo;lifestyle&raquo;. aarons trabalhou sem estilistas ou ilumina&ccedil;&atilde;o artificial, capturando seus modelos nas suas pr&oacute;prias roupas e cen&aacute;rios, de forma a dar um ar de autenticidade. \n \n \n slim aarons foi criado em nova york e new hampshire e come&ccedil;ou sua carreira fotogr&aacute;fica enquanto estava no ex&eacute;rcito tendo sido nomeado fot&oacute;grafo oficial da academia militar em west point. quando a guerra estourou, foi enviado como fot&oacute;grafo de combate para a revista yank, do norte da &aacute;frica ao oriente m&eacute;dio e &agrave; europa, testemunhando a queda de tobruk e a liberta&ccedil;&atilde;o de roma. \n \n \n slim trabalhou para as principais revistas da &eacute;poca, incluindo life, holiday, town & country, vogue, harper's bazaar e travel & leisure, viajando frequentemente para festas em beverly hills ou na park avenue, passando invernos em gstaad ou palm beach, ver&otilde;es na riviera francesa ou italiana e em todo o caribe. \n \n \n slim aarons, familiarizado com a elite mundial, 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